Dissertação (mestrado)—Universidade de Brasília, Faculdade de Economia, Administração e Contabilidade, Departamento de Economia, 2017. / Submitted by Raquel Almeida (raquel.df13@gmail.com) on 2017-06-06T16:56:24Z No. of bitstreams: 1 2017_LeonardoHasencleverdeLimaBorges.pdf: 1853510 bytes, checksum: 136cf6fe99ee5a880a04f55fd08a8404 (MD5) / Approved for entry into archive by Raquel Viana (raquelviana@bce.unb.br) on 2017-08-18T22:25:04Z (GMT) No. of bitstreams: 1 2017_LeonardoHasencleverdeLimaBorges.pdf: 1853510 bytes, checksum: 136cf6fe99ee5a880a04f55fd08a8404 (MD5) / Made available in DSpace on 2017-08-18T22:25:04Z (GMT). No. of bitstreams: 1 2017_LeonardoHasencleverdeLimaBorges.pdf: 1853510 bytes, checksum: 136cf6fe99ee5a880a04f55fd08a8404 (MD5) Previous issue date: 2017-08-18 / Esta dissertação é um tributo à Siegfried Von Ciriacy-Wantrup (1906-1980). Seu objetivo foi analisar a obra do autor e ressaltar alguns aspectos que, de fato, impactaram, e ainda impactam o desenvolvimento da economia ambiental neoclássica. Para realizar esta tarefa iniciei por levantar sua história de vida e toda sua produção acadêmica científica. Depois selecionei três aspectos que (i) considero fundamentais no campo de conhecimento em tela e (ii) que ele se aprofundou no estudo, análise e formulação, deixando contribuições contundentes para a evolução da matéria. Esses aspectos são: os conceitos de conservação e recurso; o conceito e instrumentalidade de instituições sociais, no que toca seu papel decisivo para a economia da conservação; e a epistemologia e instrumentalidade da sua formulação do Padrão Mínimo de Segurança. Utilizei para isto, como principal fonte, seu livro “Resource Conservation: Economics and Policy” em sua segunda edição datada de 1963. Não obstante, ao acessar toda sua produção acadêmica e científica, me apoiei, para a elaboração do texto aqui apresentado, em vários de seus artigos, em maior ou menor grau. O que resultou deste esforço foi um compilado analítico que ressalta a força e a solidez da formulação e da análise do autor. Ficaram evidentes, também, as influências de sua obra na evolução da economia da conservação de recursos. Por fim, concluo que sua produção, tomada como um todo, influenciou e ainda influencia, com notável intensidade, o desenvolvimento da economia ambiental neoclássica. Para mim, sua obra é obra de arte. / This is a tribute to Siegfried Von Ciriacy-Wantrup (1906-1980). My objective was to analyze the author’s production and point out some aspects that, in fact, have and still are influencing the development of neoclassical environmental economics. To accomplish that I started up by learning about his life history and entire scientific and academic production. Then I selected three aspects that I consider (i) fundamentals in the field of knowledge on screen and (ii) that he had deepen in the study, analysis and formulations, leaving decisive collaborations for the development of the matter. These aspects were: the concepts of conservation and resources; the concept and usages of social institutions, and their bruising relevance to the economics of resource conservation; and the epistemology and usages of his original formulation of the Safe Minimum Standard. I used, as the main source of information, his book “Resource Conservation: Economics and Policies”, in its 3rd edition dated 1963. Nevertheless, by accessing all his scientific production I also used several of his articles, in grater or smaller extension. The result of all this is an analytical compiling that brings about the strength and robustness of Wantrup’s analysis and formulations. It also became evident the influences of his works to the evolution of resource economics and conservation. Finally I concluded that his production, taken as a big picture, has impacted and still impacts, notably, the development of neoclassical environmental economics. To me, his work is pure art.

Siegfried Thiele schrieb in den 1970er Jahren drei Orchesterwerke nach Vorlagen Guillaume de Machauts. In dem Beitrag wird untersucht, in welcher Weise sie sich als pädagogische bzw. popularisierende Kompositionen verstehen lassen und wie sie sich als Stücke, die in der DDR entstanden, in einer Geschichte der Machaut-Bearbeitung situieren.

