Global ETD Search

1	”Så nu är jag ett annat jag igen” : Autenticitetsgränser i och kring JT LeRoys Sarah och Hjärtat är bedrägligast av allt Säfwenberg, Nike Linn January 2008 (has links) <p>The aim of this essay is to investigate how the author JT LeRoy (a. i. Laura Albert) questions and broadens the concept of authenticity in literature and authorship. My study is based on LeRoy’s novel Sarah [2000] and the collection of short stories The heart is deceitful above all things [2001], as well as articles written about the construction of Laura Albert’s alter ego JT LeRoy. I look for norms and boundaries in connection with authentic authors, identities, sex, gender and love. My method is that of a thematic analysis focusing on names, parenthood, religious beliefs and sub cultural norms and resistance. I am inspired by Michel Foucault’s thoughts on discourse, power and sexuality. My results are presented in a dialogue with previous readings and queer theory, foremost represented by Judith Butler. My general conclusion is that the literary texts, as well as the author represent a queer perspective, and that they therefore – in a heteronormative world view – are considered neither normal nor authentic.</p> Authenticity Butler queer sex drag Foucault gender heteronormativity hoax Laqueur LeRoy performativety Literature Litteraturvetenskap
2	”Så nu är jag ett annat jag igen” : Autenticitetsgränser i och kring JT LeRoys Sarah och Hjärtat är bedrägligast av allt Säfwenberg, Nike Linn January 2008 (has links) The aim of this essay is to investigate how the author JT LeRoy (a. i. Laura Albert) questions and broadens the concept of authenticity in literature and authorship. My study is based on LeRoy’s novel Sarah [2000] and the collection of short stories The heart is deceitful above all things [2001], as well as articles written about the construction of Laura Albert’s alter ego JT LeRoy. I look for norms and boundaries in connection with authentic authors, identities, sex, gender and love. My method is that of a thematic analysis focusing on names, parenthood, religious beliefs and sub cultural norms and resistance. I am inspired by Michel Foucault’s thoughts on discourse, power and sexuality. My results are presented in a dialogue with previous readings and queer theory, foremost represented by Judith Butler. My general conclusion is that the literary texts, as well as the author represent a queer perspective, and that they therefore – in a heteronormative world view – are considered neither normal nor authentic. Authenticity Butler queer sex drag Foucault gender heteronormativity hoax Laqueur LeRoy performativety Literature Litteraturvetenskap
3	Heterosexuella skådespel i Margareta av Navarras <em>Heptameron</em> / <em>Heterosexual Performances in Marguerite de Navarre’s</em> Heptameron Andersson, Johanna January 2009 (has links) <p>Jag vill i den här uppsatsen beskriva hur sexualitet och genus konstrueras, befästs och utmanas i Margareta av Navarras verk <em>Heptameron</em>. Jag utgår från Judith Butlers och Thomas Laqueurs queerteoretiska perspektiv och visar hur de olika maktdiskurserna kristendom, aristokrati, patriarkalism och nyplatonism påverkar och påtvingar olika konstruktioner av sexualitet<strong> </strong>och genus, och kan konstatera att alla dessa diskurser bygger på<strong> </strong>en normerande och<strong> </strong>normaliserad heterosexualitet som ständigt för tillbaka avvikelserna från denna norm, hos såväl devisanterna som i de två noveller jag studerat, till en binär könskategorisering. Huvudfokus ligger på tvetydigheten hos begrepp som man, kvinna, och fullkomlig kärlek. Jag menar att just avsaknaden av slutgiltiga definitioner av sådana begrepp i verket visar på att det inte går att finna något essentiellt ursprung eller någon slutgiltig definition av dem. Det är just därför den heterosexuella normen måste iscensättas gång på gång.</p><p>Jag menar dock att man kan konstatera att det finns en skillnad i fråga om de bakomliggande diskursernas gestaltning i ramberättelse där de slås fast och i novellerna där de problematiseras, vilket också påpekats av Bernard. Det finns med andra ord ett större utrymme för avvikande från sexualitets- och genusnormer i <em>Heptamerons </em>noveller, medan ramberättelsens funktion tycks vara att föra dem tillbaka till ordningen. Likväl sker en ständig upprepning av den heterosexuella normen både hos devisanterna och i novellerna, en upprepning som tyder på att heterosexualiteten inte är vare sig given eller naturlig utan iscensatt.</p> / <p>In this study I am analyzing how categories of sexuality and gender are represented in Marguerite de Navarre’s <em>Heptameron</em>. I have narrowed the object of study down to two of the seventy-two novellas; number forty-seven and forty-three, and to four of the ten devisants; Oisille, Parlamente, Hircan and Dagoucin. The theoretical frame<strong> </strong>is taken from Judith Butlers <em>Gender Trouble. Feminism and the Subversion of Identity</em> (1990) and <em>Undoing Gender</em> (2004) and from Thomas Laqueurs <em>Making Sex. Body and Gender from the Greeks to Freud</em> (1990). Butler’s aim is to deconstruct terms such as feminine and masculine, which function as imagined normalization categories due to power relations. In <em>Undoing Gender </em>she asks: “If I am a certain gender, will I still be regarded as part of the human? Will the ‘human’ expand to include me in its reach? If I desire in certain ways, will I be able to live?” These questions are of great importance for my study, which presents how the categories of sexuality and gender can be negotiated in the equalized frame Marguerite de Navarre creates for her ten devisants and novellas. At the same time I assess how every attempt to go beyond the boundaries of norms fails due to a norm of heterosexuality, which constrains the binary categories of man and woman.