Ces dernières années, la production littéraire et artistique de Carlo Levi a fait l’objet d’études approfondies et de nombreuses publications. Cependant, une partie de son œuvre a été négligée par la critique et notamment son activité de scénographe, de scénariste et de cinéaste. La collaboration de Carlo Levi avec l’industrie cinématographique commence au début des années trente et se poursuit jusqu’au début des années cinquante. Pendant ces années, Levi a l’occasion de collaborer non seulement avec des artistes comme Enrico Paulucci, Italo Cremona et Carlo Mollino, avec qui il réalise les scénographies de Patatrac et de Pietro Micca, mais aussi avec des hommes de lettres tels que Mario Soldati, Rocco Scotellaro et Alberto Moravia. Cette étude vise à reconstruire le parcours cinématographique de Carlo Levi en s’appuyant sur des documents d’archives de nature et de provenance différente : des scénarios, des synopsis, des story-boards mais aussi des contrats commerciaux, pour la plupart inédits. Sa production filmique couvre tous les genres : du comique au dramatique, du documentaire à la comédie musicale. Notre travail rend accessible une partie méconnue de l’œuvre de Carlo Levi en contribuant ainsi à la redécouverte de l’un des auteurs majeurs du XXe siècle. / In recent years there have been many in depth studies and publications on Carlo Levi's literary and artistic works. However, a section of his work, in particular his work in set design, script writing and film making in general, has been largely neglected by critics. Carlo Levi's association with the film industry started at the beginning of the nineteen thirties and extended to the beginning of the nineteen fifties. During these years, Carlo Levi had the opportunity to work not only with famous artists like Enrico Paulucci, Italo Cremona and Carlo Mollino, with whom he designed the film sets of Patatrac and Pietro Micca, but also with men of letters of the stature of Mario Soldati, Rocco Scotellaro and Alberto Moravia. The aim of this study is to trace Carlo Levi's career in cinema using information found in archived documentation of various types and from various sources: from sets, synopses and story-boards but also in previously unpublished commercial contracts. The films that he produced cover all genres: from comedy to drama and from documentaries to musicals. Our work makes a hereto unknown section of Carlo Levi's work accessible, thereby contributing to the rediscovery of a major 20th century author.

Abstract This research report explores the process of narrating survival in Primo Levi’s If This Is A Man and The Drowned and The Saved. The central objective is to understand the process of psychological survival is narrated in Levi’s autobiographical narrative. To this end, I have used a psychoanalytical framework to understand the traumatic impact of Auschwitz on subjectivity as well as to position subjectivity in relation to autobiographical narrative. I shall argue that the trauma of Auschwitz resulted in an eroded and shattered subjectivity and that narrative offers a space in which the reconstruction of that subjectivity can be negotiated.

Made available in DSpace on 2016-04-28T14:16:45Z (GMT). No. of bitstreams: 1 Joao Alex Alves.pdf: 808658 bytes, checksum: 047b8b24d199f39fddf745544ba64058 (MD5) Previous issue date: 2010-05-18 / Secretaria da Educação do Estado de São Paulo / Based on some of the different texts by the architect Rino Levi, in special: A arquitetura e a estética das cidades, São Paulo 1925 , O que há na arquitetura, 1939 , Acústica - Contribuição para a Solução do Problema da Acústica, 1936 , Mudam os Tempos, 1948 , Arquitetura é arte e ciência, 1949 , Síntese das Artes Plásticas, 1954 , Levantamento sobre as condições do ensino universitário da FAU-USP, 1956 , Evolução da arquitetura aula inaugural da Faculdade de Arquitetura da Universidade do Rio Grande do Sul, 1958 , Discurso de paraninfo da Faculdade de Arquitetura da Universidade do Rio Grande do Sul, 1958 , this research in History of Science shows aspects of his participation in the city of Sao Paulo development during the first half of the Twentieth Century, giving special attention to his ideas related to architecture as a field of knowledge. By exploiting certain points of the path taken by the architect since his formation and the publication of his first text to his professional practice already consolidated in the 50's and 60's in Sao Paulo this study emphasizes the contribution of Rino Levi for the institutionalization of architecture in Brazil. An attempt was made in this paper to relate social, cultural and economic aspects of that moment with information and ideas contained in Rino Levi s writings, as well as exposing how the architect has positioned itself in the face of the new architecture. The emergence of new materials made possible new ways and the industrialization brought with it various techniques for application in new construction, giving rise to modern architecture. Impacts of the actions of Rino Levi locally and internationally were also highlighted. By revisiting excerpts of the architect texts on the amendments by which passed the field of architecture we could see his thoughts on the development of new techniques and studies in architecture / Tendo como base alguns dos diferentes textos de autoria do arquiteto Rino Levi, em especial: A arquitetura e a estética das cidades, São Paulo 1925 , O que há na arquitetura, 1939 , Acústica - Contribuição para a Solução do Problema da Acústica, 1936 , Mudam os Tempos, 1948 , Arquitetura é arte e ciência, 1949 , Síntese das Artes Plásticas, 1954 , Levantamento sobre as condições do ensino universitário da FAU-USP, 1956 , Evolução da arquitetura aula inaugural da Faculdade de Arquitetura da Universidade do Rio Grande do Sul, 1958 , Discurso de paraninfo da Faculdade de Arquitetura da Universidade do Rio Grande do Sul, 1958 , publicados em jornais da época e em revistas especializadas. Esta pesquisa em História da Ciência mostra aspectos de sua participação no contexto do desenvolvimento da cidade de São Paulo na primeira metade do século XX. Ao abordar seus textos procurou-se dar atenção especial às idéias ligadas à divulgação da arquitetura enquanto área do conhecimento, verificando como refletiram em seu trabalho. Através da exploração de determinados pontos do caminho percorrido pelo arquiteto, desde a sua formação e a publicação de seu primeiro texto, até sua consolidação profissional nas décadas de 50 e 60 em São Paulo, foi possível perceber a contribuição de Rino Levi para a institucionalização da arquitetura no Brasil. Procurou-se nessa dissertação relacionar aspectos sociais, culturais e econômicos do período, com as informações e idéias contidas nos textos de Rino Levi, expondo assim como esse arquiteto posicionou-se frente às novidades da arquitetura. O aparecimento de novos materiais possibilitou novas formas e a industrialização trouxe consigo técnicas diferenciadas para a aplicação em novas construções dando origem à arquitetura moderna. Aspectos da repercussão da atuação de Rino Levi tanto em âmbito local quanto internacional também foram destacados. Ao revisitar trechos dos textos do arquiteto sobre as alterações pelas quais passava o campo da arquitetura pudemos verificar seu pensamento a respeito do desenvolvimento das novas técnicas e estudos na arquitetura

