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41	African materialist aesthetics in African literature with special reference to isiZulu texts Ncongwane, Sipho 02 1900 (has links) Text in English with abstracts in English, Afrikaans and isiZulu / This six-chapter study is a qualitative research work conducted within the Afrocentricity framework covering the application and testing of three newly found Afrocentric theories in African literature with special emphasis on isiZulu texts. The aim of this study is to test the application of Afrikan Humanism, Intsomi dream theory, and Africentricity theory. These theories were developed as a result of the debate between Eurocentric and Afrocentric scholars in literature and literary criticism. In this study the research comprised of examination of existing literature on literary criticism with particular focus on Afrocentricity perspectives on the literary criticism debate. The researcher employed the purposive sample on the theories as well as on the 5 short stories, and 2 novels on which Afrikana Humanisim, Intsomi dream theory, and Africentricity theory were applied. Amongst the findings, it is evident that South African scholars are still yearning to contribute on the debate and this has led to modifications of theories and development of new ones such as the Afrikan Humanism, Intsomi dream theory, Africentricity theory, African materialist aesthetics, multi-approach reading, systems, inter-cultural. Future research includes continued studies in decoloniality of African literature, orality research and empirical data should be generated to expand the field of African literary criticism with fresh approaches being tested and applied. New theories, literary frameworks need to be further investigated with a view of entrenching the application of Afrocentricity whilst decolonizing literature in Africa. , Materialist, Aesthetics, Literature, Orality, Orature, Decolonisation, Feminism, Theory, isiZulu, culture, tradition. / Feministiese geleerdes voer al geruime tyd 'n warm debat oor die kwessie of die normalisering van kosmetiese chirurgie vroue positief beïnvloed, vroue bemagtig deurdat dit volmag en keuse vir hulle in die hand werk (Gimlin 2002; Kuczynski 2006), of vroue onderdruk deurdat dit patriargale ideologieë voorstaan wat die vroueliggaam inperk en gevolglik die vrou inhibeer om haar stem te laat hoor (Blood 2005; Blum 2005; Clarke en Griffin 2007; Heinricy 2006; Tait 2007). In plaas daarvan om by hierdie debat betrokke te raak, gaan ek van die veronderstelling uit dat die normalisering van kosmetiese chirurgie 'n vorm van implisiete en eksklusiewe geweld is. Aan die hand van post-strukturalistiese, feministiese en psigoanalitiese teorieë ontleed ek die manier waarop hierdie vorm van geweld vroue se liggaam onderwerp en hul psige vorm. Ek dekonstrueer die vorming van die genormaliseerde self, die bewussyn en die daad van belydenis, soos dit in die konteks oorgebring word, aan die hand van Jacques Lacan, Judith Butler en Michel Foucault se beskouings van herderlike oftewel pastorale mag. Hierbenewens onderstreep ek die rol wat liberale feminisme in hierdie vorm van onderwerping speel. Sodoende demonstreer ek teoreties hoe die voortdurende en effektiewe funksionering van pastorale mag in die konteks van ’n individualiseringstegniek vroue in die tweede dekade van die een-en-twintigste eeu onderdruk. Ek maak die aanname dat die normalisering van kosmetiese chirurgie daartoe bydra dat vroue die swye opgelê word, die individu se psige uitgebuit en onderdruk word en die lewende liggaam ontkragtig word deur middel van ’n inkerkering wat minder sigbaar en minder eksplisiet is en agter ’n estetiese en morele sluier verdoesel word. In hierdie konteks bied ek ’n teendiskoers aan vir die onderwerping wat onderliggend is aan die normaliseringsdiskoerse wat die kosmetiesechirurgiebedryf ondersteun, en ek bepleit dat die patriargale norme wat in diskoerse oor kosmetiese chirurgie vassit, gedestabiliseer word. Ek demonstreer verder ’n teoretiese rekonstruksie wat ’n inskripsie insluit van wat ek ’n geloofwaardige feministiese stem in die eietydse verbruikerskultuur noem – ’n modus van intieme, onbewuste opstandigheid. Ek bepleit 'n terugkeer na Julia Kristeva se teorie