Submitted by Luciana Sebin (lusebin@ufscar.br) on 2016-09-23T13:43:18Z No. of bitstreams: 1 DissGGSA.pdf: 3021689 bytes, checksum: c8346bc90401bda90c88dc8c5d187607 (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-09-27T19:23:07Z (GMT) No. of bitstreams: 1 DissGGSA.pdf: 3021689 bytes, checksum: c8346bc90401bda90c88dc8c5d187607 (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-09-27T19:23:13Z (GMT) No. of bitstreams: 1 DissGGSA.pdf: 3021689 bytes, checksum: c8346bc90401bda90c88dc8c5d187607 (MD5) / Made available in DSpace on 2016-09-27T19:23:18Z (GMT). No. of bitstreams: 1 DissGGSA.pdf: 3021689 bytes, checksum: c8346bc90401bda90c88dc8c5d187607 (MD5) Previous issue date: 2015-09-28 / Não recebi financiamento / This dissertation aims to analyze the documentary Nelson Freire seeking to explore the main aspects that distinguish this work from most of the musical documentaries made in Brazil between the years of 2000 and 2013. The peculiarities of Nelson Freire were detected and problematized establishing a dialogue between the film and three of the major trends that integrate the contemporary Brazilian scene of documentaries about music: the trend of record of intimacy and the everyday life, the trend of musical performance, and the biographical trend. / Esta dissertação pretende analisar o documentário Nelson Freire buscando explorar os principais aspectos que diferenciam esta obra de grande parte dos documentários musicais realizados no país entre os anos de 2000 e 2013. As peculiaridades de Nelson Freire foram localizadas e problematizadas a partir do diálogo estabelecido entre o filme e três das principais tendências que compõe o cenário brasileiro contemporâneo dos documentários sobre música: a tendência do registro da intimidade e do cotidiano, a tendência da performance musical, e a tendência biográfica.

Submitted by Maike Costa (maiksebas@gmail.com) on 2016-06-07T13:21:09Z No. of bitstreams: 1 arquivo total.pdf: 5117897 bytes, checksum: 0c8137fe331e04b5c7e34913d84a63fb (MD5) / Made available in DSpace on 2016-06-07T13:21:09Z (GMT). No. of bitstreams: 1 arquivo total.pdf: 5117897 bytes, checksum: 0c8137fe331e04b5c7e34913d84a63fb (MD5) Previous issue date: 2015-06-26 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / In this thesis, we studied the collection of Moacyr Scliar’s short stories, investigating the representation of living spaces, in particular, the space of the house and some of its variations, such as bungalow and mansion. For this purpose, we identify conflicts implied in such spaces and existential tensions lived by the characters of the selected stories, aiming at analyzing how such characters connect themselves to the living spaces and to the other characters. The selected corpus gather eight short stories by the gaucho writer, namely: “Os leões”, “Coelhos”, “A vaca”, “Cão”, “Uma casa”, “Lavínia”, “Ruídos no forro” and “Pequena história de um cadáver”. The hypothesis that directs this research is that Scliar’s mimics tensions of social and historical order that threat or destroy the feeling of protection the subject experiences when he is in family household. Such representations focus on the spatial element and intertwined with other structural elements of the story, with the narrator, the time, action and character, generating a profusion of feelings related to the space and to the subject’s connections with the living space, with significant aesthetic/symbolic value. The main theoretical categories of this study are the following – literary chronotope, by Bakhtin (2010); protected intimacy, by Bachelard (1978); and ‘ilhamento’, by Lins (1976). From these concepts, we developed the following subcategories: 1) chronotope of the simple house, chronotope of the luxurious house, chronotope of the global house and chronotope of the house of the death; 2) veiled/ revealed intimacy, threaten intimacy, destroyed intimacy and resistant intimacy; and finally, 3) ‘ilhamento’ by threat, ‘ilhamento’ by destruction and ‘ilhamento’ by resistance. Those subcategories can enable the analytical reading of other stories, not only Scliar’s, but of any narrative text, in such a way as to contribute to the analyses of the spatial aspect, involving the space/time of family household, as well as the relations of perceptive subjects with the environment, with the others, with the world and with themselves. / Nessa tese, estuda-se a contística de Moacyr Scliar, investigando a representação dos espaços habitados, em específico, o espaço da casa e algumas de suas variações, como o bangalô e a mansão. Para tanto, identificase conflitos implicados nestes espaços e tensões existenciais vivenciadas pelos personagens das