Global ETD Search

671	Imaging the <i>Almeh</i>: Transformation and Multiculturalization of the Eastern Dancer in Painting, Theatre, and Film, 1850-1950 Bagnole, Rihab Kassatly January 2005 (has links) No description available. Almeh Belly dance Eastern dance Arabic culture Arabic Dance Arabic Entertainment Samia Gamal Farid al-Atrash Orientalism Gerome Arabic Films Silent films Western films Egyptian Women Salome Egyptian Musicals Arabic music
672	Den föraktade friheten : En idéhistorisk analys av några politiska värderingar i öst och väst / The despised freedom : An idea-historical analysis of some political values in the East and the West Berger, Ingela January 2022 (has links) Tal och texter kan innehålla så mycket; både uppenbara budskap och det som finns mellan raderna. Jag tror att vi kan lära oss mycket genom att ta del av andra människors ord och begrepp. Genom de begrepp vi använder uttrycker vi våra värderingar – det vi ser som bra och dåligt, viktigt och oviktigt. Människor i Västvärlden har genom historien generellt representerat ett idéarv som kan sägas vara specifikt för just Västvärlden. Ett sätt att tänka, se och tolka världen, som skiljer sig från människor i Öst. Annorlunda i Östs ögon. Och i Västs ögon är det Öst som är annorlunda. Där har man i generationer istället formulerat och omfamnat andra sätt att tänka, se och tolka världen. Ingen av dessa diskurser har förstås något självklart tolkningsföreträde och ingen kan ensam göra anspråk på sanningen. Men en tydlig konflikt existerar mellan de olika världsbilderna. Och den blir synlig bland annat i valen av ord och begrepp. Ord som frihet, framsteg, lydnad och rättvisa kan skapa olika associationer hos människor i Öst och Väst. Bakom orden och begreppen döljer sig de värderingar som är förhärskande i respektive diskurs. Jag har tittat närmare på några sådana värderingar för att se om de kan ge svar på frågor om orsakerna till konflikterna mellan Öst och Väst. Jag har härlett dessa värderingar bakåt i tiden för att komma åt de idéarv som två av diskurserna bygger på. Det är två diskurser med djupa rötter i historien – till synes oförenliga. Båda säger sig ha det rätta perspektivet och ofta även lösningar på världens problem. Men de tycks tala förbi varandra och se på varandra genom ett slags filter av fördomar, förutfattade meningar och oförsonlighet. När jag zoomat in några av dessa diskursers företrädare har jag sett att de båda diskurserna går att förstå och förklara genom att tillämpa teorier från idéhistorien. Jag har med hjälp av teorier om orientalism och occidentalism velat sätta fokus på politiska hållningar som kan uppfattas som ”extrema” och till synes liberala uppfattningar. Men vad är egentligen vad? Kan Usama Bin Laden hylla kärleken? Kan Tony Blair kräva lydnad? Det är angeläget att söka förståelse för de historiska sammanhang som ofta förblir outtalade eller ensidiga men som har betydelse för vår samtid. Jag är intresserad av hur Väst och Öst talar till och förhåller sig till varandra, med varandra och mot varandra. Med denna uppsats hoppas jag kunna bidra till lite större klarhet och insikt i den språkförbistring som orsakar konflikter i världen. Bin Laden Bin Ladin Mawdudi Maududi George W. Bush Tony Blair öst väst ideologi värderingar politiska idéer religion politisk islam islamism terrorism liberalism frihet lydnad orientalism occidentalism fundamentalism jihadism salafi-jihadism History of Ideas Idé- och lärdomshistoria
673	“DOUBLE REFRACTION”: IMAGE PROJECTION AND PERCEPTION IN SAUDI-AMERICAN CONTEXTS: A COMPARATIVE STUDY Ghaleb Alomaish (8850251) 18 May 2020 (has links) <p>This dissertation aims to create a scholarly space where a seventy-five-year-old “special relationship” (1945-2020) between the Kingdom of Saudi Arabia and the United States is examined from an interdisciplinary comparativist perspective. I posit that a comparative study of Saudi and American fiction goes beyond the limitedness of global geopolitics and proves to uncover some new literary, sociocultural, and historical dimensions of this long history, while shedding some light on others. Saudi writers creatively challenge the inherently static and monolithic image of Saudi Arabia, its culture and people in the West. They also simultaneously unsettle the notion of homogeneity and enable us to gain new insight into self-perception within the local Saudi context by offering a wide scope of genuine engagements with distinctive themes ranging from spatiality, identity, ethnicity, and gender to slavery, religiosity and (post)modernity. On the other side, American authors still show some signs of ambivalence towards the depiction of the Saudi (Muslim/Arab) Other, but they nonetheless also demonstrate serious effort to emancipate their representations from the confining legacy of (neo)Orientalist discourse and oil politics by tackling the concepts of race, alterity, hegemony, radicalism, nomadism and (un)belonging.