A frequent news feature today deals with gang crime. The problem of gang crime has emerged as one of the biggest societal challenges to deal with in modern times. News reporting can many times be received by the recipient casually without questioning the content of what is presented. The purpose of this study is to study how gang crime and the areas associated with it are presented in the newspaper media, as well as what effects this may have for residents in the areas that are often associated with gang crime. In this study, the newspaper media will be represented by Dagens Nyheter and Aftonbladet. The research questions answered in the study are "How is gang crime presented in Dagens Nyheter and Aftonbladet?" and "How are identities for areas and residents reproduced through this representation?". In order to answer the questions, discourse analysis has been used as a method for the study's approach. Discourse analysis has also been used as a theoretical approach together with the concepts of stigma and stereotypes. The study is based on Michael Foucault's (1993) view of discourse analysis.A majority of the newspaper articles that write about the phenomenon of gang crime showed a strong connection between drug trafficking, violence and shootings, as well as the relationship between gang crime and socioeconomically disadvantaged areas. Power is expressed in several different ways, in this study the portrayal of gang crime in the media has contributed to a stereotypical image of gang criminals and gang crime that spreads like rings on the water to others around who look or talk a certain way, or live in a certain area. The results of the study show that stigmatization of criminals and crime contributes to people of a certain ethnicity, gender and age who come from socio-economically vulnerable areas often being associated with gang criminals and gang crime. This is done through the mass media's creation and recreation of stereotypical images that come with news reporting which the majority of people accept without question.

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<p>The purpose of this paper is to study how people without home experience social services and how they experience their space of action when they meet social services. In order to answer these questions, a qualitative approach has been used. The empirical material consists of five interviews with people who have contact with social services because they are homeless. To support my analysis of the space of action for the persons being interviewed, I’ve used two theoretical perspectives, power analysis by Michel Foucault and Rational Choice. The result shows that the interviewed often feel insulted when they meet social services, that they have little or no involvement and that their space of action is small. According to Michel Foucault, the normalising power of the social services oppresses the clients and the clients in their turn are doing different forms of resistance. According to Rational Choice, interaction between people is based on power, exchange and interest. From the clients point of view the only thing they can exchange to get a place to live is to be submissive. Therefore they don’t have many resources to widen their space of action.</p>

The purpose of this paper is to study how people without home experience social services and how they experience their space of action when they meet social services. In order to answer these questions, a qualitative approach has been used. The empirical material consists of five interviews with people who have contact with social services because they are homeless. To support my analysis of the space of action for the persons being interviewed, I’ve used two theoretical perspectives, power analysis by Michel Foucault and Rational Choice. The result shows that the interviewed often feel insulted when they meet social services, that they have little or no involvement and that their space of action is small. According to Michel Foucault, the normalising power of the social services oppresses the clients and the clients in their turn are doing different forms of resistance. According to Rational Choice, interaction between people is based on power, exchange and interest. From the clients point of view the only thing they can exchange to get a place to live is to be submissive. Therefore they don’t have many resources to widen their space of action.

