This companion of short essays, images and drawings are parts to a whole: a series of independent studies in search of architectural understandings. While this "project" has been underway for several years, until recently the thread of relevance between studies has been untethered. Now at the end, I come to the beginning of this book to suggest the emerging relevance to these studies: architectural harmony. And because the process of understanding is one of sorting things out, this compilation should be appreciated as such. Thus, it is by no means comprehensive or conclusive, despite its presence as a completed work. Indeed, the writing of this book is itself a sorting activity. It is not a report of absolute findings, supported by irrefutable references or statistical data points. Readers should therefore enter the book as a student, engaged in question making, discoursing with another also searching in these pages. Herein lies emerging positions, built up from root questions. Because of this, these positions will likely change with time and may never find absolute resolution. If forced to side with one position at this time, it must be the acknowledgement that there are many. Indeed, many valid positions exist and perhaps, more importantly, coexist. This is the nature of harmony as well. Harmony in architecture is less about notions of something specific, final or pleasing and is more about the poise of phenomenal states: where relationships of part to part and parts to whole form entireties whose identities are appreciable for more than their singularity or their totality. Because harmony is a ex post facto backdrop for these studies, it is not persistent theme throughout the book. Part 1 is dedicated to positions best described as taking stock; for example, taking stock of subjects, such as knots or the square; taking stock of situations and roles, such as modes of inquiry and the responsibility of design; taking stock of one's own dispositions, so to set out a consistent relationship between the players and the field of play. Part 2 describes the thesis project with demonstrations and words. Words are inevitable in discussing the work. They help articulate observations and defend design decisions and sensibilities. Some of these observations are described as if the project exists. But because an architectural thesis often uses demonstrations to provide examples in lieu of final constructions, it is hard to gauge the extent to which these speculations are imagined or drawn out by demonstration. The book concludes with Part 3. The thesis defense lecture is one distillation of harmony that closely examines a fragment of the project as an example of part and whole. Alas, it is in the very nature of using words to understand architecture, especially if the author of text and line are one in the same, that an author's a priori intentions and their a posteriori evaluations of the work are susceptible to mix. Further, such an author is faced with a paradox; on the one hand, he is the expert, on the other, he is in no position to claim ultimate authority. Compatibility between work and word exists partially in the mind and partially in the eyes. It is indeed difficult (perhaps impossible) to step outside the self enough to accurately compare and contrast word and work. With this point established, the work is not only subject to critique, but so is this evaluation of it. To conclude these preparatory remarks, as the direct benefactor of these studies, my appreciation of harmony in architecture is reaching that elusive position where, with each layer of understanding made clear, additional layers of opacity are encountered. In other words, questions are answered with yet more questions. For example, should harmony be understood as cause or effect? Does harmony exist out of time or completely in it? Thus, standard definitions are quite inadequate for architectural understandings of harmony. And while it might be helpful to break harmony down into digestible parts, this reductive inventory does not render a harmonic assembly. Furthermore, even the most lucid of explanations do not translate well into examples such to instruct. It seems the type of thing, perhaps like color, is best known through repetitive and thoughtful experience. This is just the start where even assumptions brought to the table must be checked. Despite these quandaries, my challenge for this book is to reveal something fundamental, albeit modest, to readers, and in the end, for architecture. / Master of Architecture

No / Considerable debate persists concerning the origins of those involved in the adventus Saxonum: the arrival of Germanic peoples in Britain during the fifth century AD. This question was investigated using oxygen and strontium isotope ratios obtained from archaeological dental samples from individuals in the ¿Migration Period¿ cemetery, Ringlemere, Kent (n = 7) and three continental European sites (n = 17). Results demonstrated that strontium alone is unable to distinguish between individuals from south-eastern England and north-western Europe. Although 87Sr/86Sr values from Ringlemere fell within local biosphere parameters and suggest a spatially and temporally related group, ¿18O values were inconsistent with origins in eastern England or on the North German plain. Results from the European sites negate past climate change as an explanation. It is possible that culturally mediated behaviour has obscured geographical relationships. Further work to characterize water sources and human ¿18O values in the putative European homelands is required. / NERC

This dissertation deals with sepulchral artworks of Franta Úprka (1868-1929), the Czech sculptor. At first his life is described. Franta Úprka was born in Kněždub, south-eastern Moravia. Beginning of his artistic activity belonged to the end of 19th century, when he worked as an assistant of two famous Czech sculptors - A. P. Wagner and Bohuslav Schnirch. His own career took place in the first two decades of the 20th century. Name Úprka is best known for Joža Uprka, Moravian painter and Franta's elder brother. Although Franta Úprka lived and worked in Prague from 1890th, the midpoint of his artistic interests and main theme of his sculptures was depicting people, traditions and subjects from his home country, Moravian Slovakia. Moravian Slovakia was specific part of Moravian countryside full of long lasting and still surviving folklore, folk traditions, peculiar vivacious characters and intact nature. As Auguste Rodin said during his visit of Moravian Slovakia in 1902 it was kind a Greek Helada overflowing with bright colours, sunshine and cheerful relaxed atmosphere. On the other side, common people lived there their uneasy rural lives with all ordinary worries and pleasures. Both sights of the issue were solved by Úprka's artworks. Very specific and the most significant part of his chef-d'oeuvre...

