This thesis explores the structures of white supremacist capitalist patriarchy as embodied in US systems of oppression and violence both within the United States and in El Salvador. As the United States illegally funded and trained the Salvadoran military during its 1978-1992 civil war, it simultaneously transformed the domestic prison system into one of mass incarceration, torture, and social death. In examining both policies, their roots in violence, racial capitalism, and gendered oppression emerge. Furthermore, by focusing the examination within a gendered lens, the potential of such methods of resistance such as radical transnational feminist praxis come to the forefront as today’s most integrated method of tearing down such pernicious systems of violence. As this thesis connects the dots between seemingly disparate structures of exclusion and incapacitation, the global levels of both infrastructural violence and feminist resistance surface.

This thesis examines the issues of the modern French education system through an analysis of the film, Entre Les Murs (2008) and French education's socio-historical and political context. The study finds that the way in which France thinks about authority, language, and multiculturalism leads to the exclusion of certain students from the learning process. The aim of the study is to critically rethinks these issues in light of theories on race, identity, and postcolonialism in order to eventually propose solutions so that all students may fully flourish in modern French society.

En 1985 Alemania Occidental, Bélgica, Francia, Luxemburgo, y los Países Bajos, establecieron el Acuerdo de Schengen sobre la cooperación en la abolición de fronteras interiores como respuesta al Acta Única Europea que creó el mercado común en la Unión Europea. Este acuerdo se evolucionaría a la Convención de Dublín en 1990, y los dos se convertirían en la base de la política de asilo en la Unión Europea, estableciendo un enfoque intergubermental en ella. Es la provisión del mercado común sobre la libre circulación de personas que inició estos acuerdos intergubermentales. La libre circulación de personas involucra a todo extranjero también, incluyendo a los refugiados. A lo largo de esta tesis, se explora las razones para el establecimiento de los acuerdos intergubermentales y que efecto tienen en la formación de la política de asilo en la Unión Europea. También explora el efecto para la obligación a los refugiados según la Convención sobre el estatuto de los refugiados de 1951. Con el precedente de los acuerdos intergubermentales como Schengen y Dublín y la desgana de renunciar a la soberanía nacional sobre el asilo, el enfoque intergubermental, o sea, la cooperación en asuntos fronterizos en vez de la armonización de las políticas nacionales, queda aun cuando se incorporaron Schengen y Dublín a la ley comunitaria durante la época del Tratado de Ámsterdam. Sólo con el Tratado de Lisboa entonces podemos ver un cambio en el régimen de asilo fuera del enfoque intergubermental, más hacia la armonización.

In his groundbreaking work of postcolonial theory, Orientalism, Edward Said puts forth the idea that imperial Europe asserted an identity by constructing the character of its colonized subjects. Said writes that his book tries to “show that European culture gained in strength and identity by setting itself off against the Orient as a sort of surrogate and even underground self” (3). The object of this thesis is a related project, for it too is a search for imperial Britain’s surrogate or underground self. Yet rather than positioning this search within the British colonies, this thesis takes as its context a land and people that were at once more intimate and more alien: the races and landscapes of Fairyland. This Thesis attempts to situate the fairy folklore and literature from the Victorian era within the context of greater social and political ideologies of the age, specifically those pertaining to national identity, imperial power and race. In doing so it will analyze Charles Kingsley’s Water-Babies, Lewis Carroll’s Alice’s Adventures in Wonderland, Kenneth Grahame’s The Golden Age, George MacDonald’s The Princess and the Goblin, Charlotte Brontë’s Jane Eyre and Frances Hodgson Burnett’s The Secret Garden concluding that the British self proposed by these works was an uncomfortable manifestation, and haunted by the anxieties and discontinuities that arose as imperial Britain attempted to navigate an identity within Victorian conceptions of race and power.