en die intieme oproer wat deur haar etiese benadering voorgestaan word. Afgesien hiervan stel ek ’n stem voor wat ’n intieme opstand demonstreer – ’n stem wat patriargale norme uitdaag en nie uitsluitlik onderdruk word deur die normaliseringsmeganismes wat vorm gee aan die vrou van die een-entwintigste eeu nie, waar die klem op die kosmetiesechirurgiebedryf en die boliggende diskoerse daarvan val – Antjie Krog, Suid-Afrikaanse digter. Dit is juis Krog se kunstig gestruktureerde digterlike tekste wat my teoretiese rekonstruksie fasiliteer. Aan die hand van Kristeva se teorie oor semanalise toon ek teoreties dat Krog se werk ’n ruimte daarstel wat "uitstyg" bo die grense wat die wet van die Vader en die normaliseringsmeganismes stel. Hierbenewens stel ek ’n "originêre gehegtheid" as aanpassing van Kristeva se beskouing van die chora voor, en my voorstel van ’n "originêre ideaal" daag Kristeva se opvating oor paragramme uit in die konteks van dit wat ten grondslag lê aan die gebied van die paternalistiese metafoor. Op grond van Louise Viljoen se ontleding van Krog se werk en Bridget Garnham se navorsing oor opkomende diskoerse oor ontwerpers- kosmetiese chirurgie bied ek Krog se digterlike tekste aan as ’n teendiskoers vir die "morele" diskoerse oor kosmetiese chirurgie wat die verouderende individu in die tweede dekade van die een-en-twintigste eeu uitbuit. Daarby, deur Kristeva se teorie oor paragramme op Krog se digterlike teks(te) toe te pas, demonstreer ek 'n destabilisering van die patriargale norme wat implisiet in diskoerse oor kosmetiese chirurgie teenwoordig is. Hierbenewens brei ek Kristeva se teorie oor die negatiwiteitsbeginsel uit deur middel van ’n heroorsetting van die belydenisdaad in Krog se digwerk(e), ’n uitbreiding van Foucault se pastorale mag en Butler se opvatting oor die eksklusiwiteit van normalisering, en ’n opeising van Krog se verouderende liggaam in Verweerskrif/Body Bereft (Krog 2006). / Sekubekhona izingxoxo-mpikiswano eziningi kwizifundiswa zama-feminist ukuthi ngabe ukwenza isurgery yohlinzo olungajulile ukuzishintsha ukubukeka ngokwemvelo (cosmetic plastic surgery) kunomphumela omuhle yini kwabesimame, ngabe kuhlinzeka ngamandla kwabesimame ngokuphakamisela phezulu ukuthi umuntu azenzele akufunayo kanye nokuzikhethela (Grimlin 2002, Kuczynski 2006) noma kuyinto ecindezela abesimame ngokuqhubela phambili indlela nama-idiyoloji abekwa ngabesilisa ukuthi imizimba yabesimame kumele ibukeke kanjani, kanti lokhu kucindezela izwi labesimame (Blum 2003, Blood 2005, Heinricy 2006, Clarke and Griffin 2007, Tait, 2007). Kunokuthi iphuzu nami ngingenele kule ngxoxo-mpikiswano, elami iphuzu lona liqhubeka ukusukela kwisimo sokuthi ukwamukela uhlujzo olungajulile lokuzitshintsha ukubukeka kwabesimame (cosmetic surgery) kuyindlela yodlame olungaqondile ngqo kanye nolukhipha inyumbazane abesimame. Ngokusebenzisa amathiyori epost-structuralist, awe-feminist kanye nawepsychoanalytical, ngihlaziya indlela le nhlobo yalolu dlame ecindezela ngayo imizimba yabesimame kanye nokuhlela indlela okumele bacabange nokuzibona ngayo. Ngokusebenzisa iphuzu likaJacques Lacan, Judith Buttle kanye noMichel Foucault lamandla okukhokhela ngokomoya, ngiqhaqha indlela okubumbeka ngayo isithombe sokuzibona, unembeza kanye nomoya wokuhlambulula ngokuzidalula (confession) lapho kubhekwa izinto ngaphansi kwesimo somzimba wokuhlinzwa okungajulile ukuzishintsha ukubukeka ngokwakho. Nangaphezu kwalokho, ngigqamisa indima ye-liberal feminism ngokwayo kule nhlobo yencindezelo. Ngokwenza lokho, ngikhombisa ngokwethiyori ukuqhubeka nokusebenza kwamandla esikhokhelo ngokomoya ngaphansi kwethekniki yokuzazi komuntu eyedwa okucindezela abesimame kwiminyaka elishumi yesibili, yesenshuri yamashumi amabili nanye . Ngiqhubela phambili iphuzu lokuthi ukwenziwa kohlinzo olungajulile lokuzishintsha ukubukeka kuqala umoya wokucindezela izwi labesimame, ukuxhashazwa kwabo, kanye nendlela umuntu azibona ngayo ngokwengqondo, kanye nokucindezela umzimba ophilayo ngezindlela ezingazibonakalisi obala, ezifihlekile, indlela yokubopha efihlwa yindlela yokubukeka kanye nokwembozwa umoya. Kungaphansi kwalesi simo lapho ngethula khona i-discourse yencindezelo eyenza ukuthi imboni yohlinzo olungajulile ukuzishintsha ukubukeka kwabesimame kube yinto