A Journey from the Wordless is a study of the development of the author’s own professional knowledge.  After an introductory chapter on theory and method, there are four chapters treating of the author`s academic training as an artist (Ch. 2), a presentation and analysis of his own exhibitions (Ch. 3), a chapter on a cooperative effort entitled Pompeii in Time and Space (Ch. 4), and a concluding discussion of the nature of personal knowledge (Ch. 5). Questions are addressed concerning artistic knowledge; how it is built and transferred and how it is developed and transformed. Since the author`s own professional knowledge is the object of the research, special perspectives on personal experience emerges that otherwise would be difficult to articulate. The thesis is also a contribution to the debate surrounding artistic research in the visual arts, focusing on the importance of reflection and analysis in art education and creative art work. / QC 20100824

The purpose of this thesis is to find how to work with pedagogical documentation with the aesthetic subjects of dance, music and visual arts. The study also aims to investigate how teachers themselves believe that documentation of these subjects make visible the children’s learning processes. Also to explore if there are any differences in how teachers document the various subjects, and if so, how they can learn from each other to develop the work with pedagogical documentation. I have chosen to use qualitative interviews with a selection of three pre-school teachers who have been working with either dance, music or visual arts. The results show that preschool teachers consider themselves good at documenting, but that the use of pedagogical documentation are not as frequently used. By using pedagogical documentation one can visualize the children's learning in a way that is clear to the children, the teachers and for parents. They do not believe that there are any differences in documenting dance, music or visual arts. They use the same method to document everything they do in their everyday life and do not distinguish the different activities. / Syftet är att undersöka hur pedagoger i förskolan arbetar med pedagogisk dokumentation för att synliggöra barnens lärprocesser i de estetiska ämnena bild, dans och musik. Samt att se om det finns några skillnader på hur pedagogerna dokumenterar de olika ämnena och om man i så fall kan lära av varandra för att utveckla arbetet med pedagogisk dokumentation. Jag har valt att använda mig av kvalitativa intervjuer, med ett urval på tre förskollärare som har varit inriktade på antingen bild, dans och musik. Resultatet visar på att pedagogisk dokumentation är ett viktigt verktyg för att synliggöra barns lärande, på ett sätt som blir tydligt både för barnen, pedagogerna och inte minst för föräldrarna. De intervjuade förskollärarna anser sig duktiga på att dokumentera, men undersökningen visar att användningen av pedagogisk dokumentation inte är lika frekvent. De anser inte heller att det finns någon skillnad i att dokumentera bild, dans och musik. Man använder sig av samma sätt att dokumentera i allt man gör i vardagen och särskiljer inte på olika aktiviteter.

This paper is a description of the research and processes that have culminated in the graduating master's thesis exhibition Dwall. This body of work consists of large-scale drawing and printmaking gallery installations that explore culture as well as darkness and fear, narrative and nature. These pieces have a surreal, illustrative and darkly whimsical quality highly influenced by artists like Kiki Smith, Collette Urban, Jim Holyoak, Albrecht Dürer, Swoon, Damien Hirst and Anselm Kiefer. This supporting paper will place the work in the contemporary and historical context of these artists, and also explore how all these complementary, conflicting influences have led to the production of a graduate-level body of work—particularly with a focus on the paradoxical nature of darkness and how it is a necessary tool for creation.

