- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 11 to 20 of 21 (0.107 seconds)| 11 |
Retired Objects : An exploration of our complex relationship to everyday things.Xu, Fann January 2020 (has links)
Retired Objects is a project that explores the intimate relationship we humans form with everyday things. My investigation centers around the questions Can we begin to value objects as our equals, rather than as our servants? and What roles do objects play in our daily lives other than fulfilling a practical function? As a theoretical framework I investigate different facets of our material culture and how we relate to objects, focusing on our emotional connection to them, how we use them as mirror and tools for self-creation, and how being a maker is an integral part of our human identity. Using speculative design methods, I wish to invite us to reimagine our relationship to objects. The result is a series of pre-owned chairs, that I have re-designed, reimagined to envision them in a new light, free from the burden of fulfilling a practical function. Who are they once they retire from their job of serving us? By using design fiction and presenting an alternative narrative I wish to invite us to reimagine the way we relate to everyday objects.
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Phenomenology and Metaphysical RealismStorozhenko, Mykyta 14 April 2020 (has links)
No description available.
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Strange Matter, Strange Objects: An Ontological Reorientation of the Philosophical Concept of WonderOnishi, Brian Hisao 05 1900 (has links)
Wonder has had a rich and diverse history in the western philosophical tradition. Both Plato and Aristotle claim that philosophy begins in wonder, while Descartes marks it as the first of the passions and Heidegger uses it as a signpost for a new trajectory of philosophy away from idealism and nihilism. Despite such a rich history, wonder is almost always thought to be exhausted by the acquisition of knowledge. That is, wonder is thought of almost exclusively in epistemological terms and is discarded as soon as knowledge has been achieved. In this dissertation, I argue for an ontological reorientation of wonder that values wonder beyond its epistemic uses. To do this, I read the phenomenological and ontological work of Maurice Merleau-Ponty through recent developments in object-oriented ontology and new materialism.
Much of Merleau-Ponty's work is directed toward dissolving the distinction between subject and object. His insights regarding the mutual constitution of the world lead to the possibility of an operative wonder that occurs between subject and object. Both object-oriented ontology and new materialism radicalize these insights by articulating them in terms of a vibrant or quasi-agential material world. Objects and assemblages of objects are capable of performing the becoming of the world that includes human activity, but is not reduced to it. As such, the world is capable of both self-organization and practice. Ultimately I use the philosophy-physics of Karen Barad to argue that operative wonder acts like a kind of superposition of relations between objects, and thereby accounts for a concept of wonder that is both ontologically significant and acutely generative.
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Extraordinary Objects, Exceptional Subjects: Magic(al) Realism, Multivocality, and the Margins of Experience in the Works of Tom Robbins.Byrnes, Sionainn Emily January 2015 (has links)
Through a critical examination of the works of Tom Robbins, this thesis interrogates the historical evolution and appropriation of the magic(al) realist tradition. In so doing, it situates Robbins’ writing within the framework of postmodernism, and explores the ontological implications inherent in Robbins’ use of magic(al) realist concepts and conventions. With a specific emphasis on the notion of cultural consciousness, this thesis analyzes the object- oriented cosmologies embodied and espoused in three of Robbins’ novels: Still Life with Woodpecker (1980), Skinny Legs and All (1990), and B is for Beer (2009). It unpacks the ideological figuration of various textual devices evident in Another Roadside Attraction (1971) and Even Cowgirls Get the Blues (1976) – particularly the gendered use of unreliable narrators – and, with reference to Jitterbug Perfume (1984), relates Robbins’ appropriation of the magic(al) realist tradition to the American counterculture movement of the 1960s and 70s. Employing poststructuralist, feminist, ecofeminist, and postcolonial discourses, this thesis ultimately seeks to position Robbins’ writing within the context of a radical emancipatory politics that views (and uses) literature as an ideological space in which to challenge, reinterpret, and democratize Western metanarratives.
