Global ETD Search

131	Maskerade Bremerich, Stephanie 25 April 2017 (has links) (PDF) Der Begriff Maskerade unterscheidet sich trotz etymologischen Verwandschaft vom Begriff Maske. Unter Maskerade werden vor allem Strategien der Inszenierung von Geschlechtsidentitäten verstanden, weshalb synonymisch häufig von Geschlechtermaskerade die Rede ist. Das Konzept hat in den Theater-, Film- und Literaturwissenschaften sowie in der Philosophie und der Psychologie Einzug gehalten. In den Gender Studies etablierte sich der Begriff in den 1990er Jahren, maßgeblich beeinflusst durch psychoanalytische und poststrukturalistische Theoriebildung. Mit der Maskerade können sehr verschiedene Phänomene bezeichnet werden, von der Pseudonymität weiblicher Autor_innenschaft bis hin zu alltagskultureller Performance und Körperinszenierung, etwa im Transvestitismus. Cross Dressing Mann Männer Maskerade Maske Performativität Konstruktion Psychoanalyse Poststrukturalismus Joan Riviere Jacques Lacan Judith Butler Dekonstruktion Männlichkeitsforschung Marjorie Garber Weiblichkeit Weiblichkeitsbild Weiblichkeitsideologie Transvestitismus Transvestismus mask masquerade man transvestism ddc:301
132	Heteronormativität Kleiner, Bettina 27 April 2017 (has links) (PDF) Mit dem Begriff Heteronormativität wird die Naturalisierung und Privilegierung von Heterosexualität und Zweigeschlechtlichkeit in Frage gestellt. Kritisiert werden nicht nur die auf Alltagswissen bezogene Annahme, es gäbe zwei gegensätzliche Geschlechter und diese seien sexuell aufeinander bezogen, sondern auch die mit Zweigeschlechtlichkeit und Heterosexualität einhergehenden Privilegierungen und Marginalisierungen. Der Begriff tauchte erstmalig 1991 in Michael Warners Aufsatz "Introduction: Fear of a Queer Planet" auf. Zentrale Bezugspunkte der Analysen von Heteronormativität stellen Foucaults Untersuchungen zum Zusammenhang von Sexualität und Macht sowie Butlers Theorie der Subjektkonstitution im Rahmen der heterosexuellen Matrix oder der heterosexuellen Hegemonie dar. Queer Queer Theory Queer Planet Geschlecht Sex Gender Geschlechterforschung Michael Warner Heteronormativität Heterosexismus heterosexuelle Matrix Zwangsheterosexualität Sexualität Homosexualität Macht Michel Foucault Judith Butler Konstruktion Zweigeschlechtlichkeit gender sex gender research heteronormativity heterosexuality forced heterosexuality homosexuality power construction bisexuality ddc:301
133	Performativität Schmidt, Melanie 25 April 2017 (has links) (PDF) Der Begriff Performativität geht zurück auf die Sprechakttheorie und wurde von dem Sprachphilosophen John L. Austin "ins Spiel" gebracht. Er verweist mit dem Terminus auf die handlungspraktische Dimension des Sprechens, d.h. dasjenige zu vollziehen oder zu produzieren, was im Sprechen benannt wird, und es nicht lediglich zu bezeichnen. Vor dem Hintergrund von Derridas Iterabilitätsbegriff hat insbesondere Judith Butler das Konzept in die Gendertheorie eingeführt. Das Sein oder So-Sein eines Geschlechtes ist demnach kein ontologischer Status, der aus einer vordiskursiven Wirklichkeit schöpft, sondern das Ergebnis (sich wiederholender) performativer Inszenierungen, die sich selbst erfolgreich als Sein darstellen. Performativität Dekonstruktion Sprechakttheorie Performanz Doing Gender Geschlecht Judith Butler John L. Austin Iterabilität Jacques Derrida Intelligibilität Subjekt performativity deconstruction speech act theory performance sex gender iterability intelligibility subject ddc:301