Σκοπό της παρούσας μελέτης αποτελεί η διερεύνηση του ζητήματος της Αξιολόγησης στην Εικαστική Αγωγή της Πρωτοβάθμιας Εκπαίδευσης. Πιο συγκεκριμένα, επιδιώκεται, μέσα από την επισκόπηση της σχετικής βιβλιογραφίας, η διαμόρφωση μιας εικόνας ως προς τις παραμέτρους που προκύπτουν για το πεδίο αυτό από τη συζήτηση του επιστημονικού συγκείμενου σε εθνικό και διεθνές επίπεδο και ως προς το λόγο της επίσημης ελληνικής εκπαιδευτικής πολιτικής, καθώς και η συγκριτική θεώρηση τους, φωτίζοντας τις τυχόν συνέχειες ή/και ασυνέχειες. Προκειμένου για την παρουσίαση και ανάλυση των δεδομένων, πραγματοποιήθηκε η οργάνωση των παραπάνω απόψεων και θέσεων σε δύο αντίστοιχα πλαίσια, ως προς τους εξής άξονες: τους φορείς υλοποίησης, τις μεθόδους και τις τεχνικές, τα αντικείμενα και τη στοχοθεσία της αξιολόγησης. Σύμφωνα με τα αποτελέσματα της μελέτης, παρά τη σύγκλιση που φαίνεται να υπάρχει μεταξύ των δύο πλαισίων ως προς τις γενικές αρχές της αξιολόγησης, στο πλαίσιο της επίσημης ελληνικής εκπαιδευτικής πολιτικής παρατηρούνται ουσιαστικές ασυνέχειες, καθώς η δόμηση του έχει βασιστεί ως επί το πλείστον στις γενικές κατευθυντήριες αρχές, που έχουν δοθεί σε κρατικό επίπεδο για την αξιολόγηση στη πρωτοβάθμια εκπαίδευση γενικότερα, ανεξαρτήτως γνωστικού αντικειμένου. Ειδικότερα, δε προχωρά στην ανάπτυξη διακριτών μέτρων και αξιολογικών μεθόδων που να συμβαδίζουν με τις διαδικασίες που υπεισέρχονται στο ιδιαίτερο πεδίο των προγραμμάτων εικαστικής αγωγής, δε λαμβάνει υπόψη στο καθορισμό των κριτηρίων αξιολόγησης τις ανάγκες των τοπικών σχολικών περιοχών και τη συμμετοχή όλων των μετόχων της εκπαιδευτικής διαδικασίας και εστιάζει σχεδόν αποκλειστικά στην αξιολόγηση της γνωστικής ανάπτυξης του μαθητή, χωρίς να δίνεται η απαιτούμενη προσοχή στην ανάπτυξη και αξιολόγηση των μεταγνωστικών και αναστοχαστικών δεξιοτήτων και στρατηγικών μάθησης των παιδιών. Ως εκ τούτου, από τα παραπάνω αποτελέσματα προκύπτει ένας εύλογος προβληματισμός ως προς το «κατά πόσο» και «πώς» αξιοποιούνται οι κατευθύνσεις αυτές από τους εκπαιδευτικούς στην εκπαιδευτική πράξη των προγραμμάτων εικαστικής αγωγής / The rational of this current thesis concerns the study of the assessment issue in primary visual art classroom. More precisely, the objective through a focused inquiry of visual art assessment literature is to form an image with regard to the parameters resulting from the consideration of the scientific context at national and international level and the official Greek educational policy, as well as their comparative consideration, enlightening consensus and disagreement. The presentation and analysis of the data were formed by organizing the fore mentioned viewpoints and stances in two frameworks respectively, according to the following criteria: carriers of materialization, methods and techniques, objects and setting the purposes of assessment. The results, despite the agreement that seems to arise between the two frameworks with regard to the philosophical base of the assessment, indicated essential disagreements in the framework of the official Greek educational policy, due to the fact that its construction is mostly based on the In brief, it does not lead to the development and the construction of separate and distinct assessment measures and methods to be used that concur with the procedures inserted in the field of the visual art programs, it does not take into consideration, as far as the setting of assessment criteria is concerned, the local school needs and the participation of all the stakeholders of the educational procedure and it exclusively focuses on the assessment of the cognitive development of the student without paying the required attention to the development and assessment of metacognitive and self-reflective skills of children’s learning strategies. All in all, we can safely infer a logical question of “how much” and “in what way” the most of these guidelines are made by teachers for practical implementation in visual art classes.

