Made available in DSpace on 2016-08-03T12:20:34Z (GMT). No. of bitstreams: 1 Leandro Seawright.pdf: 654959 bytes, checksum: ec7b61249a1b1faf31afa8ed10498290 (MD5) Previous issue date: 2008-02-28 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation is the result of a search about a Pentecostal schism in the Brazilian Baptist Convention, in the decade of 1960. The center of interest of the conflict is a Spiritual Renewal Movement, which defended an experience of religious ecstasy, called baptism with the Holy Spirit, as confirmation of the relationship of the believer with God. The gradual adhesion of Baptists communities to such proposal transformed it into an alternative web of power that caused instability in the relations of power within the Baptist denomination in Brazil. The research reconstructs the shocks of this crucial episode and offered an interpretation from the theories of Michel Foucault and Michel de Certeau, trying to decipher the institutional mechanisms of control in battles with the tactics of the web of power. In the historical context of Brazilian effervescence not only religious, the mechanisms of surveillance of Brazilian Baptist Convention have proved inadequate for maintaining the unity threatened, since the opposing groups were punished with the exclusion.(AU) / A presente dissertação é resultado de uma pesquisa acerca de um cisma pentecostal na Convenção Batista Brasileira, na década de 1960. No foco do conflito encontra-se um Movimento de Renovação Espiritual, que defendia uma experiência de êxtase religioso, designada de batismo com o Espírito Santo, como confirmação da relação do crente com Deus. A progressiva adesão de comunidades batistas a tal proposta transformou-a numa rede alternativa de poder que causou instabilidade nas relações de poder no interior da denominação batista no Brasil. A pesquisa reconstrói os embates decisivos deste episódio e ofereceu uma interpretação a partir das teorias de Michel Foucault e Michel de Certeau, na medida em que tenta decifrar os mecanismos institucionais de controle em confronto com as táticas das redes de poder. No contexto histórico brasileiro de efervescência não só religiosa, os mecanismos de vigilância da Convenção Batista Brasileira mostraram-se insuficientes para a manutenção da unidade ameaçada, uma vez que puniu os grupos opositores com a exclusão.(AU)

From the claims of punk rocker GG Allin aiming to shed his own blood for Rock ‘n’ Roll to the religiously tinted narratives of Bruce Springsteen we come to find artists using religious references to color their artistic medium. A question arises: Could these utterances and narratives show a deeper meaning behind Rock ‘n’ Roll such that it can give individuals a way to obtain religious experience? This thesis aims at arguing for the ability of Rock ‘n’ Roll as having a way to incite feelings of religious experience and communitas. Through the usage of auto-ethnography coupled with subsidiary sources from academic to pop culture writers this thesis will investigate if such a creative form helps to enable individuals to experience transcendence and feelings of community while immersed in Rock ‘n’ Roll.

Cette Thèse propose d’expliquer le succès du christianisme au sein de populations urbaines deChine en analysant les processus d’affiliation-conversion, non comme des ruptures radicalesmais comme des résultats d’évaluations et de choix relativement rationnels et contextualisés.Y sont examinés les évolutions institutionnelles, les dispositions culturelles, les facteursconjoncturels, ainsi le processus d’initiation religieuse conduisant certains Chinois à adhérer àdes croyances et des organisations chrétiennes, à partir d’entretiens et d’observations conduitsprincipalement dans diverses organisations chrétiennes à Shanghai. Rappelant la graduellelégitimation socio-politique d’une offre chrétienne diversifiée en Chine depuis plus d’unsiècle, Cette thèse montre d’abord que l’adhésion des acteurs à des représentations etaspirations cosmopolites ainsi que l’expérience d’une mobilité géographique etprofessionnelle rendent possible les affiliations. Celles-ci résultent ensuite de l’identificationdans une organisation religieuse de ressources orientées vers le développement personnel etfamilial dans une structure innovante et moralement conservatrice. La conversion repose enfinsur l’expérience vécue par les acteurs au cours de l’initiation religieuse, dotant l’organisationet ses croyances d’une nouvelle légitimité, divine de leur point de vue, et par laquelle ilsachèvent une subjectivation communautaire. L’homogénéité constatée des processusd’affiliation-conversion ne doit cependant pas masquer la diversité des identités et stratégiesadoptées par les organisations et les acteurs pour accroitre leurs marges de manoeuvres et leurreconnaissance sociale. / This dissertation offers to explain the growth and success of Christianity among urbanpopulations in China, by analyzing affiliations and conversions as the results of relativelyrational and contextualized choices. Institutional evolutions, cultural dispositions, situationalcontingencies and the process of religious initiation leading to the endorsement of Christianbeliefs and organizations are examined mostly from interviews and observations conducted indiverse Christian organizations in Shanghai. Reminding of the gradual socio-politicallegitimation of Christianity since more than a century, this dissertation firstly shows thataffiliations are made possible because of individual’s adhesion to cosmopolitanrepresentations and aspirations, as well as their experience of geographical and socialmobility. Affiliations are then resulting from the identification of resources for personal andfamily development within an innovating as well as morally conservative religiousorganization. Conversion finally results from the individual experiment of a religiousinitiation, through which both the organization and its beliefs gain a new kind of legitimacy,appearing as divine in the eyes of the convert, and through which converts are achieving acommunity-centered subjectivation. Despite strong homogeneity, affiliation-conversionprocesses lead to great diversity of identities and strategies put up by organizations andindividuals struggling to increase their range of motion and social recognition.