134	Den lesbiska blicken : En undersökning av blick och betraktarskap utifrån tre målningar av Romaine Brooks Mohlin, Anna January 2012 (has links) This paper aims to investigate the terms and conditions of a lesbian gaze and a lesbian spectatorship from a feminist and queer theoretical point of view. The empirical material consists of three paintings by the American artist Romaine Brooks (1874-1970). Brooks was based in Paris in the early 20th century where she was surrounded by a group of intellectual and usually cross-dressing lesbians. The women within this context are the ones depicted in Brooks’ paintings and this makes her one of the first artists in modernity to openly portray lesbian and cross-dressing women. Her paintings lead into new conditions for the traditional understanding of spectatorship as well as female positions, since there is no male involvement or presence within the interactive space surrounding these paintings. The survey tries to further investigate and break down already existing theories concerning spectatorship with the main focus on Laura Mulvey’s the male gaze, termed in the essay “Visual Pleasure and Narrative Cinema” (1975). The queer theoretical approach in this paper is based on Judith Butler’s performativity, which then is attached to gaze theories in order to investigate the active and passive positions found in Brooks’ paintings. The paper does also include an analysis of the male gaze in relation to modernism, avant-garde, canon and subsequently the reason behind Brooks’ absence in modernist canon. Romaine Brooks blick betraktarskap lesbisk queerteori blickteori kanon avantgarde modernism performativitet queer Judith Butler crossdressing homosexualitet dandy flanör transvestism genus feminism måleri 1920-tal 1910-tal Paris Laura Mulvey the male gaze
135	Den performativa uppväxten : en studie i den heterosexuella matrisens verkan i tre svenska skolskildringar Johansson, Elin January 2012 (has links) Uppsatsen Den performativa uppväxten syftar till att studera den heterosexuella matrisens verkan i tre svenska skolskildringar. Som teoretisk grund för undersökningen används såväl Yvonne Hirdmans teori om hur genussystemet bärs upp av de logiska fundamenten isärhållning och könshierarki, som Judith Butlers queerfeministiskt filosofiska dekonstruktion av kön som kategori. De skönlitterära verk som analyseras är Agnes von Krusenstjernas Tony växer upp och Tonys läroår, Jan Guillous Ondskan och Jonas Gardells trilogi En komikers uppväxt, Ett ufo gör entré och Jenny. Genom ett textanalytiskt tillvägagångssätt med komparativa inslag undersöks hur genusstereotyper reproduceras och stabiliserar heterosexualiteten som obligatorisk norm, vidare hur dessa processer gestaltar ungdomars identitetstillblivelse i den skönlitterära skolmiljön. De tre skolskildringarna statuerar exempel som belyser hur grupptryck och okritisk medvetenhet resulterar i kollektiv könsseparerad performativitet. Den komparativa analysen av de olika skönlitterära verken framhäver genussystemets samtidigt stabila och föränderliga karaktär. De olikartade verken stärker tesen om könsnormer som kulturella, samhälleliga och tidsanpassade konstruktioner, där dock samtida manliga och kvinnliga ideal definieras utifrån varandra likt binära motsatser. Dessa, utifrån varandra definierade genus, stabiliserar en biologistisk heteronormativ beroendeställning mellan en dominant manlighet och en underordnad kvinnlighet. Genom applicerandet av Butlers teori om genussymmetri som en naturaliserad diskurs snarare än en biologisk sanning analyseras hur de olika utanförskap som gestaltas i skolskildringarna samtidigt avslöjar och stärker genussystemet. Judith Butler Yvonne Hirdman Agnes von Krusenstjerna Jan Guillou Jonas Gardell Performativitet Den heterosexuella matrisen Svenska skolskildringar Feminism Queerteori Postmodernism Poststrukturalism Sexualitet Litteraturvetenskap Tony växer upp Tonys läroår Ondskan En komikers uppväxt Ett ufo gör entré Jenny
136	I ljugen, I ljugen, jag är ej en kvinna! : En queerteoretisk analys av huvudkaraktären Tinto och maskeradmotivet i C.J.L. Almqvists Drottningens juvelsmycke. Ims Johansson, Jesper January 2007 (has links) The purpose of this paper is to do an analysis of the characters and the theater/masquerade motif in C.J.L. Almqvist’s Drottningens juvelsmycke (The Queen’s Diadem), based on queer theory, by using Judith Butlers’s Gender Trouble. As an alternative to the Swedish, gender determined, feminine pronoun ”hon”, which has been used by earlier critics concerning the main character of the book, ”hen” is proposed. By using the pronoun ”hen” the mistake made by the