The purpose of the study is to analyse the relationship between the capitalist hegemonic order and the mass media, with the latter restricted to two elite newspapers (Swedish DN and Slovenian Delo) and the selection of news materials from three bodies of international media coverage: NATO’s military intervention in former Yugoslavia, 1999, the political demonstrations against the IMF and the World Bank in Prague, 2000, and 9/11, 2001. There are two sub-purposes, one theoretical-methodological and one political-democratic. The first sub-purpose is to accomplish an integrative kind of media analysis (Williams 1977) in which the approaches of political economy (emphasising the economic/material) and cultural studies/discourse analysis (emphasising the symbolic/discursive) are supposed to interact. The hypothesis is that such a ‘third way’ approach is possible to achieve through the qualitative analysis of journalistic modes of writing. The second sub-purpose (the political-democratic one) takes an interest in the modes’ political dimensions. In what manners do the identified modes counter-act, or co-produce, miscellaneous political struggles? In addition, the purpose of the study also includes a more practical dimension. In the light of the results, how should one nowadays imagine an emancipating kind of journalism that tries to explain, unmask, or even counteract the mechanisms of the contemporary global capitalist system? The news media material consists of 438 items (articles, photos etc.), which are analysed by means of a cultural materialist CDA (critical discourse analysis). An identified journalistic mode is analysed as: (1) a practice with certain cognitive, discursive and linguistic characteristics, (2) a structural product (as constituted by underlying social and material structures), and (3) a dialectical force, being a potentially active part of an ongoing mode of production (the capitalist or another mode). The last analytical moment is the central one. Two categories of journalistic modes are identified. To begin with, the modes of de-permanence (The Remote control mode, Differentiation, Semiotic compression), which comprises modes that are part of the ‘new economy’, of reflexivity, individualism, consumption, mobility, and flexibility. The political dimension of these modes is that they counteract radical (leftist) politics by reducing emancipation, freedom, justice etc. to a matter of individualism and privatisation. The second category is the modes of permanence (Disconnection, Cognitive recycling), which involves an opposing structural dimension of the capitalist system: the production of reification, i.e. the repression of the complex nature of reality – how seemingly autonomous ‘things’ (spaces, objects etc.) are de facto interwoven with a ‘complex whole’ of various social, material, cultural, economic relations that are in constant motion. More precisely, the here identified modes reify and eternalise an explanatory structure (the modern division of explanatory labour), a particular power (the US) and a particular territory (the nation state), generating the impression that social reality works ‘as usual’ while repressing the complex network-like development of global capitalism and its impact on our lives. By sustaining these increasingly archaic structures, what is politically counteracted is the emergence of ‘the new’: transnational politics and democracy (Beck 1998). The analysis of modes (in total 8) furthermore demonstrates that Swedish DN is more integrated with the capitalist system than Slovenian Delo. The study emphasises the democratic importance of creating new journalistic modes endowed with a transnational journalistic epistemology that decisively include the reality of global capitalism in everyday (local) news reporting when covering and explaining social, political, cultural etc. issues.

Figuring Space; considering the figure in the construction of space in materialist film is an analysis of film space that uses either the image of a figure or the actual figure of the viewer in its construction. The thesis focuses on particular screen works of William Raban, Guy Sherwin, Malcolm Le Grice, Chris Welsby, Nicky Hamlyn, Peter Gidal (all members of the London Filmmakers’ Cooperative) and the Canadian artist Michael Snow. It discusses the works in relation to the basic materials of time, light and sound found in film and video. The thesis looks at the way the film frame was implemented in the work of these artists to challenge preconceived notions of film space. It also highlights the uncertainty of spatial relativity within the screen image once the techniques imposed by the artist undermine previous determinations of positions in space. The frame provides necessary elements with which a reading of a pictorial space can be made. In addition, with some of the works discussed, the frame defines an exterior screen space that at times questions the boundaries between on-screen and off-screen, and fictive space and real space. While in other works that are addressed, binaries exist within which the boundaries of a picture plane are utilized to determine an object’s spatial relativity, which in turn questions the relativity of those boundaries that determine it. The frame that previously confirmed the illusions of space within the pictorial plane could no longer be prescribed as definitive. Calculations of the film space would become dependent upon a point of origin that is situated within actual time and space at the position of the viewer. The figure of paramount importance, when considering the constructs of space within materialist film, is that of the viewer