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ANYTHING IS A THING ENOUGH TO PARTY / ANYTHING IS A THING ENOUGH TO PARTYPolcarová, Markéta Unknown Date (has links)
This thesis "Anything is thing enough to party" seeks to explore the knowledge base of Jane Bennett's vital materialism and analyzes the connections between advanced capitalism, mobility and unpredictable movement of goods and things from the perspective of object oriented ontology. The thesis also focuses on the new perspective of ready-made object and perspective of installation. In order to research the topic and implement the practical part of the project, this study took place in Mexico as a self-initiated art residency in order to explore flows of found objects under the gaze of a foreigner.
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Odkud se berou objekty? / How do objects arise?Novotný, Michal January 2017 (has links)
Proposed thesis is an attempt to summarise the term object in the work of American philosopher Graham Harman, he himself named Object oriented ontology. The accent will be given also to other terms such as realism, essence, quadruple dimension of object, withdrawal of object, intentionality, conception of time and space, emanation and others. It attempts to create a certain genealogy of those terms in the work of other authors (Kant, Schopenhauer, Nietzche, Merleau-Ponty) and consequent comparison with the use of those terms in Harman's work. The aim is to create a certain critical overview of Harman's conception of o object and in general speculative realism theory and point out certain other approached to the classical subject-object dimension.
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Dark Ecology: Obscurities IlluminatedGollbo, Nadja January 2024 (has links)
This study investigates “dark ecology” – an ecological theory formulated by Timothy Morton, based on an object-oriented ontology and claimed to offer a new perspective on how humans can and should coexist with other “objects” in the world in a better, less hostile way. Dark ecology is a critique of both an anthropocentric and a biocentric worldview, aiming to erase the dichotomy between human/nature and subject/object. This essay performs an internal critique of dark ecology, analyzing and interpreting Morton’s books Dark Ecology (2016) and Being Ecological (2018) through the lens of two central concepts – “responsibility” and “agency” in order to extract the premises of importance to the theory. These premises are then presented in Aristotelian syllogisms, based on which the validity of dark ecology is evaluated. The aim of the essay is to find an answer to the question as to whether dark ecology is logically coherent and consistent – and thus can really be seen as a fruitful perspective on how humankind should act in relation to the environment or not. The result from this investigation is that dark ecology is an invalid theory since it suffers from both incoherence and inconsistency. Based on this, it is concluded that dark ecology fails to achieve what it is presented to do. The answer to the research question of this essay, “Is dark ecology a theory that, if applied, leads to a change in humans’ relationship with the biosphere for the better?” is therefore “no”.
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Object-Oriented Writing Theory: Writers, Texts, EcologiesWhicker, John H. 24 September 2014 (has links)
No description available.
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Pack Your Things and Go: Bringing Objects to the Fore in Rhetoric and CompositionRutherford, Kevin J. 14 July 2015 (has links)
No description available.
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Whispering Bodies : The Textual BrainBertling Wiik, Siri January 2021 (has links)
During this project I’ve been exploring how we can work with things within art to change our way of relating to ourselves, other humans and our surrounding. I want to see if finding inner spaces within us can make us feel more connected to our external surrounding. I want to share the feeling of being connected with things through incorporating them inside our own bodies. I have therefore been leading participants on introspective journeys where they found rooms inside of their bodies. After that I have been translating these inner spaces into immersive performative Scenography, where visitors have been invited to engage with the things in the space with all their senses. All the bodies, things as well as visitors, have been given the possibility to interact on their own terms. I wanted to see what kind of relating this room of Whispering Bodies; the Immersive Scenography inspired and invited to, and I wished for it to be a tactile bonding with a sense of heightened empathy and listening. This text-based piece, called Whispering Bodies: The Textual Brain, is created out of a curiosity in how a reflection based in the written language can exist as a complementary work for a physical and tactile space, in this case Whispering Bodies: The Immersive Scenography. I wanted to create an experience that would have traces of the room filled with different bodies. I have been experimenting with how to use different mediums to make this happen, and this piece will be a combination of meditation, video, drawings, audio and text, and the text itself will be jumping in between genres. I want to invite you to take part in this journey with me. It will be dry, it will be poetic, it will be telling you what happened, both the factual and the fictional. If you have any questions, feel free to contact me about the work.
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