Submitted by Biblioteca Central (biblioteca@unicap.br) on 2018-02-22T18:58:23Z No. of bitstreams: 1 nara_fonseca_santa_cruz_oliveira.pdf: 759775 bytes, checksum: e4be24ff2de1542aa85720e34494f350 (MD5) / Made available in DSpace on 2018-02-22T18:58:23Z (GMT). No. of bitstreams: 1 nara_fonseca_santa_cruz_oliveira.pdf: 759775 bytes, checksum: e4be24ff2de1542aa85720e34494f350 (MD5) Previous issue date: 2017-12-06 / With the development of new technologies, we are currently experiencing a revolution in the information society. The Internet has provided greater global integration and has completely altered the recall process, given that the facts posted on the web tend to be timeless and it is not subject to the common biological process of forgetting. In this context, some conflicts were brought to the Judiciary, involving, on the one hand, the supposed "right to forget" (linked to the rights of the personality) and, on the other, the right to freedom of expression and communication. In this work, two cases involving the so-called "right to oblivion" ("Chacina da Candelária" and "Aída Curi") will be studied, both judged on the same day, by STJ, under the report of Minister Luis Felipe Salomão. The factual context of the cases in question was analyzed separately, but the grounds of the decisions were dealt with together, since the High Court used the same arguments to make both decisions, although the solutions pointed out were different: in the case "Chacina da Candelária" (REsp. No. 1,334,097 / RJ), the STJ first applied the right to forgetfulness, since the "Aída Curi" Case (REsp. No. 1,335,153 / RJ) was considered an unforgettable one. In this work, we will analyze the position adopted by the Supreme Court in these cases, discussing whether the way the right to forgetfulness was conceived represents a threat to the right to freedom of expression and communication and the right to collective memory. In order to elucidate the problem, the general aspects involving personality rights, the right to freedom of expression and the collision of fundamental rights will be observed. The institute of collective memory will also be studied. / Com o desenvolvimento das novas tecnologias, experimentamos, atualmente, uma revolução na sociedade de informação. A Internet proporcionou uma maior integração global e alterou completamente o processo de lembrança, tendo em vista que os fatos divulgados na rede tendem a ser eternos e ela não se sujeita ao processo biológico comum de esquecimento. Nesse contexto, alguns conflitos foram levados ao Poder Judiciário, envolvendo, de um lado, o suposto “direito ao esquecimento” (ligado aos direitos da personalidade) e, do outro, o direito à liberdade de expressão e comunicação. Neste trabalho, será feito o estudo de dois casos envolvendo o chamado “direito ao esquecimento” (“Chacina da Candelária” e “Aída Curi”), ambos julgados no mesmo dia, pelo STJ, sob a relatoria do Ministro Luís Felipe Salomão. O contexto fático dos casos em questão foi analisado em separado, mas os fundamentos das decisões foram tratados em conjunto, tendo em vista que o Superior Tribunal utilizou os mesmos argumentos para proferir ambas as decisões, muito embora as soluções apontadas tenham sido diferentes: no caso “Chacina da Candelária” (REsp. nº. 1.334.097/RJ), o STJ aplicou pela primeira vez o direito ao esquecimento, já o Caso “Aída Curi” (REsp. nº 1.335.153/RJ) foi considerado inesquecível. Neste trabalho, será analisado o posicionamento adotado pelo STJ nos referidos casos, discutindo-se se a forma como o direito ao esquecimento foi concebido representa uma ameaça ao direito à liberdade de expressão e comunicação e ao direito à memória coletiva. Para elucidar o problema, serão observados os aspectos gerais que envolvem os direitos da personalidade, o direito à liberdade de expressão e a colisão entre direitos fundamentais. Será estudado também o instituto da memória coletiva.

