Ce travail a pour fin de mieux faire connaître l’oeuvre de la polygraphe jacobite Jane Barker en France, en offrant une première traduction littéraire ainsi qu’un commentaire d’un cycle de trois récits romanesques : The Amours of Bosvil and Galesia — également connu sous le titre de Love Intrigues —, A Patch-Work Screen for the Ladies et The Lining of the Patch-Work Screen. Afin de rendre plussensible la spécificité de ces textes, la traduction s’efforce de retrouver une langueaussi proche que possible du français des contemporains de Jane Barker. Après unaperçu de la vie de Jane Barker (1652-1732), puis de sa fortune critique au XXesiècle, le commentaire prolonge le travail de contextualisation historique et idéologique ébauché dans l’appareil de notes parallèle (travail également pré-requispar la traduction) en étudiant successivement chacune des trois œuvres du corpus. A l’aide des hypotextes manuscrits de la trilogie, largement construite sur une oeuvre poétique antérieure vouée à une diffusion manuscrite, il s’attache à esquisser, dans la lignée des études critiques influencées par le nouvel historicisme, les résonances intellectuelles et les implications idéologiques, ainsi que les audaces esthétiques d’une oeuvre longtemps considérée comme alimentaire et comme dominée par la recherche d’une respectabilité propre à l’écrivain femme. Abandonnant l’image posthume de Jane Barker comme fille autoproclamée de la chaste Orinda, il souligne la pluralité du discours Barkerien – méditation, plaidoyer pro-Stuart et injonction, mais aussi interaction de codes romanesques en constitution et d’une idéologie subversive. / This work is intended to make a French audience better acquainted with the work of the little-known Jacobite writer Jane Barker through a translation and study of her threefold novelistic attempt, viz The Amours of Bosvil and Galesia, also known as Love Intrigues, A Patch-Work Screen for the Ladies and The Lining of the Patch-Work Screen. The translation aims at preserving the specificity of the textsthrough a language reminiscent of XVIIIth century French. The contextualizationinitiated in the notes on the text, which is a prerequisite for the translation, is carried further in a commentary which offers first an overview of Jane Barker’s life (1652- 1732) and posthumous existence in XXth century criticism, then an analysis of each of her narratives. Paying due attention to the manuscript base of the cycle, the sources and keys of which can be traced back to Jane Barker’s former, and still privately circulated, work as a manuscript poetess, this study outlines the intellectual involvement and ideological significance, as well as formal ingenuity, of a series of texts which have for too long been considered as mere journeyman’s work by a onetime amateur, merely seeking to establish her respectability as a professional woman writer. Questioning Jane Barker’s image as a self-proclaimed daughter of the chaste Orinda, the study focuses on the evolution of multi-layered discourse, which weaves together personal meditations, pro-Stuart pleas and a partisan agenda in a fruitful interaction between emerging narrative codes and a subversive ideology.

This thesis investigates the trend of reusing the content of printed media in their on-line counterparts, based on several selected Czech national newspapers (Mladá fronta DNES, Lidové noviny, Právo) and their corresponding news servers (idnes.cz, lidovky.cz, novinky.cz) over the course of one constructed week in 2015. The theoretical section examines the interrelatedness of printed and on-line media, the impact of digitization on the transformation of the journalistic profession, and its influence on the content and recipients of media communications. The fundamental questions posed by this research are as follows: What percentage of the printed content is reused in the newspaper's corresponding on-line version and vice versa, and which of the selected media reuse the most content? The research operates with three initial hypotheses regarding the quantity and frequency of content conversion: printed journals reuse their content in on-line news servers at a rate of up to 5%, news servers reuse their content in printed journals at a rate of up to 10%, and the practice of shovelware is most frequently employed by the periodicals Mladá fronta DNES and Právo. The aim of the research is to reveal and interpret shovelware trends in the selected media and evaluate how this practice is perceived. The...

