Made available in DSpace on 2014-06-11T19:26:20Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-09-29Bitstream added on 2014-06-13T20:15:10Z : No. of bitstreams: 1 teixeira_ra_me_arafcl.pdf: 1371269 bytes, checksum: b745458e5cd71462bc9431f860a3cc8a (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Este trabalho reconstrói aspectos da cultura escolar de uma escola primária rural. Para isso, realizamos a análise de fontes documentais referentes a instituição. Os 217 documentos catalogados e analisados pelo pesquisador se apresentaram como importante fonte de indícios para uma caracterização geral da instituição, que foi feita por meio das informações retiradas dos livros de matrícula e ponto pessoal e por uma análise mais detalhada dos livros de atas das reuniões pedagógicas que permitiram que se visualizasse os aspectos da cultura escolar. Há no trabalho um histórico que contextualiza e caracteriza a sociedade rural em que o Grupo Escolar Comendador Pedro Morganti estava inserido, e uma reflexão historiográfica que reflete sobre a continuidade das experiências dos sujeitos escolares ao longo do tempo, como aspectos constituintes da cultura escolar / This work reconstructs aspects of school culture in a rural primary school. For this, we performed the analysis of documentary sources relating to the institution. The 217 documents cataloged and analyzed by the researcher is presented as an important source of evidence for a general characterization of the institution, which was made through the information taken from books and personal point of registration and a more detailed analysis of the books of minutes of meetings pedagogical that enabled them to visualize aspects of school culture. There is a historical work that contextualizes and characterizes the rural society in which the School Group Commander Pedro Morganti was inserted, and an historical analysis that reflects on the continuity of the educational experiences of individuals over time, as essential elements of school culture

This essay is a qualitative study that examines the relationship between the Swedish kulturskola (non-compulsory cultural school for children and young adults), the non-profit cultural life and the phenomenon of lifelong learning. It raises the question wether teachers in the cultural school have a plan for their students lifelong learning or not; what their experience is of collaboration with the non-profit cultural life and if they take any concrete actions to facilitate the students entry into the local cultural life as amateur cultural practitioners. The theoretical framework is the situated learning theory by Lave & Wenger and the context of action theory by Dreier. Six teachers have been interviewed in the study. The result of the study is that the teachers see great values of their students lifelong learning, however, the collaboration with non-profit cultural associations is not always easy because of differences in perspective. It is helpful if the teacher him-/herself has the possibility of being personally engaged in, or at least has experience from, the non-profit cultural life, in order to be able to bridge the gap that arises for students trying to enter the adult cultural world. It is also suggested that teachers need to be given enough resources and support to be able to participate in collaborations with the associations of the local non-profit cultural life. The matter of students’ lifelong learning is urgent not only for the individual student or cultural organizations, but also for the society as a whole.