This thesis rediscovers the Swedish painter Märta Rudbeck (1882–1933). During her lifetime she was an esteemed composer of flower still lifes and portraits. Her forgotten heritage follows those of other female artists, whose legacies are long forgotten. By retracing her life through archives and newspaper articles, a picture of her upbringing, education, career and network affiliations emerges. By using the French sociologist Pierre Bourdieus field theory, the aim of the thesis is to analyse the social, educational, cultural and economic aspects that affected Märta Rudbeck’s life, and how this was manifested in her art. The strategies Märta Rudbeck encompassed, are highlighted in the analysis. She chose to exhibit her work with a variety of associations and also took commissions for portraits and copies of older works of art. The analysis also reveals how she followed in her mother’s footsteps and embraced female networks to further her career. Furthermore, the thesis uncovers how her heritage, social class and upbringing most likely influenced her choice of genre, which in turn has prevented her from staying relevant since her untimely death in the early 1930’s. The thesis finally discloses how Märta Rudbeck’s artistry is once again made relevant, through a major museum acquisition as well as an exhibition at one of the greater art institutions in Sweden.

Forgotten Lyres is a musical response to Percy Bysshe Shelley's poem Mutability, which depicts the fragility and unpredictable nature of human life. Four independent chamber ensembles make up the performing forces of Forgotten Lyres; the musicians evoke the topics of Shelley's text as they interact and coordinate with one another according to a variety of paradigms and without the use of a conductor. This essay focuses on the approaches to coordination within and between ensembles, and the ways in which the musicians' interactions can evoke and convey Shelley's texts. The essay also examines works by Mel Powell, Toru Takemitsu, Witold Lutoslawski, and Pierre Boulez as examples and precursors for the coordination strategies employed in Forgotten Lyres.

GDPR och dess intåg på den europeiska marknaden år 2018 var ett stort ämne för diskussion för företag som i någon mån hanterar personuppgifter. När privatpersoner nu har tillgång till mer makt i frågan så ställer det krav på företag att uppfylla dem. Ett tydligt exempel på detta är rätten att bli bortglömd. För att fullt ut möta detta krav så innebär det att företag fått ta ställning till vad man gör med sina säkerhetskopior. Dessa är utmanande eftersom syftet med dem är att vara intakta kopior av information, och inte avsedda för att redigeras. De tekniska metoder som finns föreslagna är oftast svåra att avgöra huruvida de tillåter full efterlevnad. I denna studie har fyra svenska företag intervjuats, där de fått berätta om hur de hanterat omställningen från Personuppgiftslagen till GDPR, hur deras rutiner ser ut och hur det i praktiken har fungerat att möta kraven i och med rätten att bli bortglömd när det kommer till deras säkerhetskopior. / GDPR and its entry to the European market in the year of 2018 was a major point of discussion for companies which to some extent handles personal data. Now that private persons have access to more power in the area, more demands are put on companies to comply. A clear example of this is the right to be forgotten. To fully comply with these demands, companies have had to consider what to do with their backups. These are challenging, as the purpose for them is to be intact copies of information, and not intended for editing. The technical measures that are proposed are most often difficult to determine whether they allow for full compliance. In this study, four Swedish companies are interviewed, where they have told about how they have handled the transition from Personuppgiftslagen to GDPR, what their routines look like, and how their compliance in practice has worked out with the right to be forgotten considering their backups.