</p><p>There are four main discourses by which the heterosexual norm is internalized by the devisants in <em>Heptameron</em>: the Christian, the aristocratic, the patriarchal and the neo-platonic. I suggest that each of the four devisants that I have studied represents one of these discourses. Since there are no definitive lines or definitive conclusions reached in the discussions among them it would be more correct to say that all the discourses effect all of the devisants to some extent, but<strong> </strong>that all the devisants act through a main discourse when he/she express his/her individual opinions.</p><p>When the devisants in the frame leave it to the reader to come to a conclusion about right or wrong behavior for men and women, they are still rather set in their own opinions and, also, quite unforgiving. It is my contention that the novellas create more room for negotiations of the sexual and gender roles than the frame. In novella forty-three a woman acts within the role of the active, hence masculine, part of a love affair, and novella forty-seven tells the story of a <em>parfaicte</em> <em>amytié</em> between two men. But it is also obvious that these attempts to stress and break the norms of sexuality and gender are unsuccessful, once again due to the fixed norm of heterosexuality which constrain the binary categories of man and woman. In the novellas these very failures put the norms under stress, since they point out the very problem with the determination of sexual and gender categories which were prevalent during the Renaissance.</p><p>I conclude my results by returning to Butler’s question above; “If I desire in certain ways, will I be able to live?” In <em>Heptameron </em>one can always find a chance to try a different way, but in the end only the heterosexual desire in which man and woman are in dichotomy survives.</p> Marguerite de Navarre Heptameron Judith Butler Thomas Laqueur queertheory heterosexuality homosexuality gender sex women men woman man love parfaicte amytié Christianity Neo-platonism Aristocracy Patriarchal Margareta av Navarra Heptameron Judith Butler Thomas Laqueur queerteori queerteoretisk heterosexualitet homosexualitet manligt kvinnligt man kvinna kön genus kärlek parfaicte amytié kristendom nyplatonism aristokrati patriarkal Literature Litteraturvetenskap
4	Heterosexuella skådespel i Margareta av Navarras Heptameron / Heterosexual Performances in Marguerite de Navarre’s Heptameron Andersson, Johanna January 2009 (has links) Jag vill i den här uppsatsen beskriva hur sexualitet och genus konstrueras, befästs och utmanas i Margareta av Navarras verk Heptameron. Jag utgår från Judith Butlers och Thomas Laqueurs queerteoretiska perspektiv och visar hur de olika maktdiskurserna kristendom, aristokrati, patriarkalism och nyplatonism påverkar och påtvingar olika konstruktioner av sexualitet och genus, och kan konstatera att alla dessa diskurser bygger på en normerande och normaliserad heterosexualitet som ständigt för tillbaka avvikelserna från denna norm, hos såväl devisanterna som i de två noveller jag studerat, till en binär könskategorisering. Huvudfokus ligger på tvetydigheten hos begrepp som man, kvinna, och fullkomlig kärlek. Jag menar att just avsaknaden av slutgiltiga definitioner av sådana begrepp i verket visar på att det inte går att finna något essentiellt ursprung eller någon slutgiltig definition av dem. Det är just därför den heterosexuella normen måste iscensättas gång på gång. Jag menar dock att man kan konstatera att det finns en skillnad i fråga om de bakomliggande diskursernas gestaltning i ramberättelse där de slås fast och i novellerna där de problematiseras, vilket också påpekats av Bernard. Det finns med andra ord ett större utrymme för avvikande från sexualitets- och genusnormer i Heptamerons noveller, medan ramberättelsens funktion tycks vara att föra dem tillbaka till ordningen. Likväl sker en ständig upprepning av den heterosexuella normen både hos devisanterna och i novellerna, en upprepning som tyder på att heterosexualiteten inte är vare sig given eller naturlig utan iscensatt. / In this study I am analyzing how categories of sexuality and gender are represented in Marguerite de Navarre’s Heptameron. I have narrowed the object of study down to two of the seventy-two novellas; number forty-seven and forty-three, and to four of the ten devisants; Oisille, Parlamente, Hircan and Dagoucin. The theoretical frame is taken from Judith Butlers Gender Trouble. Feminism and the Subversion of Identity (1990) and Undoing Gender (2004) and from Thomas Laqueurs