Det här examensarbetet tar avstamp i metaforen ”att komma ut ur garderoben” och som blivande lärare intresserar jag mig för hur verksamma lärare som inte är heterosexuella väljer att agera i frågan om öppenhet. Syftet är att synliggöra ickeheterosexuella lärare genom att analysera och tolka tre lärares berättelser om sin yrkesvardag samt att diskutera resultatet ur ett didaktiskt perspektiv. Min empiri bestod av cirka 7 timmar videodokumenterade intervjuer med tre lärare från grundskola, gymnasium och vuxenutbildning. Som en del av intervjun tittade vi på min film, Garderoben, där jag undersökt garderobsmetaforen med min kropp. Filmen är även en del i min konstnärliga gestaltning. I uppsatsen finns också bilder från när jag använder min konstnärliga undersökningsmetod i ett klassrum med en garderob. Det här examensarbetet befinner sig i fältet för livsberättelseforskning och har en socialkonstruktionistisk ansats, samtidigt som jag menar att språket inte kan skiljas från det materiella, det kroppsliga. Min metod har varit temabaserade intervjuer. I uppsatsen presenteras delar av intervjuerna som poetiska narrativ, dels som en kollektiv biografi och dels som korta enskilda berättelser. Jag analyserar dessa med hjälp av queerteori och sexual difference-teori. Studiens resultat går i stort i linje med tidigare svensk forskning inom området, det vill säga att det inte är lätt att vara öppen med en ickenormativ sexualitet i svensk skola. Men min studie fördjupar och breddar fältet. Jag diskuterar även didaktiska konsekvenser. Avslutningsvis diskuterar jag vad som bör göras och sammanfattningsvis föreslår jag att detta är ett område som bör utforskas mer. Diskussionen om skolans normering genom läraren bör väcka större pedagogiskt intresse. / This thesis begins with the metaphor "to come out of the closet". As a future teacher I am interested in how practicing teachers who are not heterosexual choose to act on the issue of openness. The purpose is to highlight non-heterosexual teachers by analyzing and interpreting three teachers' stories about their everyday professional life and discuss the results from a didactic perspective. My empirical data consisted of about seven hours of video documented interviews with three teachers from primary, secondary and adult education. As part of the interview we looked at my movie Garderoben (The Closet), where I examined the ”coming out of the closet”-metaphor bodily. The film is part of my artistic figuration. The thesis includes pictures which show how I test my artistic method of examination in a classroom with a wardrobe. This thesis belongs to the field of life story research and has a social constructionist approach, but I mean that language cannot be separated from the material. My method has been theme-based interviews and I presented parts of the interviews in form of poetic narratives – one collective biography and six individual short stories – which I analyzed using queer theory and sexual difference theory. My overall result is in line with previous Swedish research, namely that it is not easy to be open with a norm breaking sexuality in a school in Sweden. But my study deepens and stretches the field. I also discuss didactic consequences. In the final discussion, I discuss what should be done and come to the conclusion that this is an area that should be more explored. The discussion of the school's norms through the teacher should bring greater educational interest.

