Based on newspapers, the aim of this study is to find predominant discourses about prostitutes, prostitution and sex buyers. By using the foucauldian discourse analysis, 18 newspaper articles from 2016 and 2017 have been analyzed. The newspaper articles have been taken from Svenska Dagbladet and Dagens Nyheter. The study is based on a social-constructivist perspective and uses two different feminist perspectives on prostitution, liberal feminism and radical feminism. The material has been analyzed with focus on the implicit, power, rules of exclusion and subject positioning and four prominent discourses have been found. These are “The prostitute as an involuntary victim”, “The prostitute as a commodity”, “The demand as the problem” and “The everyday inhumane sex buyer”. It is important for social work professionals to have knowledge about discourses in order to be aware of the constructive power of speech in their interactions with clients. / Med utgångspunkt i dagspress är syftet med denna studie att finna dominerande diskurser kring prostituerade, prostitution och sexköpare. Med användning av den foucauldianska diskursanalysen har 18 tidningsartiklar från 2016 och 2017 analyserats. Tidningsartiklarna har hämtats från dagstidningarna Svenska Dagbladet och Dagens Nyheter. Studien har även grund i det socialkonstruktivistiska perspektivet och behandlar två olika feministiska perspektiv på prostitution, liberalfeminism och radikalfeminism. Med fokus på det underförstådda, makt, utestängningsprocedurer och subjektspositionering har materialet analyserats och fyra framträdande diskurser återfunnits. Dessa är “Den prostituerade som ofrivilligt offer”, “Den prostituerade som marknadsvara”, “Efterfrågan som problemet” och “Den vanliga inhumana sexköparen”. För yrkesverksamma inom socialt arbete är kunskap om diskurser viktiga för att på bästa sätt kunna bemöta klienter och vara medvetna om den skapandekraft som språket kan besitta.

Denna uppsats består av en litteraturöversikt och två kvantitativa studier om män och transpersoner som säljer sexuella tjänster till andra män.Den första delen presenterar forskning om män som säljer sexuella tjänster till män i allmänhet och kring behovet av förebyggande åtgärder mot hiv och STI i synnerhet. Del två är en analys av män som säljer sexuella tjänster och deras inställning och praxis när det gäller säkrare sex. Analysen bygger på material från MSM (Män som har sex med män) enkäten som genomfördes 2006. Denna studie visar att män som säljer sex har betydligt högre risk-beteende än andra män som har sex med män. Detta visar på behovet av hiv-prevention i den grupp av män som säljer sexuella tjänster. Del tre av denna studie utgörs av en deskriptiv internetundersökning som gjorts bland män och transpersoner som säljer sexuella tjänster på internet. Bakgrunden till denna studie är att svenska officiella dokument många gånger reproducerar föreställningen om att män som säljer sex är osynliga, och att det saknas kunskap i ämnet. Denna studie visar att så inte är fallet. Studien visar att annonser är synliga och att det är möjligt att hitta män som erbjuder sina tjänster relativt lätt. Detta dokument innehåller också en deskriptiv studie om geografiskt ursprung, ålder, sexuell läggning, tillgängliga tjänster, säkrare sex och marknadsföring gällande män och transpersoner som säljer sexuella tjänster på internet. / This paper consists of one research review and two quantitative studies about men and transgender persons who sell sexual services to other men.The first part presents research about men who sell sexual services to men in general, and around the need for prevention against hiv and STIs in particular. Part two is an analysis of men who sell sexual services and their attitude and practice regarding safer sex. The analysis is based on material from the MSM (Men who have sex with Men) survey conducted in 2006. This study shows that Men who sell sex have significantly higher risk-behavior than other men who have sex with men. This indicates the need for HIV prevention in the group of men who sell sexual services.Part two of this study consists a descriptive internet survey made among men and transgender people who sell sexual services on the internet. The background for this study is that Swedish official documents repeatedly reproduce the notion that men who sell sex are invisible, and that there is no knowledge of the subject. This study shows that this is not the case. The study shows that advertising is visible and that it is possible to find people who offer their services relatively easily. This paper also includes a descriptive study about the geographic origin, age, sexual orientation, available services, safer sex, and marketing area of men and transgender personswho sell sexual services on the Internet.

<p>This study is a critical discourse analysis of Swedish newspaper articles about prostitution. The purpose of the study is to investigate which discourse/discourses about prostitution that is/are adressed in the articles and identify the power relations and meanings that are constructed by the different subject posititions in the articles. Apart from critical discourse analysis social constructionism and a discussion about gender are applied in the analysis. The results supports findings in earlier research about prostitutionin Sweden; that the debate is focused around prostitution as sexual domination or prostitution regarded as a voluntary choice which rises demands of human rights for sexworkers. No prostitutes or buyers of sex where given the opportunity to comment on the matter, only journalists, politicians, social workers and policemen. The prostitutes are represented mainly as women who are victims in relation to the buyers who foremost are represented as perpetrators and men with labours, significant others/wifes and children.</p>

This study is a critical discourse analysis of Swedish newspaper articles about prostitution. The purpose of the study is to investigate which discourse/discourses about prostitution that is/are adressed in the articles and identify the power relations and meanings that are constructed by the different subject posititions in the articles. Apart from critical discourse analysis social constructionism and a discussion about gender are applied in the analysis. The results supports findings in earlier research about prostitutionin Sweden; that the debate is focused around prostitution as sexual domination or prostitution regarded as a voluntary choice which rises demands of human rights for sexworkers. No prostitutes or buyers of sex where given the opportunity to comment on the matter, only journalists, politicians, social workers and policemen. The prostitutes are represented mainly as women who are victims in relation to the buyers who foremost are represented as perpetrators and men with labours, significant others/wifes and children.