This thesis outlines a technique for rapid documentation of historic sites in volatile cultural landscapes. Using Holt Cemetery as an exemplary case study, a workflow was developed incorporating RTK terrain survey, UAS aerial imagery, photogrammetry, GIS, and smartphone data collection in order to create a multifaceted database of the material and spatial conditions, as well as the patterns of use, that exist at the cemetery. The purpose of this research is to create a framework for improving the speed of data creation and increasing the accessibility of information regarding threatened cultural resources. It is intended that these processes can be scaled and adapted for use at any site, and that the products generated can be utilized by researchers, resource management professionals, and preservationists. In utilizing expedited methods, this thesis specifically advocates for documentation of sites that exist in coastal environments and are facing imminent destruction due to environmental degradation.

<p>The prehistoric cemetery of Barshalder is located along the main road on the boundary between Grötlingbo and Fide parishes, near the southern end of the island of Gotland in the Baltic Sea. The cemetery was used from c. AD 1-1100.</p><p>The level of publication in Swedish archaeology of the first millennium AD is low compared to, for instance, the British and German examples. Gotland’s rich Iron Age cemeteries have long been intensively excavated, but few have received monographic treatment. This publication is intended to begin filling this gap and to raise the empirical level of the field. It also aims to make explicit and test the often somewhat intuitively conceived results of much previous research. The analyses deal mainly with the Migration (AD 375–540), Vendel (AD 520–790) and Late Viking (AD 1000–1150) Periods.</p><p>The following lines of inquiry have been prioritised.</p><p>1. Landscape history, i.e. placing the cemetery in a landscape-historical context. (Vol. 1, section 2.2.6)</p><p>2. Migration Period typochronology, i.e. the study of change in the grave goods. (Vol. 2, chapter 2)</p><p>3. Social roles: gender, age and status. (Vol. 2, chapter 3)</p><p>4. Religious identity in the 11th century, i.e. the study of religious indicators in mortuary customs and grave goods, with particular emphasis on the relationship between Scandinavian paganism and Christianity.. (Vol. 2, chapter 4)</p><p>Barshalder is found to have functioned as a central cemetery for the surrounding area, located on peripheral land far away from contemporary settlement, yet placed on a main road along the coast for maximum visibility and possibly near a harbour. Computer supported correspondence analysis and seriation are used to study the gender attributes among the grave goods and the chronology of the burials. New methodology is developed to distinguish gender-neutral attributes from transgressed gender attributes. Sub-gender grouping due to age and status is explored. An independent modern chronology system with rigorous type definitions is established for the Migration Period of Gotland. Recently published chronology systems for the Vendel and Viking Periods are critically reviewed, tested and modified to produce more solid models. Social stratification is studied through burial wealth with a quantitative method, and the results are tested through juxtaposition with several other data types.</p><p>The Late Viking Period graves of the late 10th and 11th centuries are studied in relation to the contemporary Christian graves at the churchyards. They are found to be symbolically soft-spoken and unobtrusive, with all pagan attributes kept apart from the body in a space between the feet of the deceased and the end of the over-long inhumation trench. A small number of pagan reactionary graves with more forceful symbolism are however also identified. The distribution of different 11th century cemetery types across the island is used to interpret the period’s confessional geography, the scale of social organisation and the degree of allegiance to western and eastern Christianity. 11th century society on Gotland is found to have been characterised by religious tolerance, by an absence of central organisation and by slow piecemeal Christianisation.</p>

The poet Larry Levis often employed ekphrasis as an elegiac device—particularly with his verbal descriptions of photographic images—to explore human suffering and reconcile feelings of loss. Through the ekphrastic mode, Levis could juxtapose otherwise disparate images, manipulating their temporal and spatial relationships, to achieve what he conceived an authentic portrait of the human experience. The poet, through his verbal descriptions of photographic images, does not try to evade the pain or joy of being human; instead, he confronts his grief directly and, in so doing, transcends that suffering to better understand himself and his own human position. This thesis analyzes the following poems by Larry Levis: “My Only Photograph of Weldon Kees,” “García Lorca: A Photograph of the Granada Cemetery, 1966,” “The Assimilation of the Gypsies,” “Sensationalism,” and “Photograph: Migrant Worker, Parlier, California, 1967.”

