The artist uses herself as the object of study. Her subjective position is validated within a theoretical framework provided by feminism, existentialism and Freudian theory. The three world views provide the context for an analysis of sculpture produced between the years 1988 and 1997. Three one-person exhibitions held in 1990, 1993 and 1996, are examined in terms of their iconographic emphasis and their theoretical bias. The role of the unconscious in the genesis of the sculptures and the problem of author/reader dichotomies in interpretation are dealt with as thematic threads throughout the dissertation. / Department of History of Art and Fine Arts / M.A. (Fine Arts)

Without consciousness we become victim instead of actors- even if it is only a question of acting victims. And in the make belief of our lives, the audience is self (Fugard in Frank 2004: 53). The primary concern of this study is the comparison of video interpretations of Athol Fugard with their adaptations as visual texts. It has been argued that 'the playwright's creative labour ends with the completion of the script' (Kidnie 2009: 15).Therefore, amongst other issues this dissertation will explore the politics of production at play during adaptation from printed version to screenplays. My assumption is that a comparison between the printed texts and video versions will add to the understanding of the effectiveness of Fugard's dramatic techniques and comprehension of literary texts; images are easy to decipher by inexperienced interpreters if guided. For the purpose of my presentation I adapt the reader response theoretical position of Stanley Fish based on a comparison that will be explored in terms of my own response to both the written text and visual texts, and in line with other responsed to the play. / English Studies / M.A.

Students’ argumentative writing is substandard in the sense that the necessary relations, amongst other things, are not indicated in their texts. These texts also often lack an author’s voice. In a module such as academic literacy, it is important to pay attention to the means in which these particular problems can be solved. Part of the aims of a course in academic literacy is to equip students with the necessary academic literacy abilities (which include reading and writing ability) and in doing so, teach them to function properly in a tertiary discourse community. In this study, only the written component of academic literacy will be considered. Following the above mentioned problems, the focus will be specifically on items of metadiscourse, which may form part of a possible solution to improve students’ writing. Hyland (2004) distinguishes between two main categories of metadiscourse, namely the interactive and the interactional categories (which each consists of five subcategories). The aim of these categories is to guide the reader through the text in a specific way, and also to actively involve the reader with the textual content and the reading process. If these aspects of metadiscourse are applied effectively, the text may be more cohesive and coherent and a stronger reader-writer-relationship may be established. A corpus-linguistic approach has been followed in the investigation of the frequency of the occurrence of the subcategories of metadiscourse, as well as the functional suitability thereof. The data analysis is based on Hyland’s (2004) analytical framework of metadiscourse categories, which has been adapted according to the data that has been processed with WordSmith Tools (version 6.0). In this study, the focus group is Afrikaans L1 first-year students at the North-West University’s Vaal Triangle Campus in the year 2010. All 109 participants in the study were registered for AGLA111 (Introduction to Academic Literacy) and AGLA121 (Academic Literacy). The texts that were gathered from AGLA111 are represented in corpus 1 whereas the texts gathered from AGLA121 are represented in corpus 2. The data that was provided by these two corpora was measured against an honours corpus (consisting of 39 texts), which served as the norm for this study. The data interpretation can be divided into four categories, namely phenomena that show a statistically significant change in the correct direction, phenomena that were correct from the start and did not show any change between corpus 1 and corpus 2, phenomena that did not show any change between corpus 1 and corpus 2 but that differed from the honours corpus, as well as phenomena that show incorrect development. Recommendations, which have been based on the literature review and text analysis, are made with regard to specific aspects relating to metadiscourse and the teaching of academic literacy modules (on which this study is founded). These recommendations primarily focus on how students’ attention can be focused on the requirements proposed for writing an argumentative text. / MA (Afrikaans en Nederlands), North-West University, Vaal Triangle Campus, 2014