Este trabalho é um estudo da peça And Things that Go Bump in the Night, escrita pelo norte-americano Terrence McNally na primeira metade da década de sessenta. À luz do materialismo cultural, estabeleço as relações entre a forma e o tema da obra com as condições de possibilidade históricas existentes na época de sua escrita. A conclusão geral a que chega este trabalho é a de que o choque de coisas aludido no título é o choque entre um estágio do modo de produção capitalista que chegava ao fim e outro que se iniciava então. Em nível mais específico, demonstro que na peça de McNally já podemos detectar os rumos que os movimentos sociais tomaram - mormente o Movimento Gay - a partir da década de sessenta, como conseqüência da própria necessidade de expansão do capital. / This is a study of the play And Things that Go Bump in the Night, by American playwright Terrence McNally, written in the first half of the 1960\'s. Using cultural materialism as my theoretical basis, I try to establish the connection between forms and themes found in the play to the historical conditions by the time the play was written. My conclusion is that the \"bump\" alluded to in the title of the play is the result of the turmoil produced by the shift from a stage of capitalism to a new stage of this mode of production. More specifically, I will show that in McNally\'s work one can already detect the directions followed by the social movements of the 1960\'s - especially the Gay Movement - as a consequence of the very need for the expansion of capital.

The purpose of this thesis was to explore selected works from William Shakespeare, Edmund Spenser, and John Keats, in order to expose textual instances of feminist thought. This analysis was aided with feminist theorists falling under the main strains of queer theory, materialism, and gender performance. Specifically, this thesis focused on the ways in which women, particularly virgin daughters, were viewed as property by their male kin. It also looked at how these women engaged in various symbolic masquerades and/or actual cross-dressing as a response to the aforementioned phenomenon. Finally, the thesis exposed how these masquerades can be construed as a queering of identity—manifested through reversals of power and rejection of patriarchal institutions like marriage.

This essay is about the photographer Lotten von Düben and her photographing of the Samí people in a research expedition to Lapland in 1868 in which she took part as the expedition photographer. This expedition is taking place in the mountainous area of Kvikkjokk [Huhttán in Lule-samí]. Lotten von Düben´s husband Gustaf von Düben is a Medical doctor, Anthropologist and Professor at the Karolinska Institutet and is the head of the research expedition. Lottens´s role in the expedition is to document for her husband who has taken on his ageing colleague Anders Retzius work of cataloguing his well-recognized collection of Lapp-skulls, and in addition conducts his own research of what he refers to as “the people as such”.  The essay is also about my own personal heritage as a Samí descendent where I in particular analyze Lotten von Düben´s photographs taken of my far distant relatives, representatives of the family Granström. The aim of my research is to explore the expedition and the scenery of Lotten von Düben´s photographing, which I refer to as “Photographing in the Safari of Lapland”. Through picture analysis and based on a post-human, new materialist feminist approach, I deconstruct the very moment of photographing and image development with the aim to develop new narratives, stories which are previously not told. The picture analysis includes also photographs relating to Lotten and her photographs in the  post-safari phase, emphasizing the photography´s and the public. With an intersectional approach I also deconstruct Lotten von Düben as female photographer and the context relating to this. The essay is about imagining the activity of thinking differently and wandering and get off the beaten track. It is about skilled hands and esthetics, technical innovations, modern science and social political movements; a melting pot of phenomena’s which cannot be taken apart, but binds each other sequence through sequence. The essay is about a camera and sensitive meetings, about binary social relations, power structures and unquestioned science, about otherness and self and moving in between. / <p>It is very interesting and appealing that the focus is put on the female photographer Lotten von Duben and the role of the camera in the knowledge production. Furthermore, the student’s urge to go beyond the known narratives and to try to think and write differently is highly appreciated and relevant. Interesting, appealing and important thesis that contributes to the field of knowledge of Gender Studies. It is also a creative thesis in terms of the chosen methods that promote different narratives that may add to new ways of thinking.</p>