This thesis details the literary and visual influences in my work, the definition of American Gothic, and its connection it to my work. Literary sources such as Edgar Allan Poe and Fanny Kemble help spark a vision of the landscape. Visual influences include Japanese woodblock prints, scenic wallpapers, vintage postcards and Victorian mourning pictures. My regional explorations span the James River, Tidewater swamps and architecture within the city of Richmond.My work depicts local history and ecology inspired by Richmond and the surrounding region. Subtle Gothic elements add anxiety to the otherwise pastoral scenes. Gothic foreboding in the work questions our ecological future and the permanence of our human presence in the landscape.

Sachant que plusieurs maladies entrainent des lésions qui ne sont pas toujours observables à l’oeil, cette étude préliminaire en paléopathologie humaine utilise une approche complémentaire issue de l’imagerie médicale, le ct-scan, afin de fournir des diagnostics plus précis. L’objectif est donc de tester ici l’efficacité et les limites de l’analyse scanographique durant l’analyse de spécimens archéologiques. Un échantillon de 55 individus a été sélectionné à partir de la collection ostéologique provenant du cimetière protestant St. Matthew (ville de Québec, 1771 – 1860). Une analyse macroscopique et scanographique complète a alors été effectuée sur chaque squelette. Les observations macroscopiques ont consisté à enregistrer une dizaine de critères standardisés par la littérature de référence en lien avec des manifestations anormales à la surface du squelette. Les ct-scans ont été réalisés à l’Institut National de la Recherche Scientifique de la Ville de Québec avec un tomodensitomètre Somatom de Siemens (définition AS+ 128). Les données scanographiques ont permis d’enregistrer une série de critères complémentaires sur la structure interne de l’os (amincissement/épaississement de la corticale, variation de densité, etc.) Selon la méthode du diagnostic différentiel, des hypothèses ou diagnostics ont été proposés. Ils sont principalement basés sur les critères diagnostiques mentionnés dans les manuels de référence en paléopathologie, mais aussi à l’aide de la littérature clinique et l’expertise de médecins. Les résultats présentés ici supportent que: 1) Dans 43% des cas, les données scanographiques ont apporté des informations essentielles dans la diagnose pathologique. Cette tendance se confirme en fonction de certaines maladies, mais pas d’autres, car certains diagnostics ne peuvent se faire sans la présence de tissus mous. 2) La distribution spatiale de la plupart des lésions varie selon les régions anatomiques, aussi bien en macroscopie qu’en scanographie. 3) Certains types de maladie semblent associés à l’âge et au sexe, ce qui est conforté par la littérature. 4) Cette recherche démontre aussi que le processus de diagnose nécessite, dans 38% des cas, une analyse complémentaire (ex. histologie, scintigraphie, radiographie) pour préciser le diagnostic final. / Because some diseases produce lesions that cannot be seen macroscopically, this preliminary paleopathological study will use the ct-scan, as a complementary approach in order to improve diagnosis. This project will attempt to evaluate the efficiency of the ct-scan approach for the analysis of archaeological specimens in paleopathological study. Fifty-five individuals from St. Matthew’s protestant cemetery (Quebec City, 1771- 1861) were selected for the present study. Both macroscopic and scanographic analyses were performed on each skeleton. Macroscopic observations were recorded according to at least ten standard criteria based on the reference literature that reports abnormal phenomena on skeletal surfaces. Ct-scans were obtained at the Institut National de la Recherche Scientifique of Quebec City with a SOMATOM CT-scanner (Siemens model, Definition AS+ 128). Scanographic data provided a series of complementary criteria on internal bone structures (thinning/thickening of the cortical layer, density variation, etc.). According to the method of the differential diagnosis, diagnoses were proposed. Most of them were based on diagnostic criteria reported in the paleopathological literature as well as in clinical studies. The results presented support that: 1) For 43% of our sample (N=55), ct-scan data provided key information for the paleopathological diagnosis. The ct-scan provided additional information for some diseases only, partly because some diagnoses cannot be done without the presence of soft tissues. 2) The distribution of most lesions, both macroscopic and scanographic, did vary according to the anatomical regions. 3) Some types of diseases seem to vary according to age and sex, as supported by the literature. 4) Our research also shows that the diagnosis could be improved and refined in 38% of the cases with complementary analyses (histology, scintigraphy, radiography, etc.).

