pending / Doctorat en environnement / info:eu-repo/semantics/nonPublished

The majestic mountains of the uKhahlamba Drakensberg, formed many millennia ago were home to the Bushmen[footnote 1] or San people. They lived at these mountains for thousands of years before they were colonised by the Bantu speakers and the Europeans. Academic writings for many years have perpetuated the thinking that Bushman people were largely extinct. The dominance of this view in the academic writings was encouraged by historical evidence that Europeans and Bantu speakers hunted and killed Bushmen over the last several centuries. Researchers argue that the extermination of the Bushmen was because they were less human in the eyes of the foreigners, due to cattle raiding. There is still some element of this thinking amongst today’s academics, although research in the last decade is questioning this thinking. The question of whether descendants do exist is relevant to issues of rights of access to ancestral sacred sites, in particular rock art sites. At present, access to rock art sites is granted on qualification as an authentic fee-paying tourist (or affordability) rather than on group rights to a cultural heritage resource (cultural rights). Based on this, I argue that access to rock art sites is based on qualification rather than by right. This is largely driven by an approach that emphasises the physical conservation and financial sustainability of a site, rather than its spiritual maintenance. It has become clear that the interests in rock art by tourists and Bushman descendants are distinct from each other. Tourists have an aesthetic significance for rock art while Bushmen descendants have a spiritual significance for the paintings. Beyond any doubt, the physically based and financially driven approach has brought new challenges to today’s Bushmen descendants, whom in reaffirming their identities now have a new challenge to overcome. Not only are the rock art sites physically threatened but also they have lost much of their spiritual powers. Their fate lies in the hands of heritage officers who must determine access rights to the painted shelters. Both the National Heritage Resources Act and the KwaZulu-Natal Heritage Act acknowledge living heritage. However, the existence of this heritage is judged against the physical approach to rock art management. If the practises of descendants are perceived to be a threat to the rock art, they will not be approved. The case of the Duma is a classic example. Prior to the ritual ceremony at Game Pass Shelter, Kamberg, they were informed of the minimum standards for opening a rock art site to public and rules of how people should behave while visiting painted shelters. While it was evident that there are problems with the two approaches, the spiritual and physical approach, discussed in the thesis, it is important that solutions are identified. I do not believe that one approach on its own will be good enough, for reasons discussed in the thesis. Instead, the two approaches should be implemented together to compliment each other by identifying common grounds. I provide strategies as to how I believe that such a common ground can be reached. In addition, I provide my own analytical thinking as to how these strategies can be achieved. There is no general consensus over which term is appropriate. Both terms are considered by some academics to be derogatory or pejorative (Chennels 2003). San means vagabond and was given to the Bushmen by Khoi-Khoi people, because they considered themselves of a better social class, as they had domesticated animals and were more sedentary than Bushmen. However, according to WIMSA (Thoma 2003) the word San is derived from the Hai||om language meaning “people who gather”. It is normally written Saan but it has been accepted to write San. In 1993 the San requested to be called San when referred to as an entire group. If one refers to individual people/groups they like to be called by their language and cultural name i.e. Khwe, !Kung, !Xun, Ju|’hoansi, ‡Khomani, N|u, |’Auni, Hai||om, etc In this thesis, Bushmen is a preferred term, because it is a better-known term among the people who are central to this study. It is used without any insulting connotations attached to the term.

This thesis examines the formation of spatial theory and the linkage between space and place and their relationship with historic preservation and heritage tourism. First, this thesis analyzes the terms space and place, and how scholars define each term. Second, this thesis focuses on the concept of placelessness. Third, this thesis examines historic preservation as a strategy to help alleviate placelessness and as a crucial link to heritage tourism. This thesis also will use regional examples of preservation and tourism as exemplified by the preservation efforts of private organizations, citizens, and government officials in Jonesborough,Johnson City, and Washington County,Tennessee. This thesis provides some ideas for the creation of a possible heritage tourism program within Washington County,Tennessee.

No description available.