Un objet ancien dont on ne se sert plus aujourd’hui continue cependant de vivre dans notre vie contemporaine. Il se présente à nous avec un autre fonctionnement et souvent avec une autre définition : ce n’est plus l’objet utile ni l’outil pratique qu’il a été. Dans cette thèse, la valeur de l’objet ancien est étudiée dans sa dimension immatérielle et spirituelle. Ainsi nous renouvellerons sa définition en réfléchissant sur son essence et sa forme d’un point du vue contemporain. La première partie de cette thèse présente les concepts de la valeur de l’objet ancien de nos jours sous un angle sociologique. Ensuite, nous proposons une approche du concept de l’objet ancien comme une chose mi-humaine mi-objet. Puisqu’un objet ancien d’une autre époque possède toujours en lui cette vie de l’époque révolue, est-ce que cet objet peut vivre comme s’il était une chose animée ? Dans la seconde partie, nous avons recherché quelles caractéristiques pouvaient donner à l’objet ancien cette sensation de vie humaine ? Peut-être tout d’abord les traces des gens qui se sont accumulées sur lui visiblement et invisiblement ? La notion coréenne de « sonté » nous a permis de traduire et d’exprimer ces traces visibles et invisibles sur l’objet ancien. Dans la dernière partie, l’objet ancien est étudié dans le domaine de l’art contemporain. Les artistes contemporains voient l’objet ancien comme un nouvel objet et lui donne une autre forme et une autre essence qui, bien souvent, est une allégorie de la destinée humaine. / An ancient object that is no longer in use today continues however to survive in our contemporary life. It is presented to us with another function and often with another definition: it is no longer the useful object nor the practical tool that it used to be. In this dissertation, the value of the ancient object is studied in its immaterial and spiritual dimensions. We will thus renew its definition by reflecting on its essence and form from a contemporary viewpoint. The first part of the dissertation presents the concepts around the value of the ancient object in our time from a sociological angle. Next, we propose an approach to the concept of the ancient object as half-human and half-object. Since an ancient object from another era always keeps within itself its life in the period gone by, could this object exist as if it were an animated entity? In the second part, we have sought what characteristics could offer the ancient object this sensation of human life. Perhaps, first of all, the traces of people that it has accumulated visibly and invisibly? The Korean notion of “sonté” allows us to translate and express these visible and invisible traces on the ancient object. In the last part, the ancient object is studied in the field of contemporary art. Contemporary artists see the ancient object as a new object and give it another form and another essence which often is an allegory of human destiny.

This dissertation examines how news and information circulated among select colonies in the British and French Caribbean during a series of military conflicts from 1763 to 1804, including the American War of Independence (1775-1783), French Revolutionary Wars (1792-1802), and the Haitian Revolution (1791-1804). The colonies included in this study are Barbados, Jamaica, Guadeloupe, Martinique, and Saint-Domingue. This dissertation argues that the sociopolitical upheaval experienced by colonial residents during these military conflicts led to an increased desire for news that was satiated by the development and improvement of many processes of collecting and distributing information. This dissertation looks at some of these processes, the ways in which select social groups both influenced and were affected by them, and why such phenomena occurred in the greater context of the 18th and early 19th century Caribbean at large. In terms of the types of processes, it examines various kinds of print culture, such as colonial newspapers, books, and almanacs, as well as correspondence records among different social groups. In terms of which groups are studied, these include printers, postal service workers, colonial and naval officials, and Catholic missionaries. The dissertation is divided into five chapters, the first of which provides insight into the operation of the mail service established in the aforementioned colonies, and the ways in which the Atlantic Revolutions impacted their service in terms of the different historical actors responsible for collecting and distributing correspondences. Chapter two looks at select British and French colonial printers, their print shops, and the book trade in the Caribbean isles during the 18th century. Chapter three delves into the colonial newspapers and compares the differences and similarities among government-sanctioned newspapers vis-à-vis independently produced papers. It uses the case of the Haitian Revolution to track how news of the slave insurrection was disseminated or constricted in the weeks immediately following the night of 22 August 1791. Chapter four examines the colonial almanac as a means of connecting colonial residents with people across the wider Atlantic World. It also surveys the development of these pocketbooks from mere astrological calendars to essential items that owners customized and frequently carried on their person, given the swathes of information they featured after the American War of Independence. The final chapter looks at the daily operations of Capuchin and Dominican missionaries in Martinique and Guadeloupe at the end of the 18th century and how they maintained their communications within the islands and with the heads of their Catholic orders in France, as well as in Rome. Overall, this project aims to fill in some of the gaps in the literature regarding how select British and French colonial residents received and dispatched information, and the effect this had in their respective Caribbean islands. It also sheds light on some of the ways that slaves were incorporated into the mechanisms by which information was collected and distributed, such as their encounters with printers, employment as couriers, and use as messengers to relay documents between colonial officials. In doing so, it hopes to encourage future discussion regarding how information moved in the British and French Caribbean amid periods of revolution and military conflict, how and why these processes changed, and the impact this had on print culture and mail systems in the post-revolutionary period of the 19th century.