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Die vorliegende Arbeit skizziert eine materialistische Antwort auf die Frage, welche gesellschaftliche Bedeutung Sprache hat, in welchem Sinne sie Bedingung für und inwiefern sie in Abhängigkeit von gesellschaftlichen Strukturen ist. Den Rahmen bildet die materialistische Geschichtsauffassung und Gesellschaftstheorie. Sie wird zunächst in ihrer Ausarbeitung durch Marx und Engels ohne Verbindung mit einer entwickelten materialistischen Sprachtheorie eingeführt. Es folgt ein Gang durch sprachtheoretische Fragestellungen, die unterhalb der gesellschaftstheoretischen Ebene angesiedelt sind: Wittgensteins Auffassung der Sprache als Regelfolgepraxis wird als Idealismuskritik des Abbildungsparadigmas in der Sprachphilosophie gedeutet, anhand der Kulturhistorischen Schule der russischen Psychologie wird Sprache als Orientierungsmittel und materielle Basis komplexerer Zwecksetzungen bestimmt und schließlich an Brandoms pragmatistischer Rekonstruktion der logischen Gliederung der Sprache die Stellung innersprachlicher Regelstrukturen diskutiert. Die gesellschaftliche Ebene wird im letzten Kapitel anhand von materialistischen Gesellschaftstheorien der Sprache (Gramsci), der Ideologie (Projekt Ideologietheorie) und des Diskurses (Fairclough) wieder aufgenommen und mit den Resultaten der vorangegangenen Kapitel vermittelt. Dabei wird die zuvor entwickelte Bestimmung der Sprache als Mittel der Orientierung und Zwecksetzung im Verhältnis zu nichtsprachlichen gesellschaftlichen Strukturen und ihrer historischen Besonderung entfaltet. / The text provides an outline of a materialist answer to what significance language has in relation to society, in which sense it is a condition for and in how far it is dependent on social structures. The materialist notion of history and materialist social theory serve as theoretical framework. They are first introduced as developed by Marx and Engels without any relation to a full-fledged materialist language theory. In a second step problems of language theory below the level of social theory are tackled: Wittgenstein‘s concept of language as a praxis of rule-following is interpreted as a critique of the idealism that informs the representation paradigm in language philosophy; following the cultural-historical psychology language is defined as means of orientation and material basis for complex goal setting; Brandom‘s pragmatist reconstruction of the logical structure of language serves as background for discussing the status of immanent rule structures of language. The social level is then taken up again and mediated with the results of the discussion of sub-social language theories by drawing on materialist social theories of language (Gramsci), of ideology (Projekt Ideologietheorie), and of discourse (Fairclough). The definition of language as a means of orientiation and goal setting is developed in its relation to non-language social structures and their historical specificity.

Made available in DSpace on 2016-03-15T19:34:11Z (GMT). No. of bitstreams: 1 Victor Vicente Barau.pdf: 1224672 bytes, checksum: f8cfa21eea269f82d6af487c89b1a818 (MD5) Previous issue date: 2014-08-01 / The dynamics, the antagonisms and contradictions inside the capitalist mode of production impact the capitalist form of sociability due to the crisis arising from the capitalist economic laws, especially in concerning of the tendency of falling rate of profit law. From a rereading of the theory critic of value, the debate proposed in this dissertation seeks to discusse and meditate about the mediations in which, directly or indirectly, consciously or unconsciously, affect the legal form and political form that is embodied in the Modern State, providing important elements for further discussion of current marixist´s theories of regulation and derivation of political form and legal form. / A dinâmica, os antagonismos e as contradições do modo de produção do capital impactam a forma de sociabilidade capitalista pelas crises cíclicas e estruturais decorrentes das leis econômicas do capital, especialmente na lei da queda tendencial da taxa de lucro. A partir de uma releitura da teoria crítica do valor, o debate proposto na presente dissertação busca discutir e refletir sobre as mediações que, direta ou indiretamente, consciente ou inconscientemente, afetam à forma jurídica do Direito e a forma política que se materializa no Estado moderno, fornecendo elementos importantes para futuros debates das atuais teorias marxistas da regulação e da derivação da forma política e da forma jurídica.

