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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 121 to 130 of 130 (0.04 seconds)| 121 |
Kreslený humor s environmentální tematikou v českém tisku / Environmental cartoon in the Czech pressOndroušková, Žaneta January 2016 (has links)
This diploma thesis is focused on the analysis of humorous environmental cartoons in specific periods during last twenty-three years. In the content and semiotic analysis, I am dealing with cartoons in its various forms in the Czech broadsheet newspapers MF Dnes, Právo, Lidové noviny, Hospodářské noviny, Deník, Lidová demokracie, Svobodné slovo and Práce. I surveyed the subtopics dominating in specific periods and the frequency of envirotoons depending on particular titles and current events in the Czech Republic. The thesis deals with these media contents also in connection with global environmental issues and their public discussion. Another important part is the reflection of social problems which the analyzed topics are closely related with. Combination of quantitative and qualitative methods enables to describe and interpret media units of content and lay the foundations for the research of environmental cartoons which has no tradition in the Czech Republic. In the thesis, I point to the fact that newspaper cartoons provide not only the relaxation and entertainment, but it is also an important medium in environmental agenda-setting and its discussion.
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Obraz druhého - Češi v německých karikaturách / Image of the Other - Czechs in German CarricaturesRaková, Pavlína January 2019 (has links)
The thesis focuses on the image of Czechs in German caricatures. The image of Czechs is researched on caricatures through historical timeline consisting of milestones of Czech- German relationship. The first chapter focuses on Czech-German tension from times of Badeni's language ordinances to Ann's patents. Furthermore, the image of Czechs is investigated in period of Great War. The focus is primarily on the rise of independent Czechoslovakia because main hypothesis states that the image of Czechs was intensified after this event. The next researched time period is year 1933 as Nazi party took over. The last researched period is time period 1937-1939. The focus is on death of T. G. Masaryk. The thesis is complemented by Austrian caricatures which aim to extend the image of Czechs by Austrian view. The Austrian image of Czechs is then compared to German one. Analysis is made through image analysis of German and Austrian caricatures. The research is done on 35 historical caricatures and is supported by secondary literature. The caricatures were picked from major satirical-humoristic magazines such as Simplicissimus, Kladderadatsch, Fliegende Blätter, Kikeriki and Figaro.
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"Sancho Panza : tradición, creación y superación"Baró Gaillard, Celia January 2002 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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Un chardon dans les jardins de la reine : le référendum de 1995 tel que (re)présenté à travers la caricature au Canada anglaisLemieux, Éric 25 April 2018 (has links)
La réalité de l'histoire est un amalgame constitué par des faits et par l'interprétation que l'esprit leur donne. Au cœur de cette construction, les caricatures publiées quotidiennement dans les journaux jouent un rôle majeur car elles contribuent à structurer cette nouvelle réalité. En se basant sur ce postulat, il devient pertinent de le mettre en parallèle avec l'une des composantes majeures de l'identité québécoise : le nationalisme. C'est vers sa dernière manifestation d'envergure que sera dirigée notre analyse, à savoir, le référendum du 30 octobre 1995 sur la souveraineté. Date historique à la fois pour le Canada et le Québec, la polarisation linguistique démontrée à cette occasion offre une perspective fascinante. Comment, dans les semaines qui ont mené au vote, les caricaturistes du Canada anglais ont-ils représenté le projet de séparation? Scruter minutieusement les dessins de presse offerts aux lecteurs nous permettra sans doute de mieux comprendre la complexité des rapports qu'entretiennent les anglophones du Canada vis-à-vis du projet indépendantiste québécois. / Québec Université Laval, Bibliothèque 2013
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Canini e o anti-herói brasileiro: do Zé Candango ao Zé - realmente - carioca / CANINI E O ANTI-HERÓI BRASILEIRO: Do Zé Candango ao Zé realmente - CariocaGuazzelli Filho, Eloar 24 April 2009 (has links)
Este trabalho de pesquisa estuda um autor - Renato Canini - que construiu uma trajetória peculiar ao desenvolver uma narrativa de histórias em quadrinhos com um traço bastante pessoal apesar de inserida nas de estruturas de produção massivas. Envolve a articulação da CETPA Cooperativa Editora de Trabalhos de Porto Alegre - que pretendia publicar histórias em quadrinhos brasileiras para fazer frente à avassaladora presença de material importado , estrutura onde Canini realizou com as tiras de Zé Candango seus primeiros ensaios de uma linguagem brasileira de quadrinhos. E porque parte dessas tiras foi publicada no Jornal do Brasil, sua atuação pode ser vista dentro da construção de um sistema massivo de produção e distribuição no país. Este trabalho vai além ao abordar a seminal passagem deste autor pelas publicações Disney por meio da Editora Abril - desenhando as aventuras do personagem Zé Carioca. Deste período resultará uma obra que encontra grande significado por conseguir superar as contradições e os limites de uma estrutura caracterizada por uma rígida divisão de trabalho, dilatando os limites da questão autoral dentro da grande indústria e trazendo amplos questionamentos quanto aos elementos formadores de uma pretensa identidade nacional. / This research deals with the study of the artist Renato Canini, who managed to build a very peculiar way to develop a narrative of comics with a very personal style, although included in the structures of mass production. This period includes the articulation of CETPA (Cooperative Publishing Works of Porto Alegre), which intended to publish Brazilian comics to face the huge presence of imported material. That was when Canini drew his strips of Zé Candango its first steps of a language of Brazilian comics. And because of part of these strips were published in Jornal do Brasil, this work can be seen within the perspective of building a massive system of production and distribution. This work goes beyond by researching the important work done by Renato Canini at Disney publications - by Editora Abril - drawing the adventures of the character Zé Carioca. Not forgetting a significant formal research developed by him on the pages of the Recreio magazine. This period will result in a workforce that is able to overcome significant contradictions and limits of a structure known by being rigid with the labor division and also by extending the limits of copyright issue within the major industry issues and bringing extensive discussion on the elements of an alleged national identity.