Educação e Cultura Visual: uma trama entre imagens e infância procura examinar as imagens no contexto das escolas infantis, tendo como referência as ambiências das salas de aula. O conjunto formado pelas imagens é entendido como um cenário, como um texto visual, que ultrapassa sua função decorativa, exercendo uma pedagogia da visualidade, entendida como os modos das crianças verem e entenderem o mundo. O objetivo investigativo e analítico deste trabalho recai sobre como se constituem e se instituem as imagens nas instituições escolares, bem como os usos pedagógicos atribuídos a elas. Para entender como as imagens assumem um caráter pedagógico nas escolas pesquisadas, busco entender como essa concepção foi construída em diferentes contextos sociais e culturais. Para tanto, foi desenvolvida, durante nove meses, a pesquisa de campo em três Escolas Infantis do município de Porto Alegre junto às professoras e crianças. A pesquisa e o desenvolvimento da tese têm como fundamentos os Estudos da Cultura Visual e os Estudos Culturais, tendo em vista que essas abordagens possibilitam refletir sobre os diferentes materiais visuais como práticas culturais e as significações que elas produzem. As análises dos materiais textuais (entrevistas com professoras e crianças e observações em várias situações do cotidiano escolar) e visuais (as imagens acessadas pelas crianças, bem como aquelas que elas produzem) foram inter-relacionadas com o intuito de entendê-los como um conjunto de textos. O trabalho entende por educação em arte na contemporaneidade uma atitude, de todos os envolvidos, que problematize as representações visuais socialmente naturalizadas, uma vez que essas representações estão entrelaçadas por formas de poder que através de várias modalidades educativas constroem visões específicas sobre o mundo. / Education and Visual Culture: A woof between images and childhood examines the images in the context of infantile schools, having as reference the classrooms´ ambiences. The ensemble formed by the images is understood as a setting, as a visual text, which surpasses its decorative function exerting a visual pedagogy understood as the ways children see and comprehend the world. The investigative and analytical objective of this work is to point how images constitute and establish themselves in school institutions, as well as the pedagogical uses given to them. In order to understand how the images acquire a pedagogical feature in the searched schools, I attempt to understand the construction of this conception in different social and cultural contexts. Therefore, I developed a field research during nine months with teachers and children from three Infantile Schools in the city of Porto Alegre. The research and the development of the thesis are grounded in the Studies of Visual Culture and Cultural Studies considering that these approaches make it possible to think about the different visual materials as cultural practices and also the significances which they produce. The analysis of the textual materials (interviews with teachers and children and observations in several everyday school situations) and visual materials (the images accessed by the children, as well as those which they produce) have been interrelated with the intention of understanding them as a set of texts. The work understands as art education in the contemporaneity an attitude of all the involved ones that can raise questions about the visual representations socially naturalized. These representations are interlaced by forms of power which construct specific views about the world through several educative modalities. / Educación y Cultura Visual: una trama entre imágenes e infancia busca examinar las imágenes en el contexto de las escuelas infantiles, teniendo como referencia los ambientes de las salas de clase. El conjunto formado por las imágenes es entendido como un escenario, como un texto visual que excede su función decorativa, ejerciendo una pedagogía de la visualidad, entendida como la manera como los niños miran y entienden el mundo. El objetivo investigativo y analítico de este trabajo recae sobre cómo se constituyen y se instituyen las imágenes en las instituciones escolares, así como los usos pedagógicos atribuidos a ellas. Para entender cómo las imágenes asumen un carácter pedagógico en las escuelas investigadas, busco entender cómo esta concepción fue construida en diferentes contextos sociales y culturales. Para ello, fue desarrollada, durante nueve meses, la investigación en tres Escuelas Infantiles del Municipio de Porto Alegre con los profesores y niños. La investigación y el desarrollo de la tesis tienen como fundamento los Estudios de la Cultura Visual y de los Estudios Culturales, teniendo en cuenta que estos enfoques permiten reflexionar sobre los diferentes materiales visuales como prácticas culturales y las significaciones que ellas producen. El análisis de los materiales textuales (entrevistas con profesoras y niños en varias situaciones de lo cotidiano escolar) y visuales (las imágenes suministradas por los niños, así como aquellas que ellos producen) fueron relacionadas con el objetivo de entenderlos como un conjunto de textos. El trabajo entiende por educación en arte en la contemporaneidad, una actitud, de todos los involucrados, que cuestione las representaciones visuales socialmente naturalizadas, ya que estas representaciones están entrelazadas por formas de poder que a través de varias modalidades educativas construyen visiones específicas sobre el mundo.