Hartmut Krones: Guten Tag und einen guten Nachmittag. Ich habe hier die Ehre, das folgende Gespräch und die mögliche Diskussion zu leiten. Ansonsten aber werde ich mich eher im Hintergrund halten. Wir haben jetzt, nachdem wir über die Institutionen gesprochen haben am Vormittag und auch über persönliche Schicksale und persönliche Befindlichkeiten, einen Gegenstand der Musikästhetik vor uns, und zwar insbesondere jene musikästhetische Position, die die offizielle Position der sozialistischen Länder und nicht nur der DDR war. Sie sehen es am Thema – Sozialistischer Realismus und Widerspiegelungstheorie. Das heißt, wir gehen jetzt in die musikalische Praxis, die, wie Sie gleich hören werden, sehr wohl politisch indoktriniert wurde. Ich glaube, ich brauche die beiden Redner hier nicht weiter vorzustellen: Klaus Mehner, Professor für Systematische Musikwissenschaft an der Universität Leipzig, zeitweise auch Direktor des Instituts und durch zahlreiche Publikationen hervorgetreten, und Siegfried Matthus, erfolgreicher Komponist, auch im Westen, und jeder wird auf seine Art zu diesem Thema etwas sagen, und dann werden wir sehen, wie groß und wie weit die Diskussion eröffnet werden muss.

Thesis (S.B. in Literature)--Massachusetts Institute of Technology, Dept. of Humanities, 2006. / Includes bibliographical references. / Introduction: The infantrymen of the Great War experienced the unimaginable. Soldiers in the trenches internalized images of confusion and gore, and returned to a society unwilling and often unable to comprehend their sacrifices. For nearly 65,000 of these soldiers, their experiences on the front brought on hysteria, mental breakdown, muteness, paralysis, and other bizarre physical maladies (ER, 189). The medical description of the mental conditions that precipitated so many of these symptoms underwent a dramatic evolution as more and more cases were reported. These conditions were first collected under the terse assignation of "shell-shock," linking the range of maladies to the psychological influence of heavy artillery as well as referring tacitly to ontological theories of physical lesions in cerebral tissue. Such diagnostic projections were assisted by patients who, upon solicitation, readily supplied anecdotal evidence of mortar blasts. As the war progressed, however, the appearance of cases not directly linked to close-proximity explosions prompted the search for a non-physical term; "neuroses" was put into use, and an epistemological link to madness was established. Finally, in the search for a more scientific label, physicians decided upon "neurasthenia," a psychiatric condition linked to exhaustion and memory loss. These three terms - shell-shock, neurasthenia, and neuroses - were used interchangeably in public, political, and military discourse throughout the war, but most of the physicians who worked in Great Britain's mental wards were less careless. Each term bore a distinct epistemological weight: shell-shock clearly implied both physical causality and temporariness, neurasthenia referred to a specific mental condition, and neuroses hinted at a psychological disease "entity." Every subsequent war since the medical "discovery" of shell-shock has occasioned another evolution in terminology, and each new term has since fought to position its particular insight alongside an epistemological backlog that accrued new facets more often than it changed form in totality. Disassembling such networks of discourse thus requires historicizing conflicting definitions. The theories of psychoanalysis put forth by Sigmund Freud loomed large for many of the figures in these debates, both as an inspiration for cerebral therapeutics and as a challenge to the conventionalism and psychological materialism of the pre-war medical establishment. In subtly adapting Freud's insights, however, the practitioners of post-Freudian psychoanalysis pushed the official discourse on shell-shock in a different direction, leading to a more sophisticated understanding that was less accepting of paradigmatic and ideological identifications of Britishness with courage, character, and mental fortitude ... / by Thomas C. Schilling. / S.B.in Literature

The present thesis is dealing with the theoretical concept of modernity. It is attempting to define the concept with a reference to the experience of a shifted time-perception. The first part of the text analyses some of the theoretical approaches to the concept. The following parts are dedicated to the work of Walter Benjamin and Siegfried Kracauer and are trying to examine the way in which those two described their own experience of modernity.