Der Gegenstand dieser Dissertation sind Konversionsprozesse von Angehörigen der Evangelischen Landeskirchen in Deutschland (EKD); insbesondere geht es um die Art und Weise, wie Menschen die Veränderung ihrer Persönlichen Religion erleben. Die Theorie ist aus der religionssoziologischen, religionswissenschaftlichen und religionspsychologischen Konversionsforschung der letzten 100 Jahre abgeleitet und mittels quantitativer Verfahren geprüft worden. Drei Ergebnisse sind für die Arbeit zentral: 1. Anstatt Mitglieder devianter religiöser Gruppen zu befragen und die Motivlagen zur Mitgliedschaft zu erforschen, bilden Aussagen von Angehörigen der Evangelischen Kirchen in Deutschland die Datengrundlage. Auch bei ihnen ist nachweisbar, dass Konversionen zu biographischen Rekonstruktionen führen, die sich an der Norm der Religionsgemeinschaft orientieren. In der EKD ist das normative Spektrum breit, sodass hier Konversion sowohl als plötzliche (radikale) Veränderung als auch als gradueller Wandel sowie als unbewusster Prozess im Laufe der Biographie erlebt wird. 2. Über die biographische Rekonstruktion des Vorher-Nachher-Unterschieds der veränderten Persönlichen Religion hinaus sollten die Befragten angeben, als wie intensiv oder umfassend sie diese Veränderung erlebt haben. Anhand der Daten lässt sich zeigen, dass bei einem intensiveren Veränderungserleben auch die persönliche Religion zentraler für die Lebensvollzüge ist. 3. Die quantitativen Methoden haben es ermöglicht, sowohl die soziale Normzuordnung als auch das psychische Intensivierungserleben in ihrer Bedeutsamkeit für die Erklärung von Konversionsprozessen zu vergleichen. Beide Zugänge ergänzen einander in Abhängigkeit der Fragestellung: Die Zuordnung zur sozial normierten Erlebensweise der Konversion ist der stärkere Prädiktor für die biographsiche Rekonstruktion, die erlebte Intensität der Verändung ist der stärkere Prädiktor für den Zentralität der Persönlichen Religion (außer für den seltenen plötzlichen Konversionstyp). Allerdings trägt der jeweils andere Prädiktor zusätzlich zur Varianzaufklärung der jeweiligen zu erklärenden Variable bei. In einem umfassenderen Rahmen wird für die Religionswissenschaft diskutiert, dass religionssoziologische Theorieansätze sinnvoll und notwendig durch religionspsychologische ergänzt werden sollten.

