This doctoral thesis explores HR management through systems of production incentives in the construction sector which has been instrumental to the Spanish economy. The transformation of a time-based payment system to a performance or production-based payment system is difficult if you consider the complexity of the calculation and the environment in which prices are negotiated. In any case, before agreeing to a piece-rate determined price it is imperative that the person responsible for negotiating on behalf of the company knows the relationship of this piece rate compared to expected labour costs as an objective in the opening plans. The main objective of this thesis is to propose an algorithm in flowchart form that facilitates —from the data found in the costs study— knowledge about the price range within which the economic incentive for piece-rate compensation for any work should be established by applying a few simple conversion coefficients proposed by the model itself / Aquesta tesi doctoral es centra en la gestió dels recursos humans a través dels sistemes d'incentius a la producció. La transformació d'un sistema de pagament per temps a un sistema de pagament per rendiment o per producció no és senzill si es té en compte la complexitat del càlcul i l'entorn en el qual es pacten els preus. És imprescindible que abans d'acordar un determinat preu fet, el responsable de la negociació, conegui la relació d'aquest preu respecte els costos de mà d'obra que té previstos com a objectiu en el pressupost de producció. El principal objectiu d'aquesta tesi és proposar un algoritme que faciliti —a partir de les dades contingudes en l'estudi de costos—, conèixer l'interval de preus dins del qual s'hauria d'establir l'incentiu econòmic de remuneració a preu fet d'un treball qualsevol, mitjançant l'aplicació d'uns simples coeficients de conversió que proposa el propi model

Wind repertoire, especially for flute, has received little focused attention in the musicological world especially when compared with other instruments. This gap in scholarship is further exacerbated when the scope of time is narrowed to the last quarter of the twentieth century. Although Minimalism and New Complexity are – at least superficially – highly divergent styles of composition, they both exhibit aspects of a response to modernism. An examination of emblematic examples from the repertoire for solo flute (or recorder), specifically focusing on: Louis Andriessen’s Ende (1981); James Dillon’s Sgothan (1984), Brian Ferneyhough’s Carceri d’Invenzione IIb (1984), Superscripto (1981), and Unity Capsule (1975); Philip Glass’s Arabesque in Memoriam (1988); Henryk Górecki’s Valentine Piece (1996); and Steve Reich’s Vermont Counterpoint (1982), allows for the similarities in both genre’s response to modernism to be highlighted. These works are situated historically and characteristics of both styles are highlighted with particular regard to Late or Post-Modernism. / Graduate

In the introduction there is described a history of the post office. There is also outlined a current state and a future intention of Czech Post (Česká pošta s. p.). Further there is explained an issue of the formatting of the address side of postcards and writing. In another part there is a job description of the sorting machine SIEMENS IRV 3000 and also information on the location of this sorting machine at each collecting transport nodes. In the conclusion there is described a consideration to increase a number of appropriate mail pieces for the sorting machine.

The dissertation deals with a complete cycle of piano pieces by Zdeněk Fibich called The Moods, Impressions and Reminiscences. The cycle has been largely presented in the literature as a `composer's love diary`, used to search for identical motifs across the composer's late work and understood in the context of programme music. The aim of the dissertation is to evaluate objectively this present majority view and to put a new view on it, to inform about the circumstances of the comprehensive complete edition of The Moods, Impressions and Reminiscences, to analyse the ensemble as a set of lyrical piano pieces with their specific purely musical features and to place the Fibich cycle into the context of the lyrical piano piece of the late 19th century. The work focuses mainly on musical- structural analysis based on grasping the form of compositions with the predominant way of thematic-motivational construction, observation and comparison of tonal fitting, dimension, prescribed times and searching for motivational, cyclic and other possible links. The results of the work enable us to view The Moods, Impressions and Reminiscences as a unique cycle of lyrical piano pieces from the end of the 19th century with their typical characteristics and key features of the musical kind and also show the unique...

