501 |
Critical Pedagogy in Action: A Case Study of Our Lady of the ElmsSpoerndle, Regenia E. 27 August 2012 (has links)
No description available.
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502 |
Student-Ready Critical Care Pedagogy: Empowering Approaches for Struggling StudentsCollins-Warfield, Amy E. 26 August 2022 (has links)
No description available.
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503 |
Eating Change: A Critical Autoethnography of Community Gardening and Social IdentityGerrior, Jessica 26 May 2023 (has links)
No description available.
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504 |
Student Achievement in High-Poverty Schools: A Grounded Theory on School Success on Achievement TestsUrso, Christopher J. 26 March 2008 (has links)
No description available.
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505 |
Actualizing the Democratic Promise of American Public EducationLee, Stephanie Jing 12 May 2008 (has links)
No description available.
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506 |
"Waiting for Superman": The Circuit of Cultural Production and Reception of Neoliberal Reform Discourse in EducationScalfaro, Carmen 27 April 2015 (has links)
No description available.
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507 |
Revolutionary Teaching and Learning: Teacher and Student Activists and the Co-Construction of Social Justice Pedagogy for ChangeMerry, Johnny Deane, Merry January 2017 (has links)
No description available.
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508 |
A DJ Speaks with Hands: Gender Education and Hiphop CultureHouston, D. Akil 29 December 2008 (has links)
No description available.
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509 |
Defining Us: A Critical Look at the Images of Black Women in Visual Culture and Their Narrative Responses to these ImagesJackson, Tanisha M. 22 October 2010 (has links)
No description available.
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510 |
Collaborating in the electric age: [onto]Riffological experiments in posthumanizing education and theorizing a machinic arts-based researchStevens, Shannon Rae 05 February 2021 (has links)
Collaborating in the Electric Age: [onto]Riffological Experiments in Posthumanizing
Education and Theorizing a Machinic Arts-Based Research is a study about locating
opportunities and entry points for introducing consideration of the nonhuman and posthuman to pedagogical perspectives that are traditionally concerned with human beings and epistemological subjects. The research, herein, engages doings in collaborative effort, during conditions of unprecedented interconnectedness facilitated by the electric age. Steeped in a environment thus created by technologies’ immense ubiquity and influence, this collaboration endeavours to recognize their full research participation, alongside that of humans.
This research presents collaboratively conducted, published inquiries that have been coauthored by myself and fellow doctoral candidate Richard Wainwright. Each facilitates, then attempts to articulate ways to decentre the human in educational contexts, beginning with our own human perspectives. As exercises in broadening our considerations of the life forms, matter, and nonhuman entities that surround humanity, this research prompts us to recognize much more than what humanity typically acknowledges as existing, given the anthropocentric frameworks it has constructed. We reorientate the nature of these relationships—posthumanizing them—and in doing so, disrupt our own thinking to work something different than our circumstances have hitherto informed us to consider. We have co-developed a study and conducted research in collaboration with human and nonhuman research participants.Five nationally and internationally published co-authored journal articles, a book chapter, and five intermezzos (short “observational” pieces) comprise this study that explores collaboration and recombinatoriality during “the electric age” (McLuhan, 1969, 10:05).
Recognizing humanity’s increasingly inextricable relationships with technologies, this
collaboratively conducted study draws into creative assemblage Gilles Deleuze and Félix
Guattari’s philosophical concepts; new materialism as cultural theory; the prescient observations
and predictions of Marshall McLuhan and a media studies curriculum he co-developed over forty
years ago; arts-based research; museum exhibitions; features of music production such as
sampling, mashup, remix, and turntabling; among many other notes and tones. A conceptually
developed riff mobilizes our inquiries as “plug in and play,” while its academic study is theorized
as [onto]Riffology. Ontological shifts beget a machinic arts-based research (MABR) that
develops a posthuman critical pedagogy inspired by Negri and Guattari (2010). Collaborating in
the Electric Age: [onto]Riffological Experiments in Posthumanizing Education and Theorizing a
Machinic Arts-Based Research celebrates collaborativity, discovery, and learning during the
electric age. / Graduate / 2023-01-07
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