In 1840, apostle missionaries for the Church of Jesus Christ of Latter-day Saints compiled, printed, and began distributing a hymnbook that eventually would become the basis for all subsequent LDS hymnbooks published in English in the nineteenth and twentieth centuries. This thesis, as a contribution to the literature of communication, book history, and hymnology, as well as the intellectual and cultural history of the early years of the LDS Church, focuses on analyzing the poetry of the 1840 Mormon Manchester hymnbook. Using qualitative root-metaphor analysis, the author identified and analyzed expressions, supporting an emergent journey root-metaphor. He then divided the expressions into eight categories, each describing important and distinct aspects of the Journey. These categories include the following: 1) the travelers, 2) the activities on the journey, 3) the way, 4) the destination, 5) the guide, 6) the invitation to come, 7) the motivations, and 8) the lost wanderers. This thesis is based on the assumption that cultures and religions can be understood through the stories they tell. The story of the journey as told through the poetry of the 1840 Manchester hymnbook illuminates one aspect of the religious experience of early members of the Church of Jesus Christ of Latter-day Saints. Taken together, the eight aspects of the journey root-metaphor identified in this thesis tell a story about LDS members as travelers on a journey home, who walk on a straight and narrow path, away from a dark and fallen world, through snares, darkness, and other dangers, toward a glorious destination where rest, joy, and other rewards await them. Ultimately the travelers must rise above this world and follow Christ to a place where they may live with God to serve and praise him ever more.

Worldwide liturgical music finds itself in a crisis. Liturgical music is made the scapegoat for everything that is wrong with liturgy, whereas the problems rather derive from the worship service as a whole, the theological thinking and the cultural environment in which the worship service is performed. Stereotyped liturgical forms, a cognitive verbalism, the demand for intelligibility, the loss of the poetic form of the liturgy, the disregard for symbols and rituals, the absence of visual and other art forms in the liturgy, the influence of the popular music culture and especially the lack of a profound theological reflection with regard to the essential place of music in the liturgy, are all contributing factors that have a negative influence on liturgical music. The worship service is surrounded by a postmodern culture, aspects of which might provide positive opportunities for the liturgy. A broader notion of rationality that includes the affective, non-cognitive dimensions of being human, opens up possibilities for the aesthetic, as well as the religious experience. The recognition of symbols, images, imagination and metaphors opens up new horizons for the worship service as Gesamtkunstwerk. Anti-foundationalistic thinking demands an open canon with regard to the liturgy and liturgical song. Ecumenicity as an expression of the postmodern 'global village' renders a plurality of liturgical and musical possibilities. Aspects that might influence the reception of liturgical songs and songbooks, such as a spirit of anti-authoritarianism must be borne in mind. The liturgical training of ministers of religion, especially with regard to their aesthetic formation must be given due attention. The reflection on liturgy with regard to the role of art and music as communicative acts, based on new theological insights, must come into full swing. Liturgical music can only be fully appreciated where liturgical renewal takes form in a comprehensive way and where theologically the space is opened up for music as a form of art that has the ability to communicate symbolically, especially that which defies clearcut definition - as such being a communicative act serving the gospel. / Liturgiese musiek verkeer wereldwyd in 'n krisis. Kritiek word dikwels slegs voor die deur van die musiek gele, terwyl die probleem verband hou met die erediens as geheel, die teologiese denke en met die kulturele omstandighede waarbinne die erediens plaasvind. Geykte liturgiese vorms, 'n kognitiewe-verbalisme, die oorbeklemtoonde eis om verstaanbaarheid, 'n verlies aan die kunsgestalte van die erediens, 'n miskenning van die simboliese waarde van rituele en handelinge, die gebrek aan visuele en ander kunsvorme, die invloed van die omringende musiekkultuur en veral die gebrek aan 'n grondige teologiese besinning ten opsigte van musiek in die erediens, bring die funksie, aard en wesenlike plek van liturgiese musiek in gedrang. Die erediens staan binne 'n · postmodernistiese denkkultuur waarvan sekere aspekte positiewe moontlikhede ten opsigte van die erediens kan bied. Die breer rasionaliteitsbegrip, wat ruimte open vir die affektiewe en nie-kognitiewe dimensies van menswees, skep nuwe ruimte vir die estetiese ervaring en die rol van ervaring in die geloofsproses. Die erkenning van simbole, simboolwerelde, metafore, beelde en verbeelding, bied nuwe moontlikhede vir die erediens as Gesamtkunstwerk. Die oog vir die heropname van die historiese en die simboliese bied ook geleentheid vir die herstel van die tradisionele lied. 