I den här uppsatsen analyseras tre vanligt förekommande läroböcker i religionskunskap utifrån ett postkolonialt perspektiv i jakt på koloniala maktdiskurser. Passager där hinduism och hinduer målas upp som ”våran” motsats belyses och analyseras. Även delar innehållande etnocentrism i allmänhet och eurocentrism i synnerhet samt exotiserande beskrivningar lyfts upp i ljuset och diskuteras. I ett försök att koppla samman det teoretiska med det praktiska utfördes intervjuer med aktivt undervisande lärare. Det huvudsakliga målet med denna intervjustudie var att se hur stor risken är när ”förorenade” läroböcker används. Intervjustudien syftade således till att få en bild av i hur stor utsträckning läroböcker används i klassrumsmiljön och i planeringsprocessen av lektioner och hur ofta nya läroböcker köps in. Studiernas resultat är milt positiva. Även om ”gamla” koloniala tankar hittades i läroböckerna så verkar det som om den koloniala diskursen är försvagad i lärobokssammanhang, då de nyare läroböckerna hade färre koloniala spår än den äldsta som innehöll många. En annan del av studiernas resultat som kan ses som positivt är att lärares attityder kring läroboksanvändning verkar ha ändrats. Detta betyder att även om en lärobok innehåller koloniala diskurser så betyder det nödvändigtvis inte att de följer med in i elevens kunskaper. Detta är på grund av att läroboken numer ses som en informationskälla i mängden jämfört med dess tidigare roll som ”sanningsförmedlaren med stort S”. / In this paper three commonly used school textbooks for religion studies are analyzed using post-colonial theory in search for colonial power discourses. Passages where Hindu religion is described as “our” opposite are highlighted. Also occurrences of ethnocentrism in general and eurocentrism in particular as well as exoticism are brought to the light and discussed. In an effort to connect the theoretical with the practical an interview study is made with active teachers. The main goal is to see how big the risk, with using “tainted” textbooks, is. In the interview study questions about how large role textbooks plays in their classrooms and lesson planning and how often they bought new textbooks were asked. The results of the studies are mildly positive. Even though traces of old colonial thoughts were found in the school textbooks it seems as though the colonial discourse within the the textbooks sphere is weakened, since the newest of the textbooks analyzed did not have many colonial traces compared to the oldest one which had plenty. Another positive result of the studies is that teachers' attitudes towards textbook usage seems to have changed. This means that even though your textbook might have a colonial discourse there is no guarantee that it will stick on your students. Since textbooks now is seen as merely another source of information compared to its earlier status as The Source of Information.

This thesis will investigate the fictional discourse that has developed around academia and how this discourse has manifested itself in the New Zealand literary tradition, primarily in the works of M.K. Joseph, Dan Davin and James K. Baxter. These three writers have been selected because of their status within Kai Jensen's conception of “a literary tradition of excitement about masculinity”; in other words, the masculine tradition in New Zealand literature which provides fictional representations of factual events and tensions. This literary approach is also utilised in the tradition of British university fiction, in which the behaviour of students and faculty are often deliberately exaggerated in order to provide a representation of campus life that captures the essence of the reality without being wholly factual. The fact that these three writers attempt, consciously or unconsciously, to combine the two traditions is a matter of great literary interest: Joseph's A Pound of Saffron (1962) appropriates tropes of the British university novel while extending them to include concerns specific to New Zealand; Davin's Cliffs of Fall (1945), Not Here, Not Now (1970) and Brides of Price (1972) attempt to blend traditions of university fiction with the masculine realist tradition in New Zealand literature, though, as we will see, with limited success; Baxter's station as the maternal grandson of a noted professor allows him to criticise the elitist New Zealand university system in Horse (1985) from a unique position, for he was more sympathetic towards what he considered the working class “peasant wisdom” of his father, Archie, than the “professorial knowledge” of Archie's father-in-law. These three authors have been chosen also because of the way they explore attitudes towards universities amongst mainstream New Zealand society in their writing, for while most novels in the British tradition demonstrate little tension between those within the university walls and those without, in New Zealand fiction the tension is palpable. The motivations for this tension will also be explored in due course, but before we can grapple with how the tradition of British university fiction has impacted New Zealand literature, we must first examine the tradition itself.

This research utilizes an agency framework to examine the complexities of the participation of indigenous women in local, national, and global spaces of activism. By examining the connections between processes of globalization of indigenous and women’s rights, development agendas, local politics, and gender dynamics in indigenous organizations, this research highlights the connection of ethnicity, gender, and power in an indigenous organization of Cotacachi, Ecuador, and for Ecuadorian and Latin American indigenous leaders and professionals working in national and global arenas. Four interconnected topics are explored: (1) the understanding of indigenous women’s participation in the history of their organization within a context of interethnic discrimination and poverty that especially affects indigenous women; (2) the relation between indigenous women and the changing demands on indigenous leadership due to reconfigurations of rural livelihoods, the ascendance of the indigenous movement as a political actor, and the sustained presence of development projects; (3) the challenges indigenous women face and the strategies they enact as local leaders in their communities and organization negotiating essentialized constructions of indigenous women’s identity and forms of gender inequality; (4) the transition to local, national, and international formal politics and indigenous activism in which indigenous women’s legitimacy increasingly necessitates both experience in the indigenous movement and professionalization and expert knowledge. Using an ethnographic methodology including interviews and participant observation, the research explores the participation of indigenous female leaders who, even if their strategies have favored working within the indigenous movement’s wider agenda, are also contesting forms of gender, ethnic, and class inequality they find in their own organizations and beyond. Thus, the research highlights the challenges they face, the strategies they resort to, and the possibilities of articulating a differentiated agenda that reflect their particular interests.