</p> Art Literature History Disability Studies Gender studies Language North American Literature Other Literatures in English Middle Eastern Literature Comparative Literature Studies Literary Theory Aesthetics Epistemology Feminist Theory Hermeneutic and Critical Theory Comparative Religious Studies Islamic Studies Gender, Sexuality and Education British History Saudi culture American Saudi-American Orientalism Orientalism in art neo-Orientalsim Desert oil Cultural studies Arabian Gulf migration Diaspora Studies blackness slavery literature Mormonism Mormon biblical studies disability studies geopolitics 9/11 post-9/11 post-9/11 America Post-9/11, fiction terrorism extremism radicalism visual studies orientalist painting postcolonial Postcolonial Discourse Otherness Alterity munif cities of salt urbanism Modernity tradition Islamic feminism Islam whiteness studies
674	Postkolonialiteit in die twintigste- en een-en-twintigste-eeuse Afrikaanse drama met klem op die na-sestigers / Postkolonialiteit in 20ste- en 21ste-eeuse Afrikaanse drama met klem op die na-sestigers Van der Merwe, Anna Susanna Petronella 30 November 2003 (has links) Text in Afrikaans / In this thesis the term post-colonialism in the Afrikaans drama is investigated, focussing on the post-sixties. The term post-colonialism is difficult to define. Not only are theories of post-colonialism in a state of continuous flux and shifting emphasis, but as a result of different colonial dominations, separate identities have been constructed in South-Africa; so that defining the terms colonial, post colonial and post-colonial proves to be even more problematic. The purpose of this study is to determine to what extent the Afrikaans drama fits into these discourses. The basic point of departure is the fact that post-colonialism played a considerable role in the development of the Afrikaans drama, at the same time providing a more varied scope. The research covers several aspects of post-colonialism in Afrikaans drama; each dealt with in a separate chapter. A multitude of perspectives are featured within the broader discourse in order to obtain multiple norms and standards in a phase of self-criticism. The focus falls mainly on themes and not on performance aspects. New perspectives on issues such as canon texts, silence, hero-worship, the portrayal of woman, patriarchy, and neo-colonialism are presented (chapter 1). In chapter 2 focus falls on the period before 1960, and notably the question of nationalism (associated with apartheid) and the portrayal of the Afrikaner. The literary canon, forms of violence and the position of the super-Afrikaner are viewed in a new light during the re-writing of post-colonial history and the resulting paradigm shifts after 1960. Renewed emphasis is placed on discourse concerning land (chapter 3). Contrasting concepts regarding race, class, language, gender and religion are reconsidered in order to contribute towards the heterogeneous nature of post-colonialism (chapter 4). The function of theatre is to re-evaluate in the context of a post-1994 democratic system. Texts now focus especially on empowerment, re-discovery and re-ordering of history, reconciliation, inter-cultural contact and a post-apartheid syndrome (chapter 5). Anti-hegemonic resistance in Afrikaans literature since the sixties has confronted writers with the challenge of depicting or creating a larger post-colonial reality through their texts. / Afrikaans & Theory of Literature / D. Litt. et Phil. (Afrikaans) Identity crisis Land/location as symbol of identity Re-writing of post-colonial history Diaspora/'sense of belonging' Shift in paradigm Post-colonial core problems and guises Orientalism Nationalism Neo-colonialism We/you (binary-) relations Cultural diversity Heterogeneity/racism 839.362009 Afrikaans drama -- History and criticism Afrikaans drama -- Themes, motives Afrikaans drama -- Political aspects Politics and literature -- South Africa Postcolonialism in literature