Making Sex. Body and Gender from the Greeks to Freud (1990). Butler’s aim is to deconstruct terms such as feminine and masculine, which function as imagined normalization categories due to power relations. In Undoing Gender she asks: “If I am a certain gender, will I still be regarded as part of the human? Will the ‘human’ expand to include me in its reach? If I desire in certain ways, will I be able to live?” These questions are of great importance for my study, which presents how the categories of sexuality and gender can be negotiated in the equalized frame Marguerite de Navarre creates for her ten devisants and novellas. At the same time I assess how every attempt to go beyond the boundaries of norms fails due to a norm of heterosexuality, which constrains the binary categories of man and woman. There are four main discourses by which the heterosexual norm is internalized by the devisants in Heptameron: the Christian, the aristocratic, the patriarchal and the neo-platonic. I suggest that each of the four devisants that I have studied represents one of these discourses. Since there are no definitive lines or definitive conclusions reached in the discussions among them it would be more correct to say that all the discourses effect all of the devisants to some extent, but that all the devisants act through a main discourse when he/she express his/her individual opinions. When the devisants in the frame leave it to the reader to come to a conclusion about right or wrong behavior for men and women, they are still rather set in their own opinions and, also, quite unforgiving. It is my contention that the novellas create more room for negotiations of the sexual and gender roles than the frame. In novella forty-three a woman acts within the role of the active, hence masculine, part of a love affair, and novella forty-seven tells the story of a parfaicte amytié between two men. But it is also obvious that these attempts to stress and break the norms of sexuality and gender are unsuccessful, once again due to the fixed norm of heterosexuality which constrain the binary categories of man and woman. In the novellas these very failures put the norms under stress, since they point out the very problem with the determination of sexual and gender categories which were prevalent during the Renaissance. I conclude my results by returning to Butler’s question above; “If I desire in certain ways, will I be able to live?” In Heptameron one can always find a chance to try a different way, but in the end only the heterosexual desire in which man and woman are in dichotomy survives. Marguerite de Navarre Heptameron Judith Butler Thomas Laqueur queertheory heterosexuality homosexuality gender sex women men woman man love parfaicte amytié Christianity Neo-platonism Aristocracy Patriarchal Margareta av Navarra Heptameron Judith Butler Thomas Laqueur queerteori queerteoretisk heterosexualitet homosexualitet manligt kvinnligt man kvinna kön genus kärlek parfaicte amytié kristendom nyplatonism aristokrati patriarkal Literature Litteraturvetenskap
5	“She said she was called Theodore” : - A modality analysis of five transcendental saints in the 1260’s Legenda Aurea and 1430’s Gilte Legende Atterving, Emmy January 2017 (has links) This thesis explores modalities in two hagiographical collections from the late Middle Ages; the Legenda Aurea and the Gilte Legende by drawing inspiration from post-colonial hybridity theories.. It conducts a close textual analysis by studying the use of pronouns in five saints’ legends where female saints transcend traditional gender identities and become men, and focuses on how they transcend, live as men, and die. The study concludes that the use of pronouns is fluid in the Latin Legenda Aurea, while the Middle English Gilte Legende has more female pronouns and additions to the texts where the female identity of the saints is emphasised. This is interpreted as a sign of the feminisation of religious language in Europe during the late Middle Ages, and viewed parallel with the increase of holy women at that time. By doing this, it underlines the importance of new words and concepts when describing and understanding medieval views on gender. saint saints transvestites transvestism transvestite saint marina marina marinus saint eugenia eugenia eugene saint theodora theodora theodore saint margaret margaret pelagius margaret margaret pelagia pelagius pelagia saint pelagia jacopo de fazio jacobus de voragine jacopo da varazze compiler dominican Golden legend legenda aurea legenda sanctorum gilte legende confessor martyr virgin hagiographies hagiography biography England Middle English sweden monastery monk abbot social experimentation space feminisation of language jesus as mother saint bridget of sweden saint mary holy virgin saint catherine of siena le roman de silences silence caroline walker bynum sanctity transcendence homi bhabha post-colonial postcolonial loomba hybridity hybridity theory gender gender fluidity crossdressing cross-dressing transgender laqueur linguistics modality nuyts medieval late medieval late middle ages middle ages late medieval period History and Archaeology Historia och arkeologi

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