<p>The prehistoric cemetery of Barshalder is located along the main road on the boundary between Grötlingbo and Fide parishes, near the southern end of the island of Gotland in the Baltic Sea. The ceme-tery was used from c. AD 1-1100.</p><p>The level of publication in Swedish archaeology of the first millennium AD is low compared to, for instance, the British and German examples. Gotland’s rich Iron Age cemeteries have long been intensively excavated, but few have received monographic treatment. This publication is intended to begin filling this gap and to raise the empirical level of the field. It also aims to make explicit and test the often somewhat intuitively conceived re-sults of much previous research. The analyses deal mainly with the Migration (AD 375–540), Vendel (AD 520–790) and Late Viking (AD 1000–1150) Periods.</p><p>The following lines of inquiry have been prioritised.</p><p>1. Landscape history, i.e. placing the cemetery in a landscape-historical context. (Vol. 1, section 2.2.6)</p><p>2. Migration Period typochronology, i.e. the study of change in the grave goods. (Vol. 2, chapter 2)</p><p>3. Social roles: gender, age and status. (Vol. 2, chapter 3)</p><p>4. Religious identity in the 11th century, i.e. the study of religious indicators in mortuary cus-toms and grave goods, with particular emphasis on the relationship between Scandinavian paganism and Christianity. (Vol. 2, chapter 4)</p><p>Barshalder is found to have functioned as a central cemetery for the surrounding area, located on pe-ripheral land far away from contemporary settle-ment, yet placed on a main road along the coast for maximum visibility and possibly near a harbour. Computer supported correspondence analysis and seriation are used to study the gender attributes among the grave goods and the chronology of the burials. New methodology is developed to distin-guish gender-neutral attributes from transgressed gender attributes. Sub-gender grouping due to age and status is explored. An independent modern chronology system with rigorous type definitions is established for the Migration Period of Gotland. Recently published chronology systems for the Vendel and Viking Periods are critically reviewed, tested and modified to produce more solid models. Social stratification is studied through burial wealth with a quantitative method, and the results are tested through juxtaposition with several other data types.</p><p>The Late Viking Period graves of the late 10th and 11th centuries are studied in relation to the contemporary Christian graves at the churchyards. They are found to be symbolically soft-spoken and unobtrusive, with all pagan attributes kept apart from the body in a space between the feet of the deceased and the end of the over-long inhumation trench. A small number of pagan reactionary graves with more forceful symbolism are however also identified. The distribution of different 11th cen-tury cemetery types across the island is used to in-terpret the period’s confessional geography, the scale of social organisation and the degree of alle-giance to western and eastern Christianity. 11th century society on Gotland is found to have been characterised by religious tolerance, by an absence of central organisation and by slow piecemeal Christianisation.</p>

The prehistoric cemetery of Barshalder is located along the main road on the boundary between Grötlingbo and Fide parishes, near the southern end of the island of Gotland in the Baltic Sea. The cemetery was used from c. AD 1-1100. The level of publication in Swedish archaeology of the first millennium AD is low compared to, for instance, the British and German examples. Gotland’s rich Iron Age cemeteries have long been intensively excavated, but few have received monographic treatment. This publication is intended to begin filling this gap and to raise the empirical level of the field. It also aims to make explicit and test the often somewhat intuitively conceived results of much previous research. The analyses deal mainly with the Migration (AD 375–540), Vendel (AD 520–790) and Late Viking (AD 1000–1150) Periods. The following lines of inquiry have been prioritised. 1. Landscape history, i.e. placing the cemetery in a landscape-historical context. (Vol. 1, section 2.2.6) 2. Migration Period typochronology, i.e. the study of change in the grave goods. (Vol. 2, chapter 2) 3. Social roles: gender, age and status. (Vol. 2, chapter 3) 4. Religious identity in the 11th century, i.e. the study of religious indicators in mortuary customs and grave goods, with particular emphasis on the relationship between Scandinavian paganism and Christianity.. (Vol. 2, chapter 4) Barshalder is found to have functioned as a central cemetery for the surrounding area, located on peripheral land far away from contemporary settlement, yet placed on a main road along the coast for maximum visibility and possibly near a harbour. Computer supported correspondence analysis and seriation are used to study the gender attributes among the grave goods and the chronology of the burials. New methodology is developed to distinguish gender-neutral attributes from transgressed gender attributes. Sub-gender grouping due to age and status is explored. An independent modern chronology system with rigorous type definitions is established for the Migration Period of Gotland. Recently published chronology systems for the Vendel and Viking Periods are critically reviewed, tested and modified to produce more solid models. Social stratification is studied through burial wealth with a quantitative method, and the results are tested through juxtaposition with several other data types. The Late Viking Period graves of the late 10th and 11th centuries are studied in relation to the contemporary Christian graves at the churchyards. They are found to be symbolically soft-spoken and unobtrusive, with all pagan attributes kept apart from the body in a space between the feet of the deceased and the end of the over-long inhumation trench. A small number of pagan reactionary graves with more forceful symbolism are however also identified. The distribution of different 11th century cemetery types across the island is used to interpret the period’s confessional geography, the scale of social organisation and the degree of allegiance to western and eastern Christianity. 11th century society on Gotland is found to have been characterised by religious tolerance, by an absence of central organisation and by slow piecemeal Christianisation.