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Denna studie undersöker förekomsten av kulturarv rörande menstruation i svenska museisamlingar samt i vilka samband de har deltagit i utställningar eller på annat sätt exponerats för allmänheten. Undersökningen ämnar även ta reda på om tabu relaterat till menstruation påverkat insamlingen och exponeringen av de såkallade ”menstruationsföremålen”. Det empiriska materialet utgörs av en enkätundersökning utskickad till vad som kan sägas vara det allmänna museiväsendet i Sverige bestående av centralmuseum, regionala museum, kommunala museum, stadsmuseum samt ytterligare tre kulturhistoriska museum med en svarsfrekvens på 85,4% då 81 av 96 museum har deltagit. Studien visar att 50,6% av museerna har menstruationsföremål i samlingarna och att majoriteten av dessa hade cirka 1-5 stycken sådana och att den absolut vanligast förekommande föremålskategorin var menstruationsskydd. 64,8% av museer med menstruationsföremål i samlingarna hade exponerat dessa för allmänheten, oftast bara ett fåtal föremål och det vanligast förekommande utställningsformatet var tillfälliga utställningar. Majoriteten av menstruationsföremålen har förvärvats åren 1951-2021. Huruvida menstruationstabut har påverkat förekomsten av kulturarv rörande menstruation i svenska museum är svårt att utröna baserat på denna studie. Däremot kan tabut ha påverkat vilken sorts föremål som finns i museernas samlingar då det mesta materialet utgörs av menstruationsskydd vars uppgift att kontrollera mensflödet kan spegla samhällets förhållande till menstruation som ofta utgörs av skamkänslor inför ämnet. / This study examines the existence of cultural heritage concerning menstruation in Swedish museum collections and in which contexts they have participated in exhibitions or been otherwise exposed to the public. The study also intends to find out whether taboos related to menstruation have affected the collection and exposure of the so-called "menstrual items". The empirical material consists of a survey sent to what can be said to be the general museum system in Sweden consisting of central museum, regional museum, municipal museum, city museum and three other cultural history museums with a response rate of 85.4% as 81 of 96 museums have participated. The study shows that 50.6% of the museums have menstrual items in the collections and that the majority of these museums had approximately 1-5 of such items. The most common item category was menstrual protection. 64.8% of museums with menstrual objects in the collections had exposed these to the public, usually only a few objects and the most common exhibition format was temporary exhibitions. The majority of menstrual items have been acquired in the years 1951-2021. Whether menstrual taboos have affected the existence of cultural heritage concerning menstruation in Swedish museums is difficult to ascertain based on this study. On the other hand, taboos may have affected the type of objects in museums' collections, as most of the material consists of menstrual protection, the task of which is to control the flow of menstruation, which may reflect society's relationship to menstruation, which often consists of feelings of shame about the subject.