Cette thèse, dans le cadre des Sciences de l'Information et de la Communication, aborde la question de la protection des données personnelles sur l’internet à travers l’étude des discours de quatre acteurs concernés par ce sujet : les entreprises de l’internet, les instances régulatrices, la population française et la presse nationale. L’objectif est de comprendre comment, à travers les discours de chacun de ces acteurs, se dessinent la question du brouillage des sphères privée et publique sur l’internet. C’est une question qui prend de l’ampleur avec le développement de l’internet, notamment avec la multiplication des réseaux socionumériques, qui offrent aux internautes différentes possibilités pour afficher leur extimité. La multiplication des dispositifs de mise en relation interpersonnelle s'accompagne alors d'une nouvelle dialectique contemporaine entre le privé et le public, pas toujours maîtrisée par les personnes concernées.Cette interaction entre le public et le privé induit un déplacement de la frontière qui sépare les deux sphères et peut entraîner certaines dérives de la part des entreprises spécialisées, telles Google ou Facebook, par rapport à l'agrégation des données personnelles des internautes. En effet, les bases de données sont au cœur du système économique de ces entreprises et ont acquis une valeur marchande liée à des enjeux essentiels par rapport à leur fonctionnement. Or, l’utilisation commerciale des ces données n’est pas nécessairement connue par l’utilisateur et peut être réalisée sans son accord, du moins de manière explicite. Ce double questionnement lié au brouillage des sphères privée et publique, c'est-à-dire, premièrement, l’aspect individuel où l’internaute est incité à dévoiler de plus en plus d’éléments personnels, et, deuxièmement, l’aspect lié à la marchandisation des données par les entreprises de l’internet, engendre alors la question de la confidentialité des données et des libertés individuelles. Les instances régulatrices, que ce soit à l’échelle de la France ou de l’Union Européenne, tentent d’apporter des réponses afin de protéger l’internaute en mettant en place des actions concernant le droit à l’oubli ou en poursuivant juridiquement Google, par exemple, lorsque l’entreprise ne se conforme pas aux lois en vigueur sur le territoire concerné.Les différents angles d’approche ainsi que la diversité des acteurs étudiés ont nécessité la constitution d’un corpus multidimentionnel afin d’avoir une approche comparative des différents représentations. Ce corpus comprend à la fois des textes inscrits comme les discours politiques, les discours des instances régulatrices, les discours des entreprises de l’internet, plus spécifiquement Google et Facebook ou les discours de presse qui occupent une position méta-discursive puisqu’ils se font l’écho des discours des acteurs précédemment énoncés. Il comprend aussi des discours oraux constitués d’entretiens spécialement réalisés dans le cadre de cette recherche auprès d’individus pris au hasard de la population française. Une analyse quantitative des discours entre 2010 et 2013, période contemporaine à la thèse, a permis d’effectuer un premier tri et de ne sélectionner que les discours les plus pertinents par rapport à nos hypothèses. L’analyse qualitative qui a suivi a été basée sur le cadre théorique précédemment élaboré afin de croiser les représentations des acteurs à propos des données personnelles et mettre en évidence les différentes visions inhérentes à cette question. / This thesis, in Communication and Information Sciences, raises the question of the internet personal data protection through the discourses analysis of four actors concerned with this subject: internet companies, authorities regulating, French population and national press. The objective is to understand how, through the discourses of each one of these actors, the question of the jamming of the spheres private and public about the Internet takes shape. It is a question which increases with the development of the Internet, in particular with the multiplication of the social digital network, which gives to the Internet users various opportunities to display their privacy. The multiplication of the interpersonal relationship devices connection is then accompanied by a contemporary dialectical between private and public spheres, not always controlled by concerned people.This interaction between private and public leads to a transfert of the border wich separates the two spheres and can involves some drifts on behalf of specialized companies, such Google and Facebook, toward the aggregation of personal data contents. Indeed, databases are central in the economic system of these companies and gained a commercial value. However, the commercial use as of these data is not necessarily known by the user and can be realized without its agreement, at least in an explicit way. This double questioning related to the jamming of the private and public spheres, i.e., firstly, the individual aspect where the Internet user is incited to reveal personal elements more and more, and, secondly, the related aspect with the selling of the data by the Internet companies, then generates the question of the individual freedom and data confidentiality. The regulating authorities, in France or in European Union, try to provide answers in order to protect the Internet users by setting up actions relating to the right to be forgotten or by prosecuting Google, for example, when the company does not conform to the laws in force on the territory concerned. The various angles of incidence as well as the diversity of the studied actors required the constitution of a multidimentional corpus in order to have a comparative approach of the different representations. This corpus includes texts registered like political discourses, regulating authorities speeches, companies of the Internet speeches, specifically Google and Facebook, or press speeches which occupy a meta-discursive position since they repeat speeches of the actors previously stated. It includes also oral speeches made up of talks especially recorded for this research with some persons taken randomly in the French population. A quantitative analysis of the discourses between 2010 and 2013, contemporary period with the thesis, permit to carry out a first sorting and to select only the most relevant speeches compared to our hypothesis. The qualitative analysis which followed was based on the theoretical framework previously elaborate in order to cross the representations of the actors in connection with the personal data and to highlight the various visions about this question.