narrativas selecionadas, visando analisar como estes se conectam aos espaços habitados e aos outros personagens. O corpus selecionado reúne oito contos do escritor gaúcho, a saber: “Os leões”, “Coelhos”, “A vaca”, “Cão”, “Uma casa”, “Lavínia”, “Ruídos no forro” e “Pequena história de um cadáver”. A hipótese que norteia esta pesquisa é a de que Scliar mimetiza tensões de ordem histórico e social que ameaçam ou destroem o sentimento de proteção que o sujeito vivencia, quando está no ambiente doméstico. Estas representações centram-se no elemento espacial e entrelaçam-se com outros elementos estruturais da narrativa, como narrador, tempo, ação e personagem, gerando uma profusão de sentidos relacionados ao espaço e às conexões do sujeito ao espaço habitado, com significativo valor estético/simbólico. As categorias teóricas principais deste estudo são as seguintes – cronotopo literário, de Bakhtin (2010); intimidade protegida, de Bachelard (1978); e ilhamento, de Lins (1976). A partir desses conceitos, foram desenvolvidas as seguintes subcategorias: 1) cronotopo da casa simples, cronotopo da casa luxuosa, cronotopo da casa global e cronotopo da casa da morte; 2) intimidade velada/revelada, intimidade ameaçada, intimidade destruída e intimidade resistente; e por fim, 3) ilhamento por ameaça, ilhamento por destruição e ilhamento por resistência. Essas subcategorias podem viabilizar a leitura analítica de outras narrativas, não só as do autor gaúcho, mas as de qualquer texto narrativo, de modo a contribuir para a análise do aspecto espacial, envolvendo o espaço/tempo da habitação doméstica, bem como as relações dos sujeitos perceptivos com o ambiente, com os outros, com o mundo e consigo mesmo.

De la danse à l’écriture, le parcours de Claude Pujade-Renaud se caractérise par l’hétérogénéité des pratiques sportives, artistiques, universitaires et littéraires. En soulignant les rapports étroits de l’histoire vécue et de l’œuvre littéraire, cette thèse met l’accent sur les interactions permanentes entre les mots et les corps. L’étude du corpus, composé de treize romans, cinq recueils de nouvelles, une correspondance et une« duobiographie », montre combien l’écriture se construit bien avant les premières publications. Elle se nourrit des premières confrontations aux mots et à la langue orale ou écrite, s’inscrivant dans un rapport singulier aux personnes, aux lieux et aux temps. Pressentie, l’écriture devient quête d’une histoire tue. Il s’agit de montrer de quelle manière Claude Pujade- Renaud interroge l’usage de la forme – romanesque, novellistique,« duobiographique » ou épistolaire – pour ressaisir un personnage et l’usage-même de l’écriture. Il s’agit aussi d’étudier les métamorphoses du corps à travers les âges et l’évolution de son rapport aux mots. A travers des étapes successives – vie fœtale, enfance, adolescence, âge adulte et extrême vieillesse –on assiste moins à une réflexion sur le temps qui passe qu’à une méditation sur ce que les mots, dits, écrits, tus, font naître d’eux. Réinterrogeant les âges, les mots conduisent alors à la quête intime d’une identité singulière. / From dancing to writing, Claude Pujade-Renaud’s personal trajectory is characterized by heterogeneous sporting, artistic, academic and literary activities. With a heavy emphasis laid on the tight links between real-life stories and narrative plots, this Phd thesis stresses the permanent interactions between bodies and texts.The idea that a literary work is shaped well before its publication will be developed thanks to the analysis of a body of reference works made up of thirteen novels, five collections of short stories, a literary correspondence and a dual autobiography.A literary work is enriched by the initial attempts to put it down into words, using a written or an oral language. Hence, it establishes a particular relation to people, places and time.As an element that is often only sensed, the process of writing seeks to transcribe an untold story. This Phd thesis will show to what extent Claude Pujade-Renaud questions literary genres – a novel, a shot-story, a dual autobiography, a correspondence – to recapture characterization and the necessity of writing. Also, this thesis focuses on bodily metamorphoses throughout time and the writer’s evolution in her choice of words. Through the successive steps of foetal life, early childhood, adolescence, adulthood and old age, we are not just led to consider an analysis on time passing by, but rather, a meditation on the creative potential of words, when they are written but also when they not uttered. As words re-examine the various ages of life, they guide use during an intimate quest for a particular identity.

