Master thesis The Czech Women's view on representation of women in advertisement focuses on the way advertisement reproduces gender stereotypes and sexism in the society. The analysis examines the view of female audience on this matters. The role of advertisement, gender roles and gender stereotypes, sexism and feminism are introduced in the beginning of this thesis. Main traits of sexism in advertisement are described. Possible impact of stereotyped and sexist advertisement on its viewers is demonstrated by introducing results of field related analyses. Based on interviews' analysis with selected group of women it was discovered that women view the representation of women in advertisement to be heavily stereotyped. Women in advertisement are reduced to the following categories: physically attractive and carefree, homemaker, naive and dull, and last but not least sex object. Even though female responders are able to identify some negative impacts of this stereotyped representation of women on both women's and men's lives, their concerns are undermined by their attitude towards advetisement which they do not consider to be capable of changing public attitudes and values. Female responders are convinced that gender discrimination against women is still present in the Czech Republic and advertisement...

Syftet med denna studie var att bidra till ökad kunskap kring applikationen TikTok då det är en plattform som just nu ökar i popularitet, särskilt i åldrarna 16 – 25 (Svenskarna och internet 2020). Samt att få en inblick i hur kvinnor bemöts i applikationen. Vi valde att fokusera på hur unga kvinnor i åldrarna 16 – 25 bemöts och talas om i kommentarsfälten under sina egna videor, och om det fanns något samband mellan vilken typ av video de lade upp och den sortens kommentarer de fick; samt om det fanns tydliga skillnader mellan hur män och kvinnor uttryckte sig mot, och / eller, om de unga kvinnorna. Urvalet för undersökningen var tio kvinnliga TikTok-konton i åldern 16 – 25, den så kallade generation z. Metoden som användes var en kvalitativ innehållsanalys där vi med hjälp av ett analysschema analyserade sammanlagt 2000 kommentarer under de valda TikTok-kontonas videor. Resultatet visade att män och kvinnor uttrycker sig annorlunda, samt fokuserar på olika saker när de kommenterar kvinnornas videor. Kvinnor visade sig vara mer positiva än männen, samtidigt som de även skriv mest negativa kommentarer direkt riktade mot kvinnornas utseende. Männen däremot skrev framför allt negativa kommentarer som då var riktade mot kvinnornas åsikter, typiskt kvinnliga normer, sexistiska kommentarer, samt i princip allt innehåll som kunde beröra männen själva. När det gäller sambandet mellan videornas innehåll och kommentarerna, så fanns det ett visst mönster, men i grunden verkar det handla mer om vem personen bakom videon är och vilket syfte TikTok-kanalen har.

The development of technology has created many platforms for entertainment, participatorycommunities and socialization online. One of the largest current platforms for live streamingis Twitch.tv with a focus on gaming and eSports. This is a male-dominated field wherewomen often face harassment and a non-welcoming community. This paper is a qualitativestudy of the negative communication towards female streamers on Twitch with a focus onthe context in which said communication takes place. The aim of the study is to understandthe circumstances in which negative communication occurs and how it changes dependingon context. The study takes a qualitative approach and analyses the content of six streamsfrom five different channels, as well the negative communication in their chat room. Theresults show that negative communication varies depending on the content as well as thenature of the community built around the channel.

Background: Brands that decide to publish sexist advertisements can generate issues for the company, as well as the perception the consumer has of the brand can become negative. This as consumers form attitudes towards the brand’s delivered communication which influence the overall evaluation the consumer has towards the brand. It is therefore of importance for brands to understand how to respond to sexist advertisements that have been published in order to determine the created negative publicity, where one given approach is to apply one of the image repair strategies. Purpose: The purpose of this paper is to describe how a brand’s image repair strategy towards its sexist advertisement affects consumers’ attitudes. Methodology: This research undertook a qualitative research approach with a descriptive nature. In order to ensure that the advertisements were classified as sexist and that the image repair strategies correspond with the brand’s responses according to the public, a pre-study was conducted through five semi-structured interviews. For the main study eight semi-structured interviews were conducted with both men and women as participants within the ages of 19-56 years old. Findings: The thesis identified that consumers' attitudes were affected by the four components: correspondence between advertisement and response, authenticity in the response, clarity regarding what actions to take and pre-knowledge of the brand. These components are therefore of importance for companies to take in consideration when responding towards sexist advertisements that they have sent out. Conclusion: Regarding the image repair strategies it was found that the responses given through the strategies of denial, evasion of responsibility and reduction of offensives lacked in all detected components. Furthermore, mortification as a strategy was not perceived as negative regarding the responses, however it still lacked the components. Corrective action was the only strategy where consumers' attitudes did not become negative towards the correspondence and authenticity in the response. However, all five strategies lacked clarity regarding what actions to take.

Advertising is constantly surrounding us in different shapes, meaning that companies need to stand out in order to invoke people's attention. Advertising reflects the society's current norms which means that the media and society's values affect each other (Fagerström & Nilsson, 2008). Women have for a long time been objectified and presented in stereotypical roles since sexism is a common component in advertising (Grau & Zotos, 2016). An industry that is frequently being accused of promoting an asymmetrical image of women's bodies is the fast fashion industry (Fay & Price, 1994). It is crucial in both a societal- and business perspective to take responsibility when it comes to sexism in advertising. This study aims to examine female consumers attitudes towards quality attributes in advertising within the female fast fashion industry. Given the research purpose of this thesis, the research questions are: 1) How can the quality attributes in the female fast fashion industry be used to satisfy women as customers? 2) How does quality attributes contribute to customer (dis-)satisfaction in the female fast fashion industry? A preliminary study was organized to state consumers’ different attributes of sexism to use in the questionnaire. Followed by this was the main study with Kano pair questions that included 201 respondents. The pair questions were formulated by the attributes identified in the preliminary study. This study shows how all the presented attributes (“Size zero”, “White people”, “CIS-person”, “Functional variation”, “Unrealistic ideals”, “High level of nudity”, “Erotic way”, “Sexual desire”, “Body focus”, “Behind or breasts” and “Lips or mouth”) were classified as “Reversed” which is an indication of dissatisfaction and an urge for the attribute to be the opposite. This thesis demonstrates the relationship between the quality attributes and theories regarding objectification and portrayal of women. The customers’ attitudes towards the quality attributes correlate with the consequences as results of advertising in a sexist way. Businesses within the female fast fashion industry can prioritise the customer requirements for their advertisements in all assistance measurement and estimation of customer satisfaction in order to rise above the current way of advertising and become more customer oriented and to take responsibility and participation in the development of a gender equal society.