Made available in DSpace on 2016-04-27T19:30:04Z (GMT). No. of bitstreams: 1 Luiz Cezar Silva dos Santos.pdf: 19307334 bytes, checksum: 55803adc3efa0c7ab4fe447b347a16fd (MD5) Previous issue date: 2010-11-05 / This thesis examines the relationships between advertising and urban living in the city of Belem, in the period known historically as belle epoque, between the years 1870 and 1912. From the analysis of advertising campaigns, the study focus on the construction of historical representations of the city of Belem of Para, and the evolution of advertising activity in this period. Reflecting on the representations constructed by the look of propaganda and publicity about the city of Belem, conveyed in advertisements for newspapers, almanacs and commemorative albums of the time, sought help to systematize the history of advertising activity between the late nineteenth century and early twentieth century in the Paris of the Tropics . Call belle epoque Amazon depicts the euphoria and the triumph of bourgeois society of the time over a period of effervescence economic, material and technological, from the extraction and marketing of rubber, a fact that has generated a cultural climate, intellectual and artistic which translated into new ways of think and live the life of the city of Belem. This study discusses between the years 1870 and 1912 the role and importance of advertising in this context / Esta tese analisa as relações entre a publicidade e o viver urbano na cidade de Belém, no período conhecido historicamente como belle époque, entre os anos de 1870 e 1912. A partir da análise de peças publicitárias, o estudo tem como foco a construção histórica de representações sobre a cidade de Belém do Pará, e a evolução da atividade publicitária nesse período. Ao refletir sobre as representações construídas pelo olhar da propaganda e da publicidade sobre a cidade de Belém, veiculadas nas mensagens publicitárias de jornais, almanaques e álbuns comemorativos da época, busca contribuir para a sistematização da história da atividade publicitária entre o final do século XIX e início do século XX na Paris dos Trópicos . A chamada belle époque amazônica retrata a euforia e o triunfo da sociedade burguesa da época num período de efervescência econômica, material e tecnológica, proveniente da extração e comercialização da borracha; fato que gerou um clima cultural, intelectual e artístico, que se traduziu em novos modos de pensar e viver o cotidiano da cidade de Belém. Este estudo discute, entre os anos de 1870 e 1912, o papel e a importância da publicidade nesse contexto

Cette recherche vise à analyser et à interpréter les modes de construction, de diffusion et d’appropriation des sens et significations des instruments de langages médiatiques au sujet des campagnes présidentielles de 2007, 2012 et 2017 par les journaux de la presse française. Notre problématique peut s’exprimer par les deux questions suivantes : en quoi les outilslangagiers, iconiques et plastiques des couvertures de journaux constituent-ils des instruments techniques visant le choix présidentiel dans la période de 2007 et 2012 en France ? En quoi les outils de langage des médias jouent un rôle d’instruments techniques et psychologiques dans les représentations et l’appropriation des messages médiatiques par des étudiant-e-s en Sciences de l’Education au cours de la campagne présidentielle de 2017 ? Pour ce faire, nous avons analysé, comparé et interprété le réseau de relations entre les modes de construction et de diffusion des outils de langage utilisés par les journaux pour présenter des campagnes présidentielles au cours de deux périodes historiques. Une étude complémentaire nous a permisd’analyser et d’interpréter les représentations et l’appropriation des messages médiatiques par des étudiant-e-s en Sciences de l’éducation pendant la campagne présidentielle de 2017. Au plan théorique, nous nous sommes appuyée sur la théorie historico-culturelle de Vygotski (1985), la notion d’artefact de Rabardel (1995), les théories en éducation aux médias, la notion de cadre de Goffman (1991), la théorie de l’acteur-réseau de Latour (2007). Au plan méthodologique, nous avons opté pour une démarche quali-quantitative en utilisant, en particumier, les logiciels CHIC, Tropes et Iramuteq, une méthode d’analyse de contenu (Bardin, 1993) et de discours (Maingueneau, 2014) des outils de langage des couvertures de journaux. Nous avons adopté une approche méthodologique croisée intégrant la méthode d’analyse statistique implicative, une approche psycho-socio-sémiolinguistique etpragmatique. Le