When youth novels were first written, Afrikaans speaking adolescents spent their time reading the original and absorbing youth novels then available. These suited their psychological and environmental development and they could identify with the language and style used in these novels. The contents were a representation of a world which they knew and in which they could feel secure. Although authors often dealt with issues relevant to the adolescent world, the plot reflected a secure and nurturing world where the readers and their life experiences were taken into account. In recent years the adolescent world has changed dramatically from a secure environment to a more exposed one, posing the question whether contemporary Afrikaans youth novels have retained the same traits mentioned earlier and answer to the same norms. The value of literature should never be underestimated; it can develop the imaginative skills and moral values of adolescent readers. Also, it has become clear that adolescents have a great need for reading material that deals with relevant issues. The main focus of this study is characterization and development of identity in selected youth novels by Barrie Hough, viz. My kat word herfs, Vlerkdans and Skilpoppe as revealed in textual analysis and empirical research. The literature study focuses on developmental psychology and the reading expectations of the adolescent, character development according to some narrative theories, e.g. reader response criticism and intertextuality theories. The main objective of this study is to analyze, interpret and evaluate the above three youth novels in order to establish whether or not the contemporary adolescent can identify with these specific stories. It has been found that the adolescent reader in the early years of the twenty first century is able to identify with the contemporary youth novels such as those by Barrie Hough. Although young readers do not want to steer clear of contentious themes and issues in youth novels, it seems that they still prefer evergreen classical topics and themes. This suggests that the modern adolescent is still positive about life and aspires to attain goodness and moral strength. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2006

This dissertation comprises two parts: Part I, which discusses use of second person pronoun in contemporary American poetry; and Part II, The Museum of Coming Apart, which is a collection of poems. As confessional verse became a dominant mode in American poetry in the late 1950s and early 60s, so too did the use of the first-person pronoun. Due in part to the excesses of later confessionalism, however, many contemporary poets hesitate to use first person for fear that their work might be read as autobiography. The poetry of the 1990s and early 2000s has thus been characterized by distance, dissociation, and fracture as poets attempt to remove themselves from the overtly emotional and intimate style of the confessionals. However, other contemporary poets have sought to straddle the line between the earnestness and linearity of confessionalism and the intellectually playful yet emotionally detached poetry of the moment. One method for striking this balance is to employ the second person pronoun. Because "you" in English is ambiguous, it allows the poet to toy with the level of distance in a poem and create evolving relationships between the speaker and reader. Through the analysis of poems by C. Dale Young, Paul Guest, Richard Hugo, Nick Flynn, Carrie St. George Comer, and Moira Egan, this essay examines five common ways second person is employed in contemporary American poetry-the use of "you" in reference to a specific individual, the epistolary form, the direct address to the reader, the imperative voice, and the use of "you" as a substitute for "I"-and the ways that the second-person pronoun allows these poems to take the best of both the confessional and dissociative modes.

Les textes de l’écrivain argentin Juan José Saer (1937-2005) construisent une œuvre unique à partir d’un processus typiquement balzacien, la récurrence des personnages dans un lieu, la « zona », donnant l’impression de créer une « comédie humaine » ou une saga. Mais la fragmentation, qui traverse l’ensemble du corpus tant dans la récurrence (de personnages, lieux, situations, temps), que dans l’intrigue, la représentation du réel ou l’écriture, introduisant de l’hétérogénéité et de l’indétermination, le rapprocherait plutôt du Nouveau Roman. C’est donc la fragmentation, plutôt qu’une unité préétablie, qui donne sa cohérence à l’ensemble. La « théorie négative » de Saer, qui lui permet d’écrire contre certains modèles perçus comme « totalitaires », s’articule de façon cohérente avec la place importante qu’il laisse au lecteur, dans les interstices entre deux fragments. La cohérence de l’ensemble est un effet de lecture délibéré et, plus que l’auteur, c’est désormais le lecteur qui est le garant de l’unité de l’œuvre. / Together, the texts written by Argentinian author Juan José Saer (1937-2005) build a unique opus, through the typically Balzacian process of recurring characters staged within a setting, « la zona », in a saga bearing some resemblance to Balzac’s « comédie humaine». But the fragmentation that pervades the body of work, not merely in its recurring motifs or structures (characters, settings, situations, time-frames), but in its very plot, its representation of reality and its aesthetics of the heterogenous and the indeterminate, rather liken it to the « Nouveau Roman ». Fragmentation, rather than a pre-established unity, gives the work its coherence as a whole. Saer’s « negative theory », which allows him to write against a number of models he perceives as « totalitarian », is coherently articulated with the essential role given to the reader, in the gaps between two fragments. The coherence of the whole relies on reader reception ; rather than with the author, the unity of the opus rests with the reader her/himself.