Es planteja el caràcter bifront del gènere autobiogràfic. Siegfried Sassoon, poeta i combatent de la Primera Guerra Mundial, és l'autor de les memòries de George Sherston que narren la infantesa i joventut del protagonista en l'entorn rural idíl·lic del sud d'Anglaterra i, després, la seva participació al front occidental. Tanmateix, resulta difícil adscriure aquestes memòries a la ficció pel sol fet que els noms de l'autor i el narrador-protagonista no coincideixin. La trilogia autobiogràfica de Sherston narra amb precisió documental les vicissituds biogràfiques més rellevants de Sassoon. Ficció i autobiografia, història i memòria configuren alguns dels trets distintius d'una narració que explora i explota la hibridesa genèrica. / The dual nature of the autobiography genre is approached. Siegfried Sassoon, poet and combatant in the First World War, is the author of the memoirs of George Sherston, which narrate the childhood and youth of the protagonist in the idyllic rural environment of southern England followed by his participation on the Western Front. However, it is difficult to label these memoirs as fiction only because the names of the author and the narrator-protagonist are not the same. Sherston's autobiographical trilogy narrates with documentary accuracy the most relevant biographical vicissitudes of Sassoon. Fiction and autobiography, history and memory make up some of the distinctive traits of a narrative that explores and exploits the hybridism of the genre.

Text in German / The present thesis undertakes a comprehensive survey and criticak analysis of the concept of duty and its significance in the prose of Siegfried Lenz (born in 1926). It concentrates on those novels and narratives in which duty is the main motif; these are Schwierige Trauer (1960), Das Feuerschiff (1960), Deutschstunde (1968) and Ein Kriegsende (1984). After an introduction which outlines the development and the influence of the concept of duty in Germany, the thesis deals with Lenz's prose in chronological order. Siegfried Lenz's main motif is the significance of the concept of duty within the moral code of the individual, the specific meaning and influence of which has been developed in Germany. Lenz does not deny that duty is a necessary element of the process of socialization. But he rejects the unreflected and uncritical acceptance of a dubious morality based on a sense of duty, at the expense of individuality and responsibility for oneself. It is a deformed understanding of duty which Lenz exposes and criticizes in his work: a characteristic mark of submissiveness and slavish obedience ("Untertanengeist und Kadavergehorsam"). These distortions are determined by political-historical events, theological dogmas, philosophical theses and an authoritarian upbringing. The reasons for the attitudes and behaviour of Lenz's fictitious characters have their roots in those factors. Lenz always insists on reflection. He refuses the uncritical acceptance of a morality based on duty, which allows a person to avoid his or her responsibility. However, Siegfried Lenz neither attempts to construct a social background nor does he offer recipes for a new social order. Rather he restricts himself to the sceptical questioning of norms and values, which are maintained by authority. The author creates a conflict in a hermetic environment, for example a ship or a small village, in which his fictitious characters have to prove themselves. By confronting his readers with such an extreme situation and the protagonists' questionable decisions, Lenz forces his public to reconsider their own position. The author's aim is to make his readers realize that right and wrong cannot always be distinguished in a clear-cut manner / Linguistics and Modern Languages / D.Litt. et Phil. (German)