Thesis (M.A. (Information Studies)) -- University of Limpopo, 2022 / Digitisation of library materials offers Library and Information Services (LIS) organisations, national libraries in particular, opportunities to preserve and manage fragile and unique materials, by protecting their physical, saving them from deteriorating and facilitating unmediated access to such collection. The aim of the study was to examine processes involved in the digitisation of the South African National Documentary and Cultural Heritage for the purpose of preservation and access at the national library of South Africa (NLSA). The study was guided by the systems theory by looking into the selection, processing and disseminating of digital records at the NLSA. The study examined adherence to the policies and national legislative frameworks, the technologies used for digitization and access to digitized collections, tools used for accessing digital collections, as well the challenges experienced in the NLSA digitization project. Qualitative research methodology was adopted, through a case-study research whereby, semi-structured interviews, document analysis and observations were triangulated as data collection methods for the study. The key findings showed that the digitisation project at the NLSA adheres to pieces of national legislation and international guidelines such as International Standards Organization (ISO), the and draft digitisation policy developed by the Department of Sports, Arts and Culture which takes into consideration the national legislative framework such as the RSA Constitution, the NLSA Act, the Legal Deposit Act, Copyright legislation, and the Promotion of Access to Information Act (PAIA). However, the content analysis of these legislation did not mention anything about the handling and management of digital collections. Technologies and equipment used in the digitisation process included high quality scanners, servers and hard drives with software such as Optical Character Recognition, Content document management software and the NLSA website. The challenges uncovered in the study in relation included duplication of digitisation efforts and lack of expertise in digitisation. This study recommends that given the evolution of technology, the NLSA should migrate to a more convenient cloud storage that has a large advantage in case of unlimited storage, and keep up to date with the trends of digitisation technology. Legislation governing the LIS in South Africa also needs amendment to cater for the handling and management of digital collections. v

Thesis (M. Tech.) -- Central University of Technology, Free State

Vår uppsats handlar om hembygdsföreningeni rollen som turistisk aktör. Vi granskar vilka drivkrafter som aktören uppvisar samt hur dessa påverkar synen på modernisering och digitalisering inom den egna föreningen. Vi vill också lyfta fram hembygdsförening som en vagga i vårt kulturarv. Att låta dåtidens levnadssätt gå hand i hand med nutidens digitaliserade levnadssätt kan göra ett modernt historiskt-och kunskapsmässigt samarbete för kommande generationer. Vidare diskuteras hur medvetenheten om dessa drivkrafter är viktiga för att balansera den konventionella synen på turism ur ett management perspektiv, tillsammans med den ideella föreningens mer psykosociala identitetsskapande syn. Vårt syfte är att definiera hur en hembygd arbetar med turism och hur stor roll turismen har inom föreningen. Vihar sedan använt oss av frågeställningar och en problemformulering där vi tagit upp olika hjälpmedel och undersökt vilka drivkrafter som får aktörerna att ta tag i vissa projekt och användandet av digitalisering. Vårt angreppssätt i dennauppsats är att använda oss av teori som ett ramverk för de påståenden och argument som presenteras i vår empiri och metod-del. Med stöd av vårt teoretiska angreppssätt tillsammans med intervjuresultaten är det vår förhoppning att tydliggöra betydelsen av kulturarvsturismen.Genom kvalitativa intervjuer tar vi upp begreppet kulturarv och förklarar dess innebörd på ett konkret sett. Vi träffar äldre människor där många har minnen från förr och med egna ord kan återspegla historien. I vår uppsats har vi redogjort för Sveriges kulturarvshistoria inom hembygdsföreningar, där vi analyserar de drivkrafter som ligger bakom arbetet med att bevara Sveriges historia hos de enskilda aktörerna. Vår bakgrund inom medieteknik gör att vårt arbete präglas av en världsbild där tekniken är ett verktyg som underlättar utvecklingen av produkter inom turism. Genom insamlat resultat ser vi att aktörerna är överens om att vår historia om hembygdsföreningar och kulturarv behöver bevaras för att människan ska kunna känna en gemenskap och trygghet till sin hembygd. Kulturarvet kan också användas som ett verktyg för att framföra kunskap till olika generationer och vidare kan den digitala utvecklingen av kulturarvsattraktioner nå ut till fler människor i framtiden på ett mer interaktivt sätt. I vår uppsats har vi också kommit fram till att kulturarvsattraktioner spelar en viktig roll inom upplevelseturism på många olika plan genom att studera drivkrafter hos de eldsjälar som erbjuder omgivningen något varaktigt och minnesvärt, som räcker långt framöver. / Our essay revolves around the local history associations and the actors within it as part of the tourism sector. We have researched the driving-forces that these actors possess, their view on modernization and digitalization within the association. With this paper we also want to highlight that local history associations works as a cradle for our cultural heritage. These actors want the life of past times to go hand-in-hand with the digital lifestyle of modern times, which will contribute with historical knowledge for future generations.Furthermore,we discuss how these driving-forces are an important part of the balance between the conventional view on tourism from a management perspective, and the non-profit association’s psycho-social view. Our purpose is to define how local history works within tourism and how big of a role it has within the associations. We discuss different tools at hand and explore what driving-forces that get the actors to use digitalization in certain projects. The method of our essay is to use a theory as a framework for thestatements and arguments that are introduced in our empirical data. With the support of our theory and the results of the interviews, it is our hope to clarify the meaning of cultural heritage site tourism and how the actors work within it.We have used qualitative interviews to discuss the concept of heritage sites and to explain its meaning in a concrete way. We have met with elderly people and made it possible for them to share their memories from past times while also exploring their role within heritage site tourism. In this essay we described the heritage site through local history associations, where we analyze the underlying driving-forces behind the work of individual actors as they attempt to preserve the history of Sweden. This essay also presents the concept of interactive digital storytelling where technology functions as a tool that simplify development of the tourism product . As a conclusion our results show that the actors agreed upon that our history in terms of local history associations and heritage sites needs to be preserved, so that future generations do not lose the feeling of safety and a sense of belonging that comes from being part of a community in their local home environment. The cultural heritage site can be used as a tool to present knowledge to different generations through the means of digital development, the heritage sites can reach a wider audience in the future by presenting interactive modern day solutions.In our essay, we have also found that cultural heritage sites plays an important role in leisure tourism on many different levels through driving-forces of the individuals that offer their surrounding something memorable that will last for eternity.