ephakanyiswayo nokubonwa iyinhle, ukuphazamiseka kwama-norm endlela yengcindezi yabesilisa, ngaphansi kwama-discourse okuhlinzwa okungajulile ukushintsha ukubukeka, kanye nokwakha ithiyori ebandakanya ukubona izinto ngendlela ethize, engikuchaza njengezwi okuyilo elifanele le-feminism, kwisimo sosiko esiphila ngaphansi kwaso samanje - okuyindlela abantu abazibuka ngayo ezingqondweni ngendlela engekho obala. Ngigcizelela ukubuyela kwithiyori kaKristeva, kanye nokuthi abantu babhoke indlobana ngezindlela eziphansi, okuyinto ayiphakamisayo yenkambiso yokwazi okulungile nokungalunganga (ethical approach). Naphezu kwalokho, ngiveza izwi elibonisa ukubhoka indlobana kwabesimame ngendlela engekho sobala - izwi elifaka inselele kuma-norm okubhozomelwa ngumqondo wokulawula kwabesilisa, kanti futhi leli zwi aligcinanga nje kuphela umumo wabesimame ngendlela ejwayelekile njengowesimame wesenshuri yamashumi amabili-nanye ngokugcizelela kwimboni yohlinzo olungajulile lokuzishintsha ukubukeka, kanye nendlela lokhu okuyisihibe ngayo – ngokusho kukasonkondlo waseNingizimu Afrika, u-Antjie Krog. Imibhalo yezinkondlo zikaKrog ezinobungcweti yiyo eyenze ukwakha kwami kabusha ithiyori. Ngokusebenzisa ithiyori kaKristeva ye-semanalysis, ngibonisa ngokwethiyori ukuthi umsebenzi kaKrog uqambe okweqele ngaleya kwizihibe zomthetho kubaba kanye nezindlela zokwenza izinto zibukeke ngendlela evamile noma zingavamile. Nangaphezu kwalokho, ngifakela i-"originary attachment" njengokwenza ukuthi kube kwesinye isimo, iphuzu likaKristeva ku-chora kanti isiphakamiso sami se-"originary ideal" sifaka inselele kusigcizelelo sikaKristeva ngamagremu efonethiki ngaphansi kwesimo esigcizelela umfanekiso ngasohlangothini lobaba. Ngokusebenzisa ukuhlaziya kukaLouise Viljoen kumsebenzi kaKrog kanye nocwaningo lukaBridget Garnham ngokuvela kwama-discourse ohlinzo olungajulile ukuzishintsha ukubukeka njengesisekelo, ngase ngethula imibhalo yezinkondlo zikaKrog njenge-discourse yokuphikisa ama-discourse e-"moral" yama-discourse ohlinzo olungajulile lokuzishintsha ukubukeka, elixhaphaza abantu abagugayo ngeminyaka eyishumi yesibili kwisenshuri yamashumi amabili-nanye. Naphezu kwalokho, ngisebenzise ithiyori kaKristeva kumapharagramu kwimibhalo yezinkondlo zikaKrog, ngaphazamisa imibono yokuphatha kwabesilisa equkethwe kuma-discourse ohlinzo ulungajulile ukuzishintsha ukubukeka. Ukuqhubekela phambili, nginwebe ithiyori kaKristeva ngesimiso se-negativity ukwethula ukuhumusha kabusha umoya wokuzihlambulula ngokuzidalula otholakala kwizinkondlo zikaKrog, ukuwukunweba amandla umbono kaFaucault wamandla okuthi abantu bazibone ngenye indlela kanye nephuzu likaButler wlkuthi into engavamile engaphandle ibonwe njengento efanele, kanye nokwamukela umzimba ogugayo kwinkondlo ye- Verweerskrif/Body Bereft (Krog 2006). / African Languages / D. Litt. et Phil.(African Languages) African Africentricity Afrocentricism Afrikan Humanism African Languages Materialist Aesthetics Literature Orality Orature Decolonisation Feminism Theory isiZulu Culture Tradition 896.39863 Zulu literature -- History and criticism Zulu (African people) -- Folklore Dreams in literature Afrocentrism
42	Why Prioritise the East? : The reasons behind the implementation of the Eastern Partnership within the European Union Foreign Policy Lindvall, Nina January 2014 (has links) This Master Thesis aims to answer the question why the EU foreign policy-makers decided toimplement the Eastern Partnership (EaP). As the EU foreign policy decision-making processis based upon consensus between all EU Member States, an argumentation analysis isconducted to find the arguments that the policy-makers use to convince the others. By usingHabermas’ Theory of Communicative Action, the arguments are categorized into pragmatic(security and economic interests), moral (humanitarian values) or ethical-political (culturalvalues) logics. The research material consists of official documents and statements of the EUinstitutions. Then, the arguments are evaluated as whether they can be said to be legitimate,‘mobilizing’ arguments: intelligible, appropriate and true. The main result is that even if allargumentation categories are used by policy-makers, none of the categories can be said to becompletely legitimate. Therefore, an ideological perspective is a possible complement to thecategories within the Theory of Communicative Action. This perspective would possibly addto the understanding why the EaP was implemented. Eastern Partnership EU foreign policy Theory of Communicative Action Argumentation analysis European liberal ideology