earlier critics who, without reflection, state that the character is a woman, will hopefully be avoided. In this analysis, the fact that the main character Tinto – generally known as Tintomara – is an androgyne, is demonstrated. The analysis of Drottningens juvelsmycke also shows that the other characters of the book try to – by heteronormative patterns – define Tinto’s gender identity according to their own requests and purposes. The recurrent theater/masquerade motif, which is closely connected with the main character of the novel, reflects the drift of the gender identities between fiction and reality, between acting and real life. By not staying or getting caught in any specific heteronormative gender identity, Tinto reveals the binary gender categories ”man” and ”woman” as non-natural constructions, just as true or false as any other gender. Carl Jonas Love C.J.L. teater maskerad heteronormativitet hen genusneutral pronomen Horace Engdahl Anna Cavallin Johan Svedjedal man Almqvist kvinna androgyn androgynitet kön heterosexuell matris Drottningens juvelsmycke Tinto Tintomara genus queer queerteori Judith Butler Literature Litteraturvetenskap
137	I ljugen, I ljugen, jag är ej en kvinna! : En queerteoretisk analys av huvudkaraktären Tinto och maskeradmotivet i C.J.L. Almqvists Drottningens juvelsmycke. Ims Johansson, Jesper January 2007 (has links) <p>The purpose of this paper is to do an analysis of the characters and the theater/masquerade motif in C.J.L. Almqvist’s Drottningens juvelsmycke (The Queen’s Diadem), based on queer theory, by using Judith Butlers’s Gender Trouble. As an alternative to the Swedish, gender determined, feminine pronoun ”hon”, which has been used by earlier critics concerning the main character of the book, ”hen” is proposed. By using the pronoun ”hen” the mistake made by the earlier critics who, without reflection, state that the character is a woman, will hopefully be avoided. In this analysis, the fact that the main character Tinto – generally known as Tintomara – is an androgyne, is demonstrated. The analysis of Drottningens juvelsmycke also shows that the other characters of the book try to – by heteronormative patterns – define Tinto’s gender identity according to their own requests and purposes. The recurrent theater/masquerade motif, which is closely connected with the main character of the novel, reflects the drift of the gender identities between fiction and reality, between acting and real life. By not staying or getting caught in any specific heteronormative gender identity, Tinto reveals the binary gender categories ”man” and ”woman” as non-natural constructions, just as true or false as any other gender.</p> Carl Jonas Love C.J.L. teater maskerad heteronormativitet hen genusneutral pronomen Horace Engdahl Anna Cavallin Johan Svedjedal man Almqvist kvinna androgyn androgynitet kön heterosexuell matris Drottningens juvelsmycke Tinto Tintomara genus queer queerteori Judith Butler Literature Litteraturvetenskap
138	Holmes och Watson – Ett Queerläsningsäventyr : En undersökning av maskulinitet och sexualitet i Sir Arthur Conan Doyles The Memoirs of Sherlock Holmes / Holmes and Watson, a queer-reading adventure : an investigation of masculinity and sexuality in Sir Arthur Conan Doyle’s The Memoirs of Sherlock Holmes Åström, Josephine January 2014 (has links) This thesis is a queer masculinity reading of Sir Arthur Conan Doyle’s short story collection The Memoirs of Sherlock Holmes (1894). The analysis focuses on the dissonances, tensions and queerness that reside within the text itself. This has been done from my problem statement: How is Sherlock Holmes and John Watson’s sexuality and masculinity portrayed within the boundary of the text? What is being said, what is hidden, and what is dealt with silently? To reveal these queer parts this analysis has been focused around five themes: the late Victorian male, the Woman, countertypes and decadence, the homosocial sphere and sexuality. The thesis has two major theoretical perspectives: masculinity theory, and queer theory. For the masculine