Submitted by Haroudo Xavier Filho (haroudo.xavierfo@ufpe.br) on 2016-04-08T18:28:22Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissertação_ErikaBandeira_BC.pdf: 4674556 bytes, checksum: 8b1e7b5b50ac68adb2d76bfc2c92bfbe (MD5) / Made available in DSpace on 2016-04-08T18:28:22Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissertação_ErikaBandeira_BC.pdf: 4674556 bytes, checksum: 8b1e7b5b50ac68adb2d76bfc2c92bfbe (MD5) Previous issue date: 2015-02-26 / CNPq / Esta dissertação propõe a investigação comparativa das produções de Manoel e Martha Barros através da análise das obras escolhidas para compor o corpus da pesquisa: Poeminha em língua de brincar; Cantigas por um passarinho à toa e Memórias inventadas para crianças. A partir da análise, buscamos refletir acerca de questões como: a concepção de infância; renovação de perspectivas; primitivismo; efetividade da ilustração de obras poéticas e a influência editorial na produção de livros infanto-juvenis. Além disso, procuramos mostrar a necessidade de criação de novos olhares dentro da Crítica Literária, bem como a inserção e inversão de valores. Com o intuito de conquistar profunda compreensão da poética e da linguagem de Manoel de Barros e também investigar a expressividade da poética dentro das obras de Martha Barros, primeiramente contextualizamos a pesquisa dentro do universo da criança. O primeiro capítulo é dedicado a refletir sobre o papel da criança na família e na sociedade ao longo dos séculos, discutindo, ao mesmo tempo, o desenvolvimento da literatura infanto-juvenil. Logo após, procuramos apontar os traços infantis nas obras de Manoel e de Martha Barros. Posteriormente a toda esta contextualização, inicia a análise do corpus. Nossa intenção é de contribuir na área dos estudos interartísticos e o enriquecimento da fortuna crítica de Manoel e Martha Barros, pai e filha. / This dissertation proposes a comparative research of production of Manuel and Martha Barros by analyzing the works chosen to compose the corpus of our research: Poeminha em língua de brincar; Cantigas por um passarinho à toa e Memórias inventadas para crianças. From this analysis we reflect on issues such as: the conception of childhood; renewal prospects; primitivism; effectiveness illustration of poetic works and the editorial influence in the production of children's books. Also, we tried to show the need to create new perspective of the Literary Criticism and the insertion and inversion of values. In order to gain deep understanding of poetic and Manoel de Barros language and to investigate the expression of poetic in the works of Martha Barros, first contextualize the research within the child's universe. The first chapter is dedicated to reflect on the role of the child in the family and in society over the centuries, arguing at the same time, the development of children's literature. Soon after, we tried to point out the infantile traits in the works of Manuel and Martha Barros. Later all this contextualization begins analysis of the corpus. Our intention is to contribute in the area of interartísticos studies and enriching the critical fortune of Manuel and Martha Barros, father and daughter.

