SHRIMP http://www.shrimpp.de ist ein Lehr-Lern-Experiment, das im Rahmen von Lehrpraxis im Transfer am Institut für Amerikanistik der Universität Leipzig https:// americanstudies.uni-leipzig.de und an der Professur für Literatur Nordamerikas der TU Dresden https://tu-dresden.de/gsw/slk/ anglistik_amerikanistik/na-literatur durchgeführt wurde: Das Lehrmaterial von Seminaren an beiden Standorten wurde als gemeinsames Social Hypertext Universum umgesetzt und über eine digitale Online-Plattform in das Lehrangebot integriert. Anstatt als traditionelle, lose Blattsammlung, lesen die Studierenden die Seminartexte online auf einer Social- Media-Plattform. Dort können sie die Inhalte entdecken, annotieren, individuell erschließen und für den eigenen Lernerfolg aktivieren, indem sie die den meisten Studierenden wohlvertrauten Interaktionsformen der Social Media (likes, Kommentare) verwenden. Das zugrundeliegende Modell wurde in Leipzig entwickelt, durch den Transfer mit Dresden aber sowohl in seinen technischen als auch in seinen didaktischen Möglichkeiten stark weiter entwickelt.

This project examines how fiction writers of the U.S. South and South Africa have grappled with the negotiation of the after-effects of national and individual trauma and how their texts implicate the reader in the suffering being represented. Chapter I seeks to make a connection between the theories of Freud, Cathy Caruth, and Dominick LaCapra as they relate to narrative representation of trauma and the position of the reader. Chapter II discusses Robert Penn Warren’s Flood through the lens of melancholia and trauma theory, showing how Warren depicts the elusive force of historical trauma through a protagonist charged with narrativizing an experience that resists articulation. Chapter III examines the notion of madness and the inward turning of suffering as discussed in scholarship on Head’s A Question of Power, arguing that through a punctum-like element, Head shows the transmission of intergenerational trauma in spite of an inward turning of suffering.

This thesis explores why readers insist on interpreting Zehra Çirak's texts in light of her Turkish German background when she claims that her texts have little to do with her Turkish heritage and are more universally applicable. While readers can interpret her texts without considering the author's biography, thereby obtaining insights into their own personal identity, I suggest that it also makes sense for readers to interpret her texts with the author's biography in mind because of current events and the history of Turkish migrant labor in Germany. To explore different possible interpretations of her texts, I have categorized Çirak's poetry, found in four of her volumes of poetry, Vogel auf dem Rücken eines Elefanten (1991), Fremde Flügel auf eigener Schulter (1994), Leibesübungen (2000), and In Bewegung (2008), into two broad groups. First, I look at the few poems in which Çirak overtly addresses alterity by discussing the alienation of Turks. In these texts, the speakers use Turkish words or images that link the texts to Çirak's biography. Then I turn to look at poems that can only metaphorically be interpreted as addressing Turkish German integration into mainstream German society and discuss how even though the figurative language Çirak employs make her texts applicable to other situations or interpretations, the texts lend themselves to being read in light of multiculturalism. In both of these categories of poetry, Çirak uses metaphor to address alterity without pandering to stereotypes or setting categorical limits on Turks, Germans, or other members of her readership.

This licentiate thesis addresses what textbooks in the school subject Swedish specifically oriented to pupils in different vocational programmes at Swedish high school/ upper secondary schools (Gymnasiet) offer to their readers. The study uses qualitative textual analysis as its main approach as well as, to a certain extent, quantitative data from textbooks in the Blickpunkt series (Blickpunktserien). Since they are included in so called comprehensive teaching materials, Bra Svenska A and Bra Svenska B, certain aspects of these two books, primarily their selection of texts are also studied. My point of departure is that a given textbook presumes a certain type of reader – this is supported by Umberto Eco’s theory that an author always writes with a reader in mind, a model reader, and I pose the following question: What views on subject matter, literature and cognitive approach are conveyed by the textbooks and what does this tell us about their model readers? My interpretation is that there are both many similarities and many differencies between the various model readers presumed by the textbooks. The focus on future professional activities permeates all of the textbooks, but is somewhat less prominent in Blickpunkt bygg and Blickpunkt el, where, to a certain extent, the model reader is presumed to be working with topics which can be attributed to the Swedish subject matter area. In Blickpunkt barn och fritid, Blickpunkt fordon, Blickpunkt hotell och restaurang and Blickpunkt omvårdnad, the postulated reader is assumed to be uninterested in literature and is expected to work in a field only marginally related to the Swedish subject matter area. Instead the textbooks are organized on the basis of a general assumption regarding what know-how and qualifications are currently in demand on the labor market. Therefore we cannot say that they contain a genuine Swedish subject matter area. The formulation of the textbooks implies that a model reader is not expected to approach the texts with a critical mind in order to help him or her develop cognitive thinking and oral and written language skills.

