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Cinéma analytique et transfert : l’expérience spectatorielle dans "Persona" et "L’Heure du loup" de Bergman et "Antichrist", "Melancholia" et "Nymphomaniac" de Von Trier / Analytical cinema and transference : Spectator’s experience of "Persona" and "Hour of the Wolf" by Bergman and "Antichrist", "Melancholia" and "Nymphomaniac" by Von TrierCabart, Anaïs 02 December 2017 (has links)
Le développement simultané du cinéma et de la psychanalyse a donné lieu à de nombreuses études confrontant et associant ces deux sphères. Cette thèse interroge plus particulièrement le transfert comme phénomène se manifestant dans la rencontre entre le spectateur et le film, et s’appuie sur les théories de psychanalyse jungienne. À partir de la prise en compte d’un cinéma analytique, associant réflexivité et thématique psychologique, l’hypothèse émise est celle de la présence de « psychés-films », facilitant l’étude du phénomène de transfert dans l’expérience spectatorielle. À travers leur construction spatiale et temporelle et par leur constitution figurale, ces « psychés-films » s’apparentent à des psychés projetées à l’écran et visuellement accessibles. Dans son acception jungienne, le transfert est un phénomène transpersonnel aux conséquences psychiques et physiques et qui engage deux individus dont les inconscients communiquent entre eux. En mettant en évidence les spécificités d’un tel phénomène au cinéma, cette thèse interroge la possibilité d’envisager un inconscient propre au film, notamment à l’aide de théories d’esthétique du cinéma, et les conséquences éventuelles, dans le corps et dans la psyché, d’une rencontre transférentielle entre le spectateur et le film. Afin d’étudier la possibilité d’un transfert dans l’expérience spectatorielle, cinq films interprétables en tant que « psychés-films » sont analysés sous un angle jungien : Persona et L’Heure du loup, réalisés par Ingmar Bergman et Antichrist, Melancholia et Nymphomaniac, réalisés par Lars von Trier. Pour ce faire, cette recherche s’effectue suivant des perspectives psychanalytique (Jung, Ferenczi, Freud, Abraham et Török), esthétique (Brenez, Lefebvre, Vancheri) et philosophique (Damasio, Derrida), et par la prise en compte d’un spectateur idéal. / The simultaneous development of cinema and psychoanalysis led to many studies confronting and associating these two fields. This thesis examines more specifically transference as a phenomenon arising in the encounter between spectator and film, and is based on Jungian psychoanalytic theories. Considering an analytic cinema, which associates reflexivity and psychological themes, I hypothesised the existence of “psyche-films”, enabling the study of the psychoanalytic transference within spectator’s experience. Through their spatial and temporal constructions and their figural composition, these “psyche-films” are akin to psyches projected on screen and visually accessible. According to Jung, transference is a transpersonal phenomenon with psychological and physical consequences, involving two individuals whose unconscious communicate together. Bringing out the characteristics of such a phenomenon, this thesis explores the possibility of considering the film’s own unconscious, in particular with the help of film aesthetics theories, and questions the consequences, inside body and psyche, that might be caused by the transferential encounter between spectator and film. In order to study the possibility of such a transference in the spectator’s experience, five films regarded as “psyche-films” are analysed using a Jungian perspective: Persona and Hour of the Wolf, directed by Ingmar Bergman and Antichrist, Melancholia and Nymphomaniac, directed by Lars von Trier. To this end, this research is performed using psychoanalytic (Jung, Ferenczi, Freud, Abraham and Török), aesthetic (Brenez, Lefebvre, Vancheri) and philosophical (Damasio, Derrida) perspectives, and considering an ideal spectator.