Esta tese insere-se no campo da leitura do texto literário, mais especificamente de narrativas infantis, e centraliza sua atenção na atuação do narrador, instância narrativa responsável pela condução da nossa leitura e, assim, por nos aproximar ou distanciar, nos mostrar ou esconder, nos envolver mais ou menos no mundo narrado. A partir da hipótese de que este ser de papel, muito além de apenas ser classificado em 1ª ou 3ª pessoa, pode, pela sua atuação na narrativa, também ser considerado mediador simbólico de leitura e, ainda, com a intenção de contribuir para a prática pedagógica, o objetivo geral deste estudo é averiguar a possibilidade de o narrador ser um mediador simbólico de leitura. Para a análise, elegemos obras do Programa Nacional Biblioteca da Escola – PNBE 2010, distribuídas gratuitamente pelo Governo Federal a todas as escolas públicas do País. O aporte teórico subsidia-se, especialmente, nos fundamentos de Iser (1999; 1996), Larrosa (2003) e Candido (1995), no que diz respeito à leitura do texto literário; Genette (s/d); Benjamin (2007), Lajolo e Zilberman (1996), ao estudo do narrador; Prince (1994), do narratário; Zilberman (1981) e Coelho (1991), da literatura infantil; e Vygostsky (1989), da mediação. Após a leitura e o levantamento dos elementos que compõem cada uma das 50 obras com narrativas verbovisuais – NVV - que compõem os 4 acervos do PNBE 2010, selecionamos 8 títulos para a análise quali-quantitativa, direcionando nosso olhar para a história e para o seu discurso, especialmente para a atuação do narrador com vistas ao narratário. Com base nessas análises, consideramos que o narrador é também mediador simbólico no processo de leitura, desde que: a) manifeste profundo conhecimento sobre o narrado e seja, portanto, um sábio; b) leve em consideração o universo de expectativa do leitor; e c) desafie o leitor. / Universidade de Caxias do Sul, UCS / This thesis is part of the literary texts reading field, specifically children's narratives, and focuses its attention on the performance of the narrator, a narrative body responsible for conducting our reading and, thus, to makes us close or distant, to show us or hide or to involve us into the narrated. The objective of this study is to investigate the possibility of seen the narrator as a reading symbolic mediator. From the hypothesis that this individual made of paper, far beyond just being ranked as 1st or 3rd person, for his performance in the narrative can also be considered a symbolic mediator of reading and also with the intention of contributing to the pedagogical practice. For this investigation, we selected works of the Programa Nacional Biblioteca da Escola (National Program of School Library) - PNBE 2010, distributed free by the federal government to all public schools in the country. Our theoretical background lies on Iser (1999; 1996), Larrosa (2003) and Candido (1995) with respect to the literary text reading; Genette (s / d); Benjamin (2007), Lajolo and Zilberman (1996), the study of the speaker; Prince (1994), the narratee; Zilberman (1981) and Coelho (1991), children's literature; and Vygotsky (1989), the mediation. After reading and analyzing the elements that make up each of the 50 works with verb visual narratives, that make up the 4 PNBE 2010 collections, we selected eight titles for the qualitative and quantitative analysis, directing our attention to the story and its speech, especially for the narrator's role with a view to the narratee. Based on this analysis, we consider that the narrator is also a symbolic mediator in the reading process, provided that: a) expresses deep knowledge of the narrated and is therefore a wise person; b) takes into consideration the reader's expectation of the universe; and c) challenges the reader.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-17T17:29:02Z No. of bitstreams: 1 marcelomanhaesdeoliveira.pdf: 905558 bytes, checksum: 77e0c7e49b11ba8de235cedf0d7c8fca (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-17T18:04:17Z (GMT) No. of bitstreams: 1 marcelomanhaesdeoliveira.pdf: 905558 bytes, checksum: 77e0c7e49b11ba8de235cedf0d7c8fca (MD5) / Made available in DSpace on 2015-12-17T18:04:17Z (GMT). No. of bitstreams: 1 marcelomanhaesdeoliveira.pdf: 905558 bytes, checksum: 77e0c7e49b11ba8de235cedf0d7c8fca (MD5) Previous issue date: 2015-09-02 / O presente estudo propõe uma averiguação sobre a presença de elementos que despertem a imaginação do leitor na obra infantil de Clarice Lispector. Discuto aqui alguns conceitos sobre a imaginação nos quatro contos para crianças da autora: O mistério do coelho pensante; A mulher que matou os peixes; A vida íntima de Laura; Quase de verdade. Esta pesquisa procura demonstrar a versatilidade da autora em transitar pelos diferentes aspectos da imaginação de forma singular. Verifica-se que o ineditismo, a transgressão e a vanguarda estão presentes na linguagem tipicamente peculiar de Clarice Lispector, provocando no leitor, na época em que os contos foram publicados, o efeito do estranhamento, independentemente de este leitor ser um adulto ou uma criança. Clarice é um dos autores que em muito contribuirá para suavizar a literatura infantil nacional das imposições pedagógicas enraizadas desde o período colonial. / This study proposes an investigation on the presence of elements that arouse the imagination of the reader in child work of Clarice Lispector. I discuss here the different shapes that make up the comprehensive way of imagination, listing the four short stories by the author: O mistério do Coelho pensante; A mulher que matou os peixes; A vida íntima de Laura; Quase de verdade. This research will seek to demonstrate the versatility of the author in transit the different aspects of the imagination through a unique way, where the novelty, transgression and the vanguard are present through the typically peculiar language of Clarice Lispector, causing the reader, at the time the short stories were published, the effect of estrangement, regardless of whether it is an adult or a child. Clarice is one of the authors who will contribute to soften the national children's literature of the rooted pedagogical impositions from the colonial period.

Creative dynamics and literature.