[pt] O presente estudo sobre palavras tabus focaliza o uso de palavrões em nove episódios de Porta dos Fundos como forma de desvendar as práticas discursivas dos residentes do Rio de Janeiro (cariocas) por meio das teorias, principalmente, de: Lexicultura (Galisson, 1988); Semântica e Pragmática (Goffman, 1967; Camara Jr., 1981; Jay, 2008, Carretero, 2011); Interculturalismo (Bennett, 1998; Lewis, 2006; Hofstede, 2010; Ting-Toomey e Chung, 2012); e Didática das Línguas Estrangeiras (Bennett, 1998; Byram, 2000; Liddicoat, 2005, 2013). Através de metodologia qualitativa interpretativa, palavras tabus são analisadas em nove episódios da popular comédia situacional da série online Porta dos Fundos. Sete palavras tabus usadas muito frequentemente nas práticas discursivas dos cariocas, nomeadamente buceta, cu, caralho, foder, pau, porra e puta, são analisadas e interpretadas. O uso semântico e pragmático dessas palavras de ofensa demonstra que se situam nos campos da anatomia sexual, da atividade sexual, da escatologia, do sexo ilícito e dos nomes dos animais – estes, não classificados como palavrão. Onde considerado relevante faz-se uma comparação com palavras tabus em hindi. Observa-se que o uso frequente das palavras tabus em comédias, sátiras e outras formas de entretenimento, assim como em outras situações comunicacionais, não é percebido, como acontece no emprego geral da língua, como atos de ataque à face (Goffman, 1967) em português, em oposição ao que ocorre em Hindi. A análise mostra ainda que os cariocas, brasileiros multi-ativos (Lewis, 2006), a depender de variáveis pragmáticas, usam as palavras tabus também como atos expressivos de fala para comunicar emoções, nem sempre com valor ofensivo, como é o caso do seu uso como interjeição. Ao final, apresenta-se uma proposta didática de palavras tabus para os professores e alunos do Português do Brasil como Língua Estrangeira na Índia. / [en] This study on taboo words focuses on the observation of use of palavrões in nine episodes of the comedy series Porta dos Fundos (PdF) as portrayal of discursive practices of residents of the city of Rio de Janeiro (Cariocas), primarily through theories of: Lexiculture (Galisson, 1988); Semantic and Pragmatics (Goffman, 1967; Camara Jr., 1981; Jay, 2008; Carretero, 2011); Interculturalism (Bennett, 1998; Lewis, 2006; Hofstede, 2010; Ting-Toomey and Chung, 2012); and Foreign Language Teaching (Bennett, 1998; Byram, 2000; Ting-Toomey and Chung, 2012; Liddicoat, 2005, 2013). Through a qualitative interpretative methodology taboo words are analysed in nine episodes of the popular situational comedy online series Porta dos Fundos. Seven more frequently used taboo words by Cariocas, namely buceta, cu, caralho, foder, pau, porra and puta, are analysed and interpreted. The semantic and pragmatic use of taboo words demonstrates that they belong to the themes of sexual anatomy, sexual activity, scatology, illicit sex and animal names – although the latter ones are not classified as taboo words. They are compared with Hindi taboo words wherever applicable. The frequent use of taboo words in comedies, satires and other forms of entertainment, as well as in different types of communicative situations, is not, as generally perceived, i.e., a face threatening act (Goffman, 1967) in Portuguese, opposed to what happens in Hindi. The analysis also shows that the Cariocas, as multi-active Brazilians (Lewis, 2006), depending on the pragmatic variables, use taboo words as expressive speech acts to communicate emotions, not always carrying an offensive tone, as when used as interjections. A TbWs didactic proposal is presented for the teachers and students of Brazilian Portuguese as a Foreign Language in India.

[pt] A presente dissertação busca analisar três escritos do psicanalista austríaco Sigmund Freud que tratam da questão da religião e do seu papel civilizador: Totem e tabu (1913), O futuro de uma ilusão (1927) e Moisés e o monoteísmo (1939). Escritas após certa consolidação da psicanálise, cada uma dessas obras aborda questões diversas acerca do fenômeno religioso; não obstante, existe um claro diálogo entre elas. A partir da observação de que o desenvolvimento das ideias do autor a respeito da religião significou, também, uma complexificação de suas reflexões sobre a temática histórica, buscou-se evidenciar esse processo e relacioná-lo com conteúdos do campo da teoria da história. / [en] The present master s thesis seeks to analyze three writings of the Austrian psychoanalyst Sigmund Freud that deal with the issue of religion and its civilizing role: Totem and Taboo (1913), The Future of an Illusion (1927) and Moses and Monotheism (1939). Written after a moderate consolidation of psychoanalysis, each of these works addresses different questions about the religious phenomenon; nevertheless, there is a clear dialogue between them. Based on the observation that the development of the author s ideas about religion also meant a complexification of his reflections on the historical subject, we sought to highlight this process and to relate it to contents in the field of theory of history.