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São Paulo aprende a rir: A imprensa humorística entre 1839-1876Gallotta, Brás Ciro 27 October 2006 (has links)
Made available in DSpace on 2016-04-27T19:31:27Z (GMT). No. of bitstreams: 1
HIS - Bras Ciro Gallotta.pdf: 32087937 bytes, checksum: 6132be75f5ef01f2b330d3ef67e6f425 (MD5)
Previous issue date: 2006-10-27 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This thesis analyzes the relation among the press, humor and social life in São
Paulo between the years 1839 and 1876. The central basis for this study is the first
steps in gathering a humoristic local press, identified as the first humoristic
periodic, which is aimed to draw attention dramatically to lack of style and
humoristic narratives in the ongoing general process of settlement and affirmation
of the called periodismo paulista , i.e paulista periodism. As a result from this
ongoing process and social life, it aims also to creep up from behing the reader
and reflect upon the concrete conversation between the theme area immersion in
the periodic and the urban life changes at that certain point in life.
Analyzing the publications and the narrative and language strategy development
used by writers, journalists and cartoonists such as Angelo Agostini, Eduardo
Langlois and Nicolau Hauscar de Vergara, it is clearly that by doing so the
experimentation in different humor styles began from heart of the political Sunday
journalism,
After the releasing of Diabo Coxo and as well Cabrião, the newspaper Sunday
pages show a more intense social perception of the urban life, emploring the
transition and changing moment from a small ville into the café metropolis
notwithstanding the impact of new technology shown mainly by the opening of the
Estrada de Ferro São Paulo, i.e, São Paulo Railway.
Nevertheless, the Coaracy and the Polichinelo publications are presented as a
more agile narrative, following the trend of rhythms and movements which the city
has been goin through. The first urban improvemnet masterpieces are ironised.
Moreover, a more relaxing atmosphere regarding new modern technology is also
noticed. The political confrontations and debates at present / Esta tese analisa relações entre imprensa, humor e vida social em São Paulo entre
os anos 1839 e 1876. O estudo tem como eixo central o processo inicial de
formação da imprensa de humor paulista, identifica como se constituíram os
primeiros periódicos humorísticos,e busca problematizar a emergência de estilos e
narrativas de humor em meio a processo geral de constituição e afirmação do
periodismo paulista . No cruzamento entre o fazer-se dessa imprensa e a vida
social, procura surpreender e refletir sobre o diálogo ativo entre a construção de
campos temáticos nos periódicos e as transformações da vida urbana naquela
conjuntura.
Analisando as publicações e a constituição de narrativas e estratégias de linguagem
produzidas por cronistas, jornalistas e por caricaturistas como Angelo Agostini,
Eduardo Langlois e Nicolau Hauscar de Vergara, evidenciou-se caminhos que, do
interior do jornalismo político e domingueiro, abriam-se a experimentação dos
gêneros de humor.
Com a publicação do Diabo Coxo e o Cabrião, as folhas domingueiras sinalizam
para uma percepção social mais intensa do viver urbano, explorando o momento de
transição e transformação de vila tropeira para metrópole do café e os impactos de
novas tecnologias simbolizadas principalmente pela inauguração da Estrada de
Ferro São Paulo Railway.
