Made available in DSpace on 2016-08-17T13:54:18Z (GMT). No. of bitstreams: 1 HERTZ DA CONCEICAO DIAS.pdf: 9279666 bytes, checksum: 89d551d74b49eee15cec30adb0e93c36 (MD5) Previous issue date: 2009-06-23 / Cet travail prétend analyser les pratiques éducatives du mouvement Hip Hop du Maranhão dans de la décennie de 1990 comme contre tendance à la pénétration de la culture néo-libérale ou de l'impérialisme culturel entre la jeunesse des périphéries de São Luís. Dans cette période s'accentue le processus de pénalisation, criminalization et punition de la jeunesse pauvre dans le monde entier. Pour notre étude, nous prenons comme locus de la recherche le quartier de la Liberté, localisée dans les proximités du centre commercial de São Luís, dont la majorité de la population est noire. Dans ce sens, s'enquête la performance Movimento Hip Hop Quilombo Urbano à travers sa Posse Liberdade Sem Fronteira , près jeunes impliqués dans des conflits existants entre plusieurs communautés à l'intérieur de ce quartier. À ces conflits nous appelons guerre interne . Nous analysons encore de qu'il forme ces actions éducatives contribuent pour mobilisations politiques à l'intérieur et à l'extérieur du quartier susmentionné, ainsi que dans la tentative de construction d'une subjectivité collective positive entre leurs habitants, spécialement la jeunesse noire. Pour effet de recherche, nous faisons appel à la méthodologie de la recherche documentaire et bibliographique systématique que transcorru tous les moments de la recherche, depuis l'élaboration d'un tableau théorique, l'approfondissement des catégories d'analyses et l'établissement de la médiation entre la recherche empirique et les études théoriques. Nous utilisons encore, la technique du commentaire participant et les entrevues focalisées, dans le but de comprendre le processus, indiquer des chemins et reprendre quelques éléments de cette réflexion initiés pendant la recherche, en se soulevant quelques considérations. / Este trabalho pretende analisar as práticas educativas do movimento Hip Hop do Maranhão a partir da década de 1990 como contra tendência à penetração da cultura neoliberal ou imperialismo cultural entre a juventude das periferias de São Luís. Nesse período acentua-se o processo de penalização, criminalização e punição da juventude pobre em todo o mundo. Para nosso estudo, tomamos como locus da pesquisa o bairro da Liberdade, localizado nas proximidades do centro comercial de São Luís, cuja maioria da população é negra. Neste sentido, investiga-se a atuação Movimento Hip Hop Quilombo Urbano através de sua Posse Liberdade Sem Fronteiras, junto a jovens envolvidos em conflitos existentes entre várias comunidades no interior deste bairro. A esses conflitos denominamos guerra interna . Analisamos ainda de que forma essas ações educativas contribuem para mobilizações políticas dentro e fora do bairro supracitado, bem como na tentativa de construção de uma subjetividade coletiva positiva entre seus moradores, especialmente a juventude negra. Para efeito de pesquisa, recorremos à metodologia da pesquisa documental e bibliográfica sistemática que transcorreu todos os momentos da investigação, perpassando a elaboração de um quadro teórico, o aprofundamento das categorias de análises e o estabelecimento da mediação entre a pesquisa empírica e os estudos teóricos. Utilizamos ainda, a técnica da observação participante e entrevistas focalizadas, no sentido de compreender o processo, indicar caminhos e retomar alguns elementos dessa reflexão iniciados durante a pesquisa, levantando-se algumas considerações.