analysis I have used Jørgen Lorentzen and Claes Ekenstam’s concept of manly/unmanly, character, and the citizen from the book Män i Norden: Manlighet och modernitet 1840-1940 and George L. Mosse’s countertype. For the queer theoretical I have used a queer resistant reading combined with Eve Kosofsky Sedgwick’s concept of homosexual panic, and Judith Butler’s gender melancholia. Professor Joseph A. Kestner’s Sherlock’s Men has guided the reading of the short story collection. This thesis aims at showing that the improbable might well reside within the text, not least in the relationship between the two main characters Holmes and Watson. At first glimpse this world of Holmes’s seems devoid of desire, but in a closer reading cracks appear. There are silences, and unnecessary explanations, which have little to do with the adventures themselves, not to mention silent looks, and the association with the domestic. These threaten to effeminize their masculinity, especially Holmes who is a bachelor and suffers from repeated nervousness. Disease of the nerves was associated with effeminacy and homosexuality during the Victorian era. Also, the relationship between Holmes and Watson do at times parody the heterosexual. It’s hard however to find any conclusive evidence of any sexuality in the text, least of all homoerotic, which is hardly surprising considering the forbidding laws that were in place. Sherlock Holmes Dr John Watson masculinity queer theory queer reading manliness manly/unmanly character Jørgen Lorentzen & Claes Ekenstam countertype George L Mosse homosexual panic Eve Kososfsky Sedgwick Judith Butler focalization
139	Religion Drag: The Relevance of “Critical Religion” and Queer Theory to Canadian Law and Religious Freedom Desmarais, Gabrielle 15 January 2014 (has links) This dissertation analyses the use of the word “religion” in Canadian law and theorises the consequences of its use for the legal protection of religious movements in Canada. Chapter One establishes the problems of the word “religion” in academic discourse by providing an overview of work in the field of critical religion. This dissertation considers whether the critiques of the term “religion” by scholars working within critical religion are equally relevant when considering the role of religion in human rights law. Chapter Two turns an investigative eye toward Canadian case law using the word “religion”, from Chaput v Romain (1959) to Alberta v Hutterian Brethren of Wilson Colony (2009). The analysis highlights how the use of “religion” in Canadian law does indeed reflect academic concerns. Chapter Three uses queer theory to speculate the consequences of an unstable concept of religion for the protection of religious freedom, especially as it pertains to new religious movements. Judith Butler’s notions of performativity and drag are applied to theorise the performance of “religion” and its outcomes. Some suggestions for how to proceed conclude the dissertation. critical religion religious studies freedom of religion religious freedom queer theory canadian law canadian charter of rights and freedoms judith butler religion human rights law canada anselem timothy fitzgerald talal asad winnifred sullivan naomi goldenberg
140	The Castle & The Keep : A Gender Study of the Lives and Written Works of Teresa of Avila and John of the Cross Jurison, Ryan January 2018 (has links) An examination of Teresa of Avila and John of the Cross, applying modern theories of gender and sexuality to the textual analysis of a selection of primary written works and biographical works, in order to determine the roles that they play, not only in the case of these two saints of the Catholic Church, but also within the mystical tradition as a whole. St. Teresa of Avila St. John of the Cross Gender Studies Catholic Church Counter Reformation Discalced Carmelites Spanish Mysticism Doctors of the Church Spanish Inquisition mysticism Alfred C. Kinsey Judith Butler Corporeal Realm Ethereal Realm Religious Studies Religionsvetenskap

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