Magistro darbe nagrinėjamos estetinio-meninio papildomo ugdymo organizavimo aplinkybės, teoriniai aspektai; nubrėžiamos šio ugdymo organizavimo tobulinimo gairės, pateikiama rekomendacijų ugdymo įstaigoms, organizuojančioms estetinį-meninį ugdymą. / Additional aesthetic-artistic development sistem include same way a formal art bringing up according to a special train programmes and edditional development, witch include different additional aesthetic purpose classes, activities, clubs and researches. However, in an every single activity, art is first of all values creator and our emotionals experiences area. Understanding a piece of art is very close to that experience, what we call social-culture values.

In creating the common European space on higher education, the significance of cultural studies and personal activeness are emphasized, as well as the specialists’ creative activity format, mobility abilities and experience are highlighted. It raises the task to stimulate a student’s vocational maturity in the study process. A student’s personality matures under the influence of the subject study of both general education, including artistic education, and vocational training. It is topical to determine the relationship of artistic education and vocational training and thus create a unified process of stimulating an individual’s maturity. Therefore, the relationship of artistic education and vocational training is topical in organizing subject studies at as institution of higher education. The dissertation discloses the prerequisites of artistic education and vocational training and verifies its possibilities and significance in modeling subject studies. It singles out the system of criteria, indicators and guidelines of the study assessment – these are pedagogical factors stipulated from the individual’s viewpoint and their unified entirety (model), which is significant for both the teacher and the student. It has been determined that artistic education stipulated from the vocational viewpoint and vocational training stipulated from the artistic viewpoint is a valid pedagogical factor of the studies organization and students’ vocational maturity; and the unity of artistic... [to full text]

The aesthetics of material environment grounded on design influences us. We are sensitive to space (to its certain volume); it influences our psychological state. Everyone of us encounters material environment as a user, perceiver or creator. Modern teenager finds it quite difficult to perceive himself and his relation with the surrounding reality or the forms of reality. It is even quite difficult to tell what is material environment. Modern technologies can easily present fiction, imitation as a reality, which we start trusting, perceive and live in. The man communicates with the environment and information. His imagination has to start to evaluate, form and change the material environment in a creative way, employing cognitive, logical and emotional processes. Design as designing of material environment, artistic constructing, creation of aesthetic appearance combines art, science and technics. Aesthetic cognisance is significant in its evolutionary sense too, because it enables to model and describe internal and external world, which surely would be impossible to represent just in the rational way. Aesthetic value describes the so-called object, on one hand as the totality of peculiarities and various relations, and on the other hand, as the relation of those peculiarities and the man with the environment (natural, social, material). This research work provides a broader analysis of aesthetic reflection of design as one of the types of aesthetic activities. Design... [to full text]

Artistic training from the point of view of a student is considered to be a solid process in which impacts of different educational institutions interflow. The research material and report on the educational process participants', teachers' of art block attitude toward artistic activity allows to define and evaluate organizing forms and methods of artistic training and a positive attitude on artistic activity stimulation opportunities.

The completed research allows to conclude that abstract expression holds a key importance in the process of art tuition. Its influence on children visual reflection is determined by a number of factors: the development of student's thinking process, his individual character, visual reflection forms, relevant teaching methods and valuation of student's works. This research describes the techniques the tutor uses for the purpose to understand the student, best reveal his unique inner capabilities and skills and facilitate their development. In early age, when children only start to realize the principals of abstract art, they create abstract compositions on playing grounds. Their creativity, active imagination, thinking capabilities and intuition expand and improve on the way. In upper grades, when the attractiveness of drawing and working as a process fades out, the weight of drawing result continually increases. This is the age when children lose the joy of spontaneous creation, while the attempt at realistic expression encounters an essential lack of skills. Children are willing to be taught and they seek definite rules. Still they cannot generalize consciously, therefore the most appropriate tasks are design of ornaments out of geometrical figures, lines and colours. This way they get acquainted with the means of abstract expression in art, and these provide a positive impulse for the enhancement of creative capabilities and overall personality maturing. 14 – 18 years... [to full text]