Já as publicações de o Coaracy e o Polichinelo, apresentam-se uma narrativa mais
ágil, bem agosto dos novos ritmos que a cidade vivencia. Ironizam-se as primeiras
obras de benfeitorias urbanas. Mostra-se também uma cidade mais a vontade com
as novidades do mundo moderno. Valorizam-se os debates e combates políticos do
momento
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Canini e o anti-herói brasileiro: do Zé Candango ao Zé - realmente - carioca / CANINI E O ANTI-HERÓI BRASILEIRO: Do Zé Candango ao Zé realmente - CariocaEloar Guazzelli Filho 24 April 2009 (has links)
Este trabalho de pesquisa estuda um autor - Renato Canini - que construiu uma trajetória peculiar ao desenvolver uma narrativa de histórias em quadrinhos com um traço bastante pessoal apesar de inserida nas de estruturas de produção massivas. Envolve a articulação da CETPA Cooperativa Editora de Trabalhos de Porto Alegre - que pretendia publicar histórias em quadrinhos brasileiras para fazer frente à avassaladora presença de material importado , estrutura onde Canini realizou com as tiras de Zé Candango seus primeiros ensaios de uma linguagem brasileira de quadrinhos. E porque parte dessas tiras foi publicada no Jornal do Brasil, sua atuação pode ser vista dentro da construção de um sistema massivo de produção e distribuição no país. Este trabalho vai além ao abordar a seminal passagem deste autor pelas publicações Disney por meio da Editora Abril - desenhando as aventuras do personagem Zé Carioca. Deste período resultará uma obra que encontra grande significado por conseguir superar as contradições e os limites de uma estrutura caracterizada por uma rígida divisão de trabalho, dilatando os limites da questão autoral dentro da grande indústria e trazendo amplos questionamentos quanto aos elementos formadores de uma pretensa identidade nacional. / This research deals with the study of the artist Renato Canini, who managed to build a very peculiar way to develop a narrative of comics with a very personal style, although included in the structures of mass production. This period includes the articulation of CETPA (Cooperative Publishing Works of Porto Alegre), which intended to publish Brazilian comics to face the huge presence of imported material. That was when Canini drew his strips of Zé Candango its first steps of a language of Brazilian comics. And because of part of these strips were published in Jornal do Brasil, this work can be seen within the perspective of building a massive system of production and distribution. This work goes beyond by researching the important work done by Renato Canini at Disney publications - by Editora Abril - drawing the adventures of the character Zé Carioca. Not forgetting a significant formal research developed by him on the pages of the Recreio magazine. This period will result in a workforce that is able to overcome significant contradictions and limits of a structure known by being rigid with the labor division and also by extending the limits of copyright issue within the major industry issues and bringing extensive discussion on the elements of an alleged national identity.
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Perceptions Of Cuteness And BeautyJones, Danielle 01 January 2009 (has links)
Upbringing and psychological make-up inspire individual norms for beauty and cuteness. The mannerist approach in my work is a product of the figural liberties found in cartooning, illustration and art history. By altering facial and bodily features, I relate the proportions of an infant to cuteness and innocence. However, I tailor the photographs to empower the subjects all the while mirroring trends in contemporary pop culture. I'm interested in themes of everyday life, vitality and emotion placed in obscure, imaginary or exaggerated venues. I fictionalize subjects of my reality to compel viewers to identify with and fancy emotions, circumstances, moods and relationships. The intent is to amplify, yet be truer to their existence and idiosyncrasies through figural adaptations.
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The battle of changing times : picaresque parodies from Bruegel to GroszCornew, Clive 11 1900 (has links)
This study focuses on Bruegel's parodic legacy in the picaresque tradition. It is based, on the one hand, on
visual rhetoric, visual parody, and the poetics of epideictic rhetoric; and, on the other, on the interaction
between epideictic rhetoric's salient features and the Bruegelian themes of camivalisation, the satirising of
human folly, and the ontic order of the World Upside Down topos as organising principles. The relationships
between the above themes are chronologically traced in various disguises in pictures by representative
picaresque artists from the sixteenth to the twentieth centuries: i.e., in Bruegel, Steen, Hogarth, Daumier, and
Grosz. Each of these picaresque artists battled with their own times, parodying the paradigmatic targets of the
high mode, in both social and genre hierarchy, and in doing so revealed the complexities of the above themes
at work within an ever changing context-bound rhetoricity. / Art History, Visual Arts & Musicology / Thesis (D.Litt. et Phil.)
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The battle of changing times : picaresque parodies from Bruegel to GroszCornew, Clive 11 1900 (has links)
This study focuses on Bruegel's parodic legacy in the picaresque tradition. It is based, on the one hand, on
visual rhetoric, visual parody, and the poetics of epideictic rhetoric; and, on the other, on the interaction
between epideictic rhetoric's salient features and the Bruegelian themes of camivalisation, the satirising of
human folly, and the ontic order of the World Upside Down topos as organising principles. The relationships
between the above themes are chronologically traced in various disguises in pictures by representative
picaresque artists from the sixteenth to the twentieth centuries: i.e., in Bruegel, Steen, Hogarth, Daumier, and
Grosz. Each of these picaresque artists battled with their own times, parodying the paradigmatic targets of the
high mode, in both social and genre hierarchy, and in doing so revealed the complexities of the above themes
at work within an ever changing context-bound rhetoricity. / Art History, Visual Arts and Musicology / Thesis (D.Litt. et Phil.)
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