Esta tese explora um aspecto social específico da interação entre consumidores e marcas em mídias sociais, que é o nível de intimidade da marca. Este fator é entendido como o grau em que a marca interage como um ator social psicologicamente próximo aos seus consumidores, sendo operacionalizado na forma de um construto latente formado pela autorrevelação, pela expressividade de emoções, pela transmissão de sentimentos positivos e de calor humano e pela informalidade. Embora as mídias sociais já tenham se tornado um componente importante para as estratégias de relacionamento das empresas com seus clientes, ainda há uma falta de construtos específicos de relacionamento social na maior parte dos modelos tradicionalmente empregados em branding e comércio eletrônico. Assim, o objetivo geral desta tese foi o de entender como este nível de intimidade da marca influencia o comportamento dos consumidores nas mídias sociais e quando pode ser mais vantajoso para as marcas buscarem maior ou menor intimidade, dependendo do contexto de consumo em que atuam. Mais especificamente, o efeito da intimidade da marca foi analisado em duas variações de contextos de consumo: no caso de serviços de objetivo hedônico ou utilitário; e no caso de serviços de alto ou baixo envolvimento situacional. Quatro estudos experimentais foram usados, apresentando reproduções de páginas de marca no Facebook para participantes selecionados através do Amazon MTurk. Através do Estudo 1, foram oferecidas evidências de suporte ao efeito positivo da intimidade da marca nas respostas dos consumidores – intenção de compra, intenção de uso da página de marca, aceitação e fornecimento de boca a boca online – em função do aumento do valor hedônico da experiência dos consumidores na mídia social. Os resultados do Estudo 1 também ofereceram suporte à hipótese de moderação deste efeito positivo da intimidade da marca pelo tipo de consumo buscado pelos consumidores. A intimidade da marca teve um efeito maior quando os consumidores buscavam um objetivo hedônico do que um objetivo utilitário. O Estudo 2 foi projetado para testar o efeito moderador da valência geral das postagens sobre a marca na mídia social. Os resultados deste estudo demonstraram que, com o maior número de opiniões negativas sobre a marca na mídia social, o efeito positivo da intimidade da marca deixa de se manifestar em todas as variáveis dependentes. O Estudo 3 analisou a possibilidade de que a intimidade da marca pudesse tornar as respostas dos consumidores menos favoráveis à marca, no caso do aumento do risco percebido. Confirmando esta hipótese, o risco percebido foi verificado como um mediador do efeito negativo da intimidade da marca e o nível de envolvimento situacional como um moderador desta relação. Por fim, o Estudo 4 foi projetado para verificar a possibilidade de influência da valência geral das postagens sobre a marca no efeito da intimidade da marca nas variáveis dependentes. Porém, os resultados deste estudo não indicaram nenhuma interação entre a intimidade da marca e a valência geral das postagens, mas apenas um efeito direto da valência geral das postagens na intenção de compra e de boca a boca. De uma forma geral, os resultados desta tese podem contribuir não apenas para a literatura sobre marketing e comércio eletrônico, mas também podem ser úteis para informar os gerentes de marketing sobre como e quando eles deveriam abordar seus clientes de uma forma mais (ou menos) próxima. Em especial, os resultados indicam ser possível obter melhores respostas em termos de intenção de compra, uso da página de marca e boca a boca online, aumentando o nível de intimidade de marca se esta está mais relacionada a produtos/serviços mais hedônicos e de baixo envolvimento situacional, mas diminuindo o nível de intimidade se o produto/serviço está associado a um alto risco e a um elevado envolvimento situacional. / This thesis explores a specific aspect of social interaction between consumers and brands on social media, which is the level of brand intimacy. This factor is defined as the degree to which the brand interacts as a psychologically close social actor to its consumers, and it is operated as a latent construct composed of self-disclosure, emotion expressivity, transmission of positive feelings, human warmth and informality. Although social media have already become an important component in the relationship strategies of companies with their customers, there is still a lack of specific constructs of social relationship in most models traditionally used in online branding and ecommerce. Thus, the general purpose of this thesis was to understand how this level of brand intimacy influences consumer behavior on social media and when it may be more advantageous for brands to seek greater or lesser intimacy, depending on the consumption context in which they operate. More specifically, the effect of brand intimacy was examined under two variations of consumption contexts: in the case of hedonic or utilitarian services; and in the case of services of high or low situational involvement. Four experimental studies were applied to participants selected through Amazon