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Text in Afrikaans / An account of certain functional aspects of Afrikaans exocentric compounds is presented in this dissertation. This study builds on the preliminary survey presented in the dissertation 'n Korpusanalise van Afrikaanse eksosentriese komposita (Van Niekerk, 2001). Exemplary material is obtained from an extensive corpus, consisting of lexicographical and academic matter, as well as colloquial spoken language. Language is man's primary means of communication, used to convey knowledge and information. Lexical items are used to name and refer to all kinds of concepts, aspects, objects, persons and other references. Of particular importance to this study, however, is the expressive functionality of language, whereby it is used as an instrument to voice affect, judgement, opinion, perception and other emotional aspects. Exocentric compounds are singled out as lexemes of particular importance, utilized by Afrikaans speakers/writers to express themselves referentially and emotionally. In this study the researcher has endeavored to describe and explain certain aspects of exocentric compounds in terms of the cognitive process of conceptual blending, as explained in The way we think by Fauconnier and Turner (2003). Exocentric compounding is highly functional with regard to etnobiological naming of botanic and zoological references, especially as bahuvrihi compounds. More prominent, however, is the use of compounds to voice a wide variety of expressive values and connotations, both positive and negative. Humor is constantly referred to as probably the most important function of exocentric compounds. Other expressive functional aspects of exocentric compounds are discussed, such as insult, scorn and ridicule in nicknames and slurs, the softening effect of euphemism in contrast to the intensifying effect of dysphemism, idiomaticity, irony, et cetera, some of these aspects overlapping significantly. Exocentric compounds are creatively used as highly descriptive expressions in the informal register of colloquial Afrikaans, as well as in different dialects and sociolinguistic varieties. Based on observations in connection with the diverse use and optimal functionality of exocentric compounds in domains of every possible kind, the conclusion is reached that exocentric compounds is an essential part of the Afrikaans lexicon. / Afrikaans & Theory of Literature / D.Litt. et Phil.(Afrikaans)

This thesis captures and describes the stereotypes of teenage and underage mothers regularly represented in British and American reality shows, broadcasted in the United Kingdom. The task of this paper is to explore and define the most frequent stereotypes presented by these TV shows on randomly selected samples. The thesis is divided into two parts. The first part deals with the phenomenon of teenage and underage mothers in the UK as a result of underclass demonisation, poverty shaming and social stigma in the context of British culture and society. The second part of this thesis applies the theoretical findings and analyses the common stereotypes represented and displayed in particular reality shows broadcasted in the UK using qualitative content analysis.

Text in Afrikaans / An account of certain functional aspects of Afrikaans exocentric compounds is presented in this dissertation. This study builds on the preliminary survey presented in the dissertation 'n Korpusanalise van Afrikaanse eksosentriese komposita (Van Niekerk, 2001). Exemplary material is obtained from an extensive corpus, consisting of lexicographical and academic matter, as well as colloquial spoken language. Language is man's primary means of communication, used to convey knowledge and information. Lexical items are used to name and refer to all kinds of concepts, aspects, objects, persons and other references. Of particular importance to this study, however, is the expressive functionality of language, whereby it is used as an instrument to voice affect, judgement, opinion, perception and other emotional aspects. Exocentric compounds are singled out as lexemes of particular importance, utilized by Afrikaans speakers/writers to express themselves referentially and emotionally. In this study the researcher has endeavored to describe and explain certain aspects of exocentric compounds in terms of the cognitive process of conceptual blending, as explained in The way we think by Fauconnier and Turner (2003). Exocentric compounding is highly functional with regard to etnobiological naming of botanic and zoological references, especially as bahuvrihi compounds. More prominent, however, is the use of compounds to voice a wide variety of expressive values and connotations, both positive and negative. Humor is constantly referred to as probably the most important function of exocentric compounds. Other expressive functional aspects of exocentric compounds are discussed, such as insult, scorn and ridicule in nicknames and slurs, the softening effect of euphemism in contrast to the intensifying effect of dysphemism, idiomaticity, irony, et cetera, some of these aspects overlapping significantly. Exocentric compounds are creatively used as highly descriptive expressions in the informal register of colloquial Afrikaans, as well as in different dialects and sociolinguistic varieties. Based on observations in connection with the diverse use and optimal functionality of exocentric compounds in domains of every possible kind, the conclusion is reached that exocentric compounds is an essential part of the Afrikaans lexicon. / Afrikaans and Theory of Literature / D.Litt. et Phil.(Afrikaans)

This thesis explores the notion of perversity in literature, specifically with regard to representations of taboo and abjection in Iain Banks‟ The Wasp Factory, Ian McEwan‟s The Cement Garden, and Irvine Welsh‟s Marabou Stork Nightmares. Julia Kristeva‟s Powers of Horror: An Essay on Abjection, as well as her notion of revolt, constitute the central theoretical framework for my analysis. However, I also draw upon the concepts of monstrosity, grotesqueness and the uncanny in order to explicate the affect of abject fiction on the reader. I posit, then, that to engage with literary works that confront one with perversity, abjection and taboo entails exposing oneself to an ambiguous or liminal space in which culturally established values are both disrupted and affirmed. The subversive and revolutionary potential of the aforementioned novels is discussed with reference to the notion of the perverted Bildungsroman since, in their respective transgressions of taboos, the narrators of these novels disrupt social order, and their narratives end on a note of indeterminacy or the absolute finality of death, rather than self-actualisation. Moreover, in exposing the binaries of sex and gender as arbitrary and fluctuating, these narrators‟ perverse sexual and gender performativities gesture towards alternative modes of being (beyond social sanction), and invoke Kristeva‟s notion of individual revolt as a „condition necessary for the life of the mind and society‟.

