Denna studie berör hur man skapar en användbar och säker webbutik och onlineportfolio för en konstnär eller fotograf. Tanken är att sälja in deras konstverk med en app som använder Augmented Reality genom att visa hur tavlan ser ut på väggen med en smartphonekamera. Studiens fokus ligger på användbarhet och design i webbutiker för att öka kundförtroendet, interaktion med tilltalande användarupplevelse samt för att sälja in tavlorna. Efter att ha studerat användbarhet, kundcentrerad webbdesign och designteorier för framtagandet av interaktiva system, togs skisser av både webbutik och prototyp till app fram. Prototypen testades i samband med semi-strukturerade intervjuer. När alla svar sammanställts analyserades data från intervjuerna. Utifrån analysen drogs slutsatsen i hur appen bör utformas för att uppnå användbarhet och skapa en tilltalande användarupplevelse och genom interaktionen inspirera och sälja in tavlorna som finns i webbutiken. / This study concerns how to create a useful and reliable web shop and web portfolio for an artist or photographer. The idea is to promote their artworks with an app using Augmented Reality by showing how it looks on the wall by using a smartphone camera. The study's focus is on usability and design for webshops with high security to boost customer confidence and interaction, with an appealing user experience as well as to promote the art. After studying usability, customer centered web design, design theories for development of interactive systems, sketches for the webshop and a prototype for the app was developed. The prototype was usability tested during semi-structured interviews. Once the answers from the interview were collected, the data was analyzed. Based on the analysis the conclusion was drawn in how the app should be designed to achieve usability and appealing user experience, through interaction, inspire and promote the artworks found in the web shop.

Syftet med detta kandidatarbete var att sätta samman ett promopaket bestående av en webbsida och en demo-EP med passande grafisk design. EP:n har tre spår elektroakustisk instrumentalmusik av skiftande karaktär, samt ett stilrent men ändå suggestivt omslag. Webbsidan är till för att presentera mig själv och mitt arbete (inte bara musik), och är byggd med hjälp av HTML, PHP, CSS och MySQL. / The purpose of this bachelor exam project was to compile a promo package consisting of a website and demo EP with suitable graphic design. The EP has three tracks of electro acoustic instrumental music of varying character, as well as stylistically pure yet suggestive cover artwork. The website is a presentation of myself and my work (not just music), and was built using HTML, PHP, CSS and MySQL. / Detta är en reflektionsdel till en digital medieproduktion.

The diploma thesis deals with the theme of the cooperation of selected secondary schools with memory institutions. In its theoretical part it defines memory institutions and sets them into legislative, historical and didactic context, as well as it concerns with organisational forms of teaching with the focus on the excursion, and teaching methods and methods used in programmes of memory institutions. The practical part familiarises with the research made by a questionnaire survey in selected secondary schools in Prague providing "maturita" graduation and with its results. The aim of this research was to realize if and how the cooperation with memory institutions is used at schools and how teachers and students perceive its benefit. The survey was accomplished in ten Prague schools. The sample was both in terms of quantity and course of study unrepresentative, but we can consider the research as beneficial. Almost half of participating teachers use the cooperation with memory institutions during lessons. Those, who not, often see the benefit of the cooperation for other courses than for their own courses. Students of all schools participating in the survey have the opportunity to take part in excursions to memory institutions during their lessons - the most often to museums and galleries. Two...