It is being observed that there has been an increase in the number of urban design competitions in the last decade in Turkey. Competitions are crucial methods of enriching theoretical and practical frameworks of the disciplines by creating a platform for discursive attitudes. That reveals the importance of the notion of competition as a process covering from the decision for organizing a competition to the decision of the jury for the winner and also post-competition events such as colloquium. Due to these facts, competition process as a whole can be considered as a discursive practice where diverse discursive approaches are represented via design brief, submitted projects and colloquiums that enrich and develop both theory and practice of urban design. There is not a single definition for urban design rather there are some approaches to the field mostly pointing to its interdisciplinary features. This fact makes urban design field vulnerable and open to critiques but at the same time enables contributions from diverse disciplines. It reveals the importance of competitions which forms a platform for new ideas and perspectives. Competition, with its definite structure of rules, definite role players from diverse disciplines who are involved in the process, documents produced throughout the process by different discourses, can be conceptualized as a dimension in space-time that makes it possible to observe different discourses in the same place and at the same time, sometimes in conflict with each other, sometimes overlapped onto each other and sometimes juxtaposed. Therefore competition is a platform where different discursive formations, with their objects, enunciative modalities, concepts and strategies, are exercised and practiced by human subject. When considered from that point of view, instead of focusing on the inception of urban design in Turkey, when the term is conceptualized, how and when competitions were utilized and instrumentalized in spreading the term, as a consequence how this struggle enabled positions for the field can be diagnosed more explicitly. The aim of this dissertation is to analyze urban design competition processes via design briefs, questions-answers, winning projects, jury reports and if available evaluation articles and colloquium reports with the adoption of archaeological methodology of Michel Foucault, discursive formation. His methodological approach in his book Archaeology of Knowledge(1972), has been adopted to construct a conceptual framework within that context, the study has focused on national, open, single phase competitions containing the term &ldquo / urban design&rdquo / in its announced title and it has been found that there are 35 cases starting from the year 1980. Design briefs, questions-answers, prize-winning projects and jury reports were analyzed, in addition survey and interview methods are utilized to reveal the discursive formations within the competition process. It is found that this is an ongoing process of forming a discursive formation when urban design is concerned and competitions play a significant role in framing such attitudes. Such a discursive analysis made within the context of competitions will help us to draw a general framework to reveal the discursive formations in the field that will help us to understand its position, grasp the underlying facts behind these processes of Urban Design Competitions in Turkey and this will give us the chance to rethink and define new frameworks and discursive formations to establish new perspectives and understandings of urban design in Turkey in the context of competitions.

From the 1990s onwards the Australian Broadcasting Corporation (ABC) adopted a range of interactive multimedia activities: CD-ROM, web publishing, datacasting and interactive television. Drawing on extensive primary research, this thesis explores why the ABC pursued an interactive multimedia program under a neo-liberal rationality and how online publishing in particular has impacted on its role as a public service broadcaster. Drawing on neo-Foucauldian governmentality theory and Scott Lash’s critique of information, the thesis examines how the ABC operates as a technology of government in the transition to an informational society. While it considers the ABC as a localised, specific form of public service broadcasting, many of the findings have importance for analysis within the broader field of state intervention in media markets. It demonstrates that networked interactive multimedia are a communications strategy appropriate to the governance of a globally implicated market-state during a period of informationalisation – characterised by increased symbolic flows, spatial and temporal compression, decontextualised and disorderly relations of information. Public service media will transition this period, characterised by rapid social change and institutional upheaval, where they can incorporate and exploit the informational relations that threaten to diminish their utility as governmental assemblage. It finds that while ABC executives used technological change to adapt to the enterprise focus of neo-liberal government, the corporation was simultaneously transformed by disorganisational influences pursuing an ethics of internetworking. Contrary to Lash’s ideal schema of institutional decline, disorganisation – embodied in the ad hoc, program-maker led push for internet access and publishing – can become a force for organisational renewal. This is observable in the development of ABC Online, a public access web service. The conclusion drawn from ABC Online’s emergence is that the era of digitalisation exposes the ABC as a mutable object, a flexible strategy of national communications governance. It is not exclusively tied to a technical system, such as radio or television, or a practice such as broadcasting. Interactive multimedia such as ABC Online may help the ABC to readdress its contradictory political rationale – the call to represent a coherent national identity in the face of infinite lived diversity – and play a new role in connecting and engaging its users.This thesis re-examines that role in light of Lash’s observations about the nature of informational power. It explores at length the response to a new self-governing, performative subject, the user of interactive multimedia technology. The user, unlike the audience, is visible, often vocal and social. She negotiates both the space of a multimedia object and dialogic interactions within that space. Her exemplary expertise may rival that of the ABC’s program-makers. This analysis indicates that in response to informational phenomena, the ABC has reconceived its space of government, its pedagogy and its production of citizenship in order to remain an effective expression of governmentality. An online ABC may act as a mediatory, contextualising strategy that helps users negotiate the construction and function of difference. It may also be altered by user knowledge. These relations are possible, although preliminary in this research, while the ABC remains wedded to the more disciplinary relations of broadcasting. The implication is that a digitally networked ABC should not be a self-enclosed institution. It is part of an informational network: a multi-sector innovation system. It should not be divorced from its public or the market except in its ethics of exchange. It is a technology that through its technocultural relations socialises, is shaped by and melds with its sometimes unruly user/citizens. It influences, is influenced by and is part of a volatile mediascape. The ABC is organisation and disorganisation, the rigidity of the one generating the other and then being reincorporated, in a cycle of institutional and industrial change.