Over the past century the phenomenon of thanatourism, or dark tourism, has become increasingly popular, with tourists now able to encounter death at a wide range of sites across the world. While much scholarship has focused on tourism at sites of disaster and atrocity, less research has taken place into thanatourism in a museum context. This thesis investigates how Gotlands Museum is offering its visitors a dark tourism experience by adopting thanatourism theming in its exhibitions and programmes. It explores the ways the museum presents Gotland’s dark history, asks how and why the museum has adopted thanatourism as a thematisation strategy, and considers whether this strategy is helping the institution achieve future sustainability. This study is based on in-depth interviews with current staff members at the museum, who have been involved with creating exhibitions and presenting programmes related to Gotland’s dark history. Detailed observation of the exhibitions Medieval Gotland and 1361 – The Battle for Gotland, as well as the guided city tour The Bloody Summer, also provide additional data. The study finds that Gotlands Museum has harnessed the ‘purposeful Otherness’ of death through implementing thanatourism theming in both its permanent exhibitions and public programming in order to reach new and wider audiences. It also finds that this is an example of the museum embracing new museology and adopting the customer-centric focus of the tourism industry by presenting thrilling exhibitions and programmes to attract more visitors. The study suggests that by implementing popular thanatourism-themed exhibitions and programmes, Gotlands Museum has been able to be economically, socially and culturally sustainable by attracting visitors, educating diverse groups, telling diverse stories and preserving Gotland’s history for future generations.