Trata-se de uma pesquisa teórica, de cunho filosófico-educacional, visando analisar o dispositivo saber-poder da didática e propor a base epistemológica para a construção de uma Didática da Obra de Arte. A partir da perspectiva pós-estruturalista, com destaque para a produção de Michel Foucault, busquei encontrar algumas condições enunciativas que produziram o sujeito que ensina como alguém que depende da comunicação e de seus meios para transmitir mensagens claras e verdadeiras. Isolei uma série histórica constituída pela Bíblia, pela Didactica Magna de Comenius, pelo O Emilio de Rousseau e pelo Democracia e Educação de Dewey, entendendo-os como discursos que compartilham, a despeito de suas especificidades e diferentes objetos, o mesmo paradigma geral segundo o qual se estruturam os saberes científicos da comunicação. Conforme as idéias de Foucault, busquei, também, os efeitos dessas descrições na realidade, principalmente em relação à forma que essas descrições aparecem em sua materialidade. Concluí que, apesar das especificidades de cada uma das teorias pedagógicas, existe um aspecto que está presente em todas elas: o paradigma da comunicação como transmissão de mensagens, e, conseqüentemente, a idéia de ruído como uma exceção à regra. O paradigma da comunicação que entende o ruído como exceção faz parte de um outro paradigma mais forte e poderoso que sempre esteve presente no pensamento ocidental. O paradigma da disjunção, que preconiza a separação e a dicotomização entre sujeito e objeto do conhecimento, que preconiza a linguagem como representação do real e que não compreende toda a complexidade do pensamento humano. Entretanto, o ruído faz parte do processo de comunicação não como uma exceção, mas como uma regra. E como tal, possui sua especificidade e tem uma parte ativa no processo comunicacional. Por isso, também a partir da perspectiva pós-estruturalista, com destaque para a produção de Gilles Deleuze e Felix Guattari, propus a base epistemológica para a construção de uma Didática da Obra de Arte. Para tanto, resgatei as idéias de Deleuze e Guattari sobre linguagem, a palavra de ordem e a linguagem agramatical; as idéias de Maturana e Varella em relação ao aprendizado, a autopoiese; e as idéias de Pierre Lévy sobre inteligência, a inteligência coletiva. Segundo penso, assim como Deleuze afirmou que existe uma pedagogia que é do Conceito, existe uma Didática que é da Obra de Arte. Essa didática pode nos ajudar a compreender os momentos em que o processo de ensino e de aprendizado se processa entre o caos e o conhecimento, no mundo do ruído e da construção de sentido. Ela se caracteriza, principalmente, por compreender o entre-ensino. / This is about a theorical research, built on educational-philosophical basis, viewing to analyse the know-power device of the didactics and propose the epitemological basis to the construction of a Didactics of the Master Piece. From the post structuralism perspective, outlining Michel Foucault´s production, I tried to find some compositional conditions that produced the person that teaches as someone who depends on the communication and its means to transmit clear and true messages. I isolated a historical series formed by the Bible, by the Didactica Magna of Comenius, by Emile of Rousseau and by the Democracy and Education of Dewey, understanding them as speeches that share, despite of their specificities and diferent objects, the same general paradigm, according to wich is structured the scientific knowledge of the communication. Following the ideas of Focault I also searched the effects of this descriptions in reality, mainly relating to the form in wich these descriptions appear in their materiality. I concluded that in spite of the specificities of each one of the pedagogical theories there is an aspect present in all of them: the communication paradigm as message transmission, and consequently, the idea of a noise as exception to the rule. The communication paradigm that understands the noise as exception makes part of another paradigm more powerful and stronger, that has always been present in western thinking. The disjunction paradigm that proclaims the separation and the dichotomization between subject and object of knowledge, that proclaims the language as representation of the real and does not comprehend all the complexity of the human thinking. However, the noise makes part of a communication process not as an exception, but as a rule. As such, has its specificity and an active part in the communicational process. Because of this, also from the post structuralist perspective, outlining the production of Gilles Deleuze and Felix Guattari, I suggest the epitemological basis to the construction of a Didactics of the Master Piece. For this I rescued the ideas from Deleuze and Guattari on language, the word of order and the non grammatical language; the ideas from Maturana and Varella relating to the learning, the autopoiese, and the ideas of Pierre Lévy on inteligence, the collective inteligence. According to me , just like Deleuze affirmed that there is a pedagogy that comes from the Concept, there is the Didactics that comes from the Master Piece. This didactics can help us undesrtand the moments in wich the process of teaching and learning happens between the caos and the knowledge, in the world of noise and the sense construction. It is mainly caracterized by comprehending the inter-teaching