43	Geschlechternormen-inkonforme Körperinszenierungen - Demokratisierung, De-Konstruktion oder Reproduktion des sexistischen Geschlechterverhältnisse? Schulze, Detlef Georgia 13 December 2005 (has links) Die vorliegende Studie zum Thema „geschlechternormen–inkonforme Körperinszenierungen“ ist die theoretisch fundierte, empirische Überprüfung der These von Judith Butler, daß eine mögliche Verbindung zwischen queer Praxen und der Subversion der herrschenden Geschlechterordnung bestehe. Die Arbeit untersucht die Beziehung zwischen Körperpraxen und anderen Praxen, insbesondere Arbeit und politischer Praxis. Der Begriff „geschlechternormen-inkonforme Körperinszenierungen“ bezieht sich auf drei Praktiken bzw. drei Arten des Verhaltens von Personen in Bezug auf deren eigenen Körper: Er bezieht sich erstens auf Transsexuelle, die ihren Körper mit medizinischen Mitteln haben verändern lassen; zweitens auf transgender Personen, die zeitweise oder permanent cross dressing praktizieren ohne physische Veränderungen an ihrem Körper vorgenommen zu haben; und drittens auf drag kings und drag queens, die auf der Bühne ein anderes Geschlecht als im Alltag darstellen. Alle Personen inszenieren eine geschlechternormen-inkonforme Geschlechtlichkeit, d. h. eine Geschlechtlichkeit, die nach hegemonialen Kriterien nicht mit dem ‚wahren’ oder ‚ursprünglichen’ Geschlecht dieser Person übereinstimmt. Die Methode des empirischen Teils der Studie besteht aus der Datengewinnung durch das „Problemzentrierte Interview“ nach Witzel und der Datenanalyse durch die „Qualitative Inhaltsanalyse“ nach Mayring. Die Studie geht davon, daß die Überwindung der Herrschaft das Verschwinden der sozialen Gruppen (hier: Männer und Frauen), zwischen denen eine Herrschaftsbeziehung besteht, einschließt, denn diese Gruppen sind die Produkte der Praktizierung von Herrschaft. Die Studie zeigt, daß im interviewten sample – statt einer Subversion von Herrschaft – eine kontinuierliche Reproduktion von Geschlechtern und Geschlechterhierarchien stattfindet. Die .pdf-Datei mit der vollständigen Arbeit enthält Zusammenfassungen in englischer, französischer, kastilischer und deutscher Sprache, die länger als das vorliegende abstract sind. / The present study dealing with the topic ‘geschlechternormen-inkonforme Körperinszenierungen’ (approximately: body styling / body formation which is contrary to the hegemonic gender rules) is a theoretically based, empirical scrutiny of Judith Butler’s thesis, that there exists a possible connection between queer practices and the subversion of existing gender hierarchy. The thesis explores the relationship between body practices and other practices, especially labour and political practice. The term ‘geschlechternormen-inkonforme Körperinszenierungen’ refers to three practices or three different ways of a person’s behaviour towards his or her own body: it refers firstly to transsexuals, who changed their body physically; secondly it refers to transgender people, who occasionally or permanently do cross dressing in everyday life without having changed their bodies physically; and thirdly on drag kings and drag queens who show a different sex on stage than in everyday life. All people stage a ‘geschlechternormen-inkonforme Geschlechtlichkeit’, that means a gender that doesn’t coincides with their “true” or “natural” sex due to hegemonic criteria. The method of the empirical part of the study consists of obtaining data through the ‘Problemzentriertes Interview’ (problem-focussed interview) invented by Witzel, and the analysis of the data through the ‘Qualitative Inhaltsanalyse’ (qualitative content analysis) invented by Mayring. The study assumes that the deconstruction of domination includes the disappearance of the social groups (in the case at issue: men and women), between whom exists a relation of domination, because that groups are products of the practices of domination. The study shows, that – far from this – there happens within the interviewed sample a permanent reproduction of genders and gender hierarchies. The .pdf-file of the entire thesis consists summaries in English, French, Castilian, and German language longer than the present abstract. Judith Butler Monique Wittig Louis Althusser Karl Marx postmodern materialist feminism Judith Butler Monique Wittig Louis Althusser Karl Marx 360 Soziale Probleme, Sozialarbeit 14 Soziologie, Gesellschaft MS 2850 ddc:360