Educação e Cultura Visual: uma trama entre imagens e infância procura examinar as imagens no contexto das escolas infantis, tendo como referência as ambiências das salas de aula. O conjunto formado pelas imagens é entendido como um cenário, como um texto visual, que ultrapassa sua função decorativa, exercendo uma pedagogia da visualidade, entendida como os modos das crianças verem e entenderem o mundo. O objetivo investigativo e analítico deste trabalho recai sobre como se constituem e se instituem as imagens nas instituições escolares, bem como os usos pedagógicos atribuídos a elas. Para entender como as imagens assumem um caráter pedagógico nas escolas pesquisadas, busco entender como essa concepção foi construída em diferentes contextos sociais e culturais. Para tanto, foi desenvolvida, durante nove meses, a pesquisa de campo em três Escolas Infantis do município de Porto Alegre junto às professoras e crianças. A pesquisa e o desenvolvimento da tese têm como fundamentos os Estudos da Cultura Visual e os Estudos Culturais, tendo em vista que essas abordagens possibilitam refletir sobre os diferentes materiais visuais como práticas culturais e as significações que elas produzem. As análises dos materiais textuais (entrevistas com professoras e crianças e observações em várias situações do cotidiano escolar) e visuais (as imagens acessadas pelas crianças, bem como aquelas que elas produzem) foram inter-relacionadas com o intuito de entendê-los como um conjunto de textos. O trabalho entende por educação em arte na contemporaneidade uma atitude, de todos os envolvidos, que problematize as representações visuais socialmente naturalizadas, uma vez que essas representações estão entrelaçadas por formas de poder que através de várias modalidades educativas constroem visões específicas sobre o mundo. / Education and Visual Culture: A woof between images and childhood examines the images in the context of infantile schools, having as reference the classrooms´ ambiences. The ensemble formed by the images is understood as a setting, as a visual text, which surpasses its decorative function exerting a visual pedagogy understood as the ways children see and comprehend the world. The investigative and analytical objective of this work is to point how images constitute and establish themselves in school institutions, as well as the pedagogical uses given to them. In order to understand how the images acquire a pedagogical feature in the searched schools, I attempt to understand the construction of this conception in different social and cultural contexts. Therefore, I developed a field research during nine months with teachers and children from three Infantile Schools in the city of Porto Alegre. The research and the development of the thesis are grounded in the Studies of Visual Culture and Cultural Studies considering that these approaches make it possible to think about the different visual materials as cultural practices and also the significances which they produce. The analysis of the textual materials (interviews with teachers and children and observations in several everyday school situations) and visual materials (the images accessed by the children, as well as those which they produce) have been interrelated with the intention of understanding them as a set of texts. The work understands as art education in the contemporaneity an attitude of all the involved ones that can raise questions about the visual representations socially naturalized. These representations are interlaced by forms of power which construct specific views about the world through several educative modalities. / Educación y Cultura Visual: una trama entre imágenes e infancia busca examinar las imágenes en el contexto de las escuelas infantiles, teniendo como referencia los ambientes de las salas de clase. El conjunto formado por las imágenes es entendido como un escenario, como un texto visual que excede su función decorativa, ejerciendo una pedagogía de la visualidad, entendida como la manera como los niños miran y entienden el mundo. El objetivo investigativo y analítico de este trabajo recae sobre cómo se constituyen y se instituyen las imágenes en las instituciones escolares, así como los usos pedagógicos atribuidos a ellas. Para entender cómo las imágenes asumen un carácter pedagógico en las escuelas investigadas, busco entender cómo esta concepción fue construida en diferentes contextos sociales y culturales. Para ello, fue desarrollada, durante nueve meses, la investigación en tres Escuelas Infantiles del Municipio de Porto Alegre con los profesores y niños. La investigación y el desarrollo de la tesis tienen como fundamento los Estudios de la Cultura Visual y de los Estudios Culturales, teniendo en cuenta que estos enfoques permiten reflexionar sobre los diferentes materiales visuales como prácticas culturales y las significaciones que ellas producen. El análisis de los materiales textuales (entrevistas con profesoras y niños en varias situaciones de lo cotidiano escolar) y visuales (las imágenes suministradas por los niños, así como aquellas que ellos producen) fueron relacionadas con el objetivo de entenderlos como un conjunto de textos. El trabajo entiende por educación en arte en la contemporaneidad, una actitud, de todos los involucrados, que cuestione las representaciones visuales socialmente naturalizadas, ya que estas representaciones están entrelazadas por formas de poder que a través de varias modalidades educativas construyen visiones específicas sobre el mundo.