corpus a été constitué de 239 éditions de journaux, 293 images des unes des journaux français (20 Minutes, Métro, Lyon Plus, Le Figaro, Le Monde, et Le Progrès) et 15 entretiens réalisés auprès d’étudiant-e-s en Sciences de l’Education. Les résultats montrent que les outils de langage médiatique constituent des instruments techniques via la mise en place de différents procédés, de cadres naturels et sociaux de conceptualisation, via la mise en évidence d’une diversité de visées (pathémiques, persuasives, de faire agir, cognitives) et la nature des styles discursifs (statif, déclaratif, narratif, argumentatif). Les schèmes heuristiques et pragmatiques sont davantage sollicités en 2007 que les schèmes épistémiques dont la mise en visibilité a été renforcée en 2012. L’examen des instruments destinés à la diffusion des savoirs médiatiques non formels et informels au sujet des campagnes présidentielles montre des indices que la pensée se construit et évolue en fonction d’un contexte socio-historique donné avec des formes d’actualisation, de nouveauté et de redondance. La prise en compte d’une dimension sociale, symbolique, privée, consciente, inconsciente est intégrée à l’appropriation des instruments médiatiques mais aussi aux pratiques d’étudiants dans la formation de leurs décisions. L’analyse et l’interprétation de l’appropriation des messages médiatiques par les étudiant-e-s démontrent que la consultation et l’appropriation de ceux-ci remplissent un besoindavantage cognitif, conatif que comportemental. / The aim of this research is to analyze and interpret form of construction, providing and appropriation of senses and meanings of mediatic languages tools about presidential campaigns of 2007, 2012 and 2017 through the french newspapers. Firstly, we wanted to know how can linguistic, iconic and plastic tools of the first page of newspapers can be considered like technictools with the aim of the presidential choice during the period 2007 and 2012. Secondly, we wanted to find out how media language tools can contribute to be psychological and technic through the representations and appropriation of mediatic messages by students in Education Science during the presidential campaign 2017? On the one hand, we have planned to analyze, compare and interpret network relation between construction and providing of tools language used by the newspapers to present presidential campaigns during two historic periods. On the other hand, a complementary study has allowed us to analyse and interpret the representations and appropriation of mediatic messages by students in Education Science. On the theoretical aspect; we based our research on historical-cultural theory of Vygotski (1985), the concept of artefact (Rabardel, 1995), media education theories, concept of frame (Goffman, 1995), the network-actor theory (2007). On the methodological aspect, we have chosen a qualiquantitative method (with the softwares CHIC, Tropes, Iramuteq), a content (Bardin, 1993) anddiscourse (Maingueneau, 2014) analysis methods of language tools of first page of newspapers. We opted for a cross-cultural approach including statistical implicative analysis, a psychosocio-semio-linguistic, semiological and pragmatic approaches. The corpus have been made up of 239 newspapers editions, 293 pictures of the first coverture of french newspapers (20 Minutes, Métro, Lyon Plus, Le Figaro, Le Monde, et Le Progrès) and 15 interviews collected from students in Education Science. The results show that media language tools can be established as technical tools through the introduction of different mechanisms, natural and social frames of conceptualization, through a hightlighting types of discourse (stative, declarative, narrative and argumentative). Heuristics and pragmatics schemes are mainly requested in 2007 than epistemics schemes which have been reinforced in 2012. The analysis of tools made for the spread of formal and informal mediatic kwnowledges or news aboutpresidential campaigns show that the thought is built and it is developed depending on sociohistorical context with form of actualisation, novelty, and redundancy. The taking into account of social, symbolic, private, conscious, onconscious dimension is involved to the mediatic tools appropriation but also with the practices of students in the construction of their decisions. Theanalysis and the interpretation of the apropriation of mediatic messages by the students in Education Science demonstrate that the consultation and the appropriation of this fulfill more a cognitive, conative than behavioural needs.