Made available in DSpace on 2016-04-25T20:21:26Z (GMT). No. of bitstreams: 1 Rita de Cassia da Silva Leao.pdf: 5297903 bytes, checksum: 365d1ce161ffb73142a6ebc13ab0e302 (MD5) Previous issue date: 2015-05-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / All movie-making has an anthropological character, as it is as open-ended as humankind itself. The works of Werner Herzog run parallel with fundamental anthropology, which seeks to understand the process of penetration of man into the world and the inseparable process of penetration of the world into man. The first movie that is analyzed, Wodaabe: Herdsman of the Sun, deals with love of beauty among beings who feel despised by neighboring peoples. The second, Grizzly Man, is about a man who wanted to be a bear, as he could not stand living among humans. The third, The Cave of Forgotten Dreams, tells us how humankind dreamed 32 thousand years ago; how it projected its double on cave walls and small statues. Paintings and statues feature at the same time a penchant for both the fantastic and the reality of shapes and forms. It is not Herzog´s movie settings or themes which are anthropological; it is his view of the world and his way of making movies, which transmutes real into imaginary, and imaginary into real / Todo cinema contém um caráter antropológico, por ser aberto como a própria humanidade. A obra de Werner Herzog é contigua à antropologia fundamental, que busca compreender o processo de penetração do homem no mundo e o processo inseparável de penetração do mundo no homem. O primeiro filme analisado, Wodaabe: Os pastores do sol, trata do amor à beleza entre seres que se sentem desprezados pelos povos vizinhos. O segundo, O homem urso, de um humano que queria ser urso e não suportava o mundo dos humanos. O terceiro, A caverna dos sonhos esquecidos, conta como sonhava a humanidade há 32 mil anos, como projetava seu duplo nas paredes das cavernas e nas pequenas estátuas. Nas pinturas e estátuas estão presentes, ao mesmo tempo, uma tendência para o fantástico e para a realidade das formas. Não são os locais de filmagem e tampouco os temas de Herzog que são antropológicos, mas sim a sua visão de mundo e o modo de fazer cinema, que transmuta o real em imaginário e o imaginário em real

Apesar de ser considerada há muito tempo e por inúmeras nações e organizações internacionais como um valor fundamental, a liberdade de expressão é, até hoje, objeto de muitas incertezas e indefinições, especialmente quanto à sua aplicação prática em um cenário em que outros direitos e valores constitucionais estão envolvidos. O presente estudo parte da análise da estrutura do ato comunicativo, especificamente da análise da identidade dos sujeitos da comunicação, do fator temporal e do conteúdo ou mensagem, para aferir se a valoração jurídica da expressão do pensamento é condicionada por esses elementos. A partir disso, o presente trabalho propõe critérios para que a interpretação e a aplicação da liberdade de expressão sejam imbuídas de segurança jurídica, de modo a garantir própria efetividade dessa liberdade que se configura como um valor tão caro às sociedades democráticas. / Despite being considered as a fundamental value for several centuries and by many nations and international organizations, freedom of speech is, until present time, the object of much uncertainty, especially regarding its practical application when other rights and constitutional values are involved. The present study analyses the structure of the communicative act, specifically the identity of interlocutors, the time factor and the content or message, to assess if the legal value of the expression of thought is conditioned by these elements. From that, the present work proposes criteria to a rational and secure interpretation and application of freedom of speech, so as to guarantee the effectiveness itself of this liberty, that is so dear to democratic societies.