675	Coffee tourism in Ethiopia : opportunities, challenges, and initiatives Yun, Ohsoon January 2014 (has links) This thesis explores the opportunities, challenges, and initiatives for coffee tourism in the context of Ethiopia. My research addresses five themes to achieve its research aims, which are as follows: arriving at prospective coffee tourism frameworks; addressing the reasons behind the underdevelopment of coffee tourism in Ethiopia; highlighting coffee tourism’s opportunities and challenges in Ethiopia; identifying potential coffee tourists, and; initiating coffee tourism through local collaborations. The core research methodologies are: fieldwork in Ethiopia involving a series of interviews with key stakeholders and a detailed case study of one potential coffee tourism region; digital ethnography, and; knowledge transfer activities enabled by several conceptual approaches such as development in Africa, power relations, reformed orientalism, situated knowledge, self-other, emotional geographies, and participatory geographies. Through this research, I found that coffee tourism cannot simply be a combination of coffee and tourism; coffee tourism needs to be understood through various contexts in addition to that of tourism; coffee tourism can be a more practical tourism form and a new coffee marketing vehicle in Ethiopia, and; coffee tourism potentially brings more advantages to the coffee industry in coffee bean exporting countries with current sustainable coffee initiatives such as fair trade or other coffee certification projects. Coffee tourism is not widely discussed in academia, and I argue that this research addresses several gaps in the literature: suggestions for coffee tourism frameworks, coffee tourism research in the context of Ethiopia, coffee tourism research beyond simple analysis in terms of the tourism or coffee industries, and a new illumination on Ethiopian culture, tourism, and coffee culture. Raising the topic of South Korea’s impact in Ethiopia as well as the East Asian role in coffee tourism is also an important contribution to academia. During my PhD tenure, I found a potential global partnership between coffee bean exporting countries and coffee bean importing countries through coffee. Ethiopia is an ideal place for coffee tourism, and it is my hope that coffee tourism could present an approach that brings to light Ethiopia's cultural wealth. 550
676	The artistic discovery of Assyria by Britain and France 1850 to 1950 Esposito, Donato January 2011 (has links) This thesis provides an overview of the engagement with the material culture of Assyria, unearthed in the Middle East from 1845 onwards by British and French archaeologists. It sets the artistic discovery of Assyria within the visual culture of the period through reference not only to painting but also to illustrated newspapers, books, journals, performances and popular entertainments. The thesis presents a more vigorous, interlinked, and widespread engagement than previous studies have indicated, primarily by providing a comprehensive corpus of artistic responses. The artistic connections between Britain and France were close. Works influenced by Assyria were published, exhibited and reviewed in the contemporary press, on both sides of the English Channel. Some artists, such as Gustave Doré, successfully maintained careers in both London and Paris. It is therefore often meaningless to speak of a wholly ‘French’ or ‘British’ reception, since these responses were coloured by artistic crosscurrents that operated in both directions, a crucial theme to be explored in this dissertation. In Britain, print culture also transported to the regions, away from large metropolitan centres, knowledge of Assyria and Assyrian-inspired art through its appeal to the market for biblical images. Assyria benefited from the explosion in graphical communication. This thesis examines the artistic response to Assyria within a chronological framework. It begins with an overview of the initial period in the 1850s that traces the first British discoveries. Chapter Two explores the different artistic turn Assyria took in the 1860s. Chapter Three deals with the French reception in the second half of the nineteenth century. Chapter Four concludes the British reception up to 1900, and Chapter Five deals with the twentieth century. The thesis contends that far from being a niche subject engaged with a particular group of artists, Assyrian art was a major rediscovery that affected all fields of visual culture in the nineteenth century. 708
677	Divadelní hry Hélène Cixous pro Théâtre du Soleil / The Theatre Plays by Hélène Cixous for Théâtre du Soleil Kuslová, Kristýna January 2012 (has links) The thesis deals with four plays written by French dramatist and theorist of feminism Hélène Cixous for the Parisian Théâtre du Soleil under the directorial guidance of Ariane Mnouchkine. The analysis focuses on three different perspectives - firstly on écriture feminine, defined in the 1970s by Cixous herself, secondly on exile studies, a field of literary criticism concerned with the writings of exiled authors and exile as a fundamental category of human existence, and lastly on the concept of orientalism developed in the 1970s by American literary historian of Palestinian origin Edward Said.
