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South African political prison-literature between 1948 and 1990 : the prisoner as writer and political commentatorBooth-Yudelman, Gillian Carol, Yudelman, Gillian Carol Booth- 11 1900 (has links)
This thesis examines works written about imprisonment by
four South African political prison writers who were incarcerated
for political reasons. My Introduction focuses on current
research and literature available on the subject of political
prison-writing and it justifies the study to be undertaken.
Chapter One examines the National Party's policy pertaining to
the holding of political prisoners and discusses the work of
Michel Foucault on the subject of imprisonment as well as the
connection he makes between knowledge and power. This chapter
also considers the factors that motivate a prisoner to write.
Bearing in mind Foucault's findings, Chapters Two to Five
undertake detailed studies of La Guma's The Stone Country, Dennis
Brutus's Letters to Martha, Hugh Lewin's Bandiet and Breyten
Breytenbach's The True Confessions of an Albino Terrorist,
respectively. Particular emphasis is placed on the reaction of
these writers against a repressive government. In addition,
Chapters Two to Five reflect on the way in which imprisonment
affected them from a psychological point of view, and on the
manner in which they were, paradoxically, empowered by their
prison experience. Chapters Four and Five also consider capital
punishment and Lewin and Breytenbach's response to living in a
hanging jail. I contemplate briefly the works of Frantz Fanon in
the conclusion in order to elaborate on the reasons for the
failure of the system of apartheid and the policy of political
imprisonment and to reinforce my argument. / English Studies / D. Litt. et Phil. (English)
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South African political prison-literature between 1948 and 1990 : the prisoner as writer and political commentatorBooth-Yudelman, Gillian Carol, Yudelman, Gillian Carol Booth- 11 1900 (has links)
This thesis examines works written about imprisonment by
four South African political prison writers who were incarcerated
for political reasons. My Introduction focuses on current
research and literature available on the subject of political
prison-writing and it justifies the study to be undertaken.
Chapter One examines the National Party's policy pertaining to
the holding of political prisoners and discusses the work of
Michel Foucault on the subject of imprisonment as well as the
connection he makes between knowledge and power. This chapter
also considers the factors that motivate a prisoner to write.
Bearing in mind Foucault's findings, Chapters Two to Five
undertake detailed studies of La Guma's The Stone Country, Dennis
Brutus's Letters to Martha, Hugh Lewin's Bandiet and Breyten
Breytenbach's The True Confessions of an Albino Terrorist,
respectively. Particular emphasis is placed on the reaction of
these writers against a repressive government. In addition,
Chapters Two to Five reflect on the way in which imprisonment
affected them from a psychological point of view, and on the
manner in which they were, paradoxically, empowered by their
prison experience. Chapters Four and Five also consider capital
punishment and Lewin and Breytenbach's response to living in a
hanging jail. I contemplate briefly the works of Frantz Fanon in
the conclusion in order to elaborate on the reasons for the
failure of the system of apartheid and the policy of political
imprisonment and to reinforce my argument. / English Studies / D. Litt. et Phil. (English)
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Singing Songs of Social Significance: Children's Music and Leftist Pedagogy in 1930s AmericaHaas, Benjamin D. 12 1900 (has links)
In their shared goal of communicating left-wing principles to children through music, Marc Blitzstein's Worker's Kids of the World (1935), Aaron Copland's The Second Hurricane (1937), and Alex North's The Hither and Thither of Danny Dither (1941) exhibit a fundamental unity of purpose that binds them both to each other and to the extensive leftist pedagogical efforts of their time. By observing the parallel relationship among these three children's works and contemporary youth organizations, summer camps, and children's literature, their cultural objectives and stylistic idiosyncrasies emerge as expressions of a continuously evolving educational tradition. Whereas Worker's Kids comes out of the revolutionary Communist aesthetics of the Composers' Collective and the militant activism of The Young Pioneers, The Second Hurricane and Danny Dither reflect the increasingly accommodating educational efforts of the American Popular Front.
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OH, HORSE HOCKEY!Anthes, Alex 23 June 2023 (has links)
No description available.