44	Nye skabelsesberetninger om æg, sæd og embryoner : Et etnografisk studie af skabelser på sædbanker og fertilitetsklinikker Adrian, Stine January 2006 (has links) Avhandlingen handlar om användandet av assisterad befruktning i Danmark och Sverige. Teknologierna är intressanta eftersom de skapar möjligheter för barn att födas som annars inte skulle ha blivit till. De utmanar också normerande föreställningar om sexualitet, etnicitet, normalitet, ålder, kön och släktskap. Genom att undersöka vad som sker i mötet mellan normer, patienter, personal, teknologi och könsceller på fertilitetskliniker och spermabanker, skapar avhandlingen insikt i de skapelse- och förändringsprocesser som äger rum. Analysen visar hur beslutsfattare, personal och patienter förhåller sig till teknologierna. Den genomgående princip som används för att sätta etiska gränser utgörs av försök att imitera naturen. Denna princip omförhandlas och förändras dock ständigt. Omförhandlingar kan äga rum i möten med teknologin eller genom kroppars sätt att reagera på. De äger också rum då naturaliseringsprincipen skapar absurda situationer, t.ex. sådana i vilka patienter och deras kommande barn stigmatiseras och marginaliseras. Med utgångspunkt i den empiriska analysen bidrar avhandlingen dessutom till en teoretisk förståelse av hur materialiseringsprocesser (skapelseprocesser) äger rum i mötet mellan diskurser och materiell agens. Avhandlingen är skriven med utgångspunkt i feministiska och teknovetenskapliga studier och kan läsas som ett bidrag till feministisk ny materialtetsteori och metod. / This thesis investigates the use of assisted reproduction in Denmark and Sweden. Assisted reproduction is fascinating, because it enables the creation of children who would not have been born otherwise. At the same time, it challenges existing norms concerning sexuality, ethnicity, normality, age, gender and kinship. The processes of creation and change that take place at fertility clinics and sperm banks are analyzed by exploring the encounters between norms, patients, employees, technology and gametes. The analysis shows how legislators, patients and employees relate to and manage the use of these technologies. It illustrates that the predominant principle used for setting ethical limits is the mimicking of nature. However, this principle is constantly negotiated and changed. One reason is that negotiations take place in an encounter with the agency of the technology, gametes and body. Another reason for the change of the naturalization principle is that absurd situations, such as stigmatization and marginalization of patients and their technologically conceived children, take place. The empirical analysis also contributes to a theoretical understanding of how materialization processes (creation processes) take place in the encounters between discourse and material agency. The thesis is written with a point of departure in feminist science studies, and can be read as a contribution to feminist new materialist theory and method. Gender studies Assisted reproduction creation stories material-discursive relations agency emotions situated knowledges nature/culture gender ethnography performativity feminist new materialist theory sexual dimorphism Genusforskning Assisterad befruktning skapelseberättelser materiellt-diskursiva relationer agens känslor situated knowledges natur/kultur kön etnografi performativitet feministisk ny materialitesteori visuella representationer köns dimorfism