Educação e Cultura Visual: uma trama entre imagens e infância procura examinar as imagens no contexto das escolas infantis, tendo como referência as ambiências das salas de aula. O conjunto formado pelas imagens é entendido como um cenário, como um texto visual, que ultrapassa sua função decorativa, exercendo uma pedagogia da visualidade, entendida como os modos das crianças verem e entenderem o mundo. O objetivo investigativo e analítico deste trabalho recai sobre como se constituem e se instituem as imagens nas instituições escolares, bem como os usos pedagógicos atribuídos a elas. Para entender como as imagens assumem um caráter pedagógico nas escolas pesquisadas, busco entender como essa concepção foi construída em diferentes contextos sociais e culturais. Para tanto, foi desenvolvida, durante nove meses, a pesquisa de campo em três Escolas Infantis do município de Porto Alegre junto às professoras e crianças. A pesquisa e o desenvolvimento da tese têm como fundamentos os Estudos da Cultura Visual e os Estudos Culturais, tendo em vista que essas abordagens possibilitam refletir sobre os diferentes materiais visuais como práticas culturais e as significações que elas produzem. As análises dos materiais textuais (entrevistas com professoras e crianças e observações em várias situações do cotidiano escolar) e visuais (as imagens acessadas pelas crianças, bem como aquelas que elas produzem) foram inter-relacionadas com o intuito de entendê-los como um conjunto de textos. O trabalho entende por educação em arte na contemporaneidade uma atitude, de todos os envolvidos, que problematize as representações visuais socialmente naturalizadas, uma vez que essas representações estão entrelaçadas por formas de poder que através de várias modalidades educativas constroem visões específicas sobre o mundo. / Education and Visual Culture: A woof between images and childhood examines the images in the context of infantile schools, having as reference the classrooms´ ambiences. The ensemble formed by the images is understood as a setting, as a visual text, which surpasses its decorative function exerting a visual pedagogy understood as the ways children see and comprehend the world. The investigative and analytical objective of this work is to point how images constitute and establish themselves in school institutions, as well as the pedagogical uses given to them. In order to understand how the images acquire a pedagogical feature in the searched schools, I attempt to understand the construction of this conception in different social and cultural contexts. Therefore, I developed a field research during nine months with teachers and children from three Infantile Schools in the city of Porto Alegre. The research and the development of the thesis are grounded in the Studies of Visual Culture and Cultural Studies considering that these approaches make it possible to think about the different visual materials as cultural practices and also the significances which they produce. The analysis of the textual materials (interviews with teachers and children and observations in several everyday school situations) and visual materials (the images accessed by the children, as well as those which they produce) have been interrelated with the intention of understanding them as a set of texts. The work understands as art education in the contemporaneity an attitude of all the involved ones that can raise questions about the visual representations socially naturalized. These representations are interlaced by forms of power which construct specific views about the world through several educative modalities. / Educación y Cultura Visual: una trama entre imágenes e infancia busca examinar las imágenes en el contexto de las escuelas infantiles, teniendo como referencia los ambientes de las salas de clase. El conjunto formado por las imágenes es entendido como un escenario, como un texto visual que excede su función decorativa, ejerciendo una pedagogía de la visualidad, entendida como la manera como