Occupant une place majeure dans les intérieurs, les miroirs se sont progressivement imposés comme un décor d’architecture à part entière dans les pièces privées, puis dans les pièces de réception des grandes demeures aristocratiques européennes aux XVIIe et XVIIIe siècles. Le propos de la présente thèse est d’éclairer non seulement le développement des miroirs en tant que décoration fixe, mais aussi leur utilisation dans de véritables mises en scène architecturales. Envisagé sur un temps long de deux siècles et dans une aire géographique conséquente (France, Italie, Espagne, Allemagne, Autriche, Suède), ce travail débute par une étude du développement de ces décors au XVIIe siècle, en interrogeant le rôle de la France dans la définition et la circulation des modèles en Europe. Puis, dans un second temps sont étudiées les typologies de cabinet et de galerie de glaces, pièces les plus concernées par ce type de décor. Enfin, la place des miroirs dans la pratique architecturale et leur rôle illusionniste dans les intérieurs sont traités dans une dernière partie. / Occupying an important place in the interiors, mirrors have progressively been an architectural decor in its own right in the private rooms, then in the reception rooms of the European great aristocratic houses in the XVII and XVIII centuries. The purpose of this thesis is to enlighten not only the development of mirrors as fixed decoration, but also their use in true architectural staging. Based on a two century scale and a substantial geographic area (France, Italy, Spain, Germany, Austria, Sweden), this work starts by a study of the development of these decors in the XVII century, by questioning the role of France in the definition and the circulation of models in Europe. Then, it focuses on the typologies of mirror cabinet and galleries, the most affected rooms by this kind of décor. Finally, in the last section, the mirror place in the architectural practice and their illusionist role in the interiors are studied.

The work offers an analysis of the MXM gallery, located in Prague. It was one of the first private galleries to appear after the Velvet Revolution in 1989. In the post-communism atmosphere of the 1990s it experienced a great "boom" and quickly grew to become a significant institution and one of the most important private galleries in the city. The introductory chapter offers an overview and comparison with other private galleries that originated in the Czech Republic just after the revolution, followed by a brief historical background of the establishment and functioning of the MXM gallery. Attention is paid to the important personalities who shaped the artistic program and the theoretical background of the gallery, both being critically important. Asignificant part of the presented work is devoted to selected artists, who are mainly represented through their individual exhibitions. Since MXM activities extend beyond its own exhibition area, on Kampa, this text also investigates MXM activities at other locations in the Czech Republic as well as abroad. The gallery devoted substantial energy to establishing foreign contacts, which allowed it to present the works ofvarious authors from many countries. The last chapter describes the sale of art work and the art collectors associated with MXM. The...

The thesis deals with the issue of internal communication at the National Gallery in Prague. The first part is focused on theoretical concepts, historical development and definition of the substance and means of internal communication. The essence of the work consists of situational analysis of current conditions at the National Gallery in Prague in terms of internal communication, with an emphasis on conceptual changes and communication strategy. The conclusion of the analytical part is dedicated to the evaluation of questionnaire survey, formulation of the strategy and design of communication plan, concrete activities and recommendations in the internal communication according to particularity of public cultural sector.

Alfred Stieglitz and the members of '291' are most often remembered in the art historical literature for introducing modernism into America through the work of European artists and through the integration of current European formal experiments into the work of American artists. While some authors have referred to the fact that this modernism, as presented by 291, was intended to critique society, any analysis of that critique is conspicuously missing. Also absent is an analysis of what one contemporary critic referred to as the "queer symbolism lurking at the Post-Impressionist hypothesis." In this thesis the following questions are asked: what was 291's critique and why did they insist upon the expression of the 'irrational' states of the psyche — passion, intuition and imagination, in their art. By situating 291 within its particular set of contexts I attempt to explain what their position represented — to the members themselves and to their rivals. / Arts, Faculty of / Art History, Visual Art and Theory, Department of / Graduate

The topic of my study is focused on the Arts Logistics, mainly in the Czech Republic. The first part of this thesis is theoretical and the second one is more practical. The study explains some basic terms related to museum and gallery logistics, given the general definition of logistics and logistics-differences in the cultural sphere. There are named a few companies dealing with transport and temporary storage of artworks. In cooperation with one of these companies is described here part of the extensive moving of The Museum of Decorative Arts in Prague.