Made available in DSpace on 2016-04-28T14:16:44Z (GMT). No. of bitstreams: 1 Luciano de Abreu Tavares.pdf: 14454754 bytes, checksum: ef7d192e1400395ed24945a0ad1aae00 (MD5) Previous issue date: 2010-05-17 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Recent studies focusing on images in History of Science consider aspects of existing information, dissemination of knowledge and their relations with the media print graphics. In this work these three paths are tracked to the study of images in the textbooks of physics, printed during the nineteenth and early twentieth centuries. This work begins by presenting a study considering the printing process and how images were organized and diagrammed on the pages of books. It also analyses some modifications in the relations between images and scientific views of that period. Finally, it present how the use of some graphic signs, can contribute to the dissemination of knowledge throught accumulation of information. Thus we seek to demonstrate that the analysis of available technical resources, the vision of science in a given period as well as the visual language used can provide various information to study images in History of Science / Os caminhos para os estudos das imagens no campo da História da Ciência abordam aspectos de registro de informação, divulgação do conhecimento e suas relações com os meios gráficos de impressão. Neste trabalho esses três caminhos são trilhados para o estudo de imagens constantes dos livros didáticos de física, impressos durante o século XIX e o início do XX. Iniciaremos este trabalho apresentando um estudo relacionado às técnicas de impressão e o modo como foram organizadas e diagramadas as imagens nas páginas dos livros. Também apresentaremos como algumas modificações sofridas pelas imagens estavam relacionadas com o pensamento científico daquele período. Por fim, buscaremos analisar como a utilização de alguns signos gráficos, resultante do acúmulo de informações, pode contribuir na divulgação do conhecimento. Desta forma buscamos demonstrar que a análise dos recursos técnicos disponíveis, da visão de ciência em um determinado período e da linguagem visual utilizada pode oferecer diversas informações para os estudos das imagens pela História da Ciência

Esta dissertação propõe-se a analisar a mídia impressa, enfocando as revistas Época e IstoÉ e sua cobertura sobre as eleições presidenciais de 2010 e de 2014 no Brasil, a partir de uma perspectiva de gênero. Buscou-se identificar como foram construídas as figuras políticas das candidatas Dilma Rousseff (PT), Marina Silva (PV e PSB) em relação ao candidato José Serra (PSDB) e Aécio Neves (PSDB) nesses pleitos. A hipótese levantada é que esses semanários promoveram uma representação diferenciada com base no gênero das candidatas/os à presidência da República, a partir de narrativas que reforçam a associação socialmente aceita do feminino com a esfera privada e do masculino com a esfera pública. Considerando que a política e a mídia são campos em constante interação, e que os fatos ocorridos em um terão repercussão no outro, entende-se a mídia como um ator central do jogo político contemporâneo. Em ambos os campos a participação das mulheres é assimétrica e diferenciada em relação aos homens. Deste modo, torna-se importante questionar como a mídia impressa contribui para a manutenção do cenário de baixa representação feminina na política institucional e quais narrativas são construídas sobre as mulheres que disputam importantes cargos eletivos. A abordagem dos 194 textos selecionados deu-se através do uso da técnica de análise de conteúdo e tendo como suporte a Teoria política feminista e seu debate em torno da díade esfera pública e esfera privada. A partir da análise empreendida conclui-se que em ambas as revistas investigadas a representação das candidatas Dilma e Marina foi diferenciada de seus concorrentes homens. O gênero foi um marcador importante na narrativa construída pela mídia impressa sobre as eleições presidenciais de 2010 e 2014, em que as candidatas têm seus corpos, personalidade e vida pessoal e afetiva mais exploradas nos textos jornalísticos do que seus concorrentes homens. Também foi constatada a reprodução e reforço de estereótipos socialmente associados às mulheres, bem como uma desqualificação sistemática da figura de Dilma Rousseff e uma interseção entre classe e gênero na representação de Marina Silva. / This dissertation aims to analyse print media, focusing on the magazines Época and IstoÉ and their reporting of the presidential elections of 2010 and 2014, from a gender perspective. The goal was to identify how the political