45	民生史觀與唯物史觀的對比研究 / The Contrast study of Dr. Yat-Sen Sun's Historical-Social Theories and Karl Marx's Materialist Interpretation of History 王佳煌 Unknown Date (has links) 本論文對民生史觀與唯物史觀作對比研究，以期全盤重建這兩種史觀。透過對比研究法的運用、周邊還原（政治還原與系絡還原）的程序、詮釋學方法，本論文構築一個共同的時空對比架構（歷史進化論、社會發展論、人本主義）、彰顯民生史觀與唯物史觀的結構對比及兩種史觀之間的動態對比，提出新的理解與批評，並進而以這兩種史觀為領會對比韻律的理論工具，為對比哲學奉獻心力。第二章探討民生史觀與唯物史觀的歷史進化論。孫中山為宇宙進化畫分明確的階段，有強烈的目的論傾向，馬克思則反對用目的論解釋宇宙進化。他們都認為生物進化與社會進化有明顯的區別。孫中山的歷史分期論，包括自然進化與歷史進化之分、三民進化論與民權進化論、知行進化論。馬克思第一階段的歷史分期論基於歐洲中心主義，將歐洲的歷史分期分成原始、古代、封建、近代資產生產方式等階段，後來注意到非歐世界的歷史進化及資本主義之前的經濟形構。孫中山與馬克思的歷史路線論分別是中心線東西對照論與中心線擴散論。前者出於中國中心主義，後者則基於歐洲中心主義。第三章討論民生史觀的社會發展論。首先歸納出國內論者詮釋民生史觀的五條公式。繼而重建民生史觀的理論體系，以人民的生活為總綱，以社會的生存與國民的生計為途徑，以群眾的生命為最終目的。第四章討論唯物史觀的社會發展論。首先羅列以往中西論者所詮釋的唯物史觀，如經濟決定論、技術決定論、多重決定論、功能解釋、有機論、公式套用論，並指出其優缺點。繼而建構馬克思唯物史觀的四種概念圖式：中心輻輳模式、中心三角模式、基礎－上層建築模式、中心直線模式。最後建構一個共同的對比模式。第五章討論民生史觀與唯物史觀的人本主義。首先探討孫中山與馬克思的人性概念（人的定義與人的需要），對比其看法的異同。孫中山對人與自然、社會、歷史的看法的特徵是以主領客，馬克思則強調人與自然、社會、歷史的關係是辯證式的，顯露主客合一的思維。第六章結論。第一節綜述各章研究成果。第二節略論本論文的缺點與局限，並以本文的對比架構（歷史進化論、社會發展論、人本主義）為準，展望未來的研究方向（時間分殊化、空間區隔化、生活相對化）。 / Using the methodology of Dr. Vincent Shen's philosophy of contrast, this dissertation studies Dr. Yat-Sen Sun's and karl Marx's theories fo historical evolution, social development, as well as humanism. An abstract framework is constructed and the method of hermeneutics is used to demonstrate the dynamic contrasts between Dr. Yat-Sen Sun's and Marx's views pertaining to the evolution and development of humans' history, society as well as their assumptions of philosophical anthropology, together with the structural contrast of their theories. In terms of historical evolution, the author finds out that, while Dr. Sun's view of history reveals the tendency of teleology, makes a sharp division between natural and humans' evolution, and conceptualizes humans' history from Chinese standpoint, Marx's early conception of history divides European history into a number of stages and part of this later attention is paid to non-European societies. With regard to social development, the author generalizes scholars' explanations about Dr. Sun's social theory and reconstruct his theory of social development. The author also epitomizes scholars' interpretation of Marx's materialist conception of history and reconstructs four conceptual schemas of his theory of social development. As for Dr. Sun's and Marx's humanism, the author concludes that, while Dr. Sun's humanism emphasizes the leading role of the subject, i.e., the human beings, over the objective structures, that is, the nature, the society, and the history, Marx's humanism underscores the dialectic relationships between the subject and the object structures. Finally, not only the above-mentioned argument is summarized, but the future of developing a more complete framework for the construction of the philosophy of contrast if discussed. 孫中山馬克思唯物史觀歷史社會人本主義進化發展對比詮釋重建民生史觀 Yat-sen Sun Karl Marx materialist conception of history history society humanism evolution development contrast hermeneutics reconstruction
46	O discurso das mulheres na cena paulistana de 2015-2016: uma proposta feminista de análise de espetáculos / The Women's speech in São Paulo's scene: a feminist performance analysis suggestion Beskow, Daniela Alvares [UNESP] 30 June 2017 (has links) Submitted by DANIELA ALVARES BESKOW null (dab@inventati.org) on 2017-11-06T18:08:59Z No. of bitstreams: 1 BESKOW_DANIELA_ALVARES_DISSERTACAO_MESTRADO_2017_O_DISCURSO_DAS_MULHERES_NA_CENA_PAULISTANA.pdf: 1700280 bytes, checksum: ae8b8fbf75996cf875812de9306036ad (MD5) / Approved for entry into archive by LUIZA DE MENEZES ROMANETTO (luizamenezes@reitoria.unesp.br) on 2017-11-13T19:23:07Z (GMT) No. of bitstreams: 1 beskow_da_me_ia.pdf: 1700280 bytes, checksum: ae8b8fbf75996cf875812de9306036ad (MD5) / Made available in DSpace on 2017-11-13T19:23:07Z (GMT). No. of bitstreams: 1 beskow_da_me_ia.pdf: 1700280 bytes, checksum: ae8b8fbf75996cf875812de9306036ad (MD5) Previous issue date: 2017-06-30 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta pesquisa investiga espetáculos cênicos – das áreas de teatro, dança e arte da performance – apresentados na cidade de São Paulo durante o biênio 2015-2016, que trazem apenas mulheres em cena. A partir de uma perspectiva feminista e materialista, foi desenvolvida a metodologia denominada “análise contextualizada” ou “análise situada”, utilizada para observar e analisar espetáculos teatrais a partir de suas dramaturgias cênicas. Em seguida, são propostas questões sobre mulheres em cena e artes cênicas a partir do debate e realidade de violência contra as mulheres no Brasil, assim como de