Malgré leur position défavorable dans les hiérarchies du pouvoir, les jeunesjouent un rôle majeur dans les processus de changement sociopolitique qui ontcours dans la société burkinabè. Ce groupe social semble alors constituer un outilefficace d’analyse du politique et, plus précisément, des rapports de contestation etde domination qui sont à l’oeuvre au Burkina Faso. En effet, les jeunes développentde multiples stratégies d’inscription dans l’espace public qui constituent, à desdegrés et selon des modalités différentes, des formes de contestation de l’ordrepolitique. Ainsi, en nous appuyant sur trois catégories de jeunesse (les étudiantssyndiqués, les jeunes des rues et les jeunes rappeurs ou adeptes de hip-hop), nousavons cherché à interroger, dans une perspective diachronique, la nature desrapports de domination à l’oeuvre dans la société burkinabè. Nous constatons quela portée limitée de ces formes de contestation de l’ordre établi s’explique engrande partie par le contexte hégémonique dans lequel elles s’inscrivent. Ainsi, lesressorts de la domination caractéristiques de l’ordre politique actuel reposent,selon nous, sur une « politique de la médiation » et sur une stratégie de« cooptation néo-patrimoniale » qui permettent le désamorçage des tensions et lerèglement des conflits, selon des procédures bien précises, avec pour objectif lapréservation de l’image consensuelle de l’ordre politique. Ces deux dimensionsconstituent, selon nous, les piliers d’une « culture politique » qui irradie unemultitude d’espaces sociaux et qui permet un échange médiatisé et permanent entredirigeants et dirigés. / In spite of their unfavourable position in the hierarchies of power, youngpeople play a major role in the processes of social political change, which occur inthe Burkina Faso society. Hence, this social group seems to be a good instrumentto efficiently analyse policy, and moreover the processes of contestation anddomination at work in Burkina Faso. Indeed, young people develop numerousstrategies carried out in public places, which to varying degrees and termsconstitute forms of contestation against the political order. Thus by relying onthree categories of youth (unionised students, street youth, and young rappers orfollowers of the hip-hop movement), we sought to examine in a diachronicperspective, the nature of relationships of dominance at work in the Burkina Fasosociety. We find that the limited impact of these forms of contestations against theestablished order can be largely explained by the hegemonic context in which theyarise. Therefore, in our mind, the characteristic domination of the current politicalorder are based on “the strategies of mediation” and “neo-patrimonial cooptation”,which diffuse tensions and regulate conflicts, according to very precise procedures,with the aim to preserve the consensual image of the political culture. In ouropinion, these two dimensions constitute the pillars of a “political culture”, whichspreads out from a multitude of social spaces and creates a permanent, mediatisedexchange between rulers and those who are ruled.

The diploma thesis analyses the beginnings of hip hop in the Czech Republic in the context of domestic music magazines. It aims to examine the media depiction of this cultural phenomenon in its entirety with an emphasis on the musical genre of rap. Through qualitative content analysis of text data, it observes specific periodicals in two time periods. The first of them was in the years 1989 to 1999, when the first attempts to transfer the originally American genre to the domestic environment began to appear in the country. The second analysed stage is limited to the years 2000 and 2002, in which two key albums were released, namely Repertoár by the group PSH and My 3 by Indy & Wich. The magazines Melodie, Rock & Pop, Report, Tripmag, Ultramix and Bbarák were used in the qualitative content analysis. The thesis examines the first printed mentions of Czech hip hop, but also focuses on reviews, interviews and other extensive journalistic genres, especially at a later stage. Qualitative content analysis of textual data is complemented by semi-structured interviews with leading music publicists, but also artists who have contributed to the establishment of rap in terms of Czech music. The research method of oral history was also used and made it possible to obtain information with witnesses that have...

Den här uppsatsen fokuserar på autenticitet inom rapp: hur den skapas och bibehålls. Först introduceras genren ”gangsterrapp” och därefter analyseras en uppsättning av låtar inom genren både text-, ljud- och bildmässigt. Därefter följer en diskussion om mina undersökningsresultat och slutsatsen att svenska gangsterrappare skapar autenticitet genom att vara kriminella. Oavsett var de kommer från eller vilka de känner presenterar gangsterrapparna sig som frontfigurer för stora kriminella nätverk och använder sina texter som en slags ”gangsters dagbok”. Teman såsom polishat, drogförsäljning och kallblodigt mord förekommer ofta och är till och med förväntade. / This paper focuses on authenticity in rap: how it is created and maintained. First, I introduce the subgenre of “gangsta rap” and how it is defined. Then, I continue by analyzing a set of songs both lyrically, audibly and visually, and while direct audible differences are included, they are deemed less important than the social aspect of said songs. Subsequently follows a discussion of my findings and the conclusion that Swedish gangster rappers create authenticity by being criminals. No matter where they come from, or who they know they will always present themselves as the front figure of vast criminal networks and use their lyrics as a form of “gangster diary.” Themes such as hating the police, selling drugs and killing in cold blood are commonplace and are even expected.

Participant loyalty and satisfaction with services offered on Street Dance Kemp Goal: Main goal of this thesis is to find a relationship between participant loyalty and satisfaction with services offered on Street Dance Kemp. Methods: In this thesis is used questionnaire and structured interview for obtaining data about participant satisfaction with services offered and about their loyalty to the event. Will be also examined the available competition in dance camps in Europe. To find a relationship between participant loyalty and satisfaction is used statistical method Kruskal-Wallis non-parametrical ANOVA. Results: Main result of this thesis is evaluation of the relationship between participant loyalty and satisfaction and future possible improvement of the services in order to get more loyal participants. Key words: sport event, street dance, hip-hop, questionnaire and interview, competition analysis, Kruskal-Wallis ANOVA

Esta investigación se desarrolla en un contexto en que el cuerpo tiene protagonismo en la construcción de sentidos y de símbolos culturales. De acuerdo a Kogan funciona la siguiente lógica (mental y física) en la formación de sujetos: “dime cómo es tu cuerpo y te diré quién eres” (2010: 6). Así, los cuerpos se configuran constantemente como un territorio con fronteras más o menos delimitadas dando lugar, según sostienen Le Breton (2008, 2010) y Kogan (2010), a procesos de individuación y búsqueda de autenticidad. A la par, la cultura se hace visible como un importante capital (Yúdice 2002, Sommer 2006) en el campo de la denominada economía creativa. / Tesis

