Zugl.: Potsdam, Univ., Diss., 2006.

Zugl.: Potsdam, Univ., Diss., 2006

Dissertation (PhD) Florida State University, 2007. / Advisor: Jane Piper Clendinning, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-21-2007). Document formatted into pages; contains 170 pages. Includes biographical sketch. Includes bibliographical references.

In this thesis I will develop and test an interpretive framework for the Subject based on the understanding that an entity can be identified as a Subject if it is the necessary referent for an attribution. This understanding provides a template for approaching different Subjects, for considering the validity of their being identified as Subjects, and for reorienting the general discourse of the Subject away from an investigation of particular entities to one concerned with the contexts which support such identifications.

Dissertação (mestrado)—Universidade de Brasília, Faculdade de Arquitetura e Urbanismo, Programa de Pesquisa e pós-Graduação, 2011. / Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2012-05-18T13:13:24Z No. of bitstreams: 1 2011_AndréLuizdeSouzaCastro.PDF: 33602052 bytes, checksum: e41ae46e1549d1af1a46713bfc8f3c8f (MD5) / Approved for entry into archive by Marília Freitas(marilia@bce.unb.br) on 2012-05-24T13:46:16Z (GMT) No. of bitstreams: 1 2011_AndréLuizdeSouzaCastro.PDF: 33602052 bytes, checksum: e41ae46e1549d1af1a46713bfc8f3c8f (MD5) / Made available in DSpace on 2012-05-24T13:46:16Z (GMT). No. of bitstreams: 1 2011_AndréLuizdeSouzaCastro.PDF: 33602052 bytes, checksum: e41ae46e1549d1af1a46713bfc8f3c8f (MD5) / A presente dissertação tem como objeto o projeto de Rino Levi e equipe, classificado em terceiro lugar no Concurso Nacional para o Plano Piloto de Brasília, em 1957. Para o entendimento da proposta urbanística, foi realizada uma síntese bibliográfica, buscando, de forma mais abrangente possível, sistematizar as análises já existentes sobre o objeto, além de uma discussão contextualizada acerca de suas principais características. Foi, então, realizada uma modelagem digital tridimensional da cidade concebida, o que proporcionou novos modos de representação a partir de uma série de perspectivas extraídas desse modelo, privilegiando o olhar a partir da escala humana. Como resultado, foi possível demonstrar peculiaridades ainda pouco exploradas na bibliografia, como, por exemplo, a interação do Plano Piloto de Rino com o Lago Paranoá e o tratamento urbanístico dado aos espaços de convergência formados pela concepção polinuclear da cidade. Reitera-se, ainda, a filiação do projeto aos preceitos da Carta de Atenas e ressalta-se a incorporação de um recurso urbanístico contemporâneo ao Concurso, introduzido nas discussões internacionais nos anos 1950, denominado City Core, cuja essência era a flexibilização do rígido zoneamento vigente desde o início do movimento moderno. _______________________________________________________________________________________ ABSTRACT / This dissertation´s object is the project of Rino Levi and his team, ranked third in the National Competition for the Pilot Plan of Brasília in 1957. To understand the urban proposal, a broadly bibliographic synthesis was performed in order to systematize the existing analysis on the object, and a contextualized discussion about its main features. It was then developed a three-dimensional digital model of the city designed, which provided new ways of representation from a range of perspectives drawn from this model, preferring the human scale´s points of view. As a result, it was possible to demonstrate peculiarities still less explored in the literature, for example, the interaction of Rino’s Pilot Plan with Paranoá lake, and the treatment given to urban spaces designed for convergence in the context of a polinuclear city. At last, the project´s affiliation to the precepts of the Chart of Athens was reiterated, whereas it could be emphasized the incorporation in this proposal of a competition´s contemporary urban solution, featured in international discussions in the 1950s, called City Core, whose essence was the relaxation of the strict zoning of the beginning of modern movement.