MTurk, with reproductions of Facebook brand pages. The first study provided evidence supporting the positive effect of brand intimacy in consumer responses (purchase intention, intention to use brand page, acceptance and delivery of e-WOM) – due to the increased hedonic value the experience of consumers on social media. The results of Study 1 also offered support to the hypothesis that this positive effect of intimacy brand is moderated by the consumers’ goal type. Brand intimacy had a greater effect when consumers had a hedonic goal than when they had a utilitarian goal. Study 2 was designed to test the moderating effect of the overall valence of posts about the brand on social media. The results confirmed this effect and showed that the positive effect of brand intimacy in all dependent variables ceased to exist due to the number of negative opinions on the brand page. The third study analyzed the possibility that the level of brand intimacy could make consumers’ responses less favorable to the brand in the case of increased perceived risk. Confirming this hypothesis, the perceived risk was observed as a mediator of this negative effect of brand intimacy. Additionally, the study verified that the level of situational involvement was a moderator of this relationship. Finally, the fourth study was designed to test the possibility that the overall valence of the posts about the brand could moderate the effect of brand intimacy on the dependent variables. However, the results of this study indicated no interaction between brand intimacy and the overall valence of the posts, but only a direct effect of the overall valence of posts on purchase intention and e-WOM. In a general way, the results of this thesis can contribute not only to the literature on online marketing and e-commerce, but may also be useful to inform marketing managers on how and when they should address their customers in a more (or less) close way. in order to get better responses in terms of purchase intention, brand page usage and e-WOM. In particular, the results indicate possible best responses in terms of purchase intention, brand page usage intention and e-WOM, by increasing the level of brand intimacy if it is more related to hedonic products/services with low level of situational involvement and risk, or decreasing the level of intimacy for products/services with high levels of situational involvement and risk.

Cette recherche vise à analyser les stratégies d'accès à la vie intérieure du personnage employées dans les récits par Adelino Magalhães. Pour ce but, cette étude montre comment les artistes de la fin du XIXe siècle - début du XXe ont relevé le défi de représenter la démarche de la psyché en formation dans la littérature. Parmi les auteurs qui ont influencé le travail sont: Christine Buci-Gluksmann, Émile Benveniste, Dorrit Cohn, Robert Humphrey, Belinda Cannone, Henri Bergson et Sergei Eisenstein. Afin de transformer le thème en forme, Adelino Magalhães plonge dans le désordre du langage et, entre des lacunes, pousse le lecteur à essayer l'intimité de ses personnages. / Esta pesquisa visa analisar as estratégias de acesso à vida interior da personagem empregadas nas narrativas por Adelino Magalhães. Para isso, esse estudo demonstra como os artistas da virada do século XIX – XX enfrentaram o desafio de representar o andamento da psique em formação na literatura. Entre os autores que auxiliaram a investigação estão: Christine Buci-Gluksmann, Émile Benveniste, Dorrit Cohn, Robert Humphrey, Belinda Cannone, Henri Bergson e Sergei Eisenstein. A fim de transformar o tema em forma, Adelino Magalhães mergulha na desordem da linguagem e, entre lacunas, provoca o leitor a vivenciar a intimidade de suas personagens. / The purpose of this research is to analyze the strategies to access the inner life of the character employed in the narratives by Adelino Magalhães. For this aim, this study demonstrates how artists from the turn of the XIX century to XX faced the challenge of representing the progress of the psyche in formation in Literature. Among the authors who influenced the investigation, are Christine Buci-Gluksmann, Émile Benveniste, Dorrit Cohn, Robert Humphrey, Belinda Cannone, Henri Bergson and Sergei Eisenstein. In order to transform the subject into shape, Adelino Magalhães dives into the language disorder, and, among gaps, provokes the reader to experience the intimacy of his characters. / El objetivo de esta investigación es analizar las estrategias de acceso a la vida interior del personaje empleadas en las narrativas por Adelino Magalhães. Para este fin, el estudio muestra como los artistas de finales del siglo XIX y principios del XX enfrentaron el desafío de representar el progreso de la psique en formación en la literatura. Entre los autores que influenciaron la investigación, están: Christine Buci-Gluksmann, Émile Benveniste, Dorrit Cohn, Robert Humphrey, Cannone Belinda, Henri Bergson y Sergei Eisenstein. Con el fin de transformar el tema en forma, Adelino Magalhães se sumerge en el desorden del lenguaje y, entre las lagunas, provoca el lector a experimentar la intimidad de sus personajes.