This essay focuses on analyzing the rhetoric concerning the Israeli-Palestinian conflict in opinion pieces in the Swedish daily newspaper Dagens Nyheter in 1988. This is done using a qualitative analysis method. The theoretical basis for the essay is primarily founded on postcolonial theory and in particular on Edward Said’s claim that Israel is a new example of European colonialism. The aim is to determine how the authors of the opinion pieces, using certain rhetoric, portray Israel and the Palestinians/PLO in relation to their position of power. The justification and condemnation of violence between the parties will also be examined. The results show that the pro-Israeli authors tend to use the Jews’ history of persecution and suffering as a justification for the existence of Israel. Also, they argue that Israeli violence is a form of self-defense as a result of Arab intransigence and violence. The more pro-Palestinian authors tend to portray Israel as a violent and oppressing regime, and in some cases adhere to the view on the state as an example of European colonialism.

Land ownership is specific not only for the unique features of the land but also because it constitutes an extremely important legal institute that affects the existence and functioning of the society. Land ownership is historically inherently connected with the churches and has also been the subject of frequent disputes. The property of churches was also subject to continuous public oversight, which was intensified during the period of the reform of the Josef II, Holy Roman Emperor and subsequently intensified in the course of the 20th century, when numerous limitations of ownership right toward land were made. In this thesis I focus on the specifics of land ownership of churches, their description and historical development. In conclusion of my work I discuss the process of the settlement between Czech state and churches in relation to lands that have been the subject of proprietary wrongdoing and, all on the basis of the long-awaited Act No. 428/2012 Coll., on property settlement with churches and religious societies. Due to my previous work experience at the law firm, where I was able to participate in the assessment of the requests for historically expropriated land and other immovable property applied by authorized persons, I decided to break down the subject matter in my diploma thesis more...

Land ownership is specific not only for the unique features of the land but also because it constitutes an extremely important legal institute that affects the existence and functioning of the modern human society. Land ownership is historically inherently connected with the churches and has also been the subject of frequent disputes. The property of churches was also subject to continuous public oversight, which was intensified during the period of the reform of the Josef II, Holy Roman Emperor and subsequently intensified in the course of the 20th century, when numerous limitations of ownership right toward land were made. In this thesis I focus on the specifics of land ownership of churches, their description and historical development. In conclusion of my work I discuss the process of the settlement between Czech state and churches in relation to lands that have been the subject of proprietary wrongdoing and, all on the basis of the long-awaited Act No. 428/2012 Coll., on property settlement with churches and religious societies. Due to my previous work experience at the law firm, where I was able to participate in the assessment of the requests for historically expropriated land and other immovable property applied by authorized persons, I decided to break down the subject matter in my diploma...