In this thesis I will develop and test an interpretive framework for the Subject based on the understanding that an entity can be identified as a Subject if it is the necessary referent for an attribution. This understanding provides a template for approaching different Subjects, for considering the validity of their being identified as Subjects, and for reorienting the general discourse of the Subject away from an investigation of particular entities to one concerned with the contexts which support such identifications.

Nous étudions dans cette thèse un problème de Goursat pour des systèmes d'équations aux dérivées partielles avec les conditions de Levi. Nous améliorons<br />les résultats du Pr D. Gourdin qui a étudié le problème de Cauchy linéaire dans les espaces de Sobolev et dans les espaces C-infini sur R_t × R^n_x pour les opérateurs<br />matriciels faiblement hyperboliques à caractéristiques doubles en calculant le domaine de dépendance dans la première partie de cette thèse tout en rappelant le détail des démonstrations utilisées en les améliorant sur les diagonaliseurs. Dans seconde partie, nous étudions le problème de Goursat dans les espaces de Sobolev pour un système de N équations à N fonctions inconnues des variables (t, x, y) dans R_t×R_x×R_y^n.<br />Ce système peut être décrit comme une composition de deux opérateurs aux dérivées partielles à coefficients matriciels hyperboliques respectivement dans<br />la direction de t pour le premier et dans la direction de x pour le second avec des caractéristiques doubles et des conditions de Levi scalaires et avec un opérateur matriciel aux dérivées partielles additif résiduel spécifique. Nous calculons aussi le domaine de dépendance du problème de Goursat dont ses données sont sur t = 0 et x = 0 .

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Cette thèse est consacrée à l' étude des solutions globales régulières pour deux équations d'évolution semi-linéaire différentes.<br />Dans la première partie, nous étudions les solutions régulières globales d'une équation particulière semi-linéaire faiblement<br />hyperbolique d'ordre quatre . Les linéarisés de cette équation<br />vérifient une hypothèse du type de Levi.<br />Dans la seconde patie, nous donnons des exemples d'opérateurs d'évolution notés L = partial_{tt}^2 - p(t, D_x), faisant intervenir des opérateurs singuliers p pour lesquels une perturbation <br />quasi-linéaire donne des équations admettant des solutions régulières et globales.

In this thesis I will develop and test an interpretive framework for the Subject based on the understanding that an entity can be identified as a Subject if it is the necessary referent for an attribution. This understanding provides a template for approaching different Subjects, for considering the validity of their being identified as Subjects, and for reorienting the general discourse of the Subject away from an investigation of particular entities to one concerned with the contexts which support such identifications.

In this thesis I will develop and test an interpretive framework for the Subject based on the understanding that an entity can be identified as a Subject if it is the necessary referent for an attribution. This understanding provides a template for approaching different Subjects, for considering the validity of their being identified as Subjects, and for reorienting the general discourse of the Subject away from an investigation of particular entities to one concerned with the contexts which support such identifications.

In this thesis I will develop and test an interpretive framework for the Subject based on the understanding that an entity can be identified as a Subject if it is the necessary referent for an attribution. This understanding provides a template for approaching different Subjects, for considering the validity of their being identified as Subjects, and for reorienting the general discourse of the Subject away from an investigation of particular entities to one concerned with the contexts which support such identifications.