The aim of this study in social work was to investigate Swedish part-time sex workers' experiences of selling sex, of the Swedish Prohibition of Purchase of Sexual Services Act, of people's attitudes toward selling and buying sexual services and the consequences thereof. In the analysis the Erving Goffman stigma theories were used. Three part-time sex workers described their day-to-day experiences of selling sex as well as holding an ordinary job. None of them experienced that the Prohibition of Purchase of Sexual Services Act had an immediate effect on them in their work, what bothered them most was the attitudes toward sex work from society, friends and relatives. The negative attitude forced them to live a double life. None of the sex workers had the impression that the legislation had any concrete effects on their customers. One sex worker expressed the view that the law itself could be a trigger for some customers and that it also helped preserve a negative and disparaging attitude toward sex workers in society. The study concluded that prostitution is a multifaceted phenomenon that has been a victim of simplification in many previous studies, partly for ideological purposes, and recommended a more individual perspective on the matter.

Throughout the history of art, the pastel medium has been considered a medium of secondary interest. Despite its pulsating textures, vibrant colors, and unique receptivity to touch, this medium has been recognized above all for its swiftness in stroke and subsequent ability of the artist to record images of fleeting moments and ideas almost instantaneously. The focus on the advantageous rapidity of the pastel, however, hindered the pastel medium's potential as a mere preliminary technique to working with grander mediums, such as oil paint, thus failing to recognize the prominence of pastel in capturing character. This research endeavor focuses on a very specific era with comparably high usage of pastel-- late nineteenth-century Paris--and the distinctive characteristic that defines said era--the hyper-sexuality of the Parisian prostitute. The eminent presence of prostitution and the consequential iconography of female sexuality in late nineteenth-century Paris defined the world of French Bohemia and seeped into the artistic exchange of the era. Although holding a traditionally subsidiary position to other historically primary mediums, the pastel medium prevailed in communicating the sexuality, sensuality, and promiscuity of the sinful female in Paris at the close of the century. The pastel works of prominent artists in the nightlife milieu such as Henri de Toulouse-Lautrec and Edgar Degas which revolve around the theme of prostitution serve as key illustrations of the distinctive ability of the ephemeral medium to capture the mood and personality--and therefore the sensual quintessence--of its subject. Through contextual and visual analysis, this research endeavor thus ultimately aims to lift the traditionally secondary pastel medium to one of impressive proportions, emphasizing its unique advantages and raising its overall credence.