Déclenchée par une expérience personnelle – la recherche d’une « robe d’architecte » –, la présente étude gravite autour de l’architecture en Roumanie et se concentre sur le style de vie de ses professionnels. Si les modalités de distinction qui opèrent dans ce champ – encadrées par la théorie de Pierre Bourdieu – sont initialement apparues comme pistes à explorer, ce sont les écrits de Siegfried Kracauer qui m’ont permis de traiter le sujet de façon satisfaisante. En traçant les contours de l’image d’architecte qui, sur son chemin vers une meilleure vie, s’abandonne au souci de s’élever socialement, j’ai découvert avec étonnement les architectes réservés de T. – la ville moyenne de Transylvanie qui a constitué le terrain de mon enquête. Ce qui s’est présenté au début de ma démarche comme obstacle est devenu, au fil de l’analyse, son aspect le plus fécond : dans les hésitations des architectes de T. (les ellipses et rectifications de leur discours), j’ai pu discerner plus de traits de leur réalité quotidienne que je l’avais d’abord anticipé. Grâce aux leçons de Siegfried Kracauer – son œil attentif, son intérêt pour les détails, ses capacités d’étonnement tout comme sa sensibilité aux idéologies et grandes directions de la société et son ouverture aux matériaux offerts à la sociologie – et à son style d’écriture, j’ai pu déceler des indices qui m’ont permis de plonger dans la réalité des architectes de T., une réalité mêlée d’une gloire rêvée et d’incertitudes vécues. C’est cette exploration minutieuse du quotidien et du discours des architectes de T, mis en balance avec leur représentation dans des œuvres littéraires et cinématographiques, qui se reflète dans le présent mémoire et le structure. / Triggered by a personal experience – the search for an “architect’s dress” – the present study revolves around architecture in Romania and focuses on the lifestyle of its professionals. If the modes of distinction operating in this field – formulated in Pierre Bourdieu’s theory – initially appeared as a path to be explored, it is the writings of Siegfried Kracauer that allowed me to capture the subject more aptly. By drawing the contours of the image of an architect who, on his way to a better life, abandons himself to the thirst to raise socially, I discovered the reserved architects of T. – the average-sized city of Transylvania, which was at the heart of my investigation. What emerged at the beginning of the process as an obstacle, soon became its most fruitful aspect: in the architects’ hesitations (the gaps and rectifications in their discourse), I could discern more aspects of their daily reality that I had initially anticipated. Thanks to Siegfried Kracauer’s lessons – his keen eye, his interest in details, his capacities of astonishment as well as his sensitivity to the ideologies and major directions of society and his openness to the various materials offered to sociology – as well as his style of writing, I was able to detect clues, which allowed me to plunge into the reality of architects in T., a reality combining dreams of glory and experienced uncertainties. It is this meticulous exploration of the everyday life and discourse of architects in T, weighed against their representation in literary and cinematographic works, which is reflected in the present memoire and lends it its structure.

Jusqu'à présent, il est supposé que le roman d'adolescent (Adoleszensroman) est un genre qui traite de la formation de l'identité des jeunes au cours de leur adolescence. La présente thèse propose de définir plus précisément le roman d'adolescent en fonction de deux nouvelles caractéristiques: celle du «sort de l'initiative» (Schicksal der Initiative) et celle du «jugement historique» (historisches Urteil). A ces caractéristiques du roman d'adolescent se juxtapose en outre le thème de la formation identitaire. L'étude se concentre sur les romans publiés dans le monde germanophone depuis les années 90. La thèse adopte une approche historique (literarhistorisch) et herméneutique. La théorie sociologique du genre littéraire contribue à expliquer le tournant et la conjoncture historique des catégories littéraires. L'étude tente d'expliquer que le récit du «travail sur l'identité» par un jeune adolescent est un thème auquel un deuxième s'oppose, à savoir que l'adolescent devient conscient de son «initiation» dans le cadre de sa recherche identitaire et confronte ses plus ou moins «naïves» attentes avec la réalité historique d'une société. Le corpus de romans étudié forme le genre du roman d'adolescent (Adoleszensroman) qui se laisse définir comme le «roman d'adolescent du réalisme post-moderne». Il s'inscrit dans un contexte littéraire et historique dominant à partir de 1995 l'espace germanophone, mais aussi anglophone, et relève d'une certaine «sobriété» (Nüchternheit) morale et politique. / Until now, it is assumed that the novel of adolescence (Adoleszensroman) is a genre that deals with the formation of identity during adolescence. This thesis proposes a more precise definition for the novel of adolescence based on two new features: the "fate of the initiative" (Schicksal der Initiative) and the "historical judgment" (historisches Urteil). These two characteristics of the novel of adolescence are complemented by the already known characteristic of the narration of formation of adolescent identity. The study focuses on novels published in Germany and Austria since the 90s. The thesis adopts a hermeneutic and historical approach (hermeneutisch und literarhistorisch). Sociological theory of literary forms helps to explain the change and the historical conditions of literary genres. The study attempts to explain that the narration of the adolescent "formation of identity" in the novel of adolescence is a theme which complements a second theme: the adolescent takes the "initiative" within the context of his search for identity and confronts his more or less "naive" expectationswith the historical reality of a society. The corpus of novels studied within the thesis form a genre of novels of adolescence (Adoleszensroman-Genre) which can be defined as "novels of adolescence of postmodern realism". It is part of the dominant literary and historical atmosphere which began ca. 1995 and can be characterized by a certain moral and political "sobriety" (Nüchternheit).

No description available.