Esta tese explora um aspecto social específico da interação entre consumidores e marcas em mídias sociais, que é o nível de intimidade da marca. Este fator é entendido como o grau em que a marca interage como um ator social psicologicamente próximo aos seus consumidores, sendo operacionalizado na forma de um construto latente formado pela autorrevelação, pela expressividade de emoções, pela transmissão de sentimentos positivos e de calor humano e pela informalidade. Embora as mídias sociais já tenham se tornado um componente importante para as estratégias de relacionamento das empresas com seus clientes, ainda há uma falta de construtos específicos de relacionamento social na maior parte dos modelos tradicionalmente empregados em branding e comércio eletrônico. Assim, o objetivo geral desta tese foi o de entender como este nível de intimidade da marca influencia o comportamento dos consumidores nas mídias sociais e quando pode ser mais vantajoso para as marcas buscarem maior ou menor intimidade, dependendo do contexto de consumo em que atuam. Mais especificamente, o efeito da intimidade da marca foi analisado em duas variações de contextos de consumo: no caso de serviços de objetivo hedônico ou utilitário; e no caso de serviços de alto ou baixo envolvimento situacional. Quatro estudos experimentais foram usados, apresentando reproduções de páginas de marca no Facebook para participantes selecionados através do Amazon MTurk. Através do Estudo 1, foram oferecidas evidências de suporte ao efeito positivo da intimidade da marca nas respostas dos consumidores – intenção de compra, intenção de uso da página de marca, aceitação e fornecimento de boca a boca online – em função do aumento do valor hedônico da experiência dos consumidores na mídia social. Os resultados do Estudo 1 também ofereceram suporte à hipótese de moderação deste efeito positivo da intimidade da marca pelo tipo de consumo buscado pelos consumidores. A intimidade da marca teve um efeito maior quando os consumidores buscavam um objetivo hedônico do que um objetivo utilitário. O Estudo 2 foi projetado para testar o efeito moderador da valência geral das postagens sobre a marca na mídia social. Os resultados deste estudo demonstraram que, com o maior número de opiniões negativas sobre a marca na mídia social, o efeito positivo da intimidade da marca deixa de se manifestar em todas as variáveis dependentes. O Estudo 3 analisou a possibilidade de que a intimidade da marca pudesse tornar as respostas dos consumidores menos favoráveis à marca, no caso do aumento do risco percebido. Confirmando esta hipótese, o risco percebido foi verificado como um mediador do efeito negativo da intimidade da marca e o nível de envolvimento situacional como um moderador desta relação. Por fim, o Estudo 4 foi projetado para verificar a possibilidade de influência da valência geral das postagens sobre a marca no efeito da intimidade da marca nas variáveis dependentes. Porém, os resultados deste estudo não indicaram nenhuma interação entre a intimidade da marca e a valência geral das postagens, mas apenas um efeito direto da valência geral das postagens na intenção de compra e de boca a boca. De uma forma geral, os resultados desta tese podem contribuir não apenas para a literatura sobre marketing e comércio eletrônico, mas também podem ser úteis para informar os gerentes de marketing sobre como e quando eles deveriam abordar seus clientes de uma forma mais (ou menos) próxima. Em especial, os resultados indicam ser possível obter melhores respostas em termos de intenção de compra, uso da página de marca e boca a boca online, aumentando o nível de intimidade de marca se esta está mais relacionada a produtos/serviços mais hedônicos e de baixo envolvimento situacional, mas diminuindo o nível de intimidade se o produto/serviço está associado a um alto risco e a um elevado envolvimento situacional. / This thesis explores a specific aspect of social interaction between consumers and brands on social media, which is the level of brand intimacy. This factor is defined as the degree to which the brand interacts as a psychologically close social actor to its