In creating the common European space on higher education, the significance of cultural studies and personal activeness are emphasized, as well as the specialists’ creative activity format, mobility abilities and experience are highlighted. It raises the task to stimulate a student’s vocational maturity in the study process. A student’s personality matures under the influence of the subject study of both general education, including artistic education, and vocational training. It is topical to determine the relationship of artistic education and vocational training and thus create a unified process of stimulating an individual’s maturity. Therefore, the relationship of artistic education and vocational training is topical in organizing subject studies at as institution of higher education. The dissertation discloses the prerequisites of artistic education and vocational training and verifies its possibilities and significance in modeling subject studies. It singles out the system of criteria, indicators and guidelines of the study assessment – these are pedagogical factors stipulated from the individual’s viewpoint and their unified entirety (model), which is significant for both the teacher and the student. It has been determined that artistic education stipulated from the vocational viewpoint and vocational training stipulated from the artistic viewpoint is a valid pedagogical factor of the studies organization and students’ vocational maturity; and the unity of artistic... [to full text]

Paauglystėje asmens brandos raida tarytum pagauna pagreitį, pagauna ir ilgam užtvirtina pagrindinius brandos aspektus, kurie savo pastovumo prasme daugeliui žmonių jau lieka nepakitę visą jų tolesnį gyvenimą. Įvairi vizualinė raiška padeda asmeniui mokytis dailės kalbos. Anot J. Kievišo (2007, 6 p.) „veikdamas asmens dvasinių vertybių sistemą, intelektines, emocines, fizines galias menas skatina individualios kultūros bei sociokultūrinės integracijos raidą ir taip įsilieja į bendrą asmenybės brandos procesą.“ Vizualinės raiškos įvairovė – kelias, kuriuo menas pasiekia ugdytinio suvokimą, veikia jį ir ugdo pilnavertę asmenybę. 5–8 klasių mokinių amžiaus tarpsnis ypatingas. Vaikai tampa paaugliais, kinta jų mąstymas, suvokimas, norai, požiūris. Dažnai vaikai praranda motyvaciją mokytis, „nebemoka“ piešti, protestuoja prieš juos supančią aplinką. Šiame amžiaus tarpsnyje pastebimas kūrybiškumo lūžis. Tam, kad ugdytinių kūrybiškumas toliau laipsniškai augtų, jau reikalingi papildomi svertai. Manoma, kad vizualinės raiškos įvairovė gali būti raktas, sprendžiant kūrybiškumo ugdymo problemas. Nagrinėjamas darbo objektas – vizualinės raiškos įvairovės svarba dailės pamokose, jos vaidmuo 5–8 klasių mokinių meniniam ugdymui. Darbo tikslas – atskleisti vizualinės raiškos įvairovės svarbą 5–8 klasių mokinių meniniam ugdymui. Iškelta hipotezė – dailės technikų ir vizualinės raiškos būdų įvairovė teigiamai veikia, skatina kūrybiškumą, atskleidžia individualius gebėjimus, daro pastebimą... [toliau žr. visą tekstą] / In adolescence, the development of personal maturity gains acceleration and consolidates the basic maturity aspects, which in the sense of their stability do not change for many people throughout their lives. Different visual expression helps a person to learn the language of art. According to J. Kievišas (2007, p. 6) “by acting on a person’s system of spiritual values, intellectual, emotional and physical capacities, the art stimulates the development of individual culture and socio-cultural integration and in such way adds to the general personal maturity process.” The variety of visual expression is a way through which the art can reach a person’s perception, act upon it and educate a versatile personality. The age of 5th –8th graders is a very special stage of personal development. Children become adolescents with changes in their thinking, reasoning, wishes and attitudes. Often children lose motivation to learn, “do not know how” to draw, express protest against surrounding environment. This stage of development is a turning point in a person’s creativity. In order to develop children’s further creativity, additional stimuli are necessary. The variety of visual expression is supposed to be a key in solving various creativity education problems. The subject of this work is the importance of the variety of visual expression during art lessons, and the role of such variety for the creative education of 5th –8th graders. The purpose of this work is to reveal the importance... [to full text]

In this work applied art is the discussed integrational opportunities of the applied arts in 6-7th forms. There in the introduction the urgency of the theme is argued. As in nowadays culture the special role goes to the applied arts we collide with it not visiting neither exhibitions nor museums so it can be used as much as possible in the education as a subject with which students become acquainted in their own environment. In the introduction the problems of this work are formed, the hypothesis is raised and the methods adapted are indicated. In order to the integrational opportunities of the applied arts would be would be grounded theoretically, there in the work the survey of the history of the applied arts is presented, which shows how many areas- of ethics, customs, anatomy, geography etc. includes the applied arts. Here the most important stages of its development are reviewed in the Western Europe, and also the originalities of its development in Lithuania are described. Revealed that the very applied art was historically connected with very different sides of life and science progress, also the conditions to discuss its integrational development opportunities are formed. In the second part of this work the necessities of the integrated teaching are analyzed, the meaning of such teaching is revealed, grounding it with specific 6-7th forms students’ peculiarities. In this part it is grounded with more famous works of the psychology science representatives which let us... [to full text]