figures of the candidates Dilma Rousseff (PT) and Marina Silva (PV and PSB) were constructed, in comparison to the candidates José Serra (PSDB) and Aécio Neves (PSDB) during the referred litigations. The hypothesis brought up is that these weekly publications promoted a distinct representation based on the gender of the presidency candidates, starting from the narratives that reinforce the socially accepted association of the feminine to the private sphere and the masculine to the public sphere. Considering that politics and the mass media are fields in constant interaction, that the events transpired in one will echo on the other, the mass media is understood to be a primal player in the contemporary political scenario. In both fields women’s participation is asymmetric and differentiated if compared to men. Thus, it’s relevant to question how the print media contributes to maintain the scenario of low feminine representation in institutional politics, as well as which narratives are constructed regarding women who compete for important elective positions. The approach of the 194 selected texts was made using the technique of content analysis, having as support the political feminist theory and it’s debate on the dyade public sphere/private sphere. Through the performed analysis it was made clear that in both magazines investigated the representation of the candidates Dilma and Marina was essentially different than that of their male competitors. Gender was a relevant topic in the narrative constructed by the print media regarding the presidential elections of 2010 and 2014, in which the feminine candidates have their bodies, personality, as well as personal and affective lives more exploited in journalistic texts then their male competitors. It was also verified the reproduction and reinforcement of stereotypes socially associated to women, as well as a systematic disqualification of Dilma Rousseff’s figure and an intersection between class and gender in the representation of Marina Silva.

A pesquisa tem como objetivo geral compreender as representações sobre a fronteira São Borja-Santo Tomé, divisa entre Brasil e Argentina, que circulam entre os profissionais da mídia são-borjense e nos meios de comunicação em que trabalham, a partir de entrevistas com esses sujeitos e da análise de produções que elaboram. Para tanto, foi constituído um corpus de unidades informativas a partir do jornal Folha de São Borja e dos programas radiofônicos Gente é Notícia e Atualidades, das emissoras Cultura AM e Fronteira FM, respectivamente. Os três veículos pertencem ao mesmo grupo empresarial de comunicação da cidade limítrofe brasileira. O período elegido para as análises inclui os meses de dezembro de 2016, janeiro e fevereiro de 2017, e foi definido por ser considerado de maior movimento na região, devido ao trânsito de pessoas pelas festas de final de ano, férias escolares e volta às aulas. Os principais conceitos acionados na investigação dizem respeito a jornalismo informativo, mídia local, fronteiras internacionais, culturas, identidades e representações sociais. A construção empírica e analítica buscou uma confluência de perspectivas e estratégias metodológicas, com entradas no campo nos dois municípios, pesquisa exploratória, entrevistas semiestruturadas com os profissionais da mídia são-borjense, diálogos informais com moradores das cidades-gêmeas, e Análise de Conteúdo das produções jornalísticas informativas mapeadas nos meios de comunicação As categorias encontradas remetem, prioritariamente, a representações de Interação e de Passagem ocorrendo no contexto investigado, e evidenciam eixos temáticos vinculados a Relações Comerciais, Institucionais, Culturais e Identitárias. Ainda, costumam ser construídas abordagens em torno das identidades argentinas, muitas vezes, sem diferenciar os santo-tomenhos e os turistas advindos de outros locais, e das identidades missioneiras, fazendo alusão ao passado comum dos povos vizinhos, em virtude da experiência histórica enquanto região de Reduções Jesuítico-Guarani. A pesquisa tem a pretensão de contribuir com as reflexões sobre as fronteiras internacionais no Campo das Ciências da Comunicação, contemplando uma realidade ainda pouco investigada na área, e pontuando aproximações e diferenciais desse cenário específico e particular, tendo em vista propostas desenvolvidas em publicações anteriores. / The main goal of this research is to understand the representations of the São Borja-Santo Tomé borderlands, between Brazil and Argentina, circulating amongst media professionals in São Borja and within the media outlets at which they work, drawing on interviews