From the 1990s onwards the Australian Broadcasting Corporation (ABC) adopted a range of interactive multimedia activities: CD-ROM, web publishing, datacasting and interactive television. Drawing on extensive primary research, this thesis explores why the ABC pursued an interactive multimedia program under a neo-liberal rationality and how online publishing in particular has impacted on its role as a public service broadcaster. Drawing on neo-Foucauldian governmentality theory and Scott Lash’s critique of information, the thesis examines how the ABC operates as a technology of government in the transition to an informational society. While it considers the ABC as a localised, specific form of public service broadcasting, many of the findings have importance for analysis within the broader field of state intervention in media markets. It demonstrates that networked interactive multimedia are a communications strategy appropriate to the governance of a globally implicated market-state during a period of informationalisation – characterised by increased symbolic flows, spatial and temporal compression, decontextualised and disorderly relations of information. Public service media will transition this period, characterised by rapid social change and institutional upheaval, where they can incorporate and exploit the informational relations that threaten to diminish their utility as governmental assemblage. It finds that while ABC executives used technological change to adapt to the enterprise focus of neo-liberal government, the corporation was simultaneously transformed by disorganisational influences pursuing an ethics of internetworking. Contrary to Lash’s ideal schema of institutional decline, disorganisation – embodied in the ad hoc, program-maker led push for internet access and publishing – can become a force for organisational renewal. This is observable in the development of ABC Online, a public access web service. The conclusion drawn from ABC Online’s emergence is that the era of digitalisation exposes the ABC as a mutable object, a flexible strategy of national communications governance. It is not exclusively tied to a technical system, such as radio or television, or a practice such as broadcasting. Interactive multimedia such as ABC Online may help the ABC to readdress its contradictory political rationale – the call to represent a coherent national identity in the face of infinite lived diversity – and play a new role in connecting and engaging its users.This thesis re-examines that role in light of Lash’s observations about the nature of informational power. It explores at length the response to a new self-governing, performative subject, the user of interactive multimedia technology. The user, unlike the audience, is visible, often vocal and social. She negotiates both the space of a multimedia object and dialogic interactions within that space. Her exemplary expertise may rival that of the ABC’s program-makers. This analysis indicates that in response to informational phenomena, the ABC has reconceived its space of government, its pedagogy and its production of citizenship in order to remain an effective expression of governmentality. An online ABC may act as a mediatory, contextualising strategy that helps users negotiate the construction and function of difference. It may also be altered by user knowledge. These relations are possible, although preliminary in this research, while the ABC remains wedded to the more disciplinary relations of broadcasting. The implication is that a digitally networked ABC should not be a self-enclosed institution. It is part of an informational network: a multi-sector innovation system. It should not be divorced from its public or the market except in its ethics of exchange. It is a technology that through its technocultural relations socialises, is shaped by and melds with its sometimes unruly user/citizens. It influences, is influenced by and is part of a volatile mediascape. The ABC is organisation and disorganisation, the rigidity of the one generating the other and then being reincorporated, in a cycle of institutional and industrial change.