consumers, and it is operated as a latent construct composed of self-disclosure, emotion expressivity, transmission of positive feelings, human warmth and informality. Although social media have already become an important component in the relationship strategies of companies with their customers, there is still a lack of specific constructs of social relationship in most models traditionally used in online branding and ecommerce. Thus, the general purpose of this thesis was to understand how this level of brand intimacy influences consumer behavior on social media and when it may be more advantageous for brands to seek greater or lesser intimacy, depending on the consumption context in which they operate. More specifically, the effect of brand intimacy was examined under two variations of consumption contexts: in the case of hedonic or utilitarian services; and in the case of services of high or low situational involvement. Four experimental studies were applied to participants selected through Amazon MTurk, with reproductions of Facebook brand pages. The first study provided evidence supporting the positive effect of brand intimacy in consumer responses (purchase intention, intention to use brand page, acceptance and delivery of e-WOM) – due to the increased hedonic value the experience of consumers on social media. The results of Study 1 also offered support to the hypothesis that this positive effect of intimacy brand is moderated by the consumers’ goal type. Brand intimacy had a greater effect when consumers had a hedonic goal than when they had a utilitarian goal. Study 2 was designed to test the moderating effect of the overall valence of posts about the brand on social media. The results confirmed this effect and showed that the positive effect of brand intimacy in all dependent variables ceased to exist due to the number of negative opinions on the brand page. The third study analyzed the possibility that the level of brand intimacy could make consumers’ responses less favorable to the brand in the case of increased perceived risk. Confirming this hypothesis, the perceived risk was observed as a mediator of this negative effect of brand intimacy. Additionally, the study verified that the level of situational involvement was a moderator of this relationship. Finally, the fourth study was designed to test the possibility that the overall valence of the posts about the brand could moderate the effect of brand intimacy on the dependent variables. However, the results of this study indicated no interaction between brand intimacy and the overall valence of the posts, but only a direct effect of the overall valence of posts on purchase intention and e-WOM. In a general way, the results of this thesis can contribute not only to the literature on online marketing and e-commerce, but may also be useful to inform marketing managers on how and when they should address their customers in a more (or less) close way. in order to get better responses in terms of purchase intention, brand page usage and e-WOM. In particular, the results indicate possible best responses in terms of purchase intention, brand page usage intention and e-WOM, by increasing the level of brand intimacy if it is more related to hedonic products/services with low level of situational involvement and risk, or decreasing the level of intimacy for products/services with high levels of situational involvement and risk.

Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2017-02-22T11:00:53Z No. of bitstreams: 2 Dissertação - Spiridon Nicofotis Anyfantis - 2004.pdf: 1754042 bytes, checksum: 3be2f4d514c73ade66e257c0e0b50294 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-02-22T13:17:29Z (GMT) No. of bitstreams: 2 Dissertação - Spiridon Nicofotis Anyfantis - 2004.pdf: 1754042 bytes, checksum: 3be2f4d514c73ade66e257c0e0b50294 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-02-22T13:17:29Z (GMT). No. of bitstreams: 2 Dissertação - Spiridon Nicofotis Anyfantis - 2004.pdf: 1754042 bytes, checksum: 3be2f4d514c73ade66e257c0e0b50294 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2004-03-02 / It concerns an essay about