Introduction: This is a two years master's thesis in Museum and Cultural Heritage Studies. The purpose of this thesis was to critically examine discourses of sustainable cultural tourism, and how different sustainability dimensions and ideals can coexist and be applied in practice. The starting point was a case study of the World Heritage Site “The Hanseatic town of Visby”, where the relationship between the conservation and the availability of the world heritage site was investigated. The research questions that were formulated were which actors and agendas that cooperate in the production of sustainable heritage tourism, how global and national guidelines for sustainable cultural tourism correspond to the local development work of the Visby world heritage city, which are the prominent discourses in the documents on sustainable heritage tourism in the world heritage city of Visby and how they are described as well as whether there is opposition between the conservation and the availability of cultural heritage, and what potential solutions to such opposition can look like. Theory: Prior to the study, previous research on sustainability, sustainable heritage tourism and the world heritage site Visby has been studied and used as a springboard for the thesis research questions. The theoretical perspectives that were used in the analysis consisted of theories regarding sustainable tourism, posthumanism, system theory and authorized heritage discourse, AHD. Method: The method chosen for the study was Laclau & Mouffes discourse analysis. This enabled a closer examination of the development plans and documents on sustainable heritage tourism produced by local, national and global actors. This was complemented with short interviews with thirteen stakeholders. Results and analysis: The result and analysis showed that several different actors and agendas are involved in the production of sustainable heritage tourism. However, there are difficulties in letting all actors get their voices heard and being part of the decision-making process, such as the local population, which are often disregarded. In addition, interaction between different actors could get better with more clearly defined areas of responsibility. The result also showed that, in particular, the concepts of sustainability and sustainable develop-ment were used in the documents about the development of the world heritage city of Visby, but the concept of sustainable heritage tourism was rarely used. The Swedish National Heritage Board and the region of Gotland are currently working on developing sustainable tourism strategies. At present, however, there is unclear correspondence between global guidelines and local application, where it is up to the municipalities to interpret and apply Unesco’s guidelines themselves, which may be difficult since the guidelines are quite general and vague. The study also showed that there are three clear discourses in the documents about sustainable heritage tourism. Under the overall discourse of sustainable tourism in Visby there is an ecological discourse, an economic discourse and a social discourse. In all documents, sustainable tourism is described as consisting of three discourses, but there is great freedom of interpretation in the use of the term. The discourses are also prioritized and described differently in different documents. Conclusion: The study's conclusion is that there are both oppositions and solutions. Both documents and interviews show that there are oppositions between ecological, economic and social interests in a place like the world heritage site in Visby. At the same time, there are also various suggestions for how the different dimensions can coexist and the actors were generally optimistic. Basically, it is about finding a balance between conservation and accessibility, taking into account both contemporary and future interests. Suggested solutions are to work further with information and knowledge, improve interaction between different actors, work with conservation-based development, productize heritage, better interaction with the local society, develop creative industries in historical buildings, and include visitors in the conservation work. However, most voices agree that the issue is difficult and complex and requires more knowledge and research.

近年來天災地變頻傳，溫室效應導致全球暖化現象，有鑒於此，全球湧起節能減碳浪潮，低碳旅遊亦應運而生。根據聯合國氣候變遷小組之評估報告，旅遊業對氣候變遷影響重大，人為之溫室氣體排放是肇致氣候變遷異常之主因，如何兼顧日益蓬勃發展之旅遊業與有效抑止二氧化碳排放量之增加，係各國刻不容緩的課題。 台南市以府城古都聞名，轄內古蹟觀光旅遊為其重要收入來源，本研究以市府預計推展古蹟低碳旅遊計畫之相關利害關係人為研究對象，並以訪談法瞭解其需求與對市府之期待。 本研究結果指出台南市古蹟旅遊存有僅實施少數不實用之環保措施、民眾尚未養成搭乘大眾運輸工具習慣、既有街道巷弄過於狹小、居民發展心態矛盾與缺乏減少使用私人運具之誘因、綠色認證制度叫好不叫座、古蹟導覽人員培訓制度簡陋等現存之困境與瓶頸、以及民眾與市府間認知之落差，並對市府提出現有古蹟區軟硬體設備設施之改善與提升、加強產業綠色認證制度之實用性、積極發展古蹟低碳旅遊多元面貌、厚實古蹟文化園區內涵，加強市府行銷能見度、建議逐步養成民眾搭乘大眾運輸使用習慣、型塑台南成為亞洲阿姆斯特丹等六項建議方案。 / In recent years the natural disaster and diastrophism happen frequently, the greenhouse effect caused the global warm phenomenon, therefore, the whole world to surge the energy conservation to reduce the carbon tide, the low-carbon tourism also arises with the tide. According to the Intergovernmental Panel on Climate Change assessment report, the tourism is significant to the climate vicissitude influence, the human is initiates for it greenhouse gas emissions sends the climate vicissitude exceptionally principal factor, how gives dual attention to day by day tourism of the vigorous development and restrains increase effectively the carbon dioxide withdrawal, is the various countries' urgent topic. In Tainan is well-known take the prefectural city ancient capital, governs the heritage site sightseeing tourism as its important source of income, this research by the municipal government estimated promotes correlation of stakeholders of study the heritage low-carbon tourism plan, and understands their demands and to the municipal anticipations for Tainan city government. Research findings pointed out the Tainan heritage tourism extant difficulties and the bottleneck, as well as between the populace and the municipal government dropping variance of the cognition, and to the municipal government proposed improvement of and the promotion the existing heritage area soft and hardware equipment facility, usability of the enhancement industry green authentication system, develops the heritage low-carbon tourism multi-dimensional appearance, the thick heritage culture garden area connotation positively, the enhancement municipal government sells the visibility, fosters the populace to travel by the populace gradually to transport the use custom, models Tainan to become the Asian Amsterdam and so on six suggestion program.