with said subjects as well as on the analysis of what they produce. The corpus, in that sense, encompasses informative units from newspaper Folha de São Borja and from radio programmes Gente é Notícia and Atualidades, from radio stations Cultura AM and Fronteira FM, respectively. All three outlets belong to the same corporate media group based on the Brazilian side of the boundary. The period chosen for analyses included the months of December 2016 as well as January and February 2017. It was defined in consideration of a larger flow of people in the region, due to the holiday season, the school holidays, and the back-to-school period. The main concepts to have been activated during this investigation relate to information journalism, local media, international borders, cultures, identities, and social representations. Empirical and analytical construction sought for a confluence of methodological perspectives and strategies, including fieldwork in both cities, exploratory research, semi-structured interviews with media professionals from São Borja, informal dialogues with residents of the twin cities, as well as Content Analysis of the production of information journalism mapped from the media outlets Categories found refer chiefly to representations of Interaction and of Passage that take place in the context in question, which bring forth thematic axes linked to Commercial, Institutional, Cultural, and Identity Relations. What is more, approaches around Argentine identities are usually often built without differentiating people from Santo Tomé to tourists from elsewhere in the country. Likewise, there is an approach around Missionary identities, alluding to a shared past of these neighbouring peoples due to historical experience as the Jesuit Missions of the Guaranis. This research intends to contribute with reflections on international borders within Communications, encompassing a reality that is still understudied in this field, highlighting approximations and differentials of this specific and particular scenario, considering the propositions of previous publications. / La pesquisa tiene como objetivo general comprender las representaciones sobre la frontera São Borja – Santo Tomé, línea divisoria entre Brasil y Argentina, que circulan entre los profesionales de los medios de São Borja y en los medios de comunicación en los que trabajan, a partir de entrevistas a estos sujetos y del análisis de las producciones que elaboran. Para lo cual, se construyó un corpus de unidades informativas del periódico Folha de São Borja, y de los programas radiofónicos Gente é Notícia de la emisora Cultura AM y Atualidades de la emisora Fronteira FM. Los tres vehículos pertenecen al mismo grupo empresarial de comunicación de la ciudad limítrofe brasilera. El periodo elegido para el análisis incluye los meses de diciembre de 2016, enero y febrero de 2017, y fueron seleccionados, considerando, el mayor movimiento en la región, debido al tránsito de personas por las fiestas de fin de año, vacaciones escolares, y regreso a clases. Los principales conceptos accionados en la investigación abordan temas de periodismo informativo, medios locales, fronteras internacionales, culturas, identidades y representaciones sociales. La construcción empírica y analítica buscó una confluencia de perspectivas y estrategias metodológicas, con acercamientos de campo en los dos municipios, pesquisa exploratoria, entrevistas semiestructuradas con los profesionales de los medios de São Borja, diálogos informales con moradores de las ciudades-gemelas y, Análisis de Contenido de las producciones periodísticas informativas, mapeadas en los medios de comunicación Las categorías encontradas hacen referencia, principalmente, a las representaciones de Interacción y de Tránsito que suceden en el contexto investigado, y evidencian ejes temáticos vinculados a Relaciones Comerciales, Institucionales, Culturales e Identitarias. Todavía, se suele construir abordajes en torno de las identidades argentinas, muchas veces, sin diferenciar a los santotomenses y a los turistas que llegan de otros lugares, y de las identidades misioneras, haciendo alusión al pasado común de los pueblos vecinos, en virtud de la experiencia histórica en cuanto región de reducciones jesuitas-guaraní. La investigación pretende contribuir con las reflexiones sobre las fronteras internacionales, en el campo de las Ciencias de la Comunicación. Contemplamos una realidad, todavía, poco investigada en el área, y puntuamos aproximaciones y diferencias de ese escenario específico y particular, tomando en cuenta propuestas desarrolladas en publicaciones anteriores.