Made available in DSpace on 2016-04-29T14:16:16Z (GMT). No. of bitstreams: 1 Daniel Pericles Arruda.pdf: 1750647 bytes, checksum: c76b4b4aab59a67ac654eeeb239da91c (MD5) Previous issue date: 2012-10-01 / Fundação Ford / This dissertation had the goal of apprehend the relation of the teenager in fulfillment of measurable social-educational internment with of the RAP and of the poetry, in view of the use of this art as a socio-educational tool and as a way to enable the communication, the reflection and the realization of the objectives. It is an analysis ex-post-facto about the realized RAP and poetry workshops in the years 2007 to 2010 with teenagers that were in fulfillment of measurable social-educational internment Center of Adolescent Treatment (Cead) Centro de Atendimento ao Adolescente in Portuguese. This is one of the units that execute the social-educational measure of internment to male teenagers at Belo Horizonte/MG. For the realization of this study, was of big importance the analysis of all registers that were made in the period of 2007 to 2010, and it was: footages, photos, production of RAP lyrics and poetry lyrics of the teenagers, reports, records, annotations in the field diary, etc. Were also interviewed a teenager and two young adults that, when teenagers, participated in the workshops; two professionals that accompanied this practice of work with the teenagers and one DJ for being one of the oldest references of the Hip Hop Culture at Minas Gerais state. The realized interviews with a teenager and two young adults aimed to apprehend the resulting of the workshops in the perspective of their subjects. The realized interviews with the professionals have had as objective the apprehension of the meanings that they attributed to its realization. And, the interview with the DJ, was in reason of him subsidize the historical apprehension of the influence of the Hip Hop at the city and in your relation with the teenager. The realized analytical course demonstrated that the RAP and the poetry workshops can propitiate the apprehension and the tract of objective and subjective questions of the teenagers, related to your lives and to the measurable social-educational of internment that they are experiencing, with bigger approximation to their reality / Esta dissertação teve por finalidade apreender a relação do adolescente em cumprimento de medida socioeducativa de internação com as oficinas de RAP e de poesia, tendo em vista o uso dessas artes como instrumento socioeducativo e como caminho para possibilitar a comunicação, a reflexão e a efetivação dos objetivos da medida. Trata-se de uma análise expost- facto sobre as oficinas de RAP e de poesia realizadas nos anos de 2007 a 2010 com adolescentes que estavam em cumprimento de medida socioeducativa de internação, no Centro de Atendimento ao Adolescente (Cead), uma das unidades que executa a medida a adolescentes do sexo masculino, em Belo Horizonte/MG. Para a realização deste estudo foi de suma importância a análise de todos os registros feitos no período de 2007 a 2010, como filmagens, fotos, produção de letras de RAP e de poesias dos adolescentes, relatórios, prontuários, anotações do diário de campo, etc. Foram entrevistados: um adolescente e dois jovens adultos que participaram das oficinas quando adolescentes, com o objetivo de apreender os resultados das oficinas, na perspectiva dos seus sujeitos; dois profissionais que acompanharam essa prática de trabalho com os adolescentes; e um DJ, por ser uma das referências mais antigas da cultura Hip Hop no estado de Minas Gerais. As entrevistas realizadas com os profissionais tiveram por objetivo a apreensão dos significados que os mesmos atribuíram à sua realização. E, a entrevista com o DJ, deu-se em razão dele poder subsidiar a apreensão histórica da influência do Hip Hop na cidade e em sua relação com o adolescente. O percurso analítico realizado demonstrou que as oficinas de RAP e de poesia podem propiciar a apreensão e o trato de questões objetivas e subjetivas dos adolescentes, relacionadas à sua vida e à medida socioeducativa de internação que estão vivenciando, com maior aproximação de suas realidades