Syftet med föreliggande uppsats är att belysa frågan om förekomsten av musikterapeutisk kunskap och kompetens i olika skolformer i Sverige. Musikterapi kommer emellanåt till användning i musikundervisning med elever som har funktionsnedsättning, främst synes detta gälla då en musiklärare också är utbildad musikterapeut. Ett problem är vilka musikterapeutiska kunskaper och vilken kompetens som egentligen kan komma till användning i arbetet med elever med funktionsnedsättning i skolan. Ett annat problem är på vilka sätt lärare i musik ges möjlighet att ta del av musikterapeutiska kunskaper och kompetens i sin utbildning. Hypotesen som ligger till grund för föreliggande studie är att lärare i musik har behov av kunskap och kompetens om musikterapi i undervisning med elever med olika funktionsnedsättningar. Studien baseras på en kvantitativ enkätundersökning riktad till lärare i musik som undervisar elever med funktionsnedsättning. Studiens forskningsfrågor lyder: Hur stor andel av musiklärarna i undersökningen har någon form av musikterapeutisk utbildning? Hur många använder sig av någon form av insatser som kräver musikterapeutisk kunskap eller kompetens i sin undervisning? Och hur ofta sker detta i så fall? Hur ser lärarna på användning av musikterapi i skolan? Resultatet visade att lärarna ansåg att det behövs fler utbildade musiklärare med musikterapeutisk kompetens i alla skolformer för att ge elever ett nödvändigt stöd i utvecklingen. Lärarnas tankar om hur musikterapi och musikterapeutiska redskap kan komma till användning som en hälsofrämjande, utvecklande resurs i det pedagogiska arbetet i olika skolverksamheter och som en del av elevhälsa utgör en del av resultatet. Studiens slutsats är att det behövs en modell eller ett koncept för utarbetande och användning av musikterapeutisk kunskap och kompetens i musiklärarutbildning och i arbete med elever på skolor. / This study’s purpose is to illuminate issues about the use of music therapy at schools in Sweden. Music therapy occasionally comes into use during music education with students who have disabilities. Primarily this seems to apply when a music teacher is also a trained music therapist. One problem is which type of music therapeutic knowledge and competence can actually be used when working with students with disabilities in schools. Another problem is the way in which music teachers are given the opportunity, to take part in music therapeutic knowledge and skills during their education. The hypothesis that forms the basis of the present study, is that music teachers need knowledge and competence about music therapy when teaching students with different development disorders. The study is based on a quantitative questionnaire survey, aimed at music teachers who teach students with disabilities. The study's research questions read: How many of the music teachers in the survey have some sort of music therapy as part of their education? How many people use some form of intervention that requires music therapeutic knowledge or competence in their teaching? And how often does this happen? How do teachers see the use of music therapy in schools? The result showed that the teachers felt that more educated music teachers with music therapeutic competence were needed in all school forms to provide students with the necessary support in development. The teachers’ thoughts about how music therapy and music therapeutic tools can be used as a health-promoting, developing resource in the pedagogical work in different school activities and as part of student health are part of the result. The study's conclusion is that a model or a concept is needed for the preparation and use of music therapeutic knowledge and competence in music teachers training when working with students at schools.

Älvsjö är stark trafikknytpunkt med goda pendeltåg- och bussförbindelser och en målpunkt för alla besökare till populära Stockholmsmässan. En Kulturskola i Älvsjö skulle förstärka och utveckla platsen ytterligare som en mötesplats och koppla ihop Älvsjö centrum, Älvsjö station med Stockholmsmässan. En kulturell mötesplats där barn och ungdomar mellan 6-22 år kan mötas i samband med kulturella aktiviteter såsom dans, musik, teater och bild. Konceptet är att skapa ett tydligt publikt stråk genom byggnaden som tar besökaren från stationen ner till parken och eventuellt vidare till Stockholmsmässan. Kulturstråket är publikt och tillgänglig för alla och skall synliggöra aktiviteterna som sker i byggnaden. Låta folk ta del av det som sker på kulturskolan i form av utställningar och framträdanden i anslutning till kulturstråket. Kulturstråket är navet i kulturskolan där barn, ungdomar och deras föräldrar samlas i väntan på lektionerna. Kulturstråket är själva foajén och huvudrummet i kulturskolan där även andra besökare kan använda det som passage och beskåda det som sker i byggnaden med alla dess kulturella aktiviteter. Skymta rörelser och suddiga siluetter i den semitransparenta kanalplasten som beklär delar av de interiöra rummen och den exteriöra fasaden. / Älvsjö is a strong traffic hub with good rail and bus connections and a destination for all visitors to the popular Stockholmsmässan. A cultural school would strengthen and develop the site further as a meeting place and connect Älvsjö center, Älvsjö station with Stockholmsmässan. A cultural meeting place where children and young people between 6-22 years can meet in conjunction with cultural activities such as dance, music, theater and art. The concept is to create a distinct public way through the building that takes the visitor from the Älvsjö station down to the park and possibly further on to Stockholmsmässan. The Cultural highway is public and accessible for everybody. Let people take note of what is happening in the cultural school and be part of the exhibitions and performances taking place. The Cultural highway is the hub of the cultural school where childrens, teenagers and their parents gathers in anticipation of the lessons. The Cultural highway is the foyer and the main room in the school where other visitors can use it as a passage and take part of what happens in the building with all its cultural activities. Glimpse of movements and blurry silhouettes behind the semi-transparent polycarbonate panels which covers parts of the interior spaces and most of the exterior facade.