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Cette thèse explore le leitmotiv de la prostitution dans l’oeuvre de Tennessee Williams et soutient que la plupart des personnages de Williams sont engagés dans une forme de prostitution ou une autre. En effectuant une analyse formaliste des textes de Williams qui illustrent toute forme de prostitution, avec une attention particulière à quatre grandes pièces, A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), Suddenly Last Summer (1958) et Sweet Bird of Youth (1959), cette présente étude fait valoir que le dramaturge utilise un mode de fiction—le gothique—en lien avec une pratique transgressive—la prostitution—pour relier les classes sociales et troubler les catégories de prostitution. Ce faisant, Williams offre une vision plus représentative et nuancée de la prostitution. Théoriquement, cette thèse repose sur des oeuvres critiques portant sur le genre, la sexualité et l'histoire de Michel Foucault, David Savran, et Michael Paller afin de situer la dramaturgie de Williams dans le contexte historique et culturel des années 1940 et 1950. La première partie de cette thèse (chapitres un et deux) fournit de nombreuses informations autobiographiques et biographiques qui expliquent pourquoi la prostitution est devenue le thème de prédilection pour Williams. Cette section met l’accent sur sa préoccupation constante à l’égard de sa prostitution artistique (en prostituant son art pour le succès commercial) et sexuelle (en payant pour des prostitués). Cette partie présente également un inventaire détaillé des prostituté(e)s, que je divise en trois catégories: 1) la prostitution des enfants, 2) la prostitution masculine et 3) la prostitution féminine. La deuxième partie de cette étude, composée des chapitres trois et quatre, identifie les personnages de Williams qui s’engagent dans une forme de prostitution morale. Ce groupe comprend ceux qui tirent directement profit de la prostitution des autres ainsi que ceux qui se marient uniquement pour un gain financier ou une promotion sociale ou les deux. L’oeuvre de Williams résiste la représentation stéréotypée de la prostituée en littérature comme étant uniquement de sexe féminin ou provenant des classes sociales défavorisées ou les deux. La prostituée de Williams n’est ni une figure romantique ni une rebelle menaçant la société. Cette thèse conclut qu’en représentant des enfants prostitués, des femmes de rue, des prostitués de sexe masculin, des souteneurs, des proxénètes, des propriétaires de bordels, des leaders corrompus et des personnes qui se prostituent en concluant des mariages de convenance, Williams a effectivement et incontestablement dramatisé la prostitution sous toutes ses formes. / This dissertation explores the leitmotif of prostitution in the work of Tennessee Williams and provocatively contends that most Williams characters are engaged in one form of prostitution or another. Performing a close reading of relevant texts by Williams that illustrate any form of prostitution, with special attention given to four major plays, A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), Suddenly Last Summer (1958), and Sweet Bird of Youth (1959), this study argues that the playwright uses a transgressive mode of fiction—the gothic—in conjunction with a transgressive practice—prostitution—to link the social classes and to blur the boundaries between the literal and the figurative prostitutes. In so doing, Williams offers a more calibrated, nuanced view of prostitution. Theoretically, this dissertation reposes on critical works on gender, sexuality, and history by Michel Foucault, David Savran, and Michael Paller to fully contextualize Williams’s work and to discuss the attitude towards, and place of, prostitution within the cultural zeitgeist of the 1940s and 1950s. Part A (chapters one and two) provides ample autobiographical and biographical evidence to explain that Williams’s use of prostitution as a recurring theme results from his lifelong preoccupation with, and indulgence in, an amalgam of prostitutions: artistic (prostituting his art for money) and sexual (paying for sex). It also presents a detailed inventory of the playwright’s literal prostitutes, whom I classify into the following three categories: 1) child prostitution, 2) male prostitution, and 3) female prostitution. Part B, comprising chapters three and four, engages with theory and history and identifies Williams characters who qualify as moral prostitutes. This group includes those who directly profit from prostituting others and those who marry exclusively for financial gain, social advancement, or both. Williams’s work eschews the stereotypical representation of prostitutes in literature as lower-class streetwalkers or morally bankrupt females or both. The playwright neither presents the prostitute as a romantic figure of transcendence nor as a rebellious one who threatens society. This dissertation concludes that by depicting child prostitutes, female streetwalkers, male hustlers, gay-for-pay studs, pimps, procurers, brothel operators, the morally compromised powers that be, and those who prostitute themselves by entering into loveless marriages, Williams has effectively and incontrovertibly dramatized whoredom in all of its forms.

The Mystery of the Woman and the Beast Rhetorical-Narrative Analysis of Revelation 17:1-18 This diploma thesis called "The Mystery of the Woman and the Beast" seeks to unveil the mysterious message of Revelation 17:1-18 by applying the rhetorical-narrative analysis to the text. This analysis entails a specific methodology drawn from the synthesis of both rhetorical and narrative criticism with special regard to persuasive features. The conception of the thesis is based on understanding the message of the text in its own right communicated primarily to its own implicit audience distancing itself from premature theologizing often done especially when dealing with the book of Revelation. Due to the narrative focus of the thesis, considerable space is devoted to analyzing apocalyptic literary tradition and literary aspects of the book itself. Attention is paid to the origin of the apocalyptic tradition as well as the nature of its genre together with its specific motifs and function. The book of Revelation is seen as a part of long-developing apocalyptic tradition sharing some common traits while still being original in its own right. The unique qualities of Revelation are then fully explored in the following chapter. Of particular importance are the genre, imagery, intertextuality, and structure of the book....

Au moment où la prostitution semble exploser dans les villes, la fille des rues envahit la littérature de la seconde moitié du XIXe siècle. Cette héroïne nouvelle acquiert bien vite le premier rôle de ce qui devient un sous-genre romanesque à part entière, le « roman de fille », dont on mettra en évidence la structure et les motifs privilégiés. Un détour par les discours médicaux, moraux et sociaux du temps sur la femme et la prostituée nous permettra de mieux appréhender le fonctionnement et les significations multiples que ce personnage revêt en littérature. Figure du manque et de la dépossession, la prostituée interroge la vision masculine du féminin, mais elle traduit aussi les inquiétudes des contemporains face aux nombreuses mutations sociales, économiques et politiques du siècle ; elle se fait le reflet d’angoisses existentielles sur le rapport au corps, aux autres et à la mort, ainsi que le lieu privilégié de réflexions artistiques et esthétiques / While prostitution was exploding within the cities, the character of the prostitute flourished in the second part of the nineteenth-Century literature. This new heroine quickly gets the leading part in a soon-To-Be proper literary fictional sub-genre, the “prostitute novel”, whose structure and motifs will be pointed out in our research. We will evoke medical, moral and social discourses about women and prostitutes in the 19th century in order to grasp the numerous roles this character can assume in literature. As a protagonist of the loss and deprivation, the prostitute questions the masculine vision of women, but she also embodies her time’s worries about the multiple social, economical and political transformations happening. She also holds a mirror to existential anxieties about the relationship to the Body, the Other and Death, and appears to be a privileged character for artistic and aesthetic considerations