'n Gees van anti-fundamentalisme vereis 'n oop kanon ten opsigte van die liturgie en die liturgiese lied. Ekumenisiteit as vorm van die postmoderne global village bied 'n pluraliteit van liturgiese en musikale moontlikhede. 'n Nie-outoritere tydsgees en die ontkenning van 'n 'kundigheidsgroep' deur die postmodernisme, moet verreken word as faktore wat 'n rol kan speel by die resepsie van liedere en gesangboeke. Die liturgiese opleiding, veral met betrekking tot die estetiese vorming van predikante, moet grondig aandag kry. Die besinning rondom die liturgie met betrekking tot die rol van kuns en musiek as kommunikatiewe handelinge moet op grond van nuwere teologiese insigte tereg kom. Die tese van hierdie studie is dat die kerklied, oud of nuut, eers daar tereg sal kom waar van liturgiese vernuwing in die omvattende sin sprake is en waar teologies die ruimte vir musiek as kunsvorm met die vermoe tot simboliese vergestalting - as sodanig dus kommunikatiewe handeling in diens van die Evangelia - verreken word. / Philosophy, Practical & Systematic Theology / D. Th. (Practical Theory)

Worldwide liturgical music finds itself in a crisis. Liturgical music is made the scapegoat for everything that is wrong with liturgy, whereas the problems rather derive from the worship service as a whole, the theological thinking and the cultural environment in which the worship service is performed. Stereotyped liturgical forms, a cognitive verbalism, the demand for intelligibility, the loss of the poetic form of the liturgy, the disregard for symbols and rituals, the absence of visual and other art forms in the liturgy, the influence of the popular music culture and especially the lack of a profound theological reflection with regard to the essential place of music in the liturgy, are all contributing factors that have a negative influence on liturgical music. The worship service is surrounded by a postmodern culture, aspects of which might provide positive opportunities for the liturgy. A broader notion of rationality that includes the affective, non-cognitive dimensions of being human, opens up possibilities for the aesthetic, as well as the religious experience. The recognition of symbols, images, imagination and metaphors opens up new horizons for the worship service as Gesamtkunstwerk. Anti-foundationalistic thinking demands an open canon with regard to the liturgy and liturgical song. Ecumenicity as an expression of the postmodern 'global village' renders a plurality of liturgical and musical possibilities. Aspects that might influence the reception of liturgical songs and songbooks, such as a spirit of anti-authoritarianism must be borne in mind. The liturgical training of ministers of religion, especially with regard to their aesthetic formation must be given due attention. The reflection on liturgy with regard to the role of art and music as communicative acts, based on new theological insights, must come into full swing. Liturgical music can only be fully appreciated where liturgical renewal takes form in a comprehensive way and where theologically the space is opened up for music as a form of art that has the ability to communicate symbolically, especially that which defies clearcut definition - as such being a communicative act serving the gospel. / Liturgiese musiek verkeer wereldwyd in 'n krisis. Kritiek word dikwels slegs voor die deur van die musiek gele, terwyl die probleem verband hou met die erediens as geheel, die teologiese denke en met die kulturele omstandighede waarbinne die erediens plaasvind. Geykte liturgiese vorms, 'n kognitiewe-verbalisme, die oorbeklemtoonde eis om verstaanbaarheid, 'n verlies aan die kunsgestalte van die erediens, 'n miskenning van die simboliese waarde van rituele en handelinge, die gebrek aan visuele en ander kunsvorme, die invloed van die omringende musiekkultuur en veral die gebrek aan 'n grondige teologiese besinning ten opsigte van musiek in die erediens, bring die funksie, aard en wesenlike plek van liturgiese musiek in gedrang. Die erediens staan binne 'n · postmodernistiese denkkultuur waarvan sekere aspekte positiewe moontlikhede ten opsigte van die erediens kan bied. Die breer rasionaliteitsbegrip, wat ruimte open vir die affektiewe en nie-kognitiewe dimensies van menswees, skep nuwe ruimte vir die estetiese ervaring en die rol van ervaring in die geloofsproses. Die erkenning van simbole, simboolwerelde, metafore, beelde en verbeelding, bied nuwe moontlikhede vir die erediens as Gesamtkunstwerk. Die oog vir die heropname van die historiese en die simboliese bied ook geleentheid vir die herstel van die tradisionele lied. 