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Cathode Erosion and Propellant Injection System of a Low-Voltage, Liquid-Fed Pulsed Plasma ThrusterBrian Francis Jeffers (15410255) 04 May 2023 (has links)
<p>Prior to the mid-20th century, the idea of electric propulsion had been all but a foreign one that manifested itself in the topic of science fiction. It was around this time when companies and agencies like NASA began to take interest in the topic of space propulsion, as most famously seen in the landing of the Apollo 11 mission on the moon. It was not until the early-1960s where the idea of a pulsed plasma thruster was first realized, with its first test being in 1964 aboard the Russian Zond-2 satellite which contained 6 ablative Polytetrafluoroethylene (PTFE, or “Teflon”) pulsed plasma thrusters.</p>
<p>In this paper, a new low-voltage, liquid-fed pulsed plasma thruster was developed, tested, and characterized. This project took influence from the previous low-voltage, liquid-fed pulsed plasma thruster in Purdue’s EPPL and desired to transition it from a current gas-fed system to its intended liquid-fed system. The two main objectives for this project included conducting direct studies of the cathode’s erosion rate using a simple weighing method after simulating a lifetime of discharging the thruster, and completing the initial design of the liquid-fed pulsed plasma thruster using AF-M315E as its propellant while gathering data on its required breakdown voltage, exhaust velocity, and specific impulse.</p>
<p>Both objectives were successfully completed, with the following parameters being measured or calculated. The required breakdown voltage was seen to be less than 26kV to keep the ignition spark inside the chamber. For the subsequent results measured however, the breakdown voltage was kept between 10-16kV for all successive tests. The peak current measured for all discharges was an average of 11kA, far exceeding similar geometries such as MPD thrusters. The operational voltage was less than 200V, although an operational voltage closer to 100V is expected after further optimization of the system is completed. The erosion rate of the tungsten cathode at this operational setting was found to be 15.4046 +/- 0.592 microgram/Coulomb which is much less than the cathode spot erosion rate reported for tungsten in literature of about 60 microgram/Coulomb and is beneficial for extending system lifetime. The exhaust velocity was calculated to be 30.6 +/- 4.8km/s which is typical of state-of-the-art PPT electric propulsion devices. The specific impulse was also extrapolated from the ion’s exhaust velocity, calculating to be 3,119 +/- 489 seconds. Future work would require optimization of the propellant injection mechanism to minimize propellant loss.</p>
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Blurred (County) Lines: A Comprehensive Analysis of Voting Patterns in Florida at the County and Regional Levels from 1950 to 2012Yeargain, Tyler Q. 01 January 2015 (has links) (PDF)
Over the last sixty years, voting patterns in the United States have changed dramatically, and this is especially true in the state of Florida. Though there is some literature in the field of political science that outlines the voting and election history of Florida and identifies some trends, this literature is extremely limited and is not comprehensive of the data that is available up to the present day. This study seeks to find Florida’s voting patterns and to explain how they can be understood by both the casual observer and the political scientist. To do so, unique methodology was applied that used the "relative margin" of both a county and a region in a particular election to give the Democratic nominee’s performance context both in the election in question and in history, by comparing the actual margin of victory or defeat of the Democratic nominee to the statewide margin of victory or defeat. This was an illuminating process that ultimately revealed some truths about the election history of Florida: the counties and regions most likely to vote for Democratic nominees in the 1950s and early 1960 are now among the least likely to do so, and the counties and regions most likely to vote for Republican nominees in the 1950s and early 1960s are now considered to be "swing" or "tossup" areas that are regularly and alternatively won by Democratic and Republican nominees. Additionally, the pattern of each region in how it voted in presidential elections was compared to forty seven other states in the country to provide further context as to how the election patterns can be understood in context.
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Beckett, Barthelme, and Vonnegut : finding hope in meaninglessnessBritten, Alex M. 16 April 2012 (has links)
This thesis is a study of the shifting philosophical trends in the works of Samuel Beckett, Donald Barthelme, and Kurt Vonnegut as representations of a greater shift from modernism to postmodernism. I have chosen to explore Beckett's plays Waiting for Godot and Krapp's Last Tape, Barthelme's short stories "Nothing: A Preliminary Account," "The New Music," and "Kierkegaard Unfair to Schlegal," and Vonnegut's book Timequake to see how each author seeks to find a new hope in the face of a collapsed causal system. This work is an examination of the form and content of each author's work as it pertains to their own philosophical standing and in relation to the other two authors' works. I argue that each author finds a different hope for humanity depending on their place among the philosophical trends during their time. / Graduation date: 2012
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THE BRONX COCKED BACK AND SMOKING MULTIFARIOUS PROSE PERFORMANCEAvila, Alex 01 June 2016 (has links)
The Bronx Cocked Back And Smoking is a collection of multifarious prose performances recounting the historical, personal, social, political and cultural constructs of a city birthed by violence. This body of work is accompanied by video, audio, photography, and theatre performance texts. St. Mary’s Housing project, in the Bronx, is the foundation where most of this literary work takes place. The modern day Griot (storyteller) is a Poet, guiding his audience through the social inequalities and disparities that plague St. Mary’s community. The Poet shares personal traumatic insights while simultaneously utilizing writing as a form of survival to the conditions of the Bronx. This multi-platform performance highlights the metaphorical and physical concerns with the cycle of violence. This question is answered through the Poet’s choice by selecting the pen over the gun.
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