Submitted by Elaine Afonso null (laine.afonso@hotmail.com) on 2017-09-29T13:10:43Z No. of bitstreams: 1 Dissertação Elaine.pdf: 1462335 bytes, checksum: 5bd098d25b8724742426b051a6b2fdc2 (MD5) / Approved for entry into archive by Monique Sasaki (sayumi_sasaki@hotmail.com) on 2017-09-29T18:56:56Z (GMT) No. of bitstreams: 1 afonso_e_me_sjrp.pdf: 1462335 bytes, checksum: 5bd098d25b8724742426b051a6b2fdc2 (MD5) / Made available in DSpace on 2017-09-29T18:56:56Z (GMT). No. of bitstreams: 1 afonso_e_me_sjrp.pdf: 1462335 bytes, checksum: 5bd098d25b8724742426b051a6b2fdc2 (MD5) Previous issue date: 2017-09-04 / Este trabalho consiste no estudo das relações entre modernidade, racionalização e violência no livro É isto um homem?, de Primo Levi. Este autor é um judeu italiano, personagem central de sua obra, que consiste no testemunho daquilo que viveu em Auschwitz, um dos maiores campos de concentração nazista. No livro, o autor recria, por meio da linguagem, um mundo extraliterário, o do campo, com sua arquitetura própria, sua organização interna e suas formas de controle e extermínio. Primo Levi narra as atrocidades cometidas por seres humanos contra outros seres humanos, de uma forma bárbara, deixando claro que, quando a luta é pela sobrevivência, os valores éticos e morais são postos à prova; ao mesmo tempo em que, no caso do carrasco, verdadeiras faces se revelam, trazendo à tona a força da barbárie e sua capacidade de ultrapassar todos os limites humanos. Primo Levi narra os fatos sentindo-se como que incumbido de um dever moral para com a sociedade, dever de falar em nome daqueles que não sobreviveram. Apesar da dificuldade de representação de sua experiência traumática, Levi expõe todo um sistema burocraticamente organizado que possibilitou que Auschwitz chegasse a ser o próprio horror; lugar onde a razão instrumentalizada desfez os princípios iluministas de progresso e animalizou os homens, condenados a uma violência destrutiva e mortífera, que, por sua vez, foi subsidiada pela própria noção de progresso e desenvolvimento técnico que marcou os ideais da modernidade. / This work aims at studying the relationship that exists among modernity, rationalization and violence in the book Is this a man?, by Primo Levi. This author is an Italian Jewish, the central character of his book, which consists in the testimony of what he lived in Auschwitz, one of the biggest Nazi concentration camps. In the book, the author recreates, through language, an extra literary world, that of the camp, with its own architecture, its organization and ways of control and extermination. Primo Levi tells the atrocities committed, in a barbaric way, by human beings against other human beings, which makes clear that, when the fight is for survival, ethical and moral values are tested; likewise, in the case of the executioner, true faces are revealed, showing the force of barbarism and its capacity of exceeding all the human limits. Levi tells the facts feeling as if in charge of a moral duty towards the society, the duty of speaking for those who did not survive. Despite the difficulties of representation of his traumatic experience, Levi exposes the whole bureaucratically organized system that made possible that Auschwitz ended up being the horror itself; the place where the instrumentalized reason destroyed the illuminist principles of progress and made men become animals, condemned to a destructive and deadly violence, that was subsidized by the notion of progress and technical development, which were signals of the modernity purposes.