'n Gees van anti-fundamentalisme vereis 'n oop kanon ten opsigte van die liturgie en die liturgiese lied. Ekumenisiteit as vorm van die postmoderne global village bied 'n pluraliteit van liturgiese en musikale moontlikhede. 'n Nie-outoritere tydsgees en die ontkenning van 'n 'kundigheidsgroep' deur die postmodernisme, moet verreken word as faktore wat 'n rol kan speel by die resepsie van liedere en gesangboeke. Die liturgiese opleiding, veral met betrekking tot die estetiese vorming van predikante, moet grondig aandag kry. Die besinning rondom die liturgie met betrekking tot die rol van kuns en musiek as kommunikatiewe handelinge moet op grond van nuwere teologiese insigte tereg kom. Die tese van hierdie studie is dat die kerklied, oud of nuut, eers daar tereg sal kom waar van liturgiese vernuwing in die omvattende sin sprake is en waar teologies die ruimte vir musiek as kunsvorm met die vermoe tot simboliese vergestalting - as sodanig dus kommunikatiewe handeling in diens van die Evangelia - verreken word. / Philosophy, Practical and Systematic Theology / D. Th. (Practical Theory)

This work deals with the search for the possibility of fine art with the world of religions, which appears in their common language of symbols and figurative expression. These facts may subsequently be placed in religious education. Basic theoretical definition of these disciplines is devoted to the first chapter, which also suggests the principles that determine the further procedure. The second chapter is a reflection of the interdisciplinary cooperation of the social sciences, that the phenomena of religion and the arts review from their different sectoral aspects. This is in particular on the following areas: anthropology, sociology, psychology and theology. On the experience of art and religious experience, and their mutual context deals with the third chapter. In the fourth chapter of this work devoted to the question of the symbol, its potential use in religion and the arts, and also a treatise on the character in fine art and the metaphor in biblical texts.This unit is concluded by an evaluation of individual methods that can be applied when working with image in religious education. They are: Didactics of correlation, didactics of the symbol, the didactics of biblical text and an image or the interpretation of the symbol, which are supplemented by the new program "Philosophy for children". These didactic and methodological theory have been applied in the modeling design for possible application in the teaching of religion.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-06-17T14:19:05Z No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-13T14:38:59Z (GMT) No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5) / Made available in DSpace on 2016-07-13T14:38:59Z (GMT). No. of bitstreams: 1 marialuizaviannapessoademendonca.pdf: 4089662 bytes, checksum: c52edde5b2edf7a0dc3516fd910107e8 (MD5) Previous issue date: 2015-12-11 / No presente trabalho apresenta-se um estudo da História das Religiões de Mircea Eliade realizado sobre três aspectos desta obra: os aspectos epistemológico, metodológico e categorial. Na primeira parte do trabalho, postula-se que a História das Religiões eliadiana se trata de uma disciplina autônoma e integral, com objeto próprio de estudo – o fenômeno religioso considerado no seu plano específico de referência, o plano religioso – e com método próprio de trabalho – um método histórico-fenomenológicohermenêutico unitário –; que tal disciplina gira em torno de dois eixos – a fenomenologia da religião stricto sensu e a história das religiões; que, no seu todo, a História das Religiões eliadiana tem o estatuto de uma fenomenologia existencial da religião, situando-se no âmbito da Filosofia. Na segunda parte deste trabalho discorre-se sobre o método apenas implícito na obra eliadiana, o qual leva em conta o aspecto histórico do fenômeno religioso e o qual conjuga fenomenologia e hermenêutica, desenvolvendo-se em dois planos: o primeiro plano é o da análise fenomenológicodescritiva do fenômeno religioso realizada no campo da fenomenologia da religião stricto sensu, no qual o autor romeno conforma sua morfologia do sagrado; o segundo plano é o da análise hermenêutico-filosófica dos fenômenos religiosos históricos, no qual o citado autor procede à interpretação dos fenômenos religiosos historicamente acontecidos para a elaboração de sua história das religiões; Eliade utiliza ainda a análise hermenêutico-filosófica dos simbolismos religiosos para a realização de uma hermenêutica filosófica dos símbolos religiosos por meio da qual formula juízos normativos sobre a condição humana. Na terceira parte deste trabalho, realiza-se um estudo das principais categorias do pensamento eliadiano com ênfase para a hierofania, a dialética da hierofania, a dialética do sagrado e do profano, o sagrado, a religião, a experiência religiosa, o espaço sagrado, tempo e história, o homo religiosus, o homem ocidental moderno