Made available in DSpace on 2016-04-26T18:17:05Z (GMT). No. of bitstreams: 1 Fabiane Villela Marroni.pdf: 13657319 bytes, checksum: 42b0739cb673f57bee9794f1759732b0 (MD5) Previous issue date: 2008-04-09 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The Belle Époque was a period of political, economical, social and cultural changes. It begins in France by the end of the 19th century, informed by the ideals of the French Revolution. Change, progress and freedom were the central themes on a search after civility, in a modernity-discourse. Alterations in values and usages of the European bourgeoisie were quickly assimilated in Brazil, most if all in Rio de Janeiro. The southern town of Pelotas had straight ties to the imperial court in Rio for political and economical seasons and to Europe because of the frequent travels by the high class to the old continent. For this reason it ended up absorbing such values. Due to this circumstance a reformulation of the urban space took place modifying the way of life of a part of the population. This process can be traced in the print media of those times. It is for this reason and because of a considerable socio-cultural effervescence that this work aims to analyze the Pelotas way of life and its visibility through the local press. These were ideas of progress and civilization disclosed through the press and based on the Belle Époque. The object of the analysis is the magazine Illustração Pelotense , published between 1919 and 1925. This choice was made because of the range of coverage of the magazine which shows how much the readers were interested in it. Though the focus lies on Illustração Pelotense , an exploratory study was carried out on the local print media from the middle of the 19th century aiming to understand the transformation process of the town, which included the press. A world-view enounced through signs of an other one , in a euphoric period, in a discourse of modernity, in changes of societies` way of life. The press was the instrument that enlightened the town. As theoretical and methodological basis we used the theory of discursive semiotics, from the regimes of visibility of Eric Landowski (1992, 2002) and Ana Claudia de Oliveira (1997). The Belle Époque of Pelotas shows a quick assimilation of new elements in a town with roots in the countryside. In that period Pelotas transformed itself, adapting to the European style that was absorbed in Brazil. The town changed, the press changed. Ultimately, it changed in its own ways, in its way of life, in its identity, in the recreation of the European style, in a specific way brazilianed / A Belle Époque foi um período de mudanças políticas, econômicas e sócio-culturais. Teve origem na França, no final do século XIX, iluminada pelos ideais da Revolução Francesa e pela Revolução Industrial. Transformações, progresso e liberdade formam o tema central de um percurso em busca da civilidade, num discurso de modernidade. Mudanças nos valores e costumes da população burguesa européia foram logo assimiladas no Brasil, principalmente no Rio de Janeiro. Pelotas, que mantinha estreitos vínculos com a Corte Imperial por razões políticas e econômicas, e com a Europa em função das freqüentes viagens que a riqueza proporcionava a uma determinada classe, também assimilou estes valores. Em decorrência, teve início a reformulação do espaço urbano da cidade, modificando o modo de vida de uma parcela da população, o que se pode observar pela mídia impressa na época. Em razão disso e, por conseqüência, de uma considerável efervescência sócio-cultural, é que se propõe, neste trabalho, analisar o modo de vida da sociedade pelotense e sua visibilidade através da mídia impressa local. Idéias de progresso e civilização divulgadas pela imprensa e ancoradas em sua Belle Époque. Como objeto de análise, optou-se pela revista Illustração Pelotense , que se manteve em atividade entre os anos de 1919 e 1925. Justifica-se a escolha pela expressiva circulação de suas edições, o que demonstra o interesse de seus leitores. Embora o foco da análise seja a Illustração Pelotense , também se fez um estudo exploratório da mídia impressa em Pelotas a partir da metade do século XIX, com o objetivo de entender o processo de transformação da cidade, que atingiu, também, a imprensa. Uma visão de mundo que se enunciava com marcas de um outro , em um período eufórico, num discurso de modernidade, de mudanças no modo de vida da sociedade. A mídia impressa foi o instrumento que iluminou a cidade. Como base teórica e metodológica, utilizou-se a teoria da semiótica discursiva, a partir dos regimes de visibilidade apresentados por Eric Landowski (1992, 2002) e Ana Claudia de Oliveira (1997). A Belle Époque pelotense assinala uma rápida incorporação de elementos novos a uma cidade com raízes na atividade rural. Neste período, Pelotas se transformou, moldando-se ao estilo europeu que era absorvido no Brasil. Mudou a cidade, mudou a mídia impressa. Enfim, no seu modo de ser, no seu modo de vida, na sua identidade, a recriação do estilo europeu, de certa forma, abrasileirado