Orientador: Maria Suely Kofes / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-09T10:20:10Z (GMT). No. of bitstreams: 1 Dias_AdrianaAbreuMagalhaes_M.pdf: 5397738 bytes, checksum: 8753af9a4da3efc95e5b7c1c3b47492d (MD5) Previous issue date: 2007 / Resumo: Esta pesquisa busca apreender o universo simbólico das URLs racistas, revisionistas e neonazistas na Internet. O propósito da investigação é, por meio da observação etnográfica das práticas e representações discursivas expostas em sites, portais, comunidades, fóruns, chats e listas de discussão, que abordam este tema, compreender que tipo de relação se constrói entre o espaço digital e a defesa da idéia de "raça ariana", realizada por meus "nativos". Como foco privilegiei os aspectos simbólicos que melhor evidenciam a interface entre estas duas dimensões, por meio da pesquisa empírica e do exercício teórico. A partir deste recorte, emergiram algumas perspectivas relevantes na construção identitária que o racista desenvolve para si e para o outro, tais como as marcas genômicas e mitológicas evidentes em seu discurso, as redefinições da fronteira entre digitalidade e realidade e a luta política "dos arianos", na WEB. O argumento central resultante da pesquisa é de que o neonazismo interpreta simbolicamente o mundo contemporâneo, nos sites analisados, articulando mitos, narrativas e rituais. Neste processo, evidencia-se a elaboração de uma forma específica de identidade: o ¿teutonismo¿ / Abstract: This research attempts to apprehend the symbolic universe of racist, revisionist and neonazi pages in the Internet. The aim of the investigation is to understand what kind of relationship is built between the digital space and the defense of the idea of an "Aryan race" attempted by my 'natives¿. This is done by means of ethnographic observation of practices and discoursive representations posted at sites, forums, communities, chats and discussion lists. I focus on those symbolics aspects that highlight best the interface between digital space and racism, by means of both empirical research and theoretical exercise. From this vantage point, some features of the identitary construction developed by racists for themselves and for others were made visible, namely, the genomic and mythic marks of their discourse, the redefinition of the frontiers between digital world and reality, and the ¿aryan¿ political struggle in the WEB. The main argument resulting from this research is that the neonazism interprets symbolically the contemporary world by articulating myths, narratives e rituals. Along this process, a specific way of identity is manifested: the ¿teutonicism¿ / Mestrado / Antropologia Social / Mestre em Antropologia Social

Studien har syftat till att undersöka huruvida Karin Smirnoffs bok Vi forupp med mor från 2019 kan användas i gymnasieundervisningen som exempel på en bok somillustrerar en laestadiansk rörelse i dagens Sverige. Detta har gjorts genom en litteraturstudie,där företeelser i Vi for upp med mor har jämförts med liknande händelser berättat av Maj-LisPalo i hennes bok Sommarsvalor och vintermesar – en bok om att leva i den laestadianskaväckelserörelsen idag från år 2000. Avslutningsvis har det skrivits en diskussion om på vilketsätt boken kan användas i religionsundervisningen på gymnasiet, och vilken eventuellproblematik den kan medföra utifrån Johan Wickströms teori om didaktisk textkompetens ireligionsundervisningen. Studien visar att det finns många likheter mellan Gemenskapen iSmirnoffs bok och den laestadianska rörelsen, men att de skiljs åt i det att Gemenskapenframstår som strängare i flera avseenden. I diskussionen framgår det att det användningen avboken i undervisningen inte bör vara problematisk så länge läraren – tillsammans med eleverna– arbetar medvetet och kritiskt med innehållet.

This study delineates the basic concepts and analytical techniques of contemporary French structuralists, namely Levi-Strauss, Lacan, Barthes, Althusser, and Foucault, and critically examines the contribution of their formulations to sociological theory and the implication of such formulations on the methodological orientation in sociology.

Lars Levi Laestadius (1800-1861) was active as a priest in the Swedish church in the northernmost parts of Sweden. After experiencing a transformative and life-changing spiritual breakthrough, which he himself has later called his rebirth and the moment when he received a living faith, he came to gather large audiences and give rise to a revival movement, which still bears his name today. Although Laestadius was active as a priest, he sharply criticized many conditions in the contemporary church. The purpose of this essay has been to investigate whether, and if so how, this criticism as presented in his sermons and writings can be linked to his Bible use, i.e. his reading and interpretation of the Bible and the authority he gives the Bible. For my study, I have closely read a large number of his extant sermons and published writings. The study also briefly summarises the central elements of Laestadius' theology, as well as what he perceives to be the Church's main mission. The study shows how his criticism is based on his use of the Bible and also how, through a far-reaching allegorical interpretation of the Bible, he uses different texts from both the Old and the New Testaments in his argumentation.