While integrating to socio cultural environment such person’s features like ability to watch, analyze, interpret and estimate the qualities of motion, language (intonation), sound and view. This trains communication culture in various social situations. The improvement of body movements opens the opportunity to experience the joy which comes from educated, strong, healthy organism, it creates preconditions of person’s self expression and self realization. However in various spheres of life and work it is often being hidden behind the stream of words, not emphasizing the plastic opportunities of person’s body. In the activity of sports body movements can be described by cultural point of view, the not verbal motion of the body is modernized which has some aesthetic value. Improving human’s body movements will get socio cultural quality which could be expressed by the unity of peculiarities using them as the means of self expression in the socio cultural activity. That is why movement culture and their plastic (aesthetic) expression is one of the person’s problems of the cultural upbringing. The object of the investigation is the importance of the aesthetic movement to person’s socio cultural integration. The aim of the investigation is to reveal the importance of the adult’s body movements improving to their socio cultural integration. The hypothesis of the investigation is that improving of the body movements (in the aesthetic point of view) to the adult’s socio cultural... [to full text]

Skaitmeninės technologijos suteikia mokiniams daug naujų galimybių, nes jie gali gauti daug ir įvairios informacijos pačiomis įvairiausiomis formomis – įskaitant tekstinę informaciją, fotografiją, grafiką, garsinę bei vaizdinę medžiagą. Pasinaudojus įvairia skaitmenine technika gautą informaciją lengva keisti, suteikiant jai savitumo, pritaikant individualiems mokymosi poreikiams. Skaitmeninės technologijos nuolatinė kaita ir spartus vystymasis lemia šiame darbe nagrinėjamą skaitmeninių technologijų vizualios raiškos mokinių galimybių plėtroje meniniame ugdyme naujumą. Tyrimo tikslas - skaitmeninių technologijų įtaka mokinių vizualios raiškos plėtrai. Tyrimo objektas - skaitmeninės technologijų naudojimas dailės pamokoje plečiant mokinių vizualią raišką. Tyrimo uždaviniai: (1) apibūdinti skaitmeninių technologijų galimybes kaip vizualios raiškos priemonę; (2) apžvelgti skaitmeninių technologijų panaudojimą kūryboje ir dailės ugdymo procese; (3) įvertinti esamą mokinių požiūrį į skaitmenines technologijas kaip priemonę realizuoti kūrybines galias. Tyrimo metodai: (1) Teorinis: pedagoginės, meninės, techninės literatūros studijavimas, švietimo sistemos dokumentų, interneto duomenų sisteminė analizė; (2) empirinis: anketinė apklausa, mokinių vizualinės raiškos darbų analizė; (3) matematinis: procentinė duomenų analizė. Darbe buvo apibūdintos tokios skaitmeninių technologijų galimybės kaip vizualios raiškos priemonės: galimybės panaudojant skaitmeninį fotoaparatą, skanerį... [toliau žr. visą tekstą] / Digital technologies allow pupils a lot of new possibilities as the pupils may receive a lot of information in the different forms, including textual information, photography, graphics, expressions and pattern information. When using the digital technology it is easy to adopt the information, to grant originality to the information as well as to adopt it to the individual learning needs. Constant change and rapid development in the digital technologies is the determining factor of novelty of the digital technologies in the artistic education in the development of school learners’ visual expression, which is being discussed in these diploma theses. The purpose of the research is analysis of the influence of the digital technologies to school learnen’ visual expression. The research subject-matter is a use of the digital technologies at the art lessons, with the purpose to expand learnen’ visual expression at the lesson. Research methods are as follows: (1) Theoretical, educational, artistic, analysis of the technical literature, systemic analysis of the documents of the educational system and internet data; (2) empirical: questionnaire interview, analysis of the pupils’ work of the visual expression; (3) mathematical: percentage analysis of the data. Implementation of the digital technologies, as the visual expression mean at the artistic lesson, facilitates individual learning, ensure basis to develop visual expression of the pupils, constitute possibilities to realize... [to full text]