The intricate and complex writing style of Machado de Assis’ novel Dom Casmurro create a unique and powerfully engaging reader experience. While much has been discussed with regard to narratology and reader-response theory in Dom Casmurro, Machado’s writing recalls many principles found in the cross-disciplinary field of experience design. Through an analysis of the novel using flow and co-creation theories, we see that Machado designs an extraordinary reader experience through narrational scaffolding and co-creative invitations. These elements engage readers in challenging and immersive ways, ultimately encouraging readers to develop their reading capacity throughout their contact with the novel. In Dom Casmurro, Machado’s experiential writing enables readers to work together with the author to create two significant products: both the novel itself and—perhaps most important—the co-creative experience the novel facilitates.

This paper focuses on three aspects of the recipe minilect in translation from Swedish to German. These aspects concern illocutionary speech acts, reader address and ellipsis. The study aims to find out how frequently different translation strategies are used when translating illocutions, reader address and ellipses and to determine why these translation strategies were chosen. The analysis is mainly based on theories on minilects by Nordman (1994), on reader address and illocutionary acts by Rathmayr (2009) and on ellipsis by Teleman et al. (1999) This theoretical background facilitates the classification of the occurrences of illocutions, reader address and ellipsis quantitatively. Also, a qualitative analysis of representative examples is carried out in order to investigate the reason behind the chosen translation strategy. The results show the primary use of infinitives in illocutionary speech acts in German cookbooks in contrast to the imperative in Swedish cookbooks as well as the prominent avoidance of direct reader address in German. Moreover, ellipses are as frequent in German as it is in Swedish cookbooks, the study shows.

The paper discusses articulations of personality and communication structures in the lyric: who is speaking in a poem? What is the status of the person who speaks, or the one who is spoken about? Is it the author himself who is speaking, or is it someone else – an autonomous being, completely different and detached from the subject developed in the text? Who is addressed in and by a poem? It is made clear that conventional concepts of Stimmung (mood), Erlebnis (experience), and lyrisches Ich (the ›lyric I‹) should be set aside and the nature of lyric communication should be redetermined. For this purpose, a precise examination of the specific use of personal pronouns in poems is necessary, especially of the pronouns ›I‹, ›you‹ and ›we‹. The indistinct ›lyric I‹ should be substituted by the term ›articulated I‹. The poetic text as a whole is being structured by a superordinate entity, the Textsubjekt (›textual subject‹). Every speaking entity in a poem has a counterpart being addressed by it. Analyzing communication structures in poetry thus means first of all looking for an addressee who is constituted by the text. Only in a second step should we figure out if the address refers to the intended reader.

In recent years, a significant surge has occurred in the amount of children who are being diagnosed with a disorder on the autism spectrum. Current statistics from the Center for Disease Control and Prevention (2011) show that 1 in 110 children in the United States have an Autism Spectrum Disorder (ASD) and that the diagnosis of such is estimated to grow prodigiously due to a variety of different aspects, such as an ever-increasing broadening definition of autism, an inclusion of autism as a disability category under the Individuals with Disabilities Education Act of 1990, improved diagnostic methods, and some other unknown factors (In Nickel's work as cited by Nickels in 2010). Also, because a lack of or weakness in communication skills is a common characteristic for students who have an ASD, receiving early intervention to increase communication is imperative for this population. In consideration of this premise, this study looks at whether using a blended, balanced mode of reading instruction, the Language Experience Approach (Stauffer, 1970; Van Allen, 1970) and the work of Patricia Oelwein (1995), through written means can improve oral language fluency output and syntactical structure concurrently for a student who has suffered from many of the symptoms of ASD, but has not been clinically diagnosed. Along with the collection of qualitative data aggregated throughout this study through observational means, quantitative data was also collected before, during, and after the intervention to measure the effects on the subject. Quantitative data was obtained from a Letter-Identification Assessment (Clay 2005), the QRI-5 (Leslie & Caldwell, 2011), the Peabody Picture Vocabulary Test (Dunn & Dunn, 1997) , and Mean Length of Utterance (MLU).; Results obtained from this study showed that the interventions had a positive effect on the subject in terms of listening, speaking, reading, and writing where the fluency and complexity of the subject's speech patterns and ability to read and write improved over the course of the intervention period.

Within the past three decades, Star Wars has become nothing short of a household name. The millions of dollars gained from the films and various products, as well as the enjoyment and enthusiasm generated among fans, shows that Star Wars' value and significance in the realm of entertainment is substantial. In addition to this value, there are also many religious and mythological elements that are embedded within each of the movies. However, these elements do not carry the same prominence or interest that the plotline has with the audience. In an interview, Lucas stated that it was not his intent to use Star Wars to create a new religion or ideology. Nevertheless, the movie series has raised questions regarding its ability to attain such a devoted following. Consequently, the thesis will look into the dynamic between authorial intent and reader response. In addition, this thesis will investigate the religious themes and mythological elements of the Star Wars series and use this analysis to corroborate the position that Star Wars both resembles traditional religion and functions as religion for the fans. This thesis will analyze the religious elements and myths that are embedded in the general story, as well as those that are unique to the individual movies, by highlighting a family resemblance/functionalist approach to religion that focuses on not only the resemblances to traditional religion but also the religious effects that Star Wars has on its fans and society; namely, moral issues and the sense of meaning and belonging it inculcates among the fan base.

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