reflexões e ações derivadas dos movimentos feministas, originando um esboço do conceito: “dramaturgia cênica feminista”. / This work investigates escenic performances – theater, dance and performance art – performed at São Paulo city during the biennium 2015-2016, with just women on scene. From a feminist and materialist perspective, it was developed the metodology named “contextualized analysis” or “situated analysis”, used to observe and analyse theatrical performances from which their escenic dramaturgies. Subsequently, questions about women on scene and escenic arts are suggested from which the debate and reality of violence against women on Brazil, as well from thoughts and actions derived from the feminists movements, originating a sketch of the concept: “feminist escenic dramaturgy”. Mulheres em cena Análise feminista de espetáculo Análise contextualizada Análise situada Dramaturgia cênica feminista Teatro brasileiro Dança brasileira Arte da performance brasileira Perspectivas feministas materialistas Violência contra as mulheres no Brasil Movimentos feministas brasileiros Movimentos feministas Women on scene Feminist performance analysis Contextualized analysis Situated analysis Feminist escenic dramaturgy Brasilian theatre Brasilian dance Brasilian performance art Materialist feminist perspective Violence against women on Brazil Brasilian feminist movements Feminist movements
47	The Incompatibility of Freedom of the Will and Anthropological Physicalism Gonzalez, Ariel 01 May 2014 (has links) Many contemporary naturalistic philosophers have taken it for granted that a robust theory of free will, one which would afford us with an agency substantial enough to render us morally responsible for our actions, is itself not conceptually compatible with the philosophical theory of naturalism. I attempt to account for why it is that free will (in its most substantial form) cannot be plausibly located within a naturalistic understanding of the world. I consider the issues surrounding an acceptance of a robust theory of free will within a naturalistic framework. Timothy Oâ€™Connorâ€™s reconciliatory effort in maintaining both a scientifically naturalist understanding of the human person and a full-blooded theory of agent-causal libertarian free will is considered. I conclude that Timothy Oâ€™Connorâ€™s reconciliatory model cannot be maintained and I reference several conceptual difficulties surrounding the reconciliation of agent-causal libertarian properties with physical properties that haunt the naturalistic libertarian. Philosophy
48	Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler / Johann Friedrich von Uffenbach. Collector - Donor - Scientist Meyerhöfer, Dietrich 28 January 2020 (has links) No description available. 700 Sammeln Uffenbach Frankfurt am Main Wissenschaftliche Gesellschaft Zeichnung Optische Geräte Instrumente zur Gnomonik Astronomische Instrumente 18. Jahrhundert Druckgraphik Sammlungsgeschichte Privatgelehrter Kavaliersreise Bildungsreise Tagebücher Reisetagebücher Auktionswesen Auktionen Auktion Florsheim Geschichte des Sammelns Inventare von Druckgraphik Auktionskatalog Auktionskataloge Gegenschreiberbuch Monogrammistenlexikon Künstlermonogramme Stiftung Göttingen Georg-August-Universität Göttingen Kupferstich Holzschnitt Radierung Sammler Kunstmarkt im 18. Jahrhundert Grand Tour Frankfurter Patrizier Malerakademie Akademie der Wissenschaften Alte Mainbrücke Architekt Architektur Astronomie Bibliothek Bibliotheken Bibliothekswesen Buchhandel Buchhändler Diarien Diarium Direktdruck Drechseln Drechsler Drehbank Druckzustand Enkaustik Fehldruck Fernrohr Fernrohre Festungsbau Feuerwerk Feuerwerkerei Findbuch Findbücher Firnis Firniß Fontäne Fortifikation Geografie Geographie Geometrie Goethehaus Hobelbank Kartographie Klebeband Korrespondenz Kunsthandel Kunsthändler Kunstsammlung Landkarte Landkarten Ludwig XIV. Materialist Mikroskop Mikroskope Mineralienkabinett Naturdruck Oper Optik Prinzmetall Protokoll Pumpenanlage Reisebericht Sammelmappe Schildpatt Sonnenuhr Sonnenuhren Teleskop Teleskope Topographie Vakuumpumpe Vergantung Wassermaschine Wasserspiele Repertorium Protokollband Protokollbände Protokolle Georgia-Augusta Atzenheim Friedrich Philipp von Behaghel Philipp Jacob Benson