Made available in DSpace on 2016-04-26T14:55:24Z (GMT). No. of bitstreams: 1 Rita de Cassia da Silva Leao.pdf: 5297903 bytes, checksum: 365d1ce161ffb73142a6ebc13ab0e302 (MD5) Previous issue date: 2015-05-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / All movie-making has an anthropological character, as it is as open-ended as humankind itself. The works of Werner Herzog run parallel with fundamental anthropology, which seeks to understand the process of penetration of man into the world and the inseparable process of penetration of the world into man. The first movie that is analyzed, Wodaabe: Herdsman of the Sun, deals with love of beauty among beings who feel despised by neighboring peoples. The second, Grizzly Man, is about a man who wanted to be a bear, as he could not stand living among humans. The third, The Cave of Forgotten Dreams, tells us how humankind dreamed 32 thousand years ago; how it projected its double on cave walls and small statues. Paintings and statues feature at the same time a penchant for both the fantastic and the reality of shapes and forms. It is not Herzog´s movie settings or themes which are anthropological; it is his view of the world and his way of making movies, which transmutes real into imaginary, and imaginary into real / Todo cinema contém um caráter antropológico, por ser aberto como a própria humanidade. A obra de Werner Herzog é contigua à antropologia fundamental, que busca compreender o processo de penetração do homem no mundo e o processo inseparável de penetração do mundo no homem. O primeiro filme analisado, Wodaabe: Os pastores do sol, trata do amor à beleza entre seres que se sentem desprezados pelos povos vizinhos. O segundo, O homem urso, de um humano que queria ser urso e não suportava o mundo dos humanos. O terceiro, A caverna dos sonhos esquecidos, conta como sonhava a humanidade há 32 mil anos, como projetava seu duplo nas paredes das cavernas e nas pequenas estátuas. Nas pinturas e estátuas estão presentes, ao mesmo tempo, uma tendência para o fantástico e para a realidade das formas. Não são os locais de filmagem e tampouco os temas de Herzog que são antropológicos, mas sim a sua visão de mundo e o modo de fazer cinema, que transmuta o real em imaginário e o imaginário em real

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Den här uppsatsens fokus ligger på lagstiftningen och hanteringen av sekretessbelagd information om enskilda personer gällande hälsa och sociala förhållanden. Att tolka lagar är inte lätt och vilket ansvar vilar på arkiven kring utlämnande av sådana handlingar. Med studien vill jag få fram hur arkiven praktiskt arbetar med detta för att få fram ett underlag om hur man kan tänka kring hanteringen vid utlämnande av sådana uppgifter. Appraisalmetoden som använts och sekretessen påverkar vad som finns tillgängligt från arkiven. Urvalet av det som bevaras av handlingar speciellt rörande barn som har kommit i kontakt med Socialstyrelsen har kritiserats då det framkommit att dessa har gallrats för mycket utifrån de förfrågningar som kommit till arkiven om utlämnande av dessa då de inte funnits. För att få fram detta har jag använt mig av två metoder där det ena är litteraturstudier och den andra är intervjuer av två arkivinstitutioner som har hand om sådana handlingar, ett kommunarkiv och ett landstingsarkiv. Resultatet av studien har blivit ett underlag till en vägledning utifrån rådande lagstiftning där hanteringen och frågor som kan vara bra att ha med sig för att kunna avgöra om en handling kan lämnas ut eller inte. Det har också kommit fram att sekretesstiden kan ha blivit för kort i Sverige med sina 70 år jämfört med till exempel Norge och Kanada som har 80 år och mer beroende på handlingstypen. Detta utifrån att vi lever längre än tidigare och lagen borde anpassas efter det.