the evidences in the penal procedure and its way of production by means of image captation and recordings, whether by hidden cameras or safety ones. It´s composed of five chapters which analyses, respectively, the penal evidence in its particularities and afterwards, the theme of the illegal evidences making, inclusively, a counterpoint between proof illicitness and the proportionateness principle. It still studies the theme of exceptions to the theory of illegal proofs – named by argentinean and spanish exception of the exclusionary rule. They´re studied, briefly, intimacy aspects and individual private life, with subtle distinctions and similarities. Soon after it goes to an analyses regarding the original image recordings evidence – by ostensive cameras and hidden ones – and its use in the penal procedure, specially when used in work places, investigative journalism, private and public places among other circumstances. Finally, such images validity hypothesis are evaluated in the penal procedure and suggestions are presented in order to them, in case of being produced, and in very specific cases, can be effectively used in the process without violation to the intimacy and private life of the individual. / Trata-se de estudo sobre a prova no processo penal e sua forma de produção por meio de captação e gravação de imagens, seja por câmeras ocultas ou de segurança. É composto por cinco capítulos onde se analisam, respectivamente, a prova penal em suas particularidades e, em seguida, o tema das provas ilícitas, fazendo-se, inclusive, contraponto entre a ilicitude da prova e o princípio da proporcionalidade. É estudado, ainda, o tema das exceções à teoria das provas ilícitas – denominada pelos argentinos e espanhóis exceções à regra de exclusão probatória. São estudados, sucintamente, aspectos da intimidade e da vida privada do indivíduo, com suas sutis distinções e semelhanças. É analisada a questão das provas originárias de gravações de imagens – por câmeras ostensivas e ocultas - e sua utilização no processo penal, especialmente quando utilizadas em ambientes de trabalho, jornalismo investigativo, ambientes privados e públicos, dentre outras circunstâncias. São avaliadas as hipóteses de validade de tais imagens no processo penal e apresentadas sugestões para que as mesmas, caso produzidas, e em hipóteses muito específicas, possam ser efetivamente utilizadas no processo sem violação à intimidade e vida privada do indivíduo.

本文重在分析梅爾維的史詩《克萊柔：聖地朝之》中表現對男性 情誼的渴望。男性是間一種深刻友從心理以及精神層面來看，渴望這種情誼與男同性愛類似，但是前者無關欲的。舉個例子《白鯨記》 渴望這種情誼與男同性愛類似，但是前者無關欲的。舉個例子《白鯨記》 中以實瑪利對魁格的感情就更適合稱作男性誼而非同愛。本文認爲，克萊柔對西利歐（ Celio）和薠（ Vine）的渴慕純粹是精神上，而他對那 ）的渴慕純粹是精神上，而他對那 個對那里昂青年（ the Lyonese)卻毫無渴慕之情可言。這個觀點跟很多學者前 卻毫無渴慕之情可言。這個觀點跟很多學者前 輩們的觀點不同，他認爲克萊柔對男性情是跟欲望沾邊。本文指出他們之所以得出 這種結論是由於沒有從整體上去把握首詩。他們抓住了一些 模糊的表述，卻忽略了這些與上下文關係。本對首詩分析會格外注意它的完整性。同時，本文也會借助一些外材料比如艾默生章、霍桑的小説 、梅爾維的通信以及他另外一首詩 《歡會之後 》(“After the Pleasure Party”)。本文的論述主要分 爲四個部，大致跟這首詩的四個部分吻 合 / This paper discusses the desire for male intimacy in Melville’s epic Clarel: A Poem and Pilgrimage in the Holy Land. Male intimacy is intense friendship, the desire for which partakes of spiritual and psychological aspects of homosexual desires but differs from them in that it is not sexual. As an indicative instance, the relationship between Ishmael and Queequeg is more appropriately called “male intimacy” than “the homosexual.” This paper argues that Clarel’s yearning for Celio and Vine is purely spiritual and that the Lyonese is not an object of desire for Clarel. This view is a challenge to many earlier critics’ belief that Clarel’s spiritual pursuit is tinged with eroticism. Their belief, as this paper will demonstrate, results from a limited reading of the poem. That is, they insist on some ambiguous statements without enough regard to the context. This paper attempts to read Clarel closely and comprehensively. It will resort to some external texts, such as Emerson’s writings, Hawthorne’s novels, and Melville’s correspondence, as well as his poem “After the Pleasure Party.” The body of this paper matches the structure of the poem: the four chapters correspond respectively to its four parts.