William Bérain Jean Bernstorff Johann Hartwig Ernst Graf von Bignon Jean–Paul Böhm Johann Christian Breitkopf Bernhard Christoph Buttieri Carlo Antonio Campani Giuseppe Chiarelli Antonio Christ Johann Friedrich Heumann Christoph August Culpeper Edward d’Osangis Jean Pigeon Daimant Le Maire Pierre Dathan Johann Georg Dietzsch Johann Israel Diesterweg Albert Adolf Eberhard Conrad Hieronymus, gen. Schwind Egell Paul Ettling Johann Friedrich Fasch Johann Friedrich Fer Nicolas de Geysel Johann Daniel Goethe Johann Caspar Gottsched Johann Christoph Graupner Christoph Grünewald Gottfried Häckel Heinrich Jakob von Leth Hendrick de Heß Peter Heyne Christian Gottlob Hotteterre Jacques-Martin Hugo Friedrich Ludolph von Marshall John Kaller Johann Christian Kinet Johann Melchior Kniphof Johann Hieronymus Kißner Johann Georg Largillière Nicolas Leth Andries de Mariette Pierre Jean Marolles Michel de Mascow Gottfried Metz Conrad Michu Benoit Moritz Johann Friedrich Münchhausen Gerlach Adolf von Muth Heinrich Ludwig Musschenbroeck Pieter van Pütter Johann Stephan Richter Georg Gottlob Rigaud Hyacinthe Schelhorn Johann Georg Schürmann Georg Caspar Schütz d.Ä. Christian Georg Scotin Gerard Senckenberg Heinrich Christian von Stanislaus I. Leszynski Telemann Georg Philipp Ucheln Heinrich von Uffenbach Johann Friedrich von Uffenbach Wilhelm von Uffenbach Zacharias Conrad von Visscher Nicolaes Wagner Joseph Wolf Johann Christoph Zeller Franz Frauenstein Patriziergesellschaft Collecting Uffenbach Frankfurt am Main Scientific society Drawing optical devices gnomonic instruments Astronomical instruments 18. century Prints history of collection private scholar grand tour diary travel diaries Auctioning Auctions auction Florsheim History of collecting Print graphic inventories Auction catalog Auction catalogs Counter-writing book Monogrammist encyclopedia Artist monograms donation Goettingen Georg-August-University of Goettingen engraving woodcut etching collector Art market in the 18th century Frankfurt patrician Academy of painters Academy of Science Old Main Bridge architect architecture astronomy Library Libraries Librarianship Book trade Bookseller Diaries Diarium Direct printing Turning Turner Lathe Print condition Encaustic Misprint Telescope Telescopes Fortress construction Fireworks pyrotechnics repertory repertories varnish fountain fortification geography geometry Goethe House carpenter’s bench cartography Correspondence Art trade Art dealer Art collection map maps Louis XIV microscope microscopes Mineral cabinet Natural print Opera Optics minutes Pump system Account of a journey file Tortoiseshell sundial sundials topography Vacuum pump waterworks Atzenheim Friedrich Philipp von Behaghel Philipp Jacob Benson William Bérain Jean Bernstorff Johann Hartwig Ernst Graf von Bignon Jean–Paul Böhm Johann Christian Breitkopf Bernhard Christoph Buttieri Carlo Antonio Campani Giuseppe Chiarelli Antonio Christ Johann Friedrich Heumann Christoph August Culpeper Edward d’Osangis Jean Pigeon Daimant Le Maire Pierre Dathan Johann Georg Diesterweg Albert Adolf Dietzsch Johann Israel Eberhard Conrad Hieronymus, gen. Schwind Egell Paul Ettling Johann Friedrich Fasch Johann Friedrich Fer Nicolas de Geysel Johann Daniel Goethe Johann Caspar Gottsched Johann Christoph Graupner Christoph Grünewald Gottfried Häckel Heinrich Jakob von Leth Hendrick de Heß Peter Heyne Christian Gottlob Hotteterre Jacques-Martin Hugo Friedrich Ludolph von Marshall John Kaller Johann Christian Kinet Johann Melchior Kißner Johann Georg Kniphof Johann Hieronymus Largillière Nicolas Leth Andries de Mariette Pierre Jean Marolles Michel de Mascow Gottfried Metz Conrad Michu Benoit Moritz Johann Friedrich Münchhausen Gerlach Adolf von Muth Heinrich Ludwig Musschenbroeck Pieter van Pütter Johann Stephan Richter Georg Gottlob Rigaud Hyacinthe Schelhorn Johann Georg Schürmann Georg Caspar Schütz d.Ä. Christian Georg Scotin Gerard Senckenberg Heinrich Christian von Stanislaus I. Leszynski Telemann Georg Philipp Ucheln Heinrich von Uffenbach Johann Friedrich von Uffenbach Wilhelm von Uffenbach Zacharias Conrad von Visscher Nicolaes Wagner Joseph Wolf Johann Christoph Zeller Franz Georgia-Augusta Frauenstein Kunst (PPN613163508)

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