My dissertation explores the narrative of Aurora Bertrana (1892-1974), an unknown writer today, but a successful and recognized female author in Catalonia and Spain during the mid 20th century. The written work of Aurora Bertrana is almost never mentioned in manuals of literature. Relegated almost to absolute oblivion, her rich, intellectual writting has not received the attention it deserves. I have studied seventeen of Bertrana’s novels –practically her entire oeuvre– written in Catalan and Spanish, including the following excellent books that have escaped critical attention: Ariatea (1960), “El pomell de les violes” (mn.), L’inefable Philip (mn.), La aldea sin hombres (mn.), La madrecita de los cerdos (mn.), Entre dos silencis (1958), La ninfa d’argila (1959), Fracàs (1966) and La ciutat dels joves: reportatge fantasia (1971). I have analyzed her writing, published and unpublished, from a feminist approach, taking into account the intellectual history of Spain and Catalonia. Bertrana’s strong commitment to controversial, social issues reveals her association with the modern and noucentists Catalan trends of her time. Her novels also reveal a unique interest in Europe at war and in non-Western cultures and lifestyles that draws attention to the situation of women in different circumstances and cultural geographies. My research is therefore anchored on interpretive and theoretical parameters that intersect, with a consideration of gender, such as class-and-gender, war-and-gender and travel-and-gender. I have used the work of feminists such as Simone De Beauvoir, Shulamith Firestone, Jelke Boesten, Margaret and Patrice Higonnet, Michelle Zimbalist Rosaldo, and Julia Kristeva to help assess Bertrana’s engagement with gender and socio-political issues. This approach is particularly well suited for a writer like Aurora Bertrana, a Catalan and Republican intellectual woman forced into exiled during the Spanish Civil War and the dictatorship of Francisco Franco.

When writing about Junot Díaz’s Drown (1996) Brief Wondrous Life of Oscar Wao (2007) and This is How You Lose Her (2012), I focus on the iterations of masculinity depicted and embodied by Yunior de las Casas, the primary narrator of this collection. I explore the links between diaspora, hybridity, masculinity, and trauma, arguing that both socio-historical and personal traumatic experience reverberates through the psyches and bodies of Díaz’s characters. I demonstrate the relationship between Yunior’s navigation of the United States and the Dominican Republic and his ever-shifting sexuality, self-presentation, and gender identity. The physical and discursive spaces he must traverse contain multiple, contradictory narratives about how to be a man; within Díaz’s collection, we witness Yunior’s coming-to-terms with the way that these stories of masculinity are rendered dysfunctional and incoherent. Accordingly, Yunior uses the hegemonic discourses of masculinity as a way to cloak his own queer difference, ambivalently interacting and identifying with characters marked as Other. In this analysis, I read Yunior’s masculinity as reactionary to the expectations of Domincan society, and also explore how he shaped by migration, trauma, and unspeakable queer desire.

During the 1960s and 1970s, tribes across Indian Country struggled for tribal sovereignty against “termination” policies that aimed to disintegrate the federal government’s trust responsibilities and treaty obligations to tribes and assimilate all Indians into mainstream society. Individual tribes, pan-Indian organizations, and militant Red Power activists rose up in resistance to these policies and fought for self-determination: a preservation of Indian distinctiveness and social and political autonomy. This thesis examines a crucial, but often overlooked, element of the self-determination movement. Hundreds of tribal and national-scope activist newspapers emerged during this era and became the authentic voices of American Indians and the messengers of the movement. This thesis examines the stories of several key newspapers. By looking at the opportunities and challenges their editors faced and the different approaches they took, this thesis will assess how they succeeded and fell short in telling authentic stories from Indian Country, fighting for distinct indigenous culture and rights, and reshaping public discourse and policy on American Indian affairs.