Submitted by Cleide Dantas (cleidedantas@ufpa.br) on 2014-03-12T12:21:40Z No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_PalavrasSagradasRimas.pdf: 1020069 bytes, checksum: e38beb92f95c302ef5fc15998e69f390 (MD5) / Approved for entry into archive by Ana Rosa Silva (arosa@ufpa.br) on 2014-07-08T14:47:10Z (GMT) No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_PalavrasSagradasRimas.pdf: 1020069 bytes, checksum: e38beb92f95c302ef5fc15998e69f390 (MD5) / Made available in DSpace on 2014-07-08T14:47:10Z (GMT). No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_PalavrasSagradasRimas.pdf: 1020069 bytes, checksum: e38beb92f95c302ef5fc15998e69f390 (MD5) Previous issue date: 2008 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Baseado na pesquisa desenvolvida junto ao rap gospel/cristão evangélico em Belém do Pará, pude reunir dados que me levaram a refletir sobre questões gerais da antropologia. Desta forma, estruturei a dissertação na perpectiva de uma compilação de ensaios que tratam da questão de como é possivel a utilização da subjetividade, na construção do texto etnográfico. Esta subjetividade (minha e de meus manos do hip hop) emerge do que chamei de experiências, ou, os encontros no campo entre pesquisador, intermediários, interlocutores e informantes. Para a exposição da análise em si, sobre este sistema cultural (rap gospel), em forma de compreensão e interpretação, me vali da analogia com a composição, produção e gravação de um cd, na verdade, é como se cada ensaio contido aqui, constituísse uma faixa do disco Palavras Sagradas, rimas e experiências: Uma tentativa de compreensão sobre cristianismo pentecostal, rap e antropologia, do mc e antropólogo Bruno “B.O.” Borda, com uma faixa bônus inclusive. O rap rap gospel/cristão evangélico proporcionou-me reflexões sobre religião, juventude e relações raciais por um lado, e epistemologia, metodologia e arte por outro, fazendo com que eu apresentasse este trabalho com vistas muito mais de incitação ao questionamento e a dúvida, no melhor estilo filosófico, mantendo o rítimo e a poesia, para propiciar uma leitura mista, que atinja parceiros antropólogos e aliados hip hoppers, no mínimo. / Based in research developed on the subject of rap gospel in the city of Belém, Sate of Pará, Brazil, I could obtain empirical data which gave me information to reflect upon general questions of anthropology. In that way, I organized the dissertation in the perspective of a compilation of essays, which deal with the question of as the use of the subjectivity is possible in the construction of the ethnographic text. This subjectivity, in the field work between researcher, intermediate, interlocutors e informers. For the exposition of the analysis in it, I used the analogy with the composition, production and recording of a CD. In fact, it is as if each essay contained here constitutes a band of a CD entitled sacred Words, rhymes and experiences: A thematic of the understanding on Pentecostal Christianism, rap and anthropology, by the MC and anthropologist Bruno “B.O.” Borda, with a bonus track, also. The Christian Rap provided reflections to me on religion, youth and racial relations, on one hand, and epistemology, methodology and art, on the other, making that I presented this work with a purpose much more of incitation to the questioning and the doubt. All this in a kind of philosophical style, keeping the rhyme and the poetry, to at least propitiate a mixing reading, in order to reach partners anthropologists and allied hip hoppers.

Although extensive quantitative research has been conducted on Black American incarceration rates, to date, there has not been a study from an Afrocentric (Black American) perspective in the field of public policy. Using Dillard's conceptualization of Afrocentric theory, this study added to the field of public policy by examining how the stigmas associated with mass incarceration have reduced political and economic opportunities for Black Americans born 1965 - 1984. The purpose of this ethnographic study was to provide an Afrocentric voice by which the members of the Black American community are the center of the data collection on the stigmas associated with incarceration as a product of the new Jim Crow (mass incarceration) for those born between 1965 -1984 (the hip-hop generation where the music is the center of the culture) in the United States. Data were collected through semistructured interviews with selected informants based on their background work, experience, and cultural orientation within the Black American community; these data were analyzed via a summative content analysis, which revealed new perspectives on the stigmas associated with incarceration. The new perspective that was gained asked for the structure of the Black American church to be reexamined due to the rise in the mega-church, an improved culturally sensitive K-12 public educational system, and the overall reconnection and strengthening of the Black American family structure. These findings suggest that social change can only occur when researchers of color are allowed to provide their perspectives on issues that affect those they represent. Hence, the social change implications for this study ask that political leaders work directly with the hip-hop generation and the Black American community as a whole to make changes in legislation through political liberalism.

The aim of this thesis is to demonstrate how music has become a significant means of communication in the process of globalization, and how it integrates the &lsquo / global&rsquo / and the &lsquo / local&rsquo / while enabling the aggrieved populations to speak through and to express their antagonistic stances. In addition to the discussions of globalization, this study analyzes the medium of music along the areas of media and identity politics. In this respect, it deliberates on the global and local features of hip-hop. Although born in the ghettos of Bronx, New York, this global youth culture has been adopted by other minority youths in order to voice their anger and frustration towards the exclusionist practices of the state, as well as racism and discrimination they face in their host countries. Accordingly, the second and third generation Turkish youths in Germany and South Asian youths in Britain have revealed their rage through the subversive lyrics they employed. Therefore, these lyrics can also be regarded as narratives that indicate these immigrant youths as representatives of resistance and defiance. Despite the fact that the musical works of these minority youths may be considered a product of the &lsquo / culture industry&rsquo / , this does not eliminate their resistive and subversive characteristics.