Submitted by Johnny Rodrigues (johnnyrodrigues@ufcg.edu.br) on 2018-10-11T16:16:18Z No. of bitstreams: 1 RAFAELLA DE SOUSA SILVA - DISSERTAÇÃO PPGH 2014..pdf: 2834881 bytes, checksum: 36ac70374ef93ce46425ed2d3a59c174 (MD5) / Made available in DSpace on 2018-10-11T16:16:18Z (GMT). No. of bitstreams: 1 RAFAELLA DE SOUSA SILVA - DISSERTAÇÃO PPGH 2014..pdf: 2834881 bytes, checksum: 36ac70374ef93ce46425ed2d3a59c174 (MD5) Previous issue date: 2014 / Capes / O texto, objetiva analisar, como foram significadas e resignificadas, identidades de gênero e sexualidades, na escola municipal Padre Simão Fileto, da cidade de Cubati-PB, dos anos de 1970 aos dias atuais. Para tanto, a pesquisa foi desenvolvida com sujeitos escolares (professores, diretores, secretários escolares e de educação, alunos e alunas). Partindo das suas histórias de vida, contadas por meio de entrevistas orais gravadas e textos escritos digitalizados, faço um exercício de (des)construção de concepções discursivas, experienciadas em seus corpos e nos de outros, que dão vida a escola. Nesse sentido, houve um esforço, para mostrar, que categorias como gênero, corpo e sexualidades se alteram no tempo, modificando assim, as novas cartografias de pedagogizações e a própria escola. Assim, problematizo como a escola se tornou uma instituição que marca o silêncio, a disciplina e os dispositivos sobre as sexualidades. Tornando-se distante dos sujeitos que a (de)formam. Dialoguei teoricamente com Michel Foucault, para pensar a “ordem do discurso” e das sexualidades, somando contribuições de diversas(os) teóricas(os), que compõem estudos na área de gênero e sexualidades, com destaque para Judith Butler e Guacira Lopes Louro. Além de me apropriar de conceitos como desconstrução, na perspectiva de Derrida e, da concepção de sociedade de controle de Deleuze e da bioascese de Francisco Ortega. Remetendo-me a transição entre a sociedade da disciplina e a do controle ou da bioascese, proposta por Deleuze e Ortega. Portanto, esse estudo trata de uma transição que envolve o sujeito de corpo e alma, no mo(vi)mento onde o cuidado de si toma território em detrimento do panoptismo do olhar de fora. O que arregimenta noções de gênero, corpo, sexualidades e identidades, que vem sendo vertiginosamente problematizadas, na sociedade do “espetáculo”. Na qual o corpo é movente e plural. Demonstrando a urgência de uma reconfiguração do espaço escolar, assim como, de suas práticas pedagogizantes. / The paper aims to analyze how were meant and resignified, gender identities and sexualities in the municipal Padre Simão Fileto, in the city of Cubati-PB, from 1970s to today. Therefore, the research was conducted with school subjects (teachers, principals, school secretaries and education, students). Starting with their life stories, told through recorded oral interviews anddigitized texts written, I do an exercise of (de)construction of discursive conceptions, experienced in their bodies and in others, that give life to school. In this sense, there was an effort to show that categories like gender, body and sexuality change over time, thus modifying the new mappings and pedagogical school. So, I question how the school became an institution that marks the silence, discipline and devices on sexualities. Becoming distant subjects that (de)form. Theoretically dialogued with Michel Foucault, to think the "order of discourse" and sexualities, adding several theoretical contributions, which comprise studies on gender and sexuality, especially Judith Butler and Guacira Lopes Louro. Besides I borrow concepts as deconstruction, the prospect of Derrida and designing control Deleuze and bioascese Franciso Ortega society. It refers to transition from the society of discipline and control, or bioascese proposed by Deleuze and Ortega. Therefore, this study is a transition that involves the subject of soul and body, in which the mo(ve)ment takes care of itself over the territory panoptism look out. What regiments notions of gender, body, sexuality and identity, which has been sharply problematized in the "performance" society. In which the body is moving and plural. It is demonstrating the urgency of a reconfiguration of the school environment, as well as their pedagogical practices.

All around society, examples are found for how the debate for equality is being rhetorised, giving various suggestions for how the struggle should, or may, be fought, as well as suggestions for who and whom should be included within the term equality. Here a study is presented on the feminst equality campaign SheForHe and the debate article ”Men can – but you need our help”, in which a critique of malevolent norms of masculinity encourages women to free the man from the chains of patriarchy. The purpose is to investigate how, within the perspective of rhetorics, the article can be seen as to challenge the present discourse in the debate about equality through the following questions: Which motives are being constructed? Which rhetorical strategies are at play? Which ”men” and which ”women” as well as their internal relations are constructed? This is done based on Kenneth Burke’s theories on dramatism and the pentad as method of analysis for change of perspectives, as well as Karlyn Khors Campbell’s theories on the rhetoric of women’s liberation. The analysis is discussed drawing from Judith Butler’s terms performativity and the heterosexual matrix. The main conclusion is that the article can be seen as a rhetorical action in solidarity that through a societal critique aims to offer men new possibilties of identification. At the same time the article can be regarded as, within the scope of the equality debate, a rhetorical provocation that gives women actorship in the struggle for equality and highlights a male dominance within the debate. A further conclusion is that the article, although it may be viewed as an important act of resistance, is at risk of reproducing the view of ”men” and ”women” as homogenous collective identities, further constituting the gender system and contributing to the consolidation of a learned mandatory heterosexuality.

