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O acontencimento patchwork : um modo de aprender a vidaRizzo, Luisa Maria Nunes Vieira January 2008 (has links)
Um projeto terapêutico, qualquer que seja, implica em capacitar o ser humano a poder inovar, inventar, criar. Vem daí um desejo de conhecer mais a respeito da dimensão criativa e da potência de vida do indivíduo, bem como dos modos de produção de espaços que favoreçam a invenção de si e do mundo. Deste interesse nasceu a reflexão sobre uma experiência com um grupo de artesãs e uma artista plástica, cuja apresentação é o objetivo último deste texto. A partir do conceito de Acontecimento de Gilles Deleuze e, tendo como intercessor o trabalho com patchwork, vai relacionar modos de trabalhar e modos de subjetivar. Parte do pressuposto de que o modo de trabalhar com o patchwork configura-se como uma estética criadora de oportunidades e de transformações, fazendo emergir novos modos de existencialização. O tema da atenção, conforme a concepção de Henry Bergson, vai surgir como um elemento essencial no processo de busca de liberdade para pensar o estético e a ocupação dos espaços. De uma aproximação com máquinas estagnadas à transformação em máquinas subjetivantes, este é o entre que se procurou cartografar, e que está sintetizado nessa escritura. / Any therapeutic project implies training people to be able to innovate, invent, and create. This is the origin of the desire for increasing our knowledge regarding the individual’s creative dimension and life power, as well as in terms of ways to create environments that stimulate self-invention and the invention of the world. This interest served as the basis for the analysis of an experience involving a group of craftswomen and an artist. The objective of this study is to present such experience. Based on the concept of Happening created by Gilles Deleuze, and having patchwork as the means, this experience relates ways of working to ways of practicing subjective analysis. This experience is based on the assumption that the way people work with patchwork constitutes a creative aesthetics of opportunities and transformations, producing new ways of being. The topic of attention, according to the concept created by Henry Bergson, is one the essential elements in the process of search for freedom to consider aesthetics and the way we use the environments. From getting familiar with still machines to the transformation of this equipment into subjectivizing devices, this is the process we intended to show, and such a process is summarized in this text.
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The whole is “other” than the sum of its parts : An investigation of synesthesia and perception through a patchworkSjödin, Åsa January 2020 (has links)
Some people experience music as colourful patterns or feel it as a physical touch, they have synesthesia. A neurological condition in which a stimulus of one sense automatically and involuntarily triggers a sensation in another sense. This shows that perception is not normative. The aim of this work is to try to develop an understanding of this phenomenon by using textile dyeing and patchwork as a tool for my investigation of it. Another aim is to raise awareness and try to see if it is possible for a non synesthete to experience something similar to the complex intersensory connections as those with synesthesia have. The sum of all perceptions of a human, after it has been processed by their own mind, can result in something that is not just the sum of each individual perception, but something that can at the end be quite different from what might be expected. This motivated the title, and furthermore leads naturally into the Gestalt theory of perception, which is used as the major theoretical framework for this paper.
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Teddy Vessels [also known as our former best friends]Hansen, Felicia January 2022 (has links)
Teddy bears have become a universal symbol of our childhood, but we tend to forget them when we grow up. The toy industry is a growing empire where manufacturers constantly compete for consumers' attention. This results in growing waste from the toy industry and a need to find solutions to how to deal with it. This research explores repurposing possibilities of discarded stuffed animals based on their colour, form, texture, and print to create sculptural textile objects through deconstruction, patchwork, and sculpting techniques. This research was conducted by performing a series of design experiments exploring discarded stuffed animals through deconstruction and time-limited sketching. This allowed various sculptural objects to be constructed mainly by crazy pathworking and casting with different plaster materials or teddy bear filling. The outcome is a collection of 7 textile objects with a suggestive function, but the material it is constructed in challenges it. They extend from recognisable vase forms to forms that almost are unrecognisable. These objects place themselves in the field of not only textile design but also functional art. This research contributes to the field of textile design by suggesting a new usage for an atypical material, discarded stuffed animals. Furthermore, the collection Teddy Vessels [also known as our former best friends] proves that discarded stuffed animals still have a place in our lives even though we have forgotten them.