Die Agrar- und Forstpolitiken der EU und Deutschlands stehen in einem politökonomischen Spannungsverhältnis zwischen Wertschöpfung und Rohstoffproduktion als ökonomieorientierte Ziele einerseits, der Ökologisierung der Landnutzung andererseits und schließlich dem Ziel der Förderung der ländlichen Entwicklung. In wissenschaftlichen und staatlich-politischen Diskursen und Analysen hinsichtlich der Politiksektoren Land- und Forstwirtschaft wurden Nachhaltigkeitsaspekte in den letzten 25 Jahren stark betont. Insbesondere dem politisch-praktischen Konzept der Politikintegration kommt in den Diskursen und Analysen eine zentrale Bedeutung zu. Die Studie untersucht die agrar- und forstpolitischen Prozesse der Umsetzung von EU-Umweltschutz in der deutschen Land- und Forstwirtschaft und leistet einen Beitrag zur qualitativen Erforschung sektoraler Machtverhältnisse. Im Hinblick auf die Entwicklung der Policy-Analyse entspricht die Studie dem Anspruch der Theorieintegration, da eine kritisch-materialistische Perspektive auf politische Prozesse, eine materialistische Staatstheorie, das Konzept der Politiksektoren zusammengeführt werden und dazu beitragen Politikintegrationsprozesse zu analysieren. Im Ergebnis stellt die Studie anhand von vier Fallstudien in den Bundesländern Brandenburg (BB), Niedersachsen (NI), Nordrhein-Westfalen (NW) und Sachsen-Anhalt (ST) und anhand der drei policy issues Reduzierung von Treibhausgasemissionen, Reduzierung von Stoffeinträgen in die Umweltmedien Boden und Wasser und Förderung der biologischen Vielfalt den Ist-Zustand der Umsetzung von Nachhaltigkeitszielen und EU-Umweltschutzpolitiken in der Land- und Forstwirtschaft dar. Anhand der Agrar- und Forstpolitiken in BB, NI, NW und ST in den Förderperioden 2000-2006 und 2007-2013 wird aufgezeigt, dass die Umsetzung von EU-Umweltschutzzielen von der politökonomischen Entwicklung der Sektoren abhängt. Sowohl die Agrar- und Forstbürokratien als auch privatwirtschaftliche AkteurInnen dominieren die Umsetzung von EU-Umweltschutz. Profitorientierung und ökonomische Regionalentwicklung als Ideologiefragmente der dominanten Status quo- und ökonomieorientierten AkteurInnen setzen Ökologisierungsansätze permanent dem Sachzwang der Profitabilität aus. In den Machtverhältnissen und Kämpfen um die Verallgemeinerung von AkteurInneninteressen dominieren die Status quo- und ökonomieorientierten AkteurInnen die politischen Prozesse durch einen privilegierten Zugang zu den Entscheidungszentren, die ideologische Kongruenz zwischen der Ministerialbürokratie und den dominanten Unternehmensverbänden, die Abhängigkeit der öffentlichen Bürokratien von einer gelingenden Wertschöpfung und der Befassungskontinuität zentraler policy entrepreneure innerhalb der Ministerialbürokratien und der damit verbundenen Policy-Stabilität. Politikintegrationsprojekte wie der produktionsintegrierter Natur- und Umweltschutz (Integrativer Naturschutz) in der deutschen Forst- und Landwirtschaft als Modus der Umsetzung von EU-Umweltschutz führen zur Legitimation und Reproduktion der bestehenden Produktionsweise.