The topic of this thesis is gender analysis of "hantec", a specific dialect spoken in the second largest city in the Czech Republic - Brno. The aim of the work is to search for differences between manifestation and perception of women/female and men/male in "hantec" from the perspective of gender linguistics. On example of local dialect I demonstrate how the general gender discourse prevails. By analysing the vocabulary and literary forms of "hantec" I want to show to what extent this dialect (specific for Brno) reflected the principles of gender inequality. The focus lies on the presence of language sexism and reproduction of gender stereotypes in "hantec". In the thesis I also document the historical development of "hantec" and how were the principles of gender inequality displayed in the different stages of its development.

This thesis investigates three terms of endearment in soap operas, namely honey, sweetheart and darling. The purpose is to determine how these terms are used and in what context. 200 tokens were taken from the Corpus of American Soap Operas which contains 10 different soaps. The results indicate that more women utilize terms of endearment overall in soap operas, both to men and to other females. However, women are also mostly addressed with these terms. Honey is used mostly woman-to-woman, sweetheart most man-to-woman and darling is used mostly by women addressing men. Furthermore, honey occurs most frequently and almost all terms are used in a positive way, but there were some few exceptions however. In general, a term of endearment is mostly utilized at the end of a sentence, and individuals who are addressed with honey, sweetheart or darling do not usually respond with a similar term in return. An analysis of the social relationships between the characters/speakers of terms of endearment was also conducted, and it indicated that romantic couples and mother-to-son were common constellations where these terms often occurred. Furthermore, no instances were found where men used terms of endearment to other men. Moreover, the portrayal of men and women in soaps are not that stereotypical that one may suspect, but there are still stereotypical characteristics to find. This paper also suggests that terms of endearment are more common in soap operas than in authentic speech. The conclusion is that the findings in this thesis are important but further and more comprehensive studies have to be conducted in order to establish that the results presented here are reliable and accurate.

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Detta är en studie för examensarbete i Informationsdesign med inriktning Informativ Illustration. Syftet med examensarbetet är att undersöka hur minoriteten ickebinära spelkaraktärer representeras i dagens spelvärld, hur de kan illustreras med fokus på karaktärens narrativ, egenskaper och design. Genom att inte hamna i samma mönster av könsstereotyper som illustreras i spel och representera en minoritet som inte fått tillräcklig plats på spel scenen, belysa karaktärens kommunikation av personlighet, design och egenskaper den besitter i spelet. Illustrationerna baseras på spelet Valorant. Teorier om narrativ, perception, abstraktion och kognition är grunder till gestaltningen av illustrationen. Även forskning kring hur stereotyper och könsnormer har en stor betydelse när vi tolkar det vi ser. Metoder som använts är expertintervju, målgruppsintervju, enkät för utprovning och formanalys. Det redogörs i rapporten hur designprocessen går till samt hur intervjuerna och enkäten lagt grunden till resultatet av den färdiga illustrationen. Resultatet av studien är en digital illustration som är färglagd, samt följer spelets manér och röda tråd.  Slutsatsen blir att det skulle behövas göras en studie på en större grupp människor, fler som tillhör minoritetsgrupper, kring frågan om relationen som vi knyter an till spelkaraktärer och varför, för att kunna skapa ett nytänkande sätt att skapa karaktärer som inte fixerar på stereotyper och den hypermaskulina spelvärlden vi har idag. Nyckelord: minoritetsgrupp, icke-binär, videogames, gaming, sexism, inkludering, exkludering, informationsdesign, informativ illustration, dataspel, spelkaraktärer, hypermaskulinitet, karaktärsskapande, könsstereotyper. / This is a study for a degree thesis in the field of Information Design with a focus on Informative Illustration. The goal of the thesis is to investigate how the minority of non-binary game characters are represented in today's gaming world, how they can be illustrated with a focus on the character's narrative, characteristics, and design. By not falling into the same pattern of gender stereotypes illustrated in games and representing a minority that isn’t shown enough in the gaming space, highlight the character's communication of personality, design, and characteristics it possesses in the game. The illustrations are based on the game Valorant. Theories about narrative, perception, abstraction, and cognition are the basis for the design of the illustration. Also research on how stereotypes and gender norms have a great importance when we interpret what we see. Methods used are expert interview, target group interview, questionnaire for testing and form analysis. The report explains how the design process works and how the interviews and the survey laid the foundation for the result of the finished illustration. The result of the studies is a digital illustration that is colored and follows the game's mannerisms and common thread. The conclusion is that it would be necessary to conduct a study on a larger group of people, more who belong to minority groups, around the question of the relationship we attach to game characters and why, new ways of creating characters that are not fixed on stereotypes and the hypermasculine gaming world we have today. Keywords: minority group, non-binary, videogames, gaming, sexism, inclusion, exclusion, information design, informative illustration, computer game, game characters, hypermasculinity, character creation, gender stereotypes.

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