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La codification du droit des contrats en Lituanie - l’exemple des contrats de distribution / Codification of the contract law in Lithuania - example of distribution contractsGaralevičius, Zigmas 01 December 2015 (has links)
Pas de résumé disponible / No summary
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Patch WorkHulme Geber, Vera January 2019 (has links)
No description available.
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Constructions tropicales de noeuds algébriques dans IRP3Will, Etienne 20 September 2012 (has links) (PDF)
Cette thèse présente la construction de courbes tropicales réelles dans R^3 dont la projectivisation, qui est un entrelacs projectif dans IRP^3, est constituée de 2 composantes, I'une étant isotope à un noeud donné au départ. Dans le cas de certains noeuds toriques, il est possible de modifier cette construction pour que I'entrelacs projectif correspondant ait une seule composante isotope au noeud torique considéré. Pour chacune de ces courbes tropicales réelles, nous faisons appel au théorème récent de G. Mikhalkin, qui affirme l'existence d'une algébrique réelle non singulière dans IRP^3, de même genre et degré que la courbe tropicale réelle considérée, et qui est isotope à l'entrelacs projectif correspondant.
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DecoPatch: implementación de la técnica patchwork como pilar de un negocio decorativo sostenibleAguilar Araujo, Aysha Angélica, Akamine Kina, Jaime, Bambarén Huapaya, Jaime Enrique, Ynga Ponce, Socorro del Pilar, Zevallos Llontop, María Pía Mía 22 February 2021 (has links)
En los últimos años, las formas de costura y acabado en los productos para dormitorio y sala se han sofisticado. Sin embargo, a nivel local aún no se ha difundido de manera masiva en esta categoría la técnica de patchwork, que consiste, básicamente, en unir trozos de telas para crear piezas de gran colorido y textura.
En esa coyuntura surge DecoPatch, un proyecto de negocio que, centrándose en esta técnica, busca elaborar productos diferenciados de decoración para el hogar. En primer lugar, se sostiene sobre el esquema de economía circular al proporcionarle una “segunda vida” a los retazos de tela que suelen ser desechados por los grandes productores, promoviendo así el reúso ecológico de materiales; luego, la paleta cromática, diseño funcional y elevada calidad (al trabajarse con algodón peruano), que se derivan de la técnica, suponen un valor añadido a los artículos frente a los modelos estandarizados que se ofertan en el mercado nacional.
Las ventas se canalizan a través de una plataforma web, que no solo ofrece el portafolio de productos, sino que se actualiza de forma periódica con contenido de interés sobre tendencias de decoración e información sobre las características más resaltantes del patchwork.
La propuesta surge para cubrir las necesidades de un universo cada vez más creciente de consumidores que buscan embellecer los ambientes de su dormitorio y sala con artículos más creativos y modernos, a un precio competitivo y alineados a prácticas responsables de producción. / In recent years, the ways of sewing and finishing in bedroom and living room products have multiplied. However, at the local level, the patchwork technique has not yet been widely disseminated in this category, which basically consists of joining pieces of fabric to create pieces of great color and texture.
At this juncture DecoPatch arises, a business project that, focusing on this technique, seeks to develop differentiated home decoration products. In the first place, it is based on the circular economy scheme by providing a "second life" to the scraps of cloth that are usually discarded by large producers, thus promoting the ecological reuse of materials; then, the color palette, bold design and high quality (when working exclusively with Peruvian cotton), which are derived from the technique, represent an added value to the articles compared to the more standardized models that are offered in the national market.
Sales are channeled through a responsive design web platform, which not only offers the product portfolio, but is updated periodically with content of interest on decoration trends and information on the most outstanding characteristics of patchwork.