In dem Aufsatz werden Geschlecht und Geschlechtsidentität in dem Roman Die Wand von Marlen Haushofer untersucht. Anhand der Theorien und Begriffen Simone de Beauvoirs und Judith Butlers wird die Veränderung bei der Ich-Erzählerin des Werkes analysiert, die sich von typischer Frau in geschlechtloses Ich verwandelt.

This dissertation analyses the use of the word “religion” in Canadian law and theorises the consequences of its use for the legal protection of religious movements in Canada. Chapter One establishes the problems of the word “religion” in academic discourse by providing an overview of work in the field of critical religion. This dissertation considers whether the critiques of the term “religion” by scholars working within critical religion are equally relevant when considering the role of religion in human rights law. Chapter Two turns an investigative eye toward Canadian case law using the word “religion”, from Chaput v Romain (1959) to Alberta v Hutterian Brethren of Wilson Colony (2009). The analysis highlights how the use of “religion” in Canadian law does indeed reflect academic concerns. Chapter Three uses queer theory to speculate the consequences of an unstable concept of religion for the protection of religious freedom, especially as it pertains to new religious movements. Judith Butler’s notions of performativity and drag are applied to theorise the performance of “religion” and its outcomes. Some suggestions for how to proceed conclude the dissertation.

In The gendered Human Being. Gender Difference from the Perspective of Helmuth Plessner's Philosophical Anthropology, gender difference in the two-gender model is examined from the perspective of philosophical anthropology. For this purpose, three social constructivist theories of gender difference are brought into conversation with each other under the prism of lived body-body-person. In this way, the work aims to catch a glimpse of the gendered human being in all the spheres that open up their world. Key words: Helmuth Plessner, Philosophical Anthropology, anthropology, gender difference, gender studies, philosophy of the twentieth century, phenomenology, social philosophy, Judith Butler, Doing Gender, theory of interaction, constructivism

Der Begriff Performativität geht zurück auf die Sprechakttheorie und wurde von dem Sprachphilosophen John L. Austin 'ins Spiel' gebracht. Er verweist mit dem Terminus auf die handlungspraktische Dimension des Sprechens, d.h. dasjenige zu vollziehen oder zu produzieren, was im Sprechen benannt wird, und es nicht lediglich zu bezeichnen. Vor dem Hintergrund von Derridas Iterabilitätsbegriff hat insbesondere Judith Butler das Konzept in die Gendertheorie eingeführt. Das Sein oder So-Sein eines Geschlechtes ist demnach kein ontologischer Status, der aus einer vordiskursiven Wirklichkeit schöpft, sondern das Ergebnis (sich wiederholender) performativer Inszenierungen, die sich selbst erfolgreich als Sein darstellen.

Der Begriff Maskerade unterscheidet sich trotz etymologischen Verwandschaft vom Begriff Maske. Unter Maskerade werden vor allem Strategien der Inszenierung von Geschlechtsidentitäten verstanden, weshalb synonymisch häufig von Geschlechtermaskerade die Rede ist. Das Konzept hat in den Theater-, Film- und Literaturwissenschaften sowie in der Philosophie und der Psychologie Einzug gehalten. In den Gender Studies etablierte sich der Begriff in den 1990er Jahren, maßgeblich beeinflusst durch psychoanalytische und poststrukturalistische Theoriebildung. Mit der Maskerade können sehr verschiedene Phänomene bezeichnet werden, von der Pseudonymität weiblicher Autor_innenschaft bis hin zu alltagskultureller Performance und Körperinszenierung, etwa im Transvestitismus.

Pansexualität leitet sich aus dem griechischen Wort παν (gesamt, ganz, alles) ab und beschreibt eine sexuelle Orientierung, die eine Offenheit in der Partner_innenwahl beinhaltet. In Abgrenzung zu psychiatrischen Verwendungsweisen, die in pansexuellem Verhalten und Denken eine Persönlichkeitsstörung sehen, wird Pansexualität in queer-feministischen Debatten als subversiver Handlungsraum in heteronormierten Umwelten verstanden. In einem sozialwissenschaftlichen Kontext ist das Konzept der Pansexualität bisher deutlich unterbelichtet. Die im Konzept selbst angelegte Unmöglichkeit einer eindeutigen Definition führt zu ethischen und wissenschaftlichen Herausforderungen.

Der Körper wird von der kultur-, sozial- und geisteswissenschaftlichen Körperforschung und der Geschlechterforschung gleichermaßen als historisch geworden, kulturell spezifisch und sozial gerahmt verstanden und untersucht. Dabei gerät der menschliche Körper im Spannungsfeld von Natur und Kultur in den Blick. Geschlecht und Körper sind vielfach aufeinander bezogen. Die Naturalisierung des Geschlechtskörpers diente unter anderem dem Ausschluss von Frauen aus der öffentlichen Sphäre.

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