a-religioso, o arquétipo, o arquétipo da coincidentia oppositorum, imagens e símbolos, a a-historicidade da vida religiosa, o símbolo religioso, o simbolismo religioso, o mito, o rito, a camuflagem e a ocultação do sagrado no profano, a irreconhecibilidade do sagrado na História (ou a irreconhecibilidade do milagre) e o sagrado no mundo ocidental secularizado. / In this thesis a study of Mircea Eliade’s History of Religions is presented carried through on three different approaches: the epistemological approach, the methodological approach and the categorical approach. In the first Chapter of this thesis, it is claimed that Eliade’s History of Religions constitutes an autonomous and integral discipline, with proper object of study – the religious phenomenon in its specific plan of reference, the religious plan - and with proper method of work – a unitary historical-phenomenological-hermeneutic method -; that such discipline turns around two axles – the phenomenology of religion stricto sensu and the history of religions -; that, in its all, the eliadian History of Religions has the statute of an existential phenomenology of religion placing itself in the branch of Philosophy. In the second Chapter of this thesis, it is discoursed on the only implicit method in the eliadian workmanship, which takes in account the historical aspect of the religious phenomenon and which conjugates phenomenology and hermeneutics, developing itself in two plans: the first plan is that of the phenomenological-descriptive analysis of the religious phenomenon carried through on the field of the phenomenology of religion stricto sensu, in which the Rumanian author conforms his morphology of the Sacred; the second plan is that of the hermeneutic-philosophical analysis of the historical religious phenomena in which the cited author proceeds to the interpretation of the religious phenomena historically happened for the elaboration of his history of religions; Eliade also use the hermeneutic-philosophical analysis of the religious symbolisms for the accomplishment of a philosophical hermeneutics of the religious symbols by means of which he formulates normative judgments on the human being condition. In the third Chapter of this work, a study of the main categories of the eliadian thought is developed with emphasis for the hierophany, the dialectic of the hierophany, the dialectic of the Sacred and the Profane, the Sacred, the religion, the religious experience, the sacred space, time and history, homo religiosus, the modern Occidental man of the secularized societies, the archetype, the archetype of coincidentia oppositorum, images and symbols, the non-historicity of the of religious life, the religious symbol, the religious symbolism, the Myth, the Rite, the Camouflage and the Occultation of the Sacred in the Profane, the unrecognizableness of the Sacred in History (or the unrecognizableness of miracle), and the Sacred in the modern secularized Occidental world.

Includes bibliographical references (leaves 292-313) : illustrations / This thesis examines the Experience of God in the Fourth Gospel (in this research, it is also called the Johannine Experience of God) by perceiving it from the perspective of the metaphoric Familia Dei, found in this Gospel. This examination is done in a three-step process: The first step consists of a literary review and a presentation of the methodology and approach employed in this research. It intends to set the thesis within the Johannine studies. The second step involves the articulation of essential considerations on Religious Experience, the Johannine Community, and the Fourth Gospel. This articulation has two aims: First, to acquire a deeper understanding of the background of the Johannine Experience of God, and second, to point out the functionality of this Gospel’s narrative in constituting this experience. The third step comprises the following suggestion and the elaboration on its constituents: - The Johannine Experience of God consists of two components: the first one is the initiative of God the Father conveyed by Jesus Christ, perpetuated by the Holy Spirit, and as it is recorded in the Fourth Gospel. And the second one is the response of the believers (John’s readers) to this initiative by accepting the Son and journeying spiritually under the guidance of the Holy Spirit. - The Johannine Experience of God can be perceived from the perspective of the Familia Dei metaphoric found in the Fourth Gospel. - The narrative of the Fourth Gospel has the ability to constitute an experience of God and accordingly creates spirituality, once it is read or heard. This thesis aims to generate a deeper understanding of the spirituality of the Fourth Gospel at one level, and to offer an acceptable general insight about the Johannine Spirituality at another, hoping that its findings become an inspiration for future studies. / Christian Spirituality, Church History and Missiology / D. Th. (Christian spirituality)