The proposal arises to meet the needs of an increasingly growing universe of consumers who seek to embellish the environments of their bedroom and living room with more special and modern items, at a competitive price and aligned with responsible production practices. / Trabajo de investigación
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Dva tisíce osmdesát čtyři / Twenty Eighty-FourTruncová, Eva Unknown Date (has links)
The project follows up on the undergraduate work on the issue of control and surveillance in public space. Tendencies of absolute transparency, well-arranged and controllable public premises, supposedly implying security, are present in most of the newly emerging complexes of buildings and urban planning strategies. Whether it is done consciously or as a result of current “trends” and requirements, which only a few question, the space is built to meet these demands for easy controllability. The second method of control, which has also emerged during the era of modernism, is the control of the indoor climate through "mechanical environmental management" or through the use of fossil fuel energy for heating, cooling and ventilation. Current requirements for the comfort of the indoor environment presuppose a constantly, fully and homogeneously tempered environment, regardless of the outdoor climate or the time of year. Both control regimes permeate all measures of the urban environment and have a direct impact on its organization, form and, above all, on the regimes of its usage. Developers and their commissioned architects repeat well-proven business models and forms, without any major focus on the context of the place, and incorporate this "logic of control" into their buildings and surroundings. Housing complexes are planned and built up as one unit with a rigid structure and only a minimal possibility of their later alteration. The domain of control through transparency penetrates from the public space to the entrance door of the apartment unit. Indoor, social control changes to total control of the interior climate of the apartment, where the boundaries between seasons and day and night are blurred. The proposal is investigating alternative ways of urban planning and architecture. The project deals with the relationship between building, its surroundings and applicable regulations, standards and energy efficiency, along with the idea of adaptive living.
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Att brodera är ett verb : Betraktelser ur ett nålsöga / To embroider is a verb : Reflections from a needles eyeSkafvenstedt, Ellen January 2016 (has links)
Under projektet ”Att brodera är ett verb –Betraktelser ur ett nålsöga” har jag använt applikationsbroderi som teknik för att transformera och bearbeta material från min omgivning. Jag har sorterat alla material efter färgcirkeln och skapat rutor som jag satt ihop till ett abstraherat lapptäcke. Arbetet har syftat till att undersöka processbaserat görande och jag har därför tagit hjälp av verben i konstnären Richard Serras ”Verb list”. Jag har satt upp fyra regler för mig själv att förhålla mig till under arbetets gång. Med reglerna har jag velat eliminera alla val och processer som inte handlar om själva görandet i sig. Lapptäcket har tagit sin slutliga form utifrån det ramverk som reglerna utgjort. Under min opponering diskuterade jag och opponenten Karin Lundgren-Tallinger främst hur jag har förhållit mig till mina regler under arbetets gång och hur de hade kunnat vara tydligare. Till Konstfacks Vårutställning hängde jag upp lapptäcket på en ställning av skrot i ett hörn och spred ut vissa rutor och andra obearbetade material så som skräp och garner i flera delar av rummet. Installationen av verket gjorde jag för att skapa en känsla av att arbetet med rutorna när som helst skulle kunna återupptas och görandet forsätta.
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Možnosti využití textilních materiálů v předmětu Praktické činnosti na 1. stupni ZŠ / Possibilities of Textile Materials in Practical Activities Subject in Primary SchoolDOLANOVÁ, Klára January 2015 (has links)
The thesis topic is "Possibilities of Textile Materials in Practical Activities Subject in Primary School". The theoretical part is focused on the historical origin and evolution of textiles, summary of textile techniques, sorting and its use mainly with pupils in the primary school. It also deals with project based learning and conceptions, objects and competences of a pupil in the primary school in technical education in czech system of Framework Educational Programme for Elementary Education. In the practical part there are designed textile techniques that are processed into the original teaching projects. The functionality of the project was detected by using questionnaires for teachers of primary school. Some of the projects were realized in teaching in the 2nd, 3rd and 4th year of the primary school.
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