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The use of stories and metaphors in pastoral counseling with orphans and vulnerable children affected by HIV and AIDS in Mbeya, TanzaniaMwenisongole, Tuntufye Anangisye 11 1900 (has links)
The thesis describes the use of stories and metaphors in pastoral counseling with orphans and
vulnerable children (future: OVC) affected by HIV and AIDS in Mbeya.. It is a narrative approach
study which examines and explores stories and other metaphors for the children’s resilience. A
narrative approach helps pastoral counselors to use stories and metaphors such as life stories, proverbs,
biblical narratives, plays, art, songs, riddles, poems, symbols and images for the healing and coping
mechanism with OVC. The OVC in the midst of challenges of HIV and AIDS crisis can find a healing
and coping mechanism in Mbeya. A narrative approach with the use of stories and metaphors in
pastoral counseling and in practical theology can be used and applied in responding to issues
surrounding the OVC. It is an approach that can help the OVC find their resilience and grow into a
more meaningful life, the life of wholeness.
Methodologically, case studies, focus groups and interviews have been used to collect the data which
was analyzed and interpreted in detail to reach the objectives of the study. I explored and discussed in
detail the use of narratives, stories, and metaphors in case studies and focus groups with OVC in
Mbeya.
Finally, an integrative narrative model was established to build up a practical method for practical
theology and counseling in dealing with the challenges which the OVC are facing. The model came as
a result of the analysis and interpretation of the case studies, focus groups and interviews conducted in
the field research. It describes a life cycle of a person, the events and experiences one passes through,
which will ultimately help a person to grow and mature to become whole or an integrative being. / Practical Theology / D. Th. (Practical Theology, Specialisation Pastoral Therapy)
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The use of stories and metaphors in pastoral counseling with orphans and vulnerable children affected by HIV and AIDS in Mbeya, TanzaniaMwenisongole, Tuntufye Anangisye 11 1900 (has links)
The thesis describes the use of stories and metaphors in pastoral counseling with orphans and
vulnerable children (future: OVC) affected by HIV and AIDS in Mbeya.. It is a narrative approach
study which examines and explores stories and other metaphors for the children’s resilience. A
narrative approach helps pastoral counselors to use stories and metaphors such as life stories, proverbs,
biblical narratives, plays, art, songs, riddles, poems, symbols and images for the healing and coping
mechanism with OVC. The OVC in the midst of challenges of HIV and AIDS crisis can find a healing
and coping mechanism in Mbeya. A narrative approach with the use of stories and metaphors in
pastoral counseling and in practical theology can be used and applied in responding to issues
surrounding the OVC. It is an approach that can help the OVC find their resilience and grow into a
more meaningful life, the life of wholeness.
Methodologically, case studies, focus groups and interviews have been used to collect the data which
was analyzed and interpreted in detail to reach the objectives of the study. I explored and discussed in
detail the use of narratives, stories, and metaphors in case studies and focus groups with OVC in
Mbeya.
Finally, an integrative narrative model was established to build up a practical method for practical
theology and counseling in dealing with the challenges which the OVC are facing. The model came as
a result of the analysis and interpretation of the case studies, focus groups and interviews conducted in
the field research. It describes a life cycle of a person, the events and experiences one passes through,
which will ultimately help a person to grow and mature to become whole or an integrative being. / Philosophy, Practical and Systematic Theology / D. Th. (Practical Theology, Specialisation Pastoral Therapy)
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Entitetkontinuitet : en religionspsykologisk tolkning / Entity Continuity : a Psychology of Religion InterpretationDuppils, Sara January 2009 (has links)
“Entity continuity” refers to recurrent transcendent experiences related to certain places (“hauntings”). The experiences are often interpreted to be due to discarnate spirits or folklore entities. Although the entity continuity experience can be regarded as religious experience, they have yet to be fully explored in science of religion. The purpose of this paper was to describe entity continuity experiences and map out the scientific discussion in order to provide a psychology of religion that provides an understanding of the phenomena. For this purpose a literature study of theories of jungian psychology, parapsychology, and described experiences was undertaken. The material was thereafter analyzed comparatively. The results show that entity continuity experiences can be understood as a form of animism and that the experiences are colored by culture, context, and visual impression. The material also shows that experiences at locations that have played host to entity continuity and poltergeist experiences are equivalent. An altered state of consciousness, a special type of personality, and distinctive environmental stimuli, the atmosphere or “feeling”, is necessary for the occurrence of these experiences. The “percipients” and/or “agents” psychic material is reflected in the atmosphere and becomes expressed as psychic manifestations in the form of entity experiences.
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