The purpose of the essay is to discuss the power narration has over our gender roles. John Fiske and Pierre Bourdieu´s theoretical texts have been used to discuss the connection between power and culture in A.S. Byatt’s novel Possession: A Romance. Possession demonstrates how male academics take part in shaping knowledge about the past and the present from their perspective. Byatt uses allusions to myth and folktales to emphasise both the romance theme of the novel and how the past has formed us and continues to affect us in our relationships and social roles. The novel reveals how women are trapped by cultural myths about women’s roles in society. The female characters’ fates demonstrate the complexity of heterosexual relationships for independent women in a society where women are supposed to be taken care of by men. The roles imposed on women in romance stories in particular can be seen as a reductionist patriarchal view of women. Byatt emphasizes how women who at varying levels do not collaborate with men are punished for their chosen lifestyles and how some, like homosexual women, have been removed or have chosen to remove themselves from society in different ways. Byatt attempts to demythologize social myths concerning women and men by rewriting traditional myths and fairy tales. Still, Possession does not ultimately challenge the importance of the heterosexual relationship or the male and female characters’ gender roles.

The first part of the thesis comprises Chapters 1 to 40 of the novel, written under a pseudonym, followed by a synopsis of the remaining chapters, 41 to 155. The potential jacket copy will refer to the protagonists, a male and a female detective. The second part of the thesis is a critical study of the novel. Literary theory and critical methods are used to investigate the writing process and to explicate the text’s layers of meaning, not all of which were clear to the author at the time of writing. Chapter 1 considers literary and creative writing theory, paying particular attention to conceptualisations of author and reader. In Chapter 2, the chosen pseudonym is explained and compared with those of other authors; the novel’s title is also examined. Chapter 3 covers the issue of genre, looking at theories and discussing both crime novel and Gothic fiction. In Chapter 4, critical approaches to character are applied. Chapter 5 does the same with plot. Chapters 6 and 7 take account of the manifestations of power. Chapter 6 covers the body and gender, while Chapter 7 deals with race and class. As a conclusion, Chapter 8 describes how the first draft was transformed to one acceptable for publication.

The aim of this dissertation is to examine the content and communicative strategies in texts used in a project on tobacco policy delegated by the Swedish government to the National Institute of Public Health (“The National Tobacco Assignment 2008–2010”). The study uses communicative strategies as an umbrella term for the way the texts fulfil the political assignment through adaptation to suit different receivers in a discursive practice with set guidelines for communication between experts and users, and how these strategies are visible in the studied texts. The material consists of six guides for care personnel and ten brochures for smokers. The study is a text-focused critical discourse analysis combining methodological tools from different linguistic traditions. These are chiefly taken from critical text linguistics, new rhetoric, and sociosemiotics. The main question posed in the study is how the public authority’s assignment to influence people through the texts is combined with ideas about smokers’ empowerment. The investigation problematizes how the content and form of the texts relates to the authority’s assignment to exert influence, and to motivational interviewing as a discursive practice with an empowerment perspective on lifestyle changes. The analyses show that controlling ideas and notions about smokers’ empowerment exist in parallel in the government texts about smoking cessation. Controlling elements are most prominent in the sections of the guides about groups who, in the encounter with care personnel, do not show any interest or desire to quit smoking. In the studied brochures the controlling elements are most prominent in those aimed at operation ­patients, adolescents, and parents-to-be. Both groups of material – the guides and the brochures – nevertheless give the impression of being designed to be compatible with a patient-cent­red discursive practice. This is noticeable, for example, in the occurrence of associative and dissociative argumentation strategies which legitimize or tone down controlling elements.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.