los niños miran y entienden el mundo. El objetivo investigativo y analítico de este trabajo recae sobre cómo se constituyen y se instituyen las imágenes en las instituciones escolares, así como los usos pedagógicos atribuidos a ellas. Para entender cómo las imágenes asumen un carácter pedagógico en las escuelas investigadas, busco entender cómo esta concepción fue construida en diferentes contextos sociales y culturales. Para ello, fue desarrollada, durante nueve meses, la investigación en tres Escuelas Infantiles del Municipio de Porto Alegre con los profesores y niños. La investigación y el desarrollo de la tesis tienen como fundamento los Estudios de la Cultura Visual y de los Estudios Culturales, teniendo en cuenta que estos enfoques permiten reflexionar sobre los diferentes materiales visuales como prácticas culturales y las significaciones que ellas producen. El análisis de los materiales textuales (entrevistas con profesoras y niños en varias situaciones de lo cotidiano escolar) y visuales (las imágenes suministradas por los niños, así como aquellas que ellos producen) fueron relacionadas con el objetivo de entenderlos como un conjunto de textos. El trabajo entiende por educación en arte en la contemporaneidad, una actitud, de todos los involucrados, que cuestione las representaciones visuales socialmente naturalizadas, ya que estas representaciones están entrelazadas por formas de poder que a través de varias modalidades educativas construyen visiones específicas sobre el mundo.

Made available in DSpace on 2016-04-18T21:31:51Z (GMT). No. of bitstreams: 7 Silvia Rosa Marques Paulo1.pdf: 2373545 bytes, checksum: 9dbff3088fe0ec0d0b0530cb1efa1bef (MD5) Silvia Rosa Marques Paulo2.pdf: 2816627 bytes, checksum: c534faa3cd5ce236f20031e6bbe175f9 (MD5) Silvia Rosa Marques Paulo3.pdf: 2951507 bytes, checksum: d5177950e6b697eb155d19179196c6f9 (MD5) Silvia Rosa Marques Paulo4.pdf: 2460069 bytes, checksum: 8d6afce295efe197beee29c7430defbd (MD5) Silvia Rosa Marques Paulo5.pdf: 2680379 bytes, checksum: 5539b7cf0d0dd4b58da90a27d728fd6b (MD5) Silvia Rosa Marques Paulo6.pdf: 3222800 bytes, checksum: 804ad141afab474933d335fe0ce891e1 (MD5) Silvia Rosa Marques Paulo7.pdf: 2106912 bytes, checksum: 547f0e376404d309e614618c6ab3afe4 (MD5) Previous issue date: 2008-12-03 / Fundo Mackenzie de Pesquisa / This work was based in a research about a methodology of teaching in Visual Arts applied in high school, in the Public State School Professora Zipporah Rubinstein, located in the Eastern Region of São Paulo city. It aims to used the methodology called Triangular , set out by Anna Mae Barbosa, intending to develop the skills for the appreciation, contextualization and elaboration of poetic proposals of high school students. The research was justified in using images in the classroom and, consequently, there was a preparation to analyze and understand them before making an artistic production. The images are of rural workers and were chosen because it is an issue rarely studied in the field of Arts and little known by students. The proposal was that they meet the artists and their works, the socio-cultural context and history of the time, discussing their life and experiences expressed by the artists, thus creating a new perspective on the current critical condition and really enjoy the importance of the Arts. The methodology used was the qualitative research, which is theoretically based on the Research-Action. In this, the students produced responses in poetic art, by reading, analyzing and contextualizing painting of Candido Portinari and pictures of Sebastião Salgado, reinterpreting and creating new readings of works. The discussions held in this research are related to works that have social meaning, those dealing with the analysis of workers at two specific moments by artists who have different techniques to address the issue. In one part, Portinari paints the frescoes with the theme of workers, on the other, Salgado, using photo focuses on the dimension of those employees who