Cette thèse aspire à renouveler la lecture de l’œuvre de Leopoldo Alas Clarín à partir d’une analyse stylistique de l’intégralité de ses écrits en prose, sans perspective hiérarchique. Elle fait appel aux références culturelles de l’auteur et aux échos internes à son œuvre pour décrire son vitalisme intellectuel. Le style clarinien naît de la combinaison dynamique d’une esthétique ironique et d’une création intime, qui matérialise le contraste entre le lien et la rupture, figures fondatrices de l’œuvre. Les études menées croisent les champs de l’ironie et de l’empathie artistique, communément associées à deux postures disjointes – distance et proximité – et les réunissent dans un regard porté sur le phénomène d’intimité textuelle. Leur objet est de saisir les particularités d’un réalisme complexe qui porte l’empreinte d’une subjectivité créatrice forte et qui cherche à exprimer une vérité humaine mouvante et contrastée. La première partie opère un déplacement conceptuel : l’ironie est conçue comme un mode de représentation et non comme un instrument au service de la satire. Elle construit un système vocal de relations textuelles dans un mouvement intégrateur des emprunts qui manifeste la puissance du démiurge et qui défie le lecteur à partir des failles du langage. La deuxième partie s’intéresse à une écriture qui s’efforce de représenter le sujet intime dans ses défaillances, comme être délié et voix brisée. Le secret intime, en dépit des limites du langage, comporte néanmoins un fond d’espoir et de transcendance déposés dans le lien esthétique, éthique et religieux. L’œuvre clarinien est caractérisé par ses ambivalences : la complexité textuelle naît du contraste entre pouvoir et impuissance, entre spectacularité et secret. / This dissertation aspires to renew the critical interpretation of Leopoldo Alas Clarín’s work through a stylistic analysis of all his prose writings, disregarding hierarchic matters. This new reading is based on the author’s cultural references and the internal echoes in his works in order to describe his intellectual vitality. Clarín’s style arises from the dynamic combination of aesthetics of irony and a creative work on intimacy, that materializes the contrast between connection and rupture, both key elements of his works. This study combines the fields of irony and artistic empathy, usually considered linked to two different positions –distance and proximity–, bringing them together in a single approach using the idea of textual intimacy. It aims at understanding the particularities of a complex realism that has the imprint of a strong creative subjectivity and is eager to express a contrasted human truth. The first part make! s a conceptual displacement in the figure of irony, from a rhetorical device subordinate to satire, to a mode of representation. Irony creates a system of voices and textual relations that integrates quotations, demonstrating the demiurgic power of the author who challenges the reader from within the language. The second part is focused on the way Clarín’s writing represents the inner self and his failures, as a broken being and a broken voice. The intimate secret, despite the limitations of language, reveals the existence of hope and discloses a view of the transcendence of the aesthetic, ethic and religious connection. The Clarín’s works are characterized by their ambiguity: the textual complexity arises from the contrast between power and helplessness, between the spectacular and the secret.

The purpose of this study was to discover the impact of ballroom dancing on the marital relationship. In order to do this the researcher first conducted a literature review on numerous aspects such as the marital relationship, movement therapy, the history of dancing, ballroom dancing and different theoretical approaches to marriage counseling. From the literature and personal experience, the researcher developed four hypotheses. To possibly answer these hypotheses and discover what the impact is of ballroom dancing on the marital relationship, the researcher utilized a qualitative research methodology. A sample size of three couples were randomly chosen to participate in the research study. Ethics and issues of validity and reliability were addressed throughout the research process. In-depth interviews were conducted with all three participating couples and from these interviews four different themes emerged. Four categories were then developed from the information obtained from the interviews as well as from the literature review. The research results indicated that the participating couples felt that through ballroom dancing they acquired improved communication in that it occurred more frequently and was more in-depth. The participants were of the opinion that their intimacy levels had enhanced. They related having more physical contact with one another, feeling early courtship emotions again and reinstating the importance of the marital relationship for them and their extended families. The couples seemed to develop strategies for conflict management as they went through the process of learning to dance. In the early stages of their dancing the couples recounted incidences of arguing however they all seemed to progressively make conscious decisions to ulitise strategies for conflict management which they found effective. Negotiation, investment and cooperation appeared to be essential tools for the couples to succeed in dancing. Added to this the couples seemed to be of the opinion that they became more competent in these behaviours as they progressed with their dancing. / Dissertation (MA (Counselling Psychology))--University of Pretoria, 2007. / Psychology / unrestricted