678	Orientální tanec v kontextu západní a arabské islámské společnosti / Belly Dance in the Context of the Western and Arab Islamic Societies Středová, Lucie January 2011 (has links) Belly Dance in the Context of the Western and Arab Islamic Societies The present work deals with the development and social status of the belly dance and professional belly dancers in the Arab Islamic society and examines to which extent that status was influenced by the West and how the belly dance made its way to the Western culture. The work concentrates on the 19 th and 20 th centuries with a special focus on Egypt as a centre of the belly dancing. This work is supplemented with a questionnaire, the results of which depict the development of the social status of the belly dance and dancers in the Arab society at the beginning of the 21 st century.
679	Taking Mormons Seriously: Ethics of Representing Latter-day Saints in American Fiction Williams, Terrol Roark 10 July 2007 (has links) My paper examines the ethics of representing Mormons in serious American fiction, viewed through two primary texts, Bayard Taylor's nineteenth-century dramatic poem The Prophet and Maureen Whipple's epic novel The Giant Joshua. I also briefly examine Walter Kirn's short stories “Planetarium” and “Whole Other Bodies.” Using Werner Sollors' and Matthew Frye Jacobson's writings on ethnicity as foundational, I argue in that Mormonism constitutes an ethnicity, which designation accentuates the ethical demands of those who represent the group. I also use W.J.T. Mitchell's theories of representation as the basis of my arguments of the ethics of representing ethnicity. As ethical theorists, Emmanuel Levinas and Edward Said inform the theoretical framework of my project, and I place their theories both in opposition to and harmony with each other in terms of what it means to be truly “Other” and the responsibility of those who view, represent, project, or accept otherness as essential to being. I also borrow from Wayne C. Booth, particularly in his practical application of ethics theory. I employ Terryl Givens, Michael Austin, Bruce Jorgensen, and Gideon Burton to help bring the theory into the field of Mormon studies. In applying all these theorists to Taylor and Whipple I examine Taylor's exoticizing, “Othering” Mormons, creating an “Oriental” version of the rise of Mormonism, parallel to some of his Middle Eastern travel writing. Taylor also makes the remarkable ethical step of being the first non-Mormon to “take Mormons seriously” in literary fiction. I demonstrate how his use of classical literary forms and themes moves the ethical treatment of Mormons forward in an unprecedented way. Maureen Whipple relies on some of the sensational, romantic tropes in common use, but overall she also moves forward ethical representation of Mormons in serious literature, being the best-received of “Mormondom's Lost Generation” of literary writers. In conclusion I argue that these texts, along with the more problematic Kirn stories, help create a positive ethical climate for Mormon representation. Mormonism ethics representation Bayard Taylor Maureen Whipple Walter Kirn Emmanuel Levinas Edward Said Wayne C. Booth Orientalism alterity ethnicity American literature culture polygamy Werner Sollors W.J.T. Mitchell Joseph Smith Mormon history Latter-day Saints The Prophet The Giant Joshua Whole Other Bodies Planetarium multiculturalism race English Language and Literature
680	Rettungsszenarien im Widerstreit- / massenmediale Herausforderungen und feministische Positionierungen zum Thema Islam im deutsch-niederländischen Vergleich / Antagonistic Rescue Scenarios - / A Comparison of German and Dutch Feminist Discourses on Islam in the Context of Mass Media Marx, Daniela 23 July 2008 (has links) No description available. 300 Sozialwissenschaften Soziologie Social Sciences Feminismus Diskurs Islam Islambild Orientalismus Migrations- und Integrationspolitik Niederlande Feminism Discourse Islam Image of Islam Orientalism Migration and Integration Policy Netherlands 71.31 Geschlechter und ihr Verhalten 71.38 Soziale Bewegungen 71.62 Ethnische Beziehungen 05.39 Massenkommunikation Massenmedien: Sonstiges

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