interact with Brazil social. / Esta dissertação teve por base uma pesquisa sobre metodologia de ensino em Artes Visuais aplicada no Ensino Médio, na Escola Pública Estadual Professora Ziporam Rubinstein, situada na Zona Leste da cidade de São Paulo. O objetivo foi aplicar a Metodologia Triangular, enunciada por Ana Mae Barbosa, visando o desenvolvimento de habilidades para a apreciação, contextualização e elaboração de propostas poéticas pelos alunos do Ensino Médio. A pesquisa justifica-se pela utilização de imagens em sala de aula, havendo, portanto, uma preparação em analisar e entender estas imagens antes do fazer artístico. As imagens analisadas são de trabalhadores rurais e foram escolhidas por ser uma temática pouco abordada na área e pouco conhecida pelos alunos. A proposta foi fazer com que os mesmos conhecessem os artistas e suas obras, o contexto sócio-cultural e histórico da época de criação, dialogando com as vivências e experiências expressas pelos autores, criando assim, uma nova perspectiva crítica sobre a atual condição e realidade na importância do fruir a Arte. A metodologia de pesquisa utilizada foi qualitativa, tendo como base teórica a pesquisa-ação. Nela, os alunos produziram respostas poéticas em artes plásticas a partir da leitura, análise e contextualização da pintura de Candido Portinari e da fotografia de Sebastião Salgado, reinterpretando-as e criando novas possibilidades de significações para elas. As discussões que permearam o trabalho tiveram como referência as obras de sentido social, ou seja, aquelas que tratam da análise dos trabalhadores em dois momentos específicos e feitas por artistas com diferentes técnicas de abordar o assunto. Se de um lado Portinari pinta os afrescos com a temática dos trabalhadores, por outro, Salgado, usando a fotografia põe em evidência a dimensão dessa mesma categoria de pessoas no momento em que interagem na questão social do Brasil.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-04-17T11:42:09Z No. of bitstreams: 1 cleciuscamposcorrea.pdf: 4897242 bytes, checksum: ea16e084b3939092bb26fced236ddcb1 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-04-18T13:38:37Z (GMT) No. of bitstreams: 1 cleciuscamposcorrea.pdf: 4897242 bytes, checksum: ea16e084b3939092bb26fced236ddcb1 (MD5) / Made available in DSpace on 2017-04-18T13:38:37Z (GMT). No. of bitstreams: 1 cleciuscamposcorrea.pdf: 4897242 bytes, checksum: ea16e084b3939092bb26fced236ddcb1 (MD5) Previous issue date: 2016-08-31 / Esta dissertação analisa o papel dos artistas plásticos no processo de modernização ocorrido no Brasil após a Segunda Guerra Mundial, especificamente nos anos 1950 e 1960, apresentando-os como agentes desse movimento, particularmente nos domínios da arte, da moda e da imprensa. As principais referências são as reformas gráficas realizadas no Jornal do Brasil e no Correio da Manhã, pelos artistas Amilcar de Castro e Alexandre Wollner, respectivamente, e a obra da artista plástica Olly Reinheimer — desenvolvida entre a arte e a moda. Por meio desses exemplos, investiga-se como as novas correntes estéticas no período — notadamente o Concretismo e o Neoconcretismo — procuraram promover a integração arte e vida, por meio da estetização do cotidiano e dos novos estilos de vida. / This dissertation analyzes the role of plastic artists in the modernization process that occurred in Brazil after World War II, specifically in the 1950s and 1960s, presenting them as agents of this movement, particularly in the fields of art, fashion and the press. The main references are the graphic reforms carried out in the Jornal do Brasil and Correio da Manhã, by the artists Amilcar de Castro e Alexandre Wollner, respectively, and the artwork of the plastic artist Olly Reinheimer — developed between art and fashion. Through these examples, we investigate how the new aesthetic currents in the period — notably Concretism and Neoconcretism — sought to promote the integration of art and life, through the aestheticization of daily life and new lifestyles.