La era del plus digital nos proporciona un espacio en el cual nosotros podemos controlar y manejar bitácoras relacionadas a afinidades o trabajo. Asimismo, debido a las redes sociales y a su rol en la cultura actual, los artistas cuentan con más ventanas de exhibición en las cuales sus trabajos pueden ser vistos por una mayor cantidad de personas con intereses relacionados al arte y a la cultura. Sin embargo, hay galerías virtuales que se enfocan en mostrar al mundo el trabajo de mujeres y más aun de aquellas que comienzan en el mundo artístico. Esto representa un nuevo e interesante giro con enfoque de género, que motiva una revisión puesto que la posición de las mujeres en el mundo del arte se ha visto obstaculizada a lo largo de los años. En este documento se analizarán los procesos y dinámicas de cuentas latinoamericanas relacionadas al arte y difusión. Luego, se abordarán los retos y procesos por los que atraviesan las administradoras bajo su discurso feminista. / The era of the digital plus provides us with a space in which we can control and manage blogs related to affinities or work. Likewise, because of social networks and their role in current culture, artists have more exhibition windows in which their works can be seen by a greater number of people with interests related to art and culture. However, there are virtual galleries that focus on showing the world the work of women and even more of those who start in the artistic world. This represents a new and interesting turn with a gender perspective, which motivates a revision since the position of women in the art world has been hindered over the years. This document will analyze the processes and dynamics of Latin American accounts related to art and diffusion. Then, the challenges and processes that administrators go through under their feminist discourse will be addressed. / Trabajo de investigación

Moda Store, es una galería virtual donde se puede encontrar diversas tiendas independientes de emprendedores peruanos que comercializan ropa en general. Este modelo de negocio se desarrolla a través de una plataforma E-Commerce, siendo una opción de ingreso de dinero en medio de la pandemia, donde se incrementó la tasa de desempleo de manera exponencial lo que llegó a ser una tema bastante sensible para cualquier trabajador que necesitaba cubrir la canasta básica familiar; asimismo, esta alternativa de emprendimiento es bastante atractiva para las personas debidamente formalizadas que cuentan con RUC aún sin contar con una experiencia en ventas, ya que el modelo de negocio es muy económico en comparación con las tiendas físicas, donde el dueño del negocio tiene que considerar costos de alquiler, servicios, garantía, mantenimiento, personal de ventas y todas las estrategias que pueda implementar para poder impulsar la venta de sus prendas. Moda Store, se desarrolla teniendo como una gran oportunidad el incremento del uso de celulares inteligentes o smartphones en medio de un contexto actual donde la tecnología se vuelve cada vez más necesaria; asimismo, la practicidad que busca el consumidor habitual que presenta un estilo de vida ajetreado, producto de la recargada agenda de actividades y; además, el cooperativismo, ya que en muchos aspectos la inversión para el crecimiento del negocio se vuelve compartida con otros emprendedores. Este modelo de negocio como plataforma virtual no incurre en exorbitantes inversiones para poder ponerlo en marcha, ya que sus procesos en general se desarrollan en servicios. / Moda Store is a virtual gallery where you can find various independent stores of Peruvian entrepreneurs that sell clothing in general. This business model is developed through an E-Commerce platform, being an option to enter money in the midst of the pandemic, where the unemployment rate increased exponentially, which became a very sensitive issue for any worker. that you need to cover the basic family basket; Likewise, this entrepreneurial alternative is quite attractive for duly formalized people who have RUC even without having a sales experience, since the business model is very economical compared to physical stores, where the business owner has to consider rental costs, services, warranty, maintenance, sales staff and all the strategies you can implement to boost the sale of your garments. Moda Store, is developed having as a great opportunity the increase in the use of smart phones or smartphones in the midst of a current context where technology is becoming more and more necessary; likewise, the practicality sought by the regular consumer who presents a busy lifestyle, product of the busy schedule of activities and; in addition, cooperativism, since in many aspects the investment for business growth becomes shared with other entrepreneurs. This business model as a virtual platform does not incur exorbitant investments to be able to start it up, since its processes in general are developed in services. / Trabajo de investigación