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The Representation of Female Artists in Ohio Department of Education Standards for Visual Arts Grades 9-12: Lesson Planning on Sofonisba Anguissola, Mary Cassatt, and Frida KahloKlatt, Karen Hannah January 2021 (has links)
No description available.
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Digital incursion: Breaching the android lock screen and liberating dataOskarsson, Tim January 2021 (has links)
Android is the most used operating system in the world, because of this the probability of an android device being acquired in an investigation is high. To begin to extract data from an android device you first need to gain access to it. Mechanisms like full system encryption can make this very difficult. In this paper, the advantages and disadvantages of different methods of gaining access and extracting data from an android device with an unlocked bootloader are discussed. Many users unlock the bootloader of their android device to gain a much greater level of control over it. Android forensics on a device without a unlocked bootloader is very limited. It is therefore interesting to study how you can extract data from an android device that doesn’t have this limitation to android forensics. A literature study is done on previous related research to gather methods for gaining access and extracting data. The methods collected are then tested by performing experiments on a Oneplus 3 android 9 and Oneplus 8 android 11. The research of this paper found that it is possible to perform a brute force attack within a reasonable time against a PIN of length 4-5 or pattern of length 4-6 on the lock screen of an android device. It found that you can optimise the attack by performing a dictionary attack by using public lists of the most used PIN codes. A list of all possible pattern combinations sorted and optimised for a dictionary attack is generated based on statistics of pattern starting location and length. A proof of concept is made by creating a copy of a fingerprint with common cheap materials to gain access through the fingerprint sensor. A device image were able to be extracted by using a root shell through Android Debug Bridge and common command-line tools. Memory forensics were performed by using Frida and was able to extract usernames, passwords, and emails from Google Chrome and Gmail. The custom recovery image TWRP was used to boot the device, gain root access, and was able to extract a full device image with common command-line tools. The results of the TWRP backup feature is also analysed. The results of the data extraction is then analysed manually and with Autopsy.
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Toward a Transmediterranean Genealogy: Matrilineal Legacies in Sephardi Women Writers from the Former Yugoslavia and the MaghrebPekov, Alex January 2022 (has links)
This project focuses on the autofictional family novels, crafted from the mid-1970s onwards through the early 2000s in French and Serbian by the women writers of Jewish Sephardi origin, born in the French-ruled Maghreb (Annie Cohen, Annie Fitoussi, Nine Moati, Gisèle Halimi) and ex-Yugoslavia (Frida Filipović and Gordana Kuić), respectively. It is situated at the many intersections of Slavic, Jewish, Gender, and Memory Studies.
Through the lens of feminist and decolonizing interpretive strategies, I analyze and connect these texts as a translingual and largely unknown archive of Sephardi women’s contemporary writing. Applying the methodological took-kit of Comparative Literature, I unsettle and frustrate a narrowly conceptualized—monolingual and mono-ethnic—vision of literary production. This emerging archive carves out a space in which the uniqueness and difference—ethno-cultural and gender, alike—of Sephardi women’s lived experiences throughout the 20th century becomes foregrounded in the full complexity of their poetics against the politics of erasure, silencing, invisibilization, and oblivion.
In this connective and comparative thesis, I re-discover the corpus as a transmediterranean feminist project, which destabilizes the notion of literary canon and articulates its anti-ethnocentric instantiations. Additionally, I tease out Sephardi identity as a tenuous and performative phenomenon, produced in and through the act of writing by the generation of Sephardi daughters, as they grapple with ambiguous and provocative maternal legacies. Language or, more precisely, languages themselves—Serbian and French, traversed, interspersed with, if not interrupted by Judeo-Spanish/Djudezmo, Spanish, and Judeo-Arabic—serve as the crucial poetic means of this identity performance. Finally, the corpus under my scrutiny performs what Marianne Hirsch deems postmemorial work, in that it harbors and preserves the memories of the foremothers in the narrative flow of these autofictional matrifocal family novels, which are, in turn, to be remembered by the reader.
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Yasumasa Morimura: Appropriator of Images, Cultures, and IdentitiesGorman, Caitlin Marie 11 April 2013 (has links)
No description available.
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Transformationer : 1800-talets svenska translitteratur genom Lasse-Maja, C.J.L. Almqvist och Aurora LjungstedtHolmqvist, Sam January 2017 (has links)
Literary descriptions of shifting from and transgressing assigned sex were common in 19th Century Sweden. This thesis forms a contribution to the larger project of writing a history of Swedish trans literature, and develops new interpretations of certain works of fiction by applying a transgender studies perspective. Through trans readings the thesis also examines what potential and possible implications literature might have for trans people beyond the literary realm. Trans readings are able to supplement earlier research by providing a nuanced understanding of the production of trans- and cisgenders. The theoretical perspectives used in the thesis are drawn for the most part from queer and transgender studies. The thesis adopts a conceptual understanding of trans as a movement, and aims to widen the scope of what may be considered relevant to a history of trans literature. The primary objects of analysis are the 1833 autobiography of widely known thief and cross-dresser Lasse-Maja (Lars Molin), C.J.L. Almqvist’s Drottningens juvelsmycke (1834), and Aurora Ljungstedt’s Moderna typer (1874). In closing, two texts from the fin-de-siècle are also closely read; Amanda Kerfstedt’s Reflexer (1901) and Frida Stéenhoff’s “Ett sällsamt öde” (1911). A wide range of other fiction is additionally studied in order to establish a contextual pattern of trans literary traditions. The thesis demonstrates that trans permeates all kinds of fiction, and that the characters analysed construct both trans and cis gender categories. It concludes that trans is done in a variety of ways, and with a variety of meanings in 19th and early 20th century literature. Trans is often depicted as a positive, fruitful and desirable act, through trans characters who are both themselves subjects of erotic desire and who become symbols of liberty and emancipation. Other trans figures however are often counter images of what are considered to be correct sexes, and are depicted as threatening and/or ridiculous. Both these negative and positive representations of trans affirm the gender binary. At the same time, they also break and destabilize that same binary, and the trans characters in the study both can and cannot be interpreted as transgressing cis- and heteronormativity respectively.
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