L’objectif de ce travail de thèse était d’investiguer l’influence de la valence émotionnelle négative, positive ou taboue des mots parlés sur l’orientation des ressources attentionnelles, dans la population tout-venant. Pour ce faire, j’ai élaboré des adaptations auditives de paradigmes expérimentaux qui avaient été utilisés auparavant dans le but d’explorer l’influence du contenu émotionnel de stimuli visuels sur l’allocation de l’attention :le paradigme de déploiement de l’attention (Etudes 1 et 3), le paradigme de Stroop émotionnel (Etude 2) et le paradigme d’indiçage spatial émotionnel (Etude 4). <p>En particulier, les Etudes 1, 3 et 4 m’ont permis d’examiner l’influence de la valence émotionnelle de ces stimuli sur l’attention sélective à une localisation spatiale, évaluée au travers des réponses à une cible subséquente. <p>Dans la situation de compétition pour les ressources attentionnelles spécifique au paradigme de déploiement de l’attention (Etudes 1 et 3), nous avons observé un engagement préférentiel des ressources attentionnelles vers la localisation spatiale des mots tabous, lorsque ceux-ci étaient présentés à droite, par rapport à la localisation spatiale des mots neutres présentés conjointement. Ces biais attentionnels ont été observés quelle que soit l’attention portée volontairement aux stimuli, la nature de la tâche à réaliser sur la cible, ou la charge cognitive liée à la tâche. De tels biais ont également été observés envers la localisation spatiale des mots négatifs et positifs, mais de manière moins robuste. Lorsque deux stimuli rivalisent pour l’orientation des ressources, la valence choquante serait donc cruciale pour l’orientation de l’attention spatiale. De plus, les mots tabous induisent un ralentissement général des temps de réaction (TRs) à la cible subséquente, quelle que soit sa localisation spatiale.<p>Au contraire, lorsque des mots-indices sont présentés isolément dans le paradigme d’indiçage spatial émotionnel (Etude 4), la valence émotionnelle négative des mots, mais pas leur valence choquante, paraît cruciale pour l’observation d’effets spatiaux :les stimuli les plus négatifs moduleraient l’orientation spatiale automatique de l’attention suscitée par leur présentation périphérique. Plus précisément, ils empêcheraient l’application de processus attentionnels inhibiteurs des localisations déjà explorées. En outre, la présentation d’un indice périphérique négatif accélère le traitement d’une cible subséquente, quelle que soit sa localisation spatiale.<p>L’influence de la dimension émotionnelle des mots parlés sur l’attention sélective à une dimension (non-émotionnelle) de ces stimuli a été investiguée grâce au paradigme de Stroop émotionnel (Etude 2). Contrairement à mes autres études, aucun déplacement attentionnel spatial n’était impliqué dans cette situation puisque les participants devaient répondre à chaque essai à une dimension non-émotionnelle (l’identité du locuteur) du stimulus (potentiellement émotionnel) présenté. J’ai ainsi observé une influence de la dimension émotionnelle taboue ou négative des mots sur le traitement de la dimension pertinente d’un mot neutre subséquent, mais pas sur le traitement de la dimension pertinente de ces mots eux-mêmes, suggérant l’occurrence d’effets lents, inter-essais, des mots tabous et négatifs, mais pas d’effet rapide. <p>Ces données appuient donc l’existence, dans une population tout-venant, d’un mécanisme de traitement involontaire du contenu émotionnel des mots parlés qui influence non seulement l’orientation spatiale et dimensionnelle de l’attention mais également, de manière plus générale, la latence des réponses fournies par le sujet.<p> / Doctorat en Sciences Psychologiques et de l'éducation / info:eu-repo/semantics/nonPublished