L’Asie du sud-ouest et en particulier le plateau iranien, au croisement de l’Afrique, de l’Europe et de l’Asie, constituent une région assez unique marquée par une histoire longue et diversifiée. Cet espace a souvent été considérée au Paléolithique moyen comme un lieu de passage d’hommes anatomiquement différents : Homo Sapiens et Neandertal. Mais pour plusieurs raisons, les chercheurs ont concentré leurs recherches sur la région du Levant et du Zagros. Le sud et l’est du pourtour de la Mer Caspienne sont en revanche nettement moins étudiés. Si le Moustérien du Proche-Orient est marqué par la prédominance de débitages de type Levallois, au-delà du Torus à l’ouest de la Caspienne, c'est-à-dire en Azerbaïdjan et en Géorgie, les industries lithiques se caractérisent par des pièces bifaciales dites micoquiennes. Dans ce contexte, que se passe-t-il à l'est et sud de la mer Caspienne entre ces deux grandes aires d’influence ? Une étude approfondie des outillages lithiques par une approche technologique et technofonctionnelle a été menée sur cinq assemblages d’Iran et du Turkménistan. Nous avons pu observer que si à l’est de la mer Caspienne la tradition bifaciale est bien attestée dans certaines industries turkmènes, elle regroupe des systèmes techniques variés. Ces éléments nous invitent donc à faire le lien avec d’autres « techno-complexes » jusqu’à présent moins connus. Il semblerait donc que le Turkménistan et l'est de l'Iran représentent un carrefour où différents complexes techniques ont pu se rencontrer. Cette diversité de systèmes techniques semble indiquer une complexité plus importante qu’attendue des dynamiques de peuplements pendant le Moustérien. C’est grâce à la mise en évidence de la variabilité technique que l’on tentera de percevoir et de reconstituer cesphénomènes de peuplements et la mobilité des groupes humains préhistoriques dans les espaces qu’ils ont occupés. / Southwest Asia and in particular the Iranian plateau, at the crossroads of Africa, Europe and Asia, constitute a rather unique area with a long and diversified history. In Middle Paleolithic, the whole region has often been considered as a place for passage of anatomically different humans: Homo Sapiens and Neanderthal. However, for several reasons, researchers focused their activities, on the region of Levant and Zagros, therefore the southern parts and the east of Caspian Sea are much less studied. As Mousterian of the near east region is marked by the predominance of Levalloisdebitages, in Torus region (regions in the west of Caspian Sea including current Azerbaijan and Georgia), the lithic industries are characterized by so-called Micoquian bifacial pieces. In this context, a very important question is what happened in the east and the south of Caspian Sea,between these two great areas of influence.A deep study of lithic tools has been conducted on five assemblages of Iran andTurkmenistan, by a technological and techno-functional approach. The obtained results show that if in the east of Caspian Sea the bifacial tradition is well attested in some Turkmen industries, it attests various technical systems. These elements lead us to make the link with the other "techno-complexes" so far less known. It would seem, therefore, that Turkmenistan and eastern Iran represent a crossroads where different techno-complexes could meet.This diversity of technical systems seems to indicate a complexity more than expected of dynamics of populations during Mousterian. Thanks to the demonstration of the technical variation, we will try to perceive and reconstruct these phenomena of populations, the mobility of prehistoric human groups, in the environment that they occupied. / جنوب غرب آسیا و به خصوص فلات ایران، در تقاطع قاره های آفریقا، اروپا و آسیا، منطقه ای نسبتا منحصر به فرد با تاریخی طولانی و متنوع را تشکیل می دهند. در طول دوره پارینه سنگی میانی، این منطقه اغلب به عنوان مکانی برای عبور گونه های مختلف انسان: انسان هوشمند باستانی و نئاندرتال در نظر گرفته شده است. با این حال، به دلایل مختلف، محققان اغلب در انجام فعالیت های علمی خود در منطقه لوانت و زاگرس متمرکز بوده اند بخش های شرقی دریای خزر بسیار کمتر مورد مطالعه قرار گرفته اند.اگر موسترین در منطقه خاورمیانه با تراشه برداری لوالوا عجین شده است، منطقه توروس در غرب دریای خزر (شامل آذربایجان و گرجستان کنونی) با قطعات دو طرفه از نوع میکوکین شناخته می شود. در این زمینه، سوال مهم مطرح این است که چه اتفاقی در شرق و جنوب دریای خزر، بین این دو حوزه بزرگ رخ داده است؟در این راستا، مطالعه ایی بسیار گسترده توسط روش های تجزیه و تحلیلی فن آوری و فنی-کاربردی بر روی ابزارهایی از پنج مجموعه از ایران و ترکمنستان انجام شد. نتایج به دست آمده نشان می دهد که علی رغم حضور ابزارهای دو طرفه در برخی از صنایع ترکمنستان، در شرق دریای خزر شاهد سیستم های تکنیکی متفاوتی هستیم. این عناصر ما را بر آن می دارد که به دنبال ارتباط آنها با سیستم های فنی ای باشیم که تا کنون کمتر شناخته شده اند. به نظر می رسد که ترکمنستان و مناطق شرقی ایران، محل تقاطع سیستم های فنی مختلفی باشند.این تنوع در سیستم های فنی احتمالا از آنچه پیشتر در مورد پویایی جمعیت در طول دوره موسترین تصور می شد بسیار پیچیده تر باشد. به لطف شناسایی این گوناگونی های فنی است که ما سعی می کنیم پدیده های مربوط به جمعیت و جابجایی گروه های انسانی پیش از تاریخ در محیط مورد اشغال آنها را درک و بازسازی کنیم.

The goal of the thesis was applying multiparametric diagnostics to determine the state and wear of a high-speed milling machine. In the theoretical section, selected areas of multiparametric diagnostics have been described as well as a significant focus on vibrodiagnostics. The chosen methods for the practical section were incorporated into the group “metrological diagnostics”. Several different types of measurements have been performed on the designed test piece. The measurements were analyzed and lead to these specific results: a drawing of the test piece, a structured methodology for evaluating the test piece, recommendations for diagnostics of the specific machine, and proposals for the future development of the field of metrological diagnostics.