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Children’s literature is one of many important influences of childhood socialization and teaches children about contemporary society. Therefore, it is important to understand what messages children’s literature convey. In this thesis, I analyze four contemporary, Swedish graphic novels, aimed at children between the ages of six and nine years old. My research questions are: how do the studied books portray children and childhood? And how do the books portray the intersectional positions of girlhood and boyhood? To gather and analyze my data, I used close reading and thematic analysis. This process resulted in three themes, which I call: ‘a child in need of protection or the competent child’, ‘the gender-neutral superhero or the gendered superhero’ and ‘constructing girlhood and boyhood’. The results show that the books depict children in two ways; either as dependent and vulnerable or as competent agents. This relates to traditional, developmental understandings of children as well as understandings of children as formulated by the new paradigm for the study of childhood. Moreover, the results problematize the role of the superhero, specifically the ways in which the books explicitly gender the superhero in the text and portrays what could either be interpreted as a gender-neutral or an implicitly masculine superhero in the illustrations. Finally, the results indicate that the books depict girlhood and boyhood as contrasting identities. In conclusion, the authors of the books seem interested in challenging conventional norms regarding children and childhood, in line with a larger trend among Swedish children’s literature. At the same time, the books also convey traditional norms regarding both girlhood and boyhood, such as by the clear markers of age and gender in the illustrations. / Barnlitteratur är en av många viktiga influenser på barndomssocialisation och lär barn om det samtida samhället. Därför är det viktigt att förstå vilka budskap som barnlitteratur förmedlar. I denna uppsats analyserar jag fyra samtida svenska grafiska noveller riktade till barn mellan sex och nio år. Mina frågeställningar är: hur skildrar de studerade böckerna barn och barndom? Och hur skildrar böckerna de intersektionella positionerna flickskap och pojkskap? För att samla in och analysera min data har jag använt mig av närläsning och tematisk analys. Denna process resulterade i tre teman som jag kallar: ’ett barn i behov av skydd eller det kompetenta barnet’, ’den genusneutrala superhjälten eller den könade hjälten’ och ’att konstruera flickskap och pojkskap’. Resultaten visar att böckerna skildrar barn på två sätt: antingen som utsatta och i beroendeställning eller som kompetenta agenter. Dessa relaterar till traditionella, utvecklingsmässiga förståelser av barn liksom förståelser av barn så som de formulerats av det nya paradigmet för studiet av barndom. Dessutom problematiserar resultaten superhjälterollen, specifikt det sätt på vilket böckerna explicit könar superhjälten i text och porträtterar vad som antingen kan tolkas som en genusneutral eller en implicit maskulin superhjälte i illustrationerna. Till sist så indikerar resultaten att böckerna skildrar flickskap och pojkskap som kontrasterande identiteter. Sammanfattningsvis så verkar författarna av böckerna intresserade av att utmana konventionella normer rörande barn och barndom, i linje med en större trend bland svenska barnböcker. Samtidigt så skildrar böckerna också traditionella normer gällande både flickskap och pojkskap, så som genom de tydliga markörerna för ålder och genus i illustrationerna.

The purpose of my dissertation is to conduct an intertextual study of two fantasy texts — Alice in Wonderland by Victorian author Lewis Carroll, and Stardust by postmodern fantasy author Neil Gaiman — and their filmic re-visionings by Tim Burton and Matthew Vaughn respectively. In scrutinising these texts, drawing on insights from feminist, children’s literature and intertextual theorists, the actions of ‘growing up’ and ‘falling down’ are shown to be indicative of a paradoxical becoming of the text’s central female protagonists, Alice and Yvaine. The social mechanisms of the Victorian age that educate the girl-child into becoming accepting of their domestic roles ultimately alienate her from her true state of being. While she may garner some sense of importance within the imaginary realms of fantasy narratives, as these female protagonists demonstrate, she is reduced to the position of submissive in reality – in ‘growing up’, she must assume a ‘fallen down’ state in relation to the male. / English Studies / M.A. (English)

The purpose of the study is to increase knowledge about how newly licensedpreschool teachers work with children's literature and how they reflect on thiswork. The study examines what happens to the knowledge acquired duringpreschool teacher education, especially the knowledge that deals withchildren's literature. Qualitative semi-structured interviews were used toconduct a total of five interviews with legitimate preschool teachers from fourdifferent preschools. A qualitative content analysis was used to analyze thedata that emerged. The results show that preschool teachers believe that theireducation contained relevant knowledge about how preschool teachers canwork with children's literature. The study shows that preschool teachers viewtheir knowledge of children's literature positively and that their work withchildren's literature permeates the preschool's pedagogical activities. One ofthe conclusions that emerges is that children's literature in preschool is used inseveral different ways and not just as reading aloud at rest. The results alsoshow that newly licensed preschool teachers believe that they have goodconditions for working with children's literature in preschool. The work withchildren's literature is often planned together with the work team and theimportance of the group is emphasized. This is positive for the preschoolteaching profession as it shows how preschool teachers work with children'sliterature. / Syftet med studien är att öka kunskapen om hur nylegitimerade förskollärarearbetar med barnlitteratur samt hur de reflekterar kring detta arbete. Studienundersöker vad som händer med de kunskaper som tillägnas underförskollärarutbildningen, framför allt de kunskaper som handlar ombarnlitteratur. Kvalitativa semistrukturerade intervjuer användes för attgenomföra totalt fem intervjuer med legitimerade förskollärare från fyra olikaförskolor. För att analysera den data som framkom, användes en kvalitativinnehållsanalys. Resultatet visar att förskollärarna anser att deras utbildninginnehöll relevant kunskap om hur förskollärare kan arbeta med barnlitteratur.Det framkommer i studien att förskollärarna ser positivt på sin kunskapgällande barnlitteratur och att deras arbetet med barnlitteratur genomsyrarförskolans pedagogiska verksamhet. En av slutsatserna som framkommer äratt barnlitteratur i förskolan används på flera olika sätt och inte bara somhögläsning vid vilan. Resultaten visar också på att nylegitimerade förskollärareanser att de har goda förutsättningar till att arbeta med barnlitteratur iverksamheten. Arbetet med barnlitteratur planeras ofta tillsammans medarbetslaget och gruppens betydelse betonas. Det här är positivt förförskolläraryrket då det visar på hur förskollärare arbetar med barnlitteratur.