From the 1990s onwards the Australian Broadcasting Corporation (ABC) adopted a range of interactive multimedia activities: CD-ROM, web publishing, datacasting and interactive television. Drawing on extensive primary research, this thesis explores why the ABC pursued an interactive multimedia program under a neo-liberal rationality and how online publishing in particular has impacted on its role as a public service broadcaster. Drawing on neo-Foucauldian governmentality theory and Scott Lash’s critique of information, the thesis examines how the ABC operates as a technology of government in the transition to an informational society. While it considers the ABC as a localised, specific form of public service broadcasting, many of the findings have importance for analysis within the broader field of state intervention in media markets. It demonstrates that networked interactive multimedia are a communications strategy appropriate to the governance of a globally implicated market-state during a period of informationalisation – characterised by increased symbolic flows, spatial and temporal compression, decontextualised and disorderly relations of information. Public service media will transition this period, characterised by rapid social change and institutional upheaval, where they can incorporate and exploit the informational relations that threaten to diminish their utility as governmental assemblage. It finds that while ABC executives used technological change to adapt to the enterprise focus of neo-liberal government, the corporation was simultaneously transformed by disorganisational influences pursuing an ethics of internetworking. Contrary to Lash’s ideal schema of institutional decline, disorganisation – embodied in the ad hoc, program-maker led push for internet access and publishing – can become a force for organisational renewal. This is observable in the development of ABC Online, a public access web service. The conclusion drawn from ABC Online’s emergence is that the era of digitalisation exposes the ABC as a mutable object, a flexible strategy of national communications governance. It is not exclusively tied to a technical system, such as radio or television, or a practice such as broadcasting. Interactive multimedia such as ABC Online may help the ABC to readdress its contradictory political rationale – the call to represent a coherent national identity in the face of infinite lived diversity – and play a new role in connecting and engaging its users.This thesis re-examines that role in light of Lash’s observations about the nature of informational power. It explores at length the response to a new self-governing, performative subject, the user of interactive multimedia technology. The user, unlike the audience, is visible, often vocal and social. She negotiates both the space of a multimedia object and dialogic interactions within that space. Her exemplary expertise may rival that of the ABC’s program-makers. This analysis indicates that in response to informational phenomena, the ABC has reconceived its space of government, its pedagogy and its production of citizenship in order to remain an effective expression of governmentality. An online ABC may act as a mediatory, contextualising strategy that helps users negotiate the construction and function of difference. It may also be altered by user knowledge. These relations are possible, although preliminary in this research, while the ABC remains wedded to the more disciplinary relations of broadcasting. The implication is that a digitally networked ABC should not be a self-enclosed institution. It is part of an informational network: a multi-sector innovation system. It should not be divorced from its public or the market except in its ethics of exchange. It is a technology that through its technocultural relations socialises, is shaped by and melds with its sometimes unruly user/citizens. It influences, is influenced by and is part of a volatile mediascape. The ABC is organisation and disorganisation, the rigidity of the one generating the other and then being reincorporated, in a cycle of institutional and industrial change.

Includes bibliographical references (leaves 123-127) / This dissertation examines how three dystopian texts, namely Aldous Huxley’s Brave New World, Jasper Fforde’s Shades of Grey and Veronica Roth’s Divergent trilogy, exhibit social conformity as a disciplinary mechanism of the ‘carceral’ – a notion introduced by poststructuralist thinker Michel Foucault. Employing poststructuralist discourse and deconstructive theory as a theoretical framework, the study investigates how each novel establishes its world as a successful carceral city that incorporates most, if not all, the elements of the incarceration system that Foucault highlights in Discipline and Punish. It establishes that the societies of the texts present potentially nightmarish future societies in which social and political “improvements” result in a seemingly better world, yet some essential part of human existence has been sacrificed. This study of these fictional worlds reflects on the carceral nature of modern society and highlights the problematic nature of the social and political practices to which individuals are expected to conform. Finally, in line with Foucault, it postulates that individuals need not be enclosed behind prison walls to be imprisoned; the very nature of our social systems imposes the restrictive power that incarcerates societies / English Studies / M.A. (English Studies)