Global ETD Search

31	Érotisme pudique et dissolution des limites dans Hamaguri d’Aki Shimazaki ; suivi de Probablement personne Bérard, Marie-Jeanne 08 1900 (has links) Recourant volontiers au voilement ou à un jeu de paravents, l’écriture pudique est marquée par la précaution – souvent troublante en soi – d’éviter de provoquer le trouble chez son lecteur. Hamaguri d’Aki Shimazaki se construit autour d’un noyau apparemment contradictoire qui transcende le tabou de l’inceste. L’étude de ce roman, mis en parallèle avec L’amant de Duras et Les belles endormies de Kawabata, permet de mettre en relief un érotisme pudique dont la principale caractéristique consiste en une remise en cause de son principe transgressif, découlant de la dissolution de la limite tracée par l’interdit. Dans un phénomène de coïncidence des opposés, l’érotisme pudique aplanit le rapport dualiste entre des éléments donnés comme inconciliables : chair et esprit, Éros et Thanatos, licite et illicite. Empreint de ce type d’érotisme, Probablement personne met en scène une jeune femme et son professeur de peinture sumi-e, de quarante ans son aîné. Une passion indéfinissable, à la lisière de la hantise, les lie de plus en plus étroitement l’un à l’autre. Leur relation se joue dans le non-dit, les regards, la gestuelle; elle se révèle graduellement à travers des traits d’encre sur le papier et la symbolique de la fleur : fascinante, cueillie, flétrie… Leur drame se joue dans la zone grise entre ce qui a eu lieu et n’a jamais eu lieu. / With its active usage of veils and folding screens, modesty writing is characterized by a certain precaution – often unsettling in and of itself – that is intended to avoid exciting readers. Aki Shimazaki’s Hamaguri is constructed on such a seemingly contradictory core that transcends the taboo of incest. A comparative analysis of this novel using Duras’ The Lover and Kawabata’s The House of the Sleeping Beauties allows one to uncover a certain erotic modesty, whose defining characteristic is that it undermines transgression when the boundaries of the forbidden are broken down. In a phenomenon where opposites collide, erotic modesty bridges the dualistic gap that exists between elements once considered incompatible: body and soul, Eros and Thanatos, that which is permitted and the forbidden. Infused with this particular form of eroticism, Probablement personne acquaints readers with a young woman and her sumi-e painting professor, who is forty years her senior. An incommunicable bond develops, bordering on haunting, and ties the two closer together. Their relationship transpires in the unspoken, looks as well as gestures, gradually unveiling itself through strokes of ink on paper and floral symbolism: captivating, picked, wilted. Their drama unfolds in the grey area between what really happens, and what does not. Pudeur Érotisme Transgression Réticence Hamaguri Aki Shimazaki L'amant Marguerite Duras Les belles endormies Yasunari Kawabata Modesty Erotism Transgression Reticence The house of the sleeping beauties The lover
32	Sexualité et corporéité féminines dans le cinéma de réalisatrices contemporaines : une lecture féministe Lejour-Perras, Laurence 03 1900 (has links) Ce mémoire de maîtrise étudie le traitement cinématographique de la sexualité et de la corporéité féminines dans le travail de réalisatrices contemporaines. Il prend appui sur les films Anatomie de l’enfer (Catherine Breillat, 2004), Sleeping Beauty (Julia Leigh, 2011), Nuit #1 (Anne Émond, 2011), et Klip (Maja Milos, 2012). Notre hypothèse est que ces réalisatrices adoptent une posture féministe, affirmée ou non, par leur révision des stéréotypes de genre relatifs au corps et à la sexualité féminine. Dans un premier temps, nous nous intéressons à la dynamique érotique entretenue, à travers l’Histoire, entre la femme comme objet de désir et l’homme comme sujet désirant, au cinéma comme ailleurs. Puis, nous analysons la déconstruction des stéréotypes de genre féminins de pudeur et de passivité au sein du corpus choisi. Nous démontrons ainsi qu’en révisant ces stéréotypes, les réalisatrices déjouent volontairement le spectateur dans son expérience érotique. Enfin, nous examinons les stratégies d’auto-réification du corps féminin récurrentes chez les cinéastes étudiées. Nous estimons que les cinéastes s’inscrivent de la sorte dans une tendance à la subversion observable dans les pratiques artistiques féministes contemporaines. / This master’s thesis examines how female corporeality and sexuality are dealt with in the work of contemporary female film directors. It draws on the films Anatomy of Hell (Catherine Breillat, 2004), Sleeping Beauty (Julia Leigh, 2011), Nuit #1 (Anne Émond, 2011), and Clip (Maja Milos, 2012). Our hypothesis is that these directors adopt a feminist attitude, whether it is asserted or not, by reviewing gender stereotypes about the female body and sexuality. To begin with, we focus on the erotic dynamic, maintained throughout history, between the woman as an object of desire and the man as a desiring subject, in film and elsewhere. Subsequently, we analyze the deconstruction of female gender stereotypes pertaining to modesty and passivity in the chosen corpus. Thus, we demonstrate that by revising these stereotypes, the directors voluntarily thwart the spectator’s erotic experience. In conclusion, we examine the recurring self-objectification strategies of the female body employed by the filmmakers. These directors are part of a trend of subversion which can be observed in contemporary feminist artistic practices. cinéma des femmes sexualité corporéité érotisme féminisme rapport spectatoriel subversion réification pudeur passivité women’s cinema sexuality corporality eroticism feminism spectatorship subversion objectification modesty passivity
33	Environmentální šetrnost v životním způsobu současných mladých trampů aneb "Co jsem si do lesa přines, to si odnesu." / Environmental frugality in the lifestyle of modern day young Tramps or 'What is taken into the forest also comes out.' Sobotková, Jana January 2014 (has links) This thesis is an attempt to detect and interpret the elements of environmental frugality in the lifestyle of young Tramps, mainly in connection with activities related to their everyday lives. Based on a qualitative approach in the form of semi-structured interviews, I am trying to ascertain the point of view of the informants in several areas. These areas are mainly represented by the concept of tramping itself and its related forms of leisure activities, attitudes and preferences in selected areas of lifestyle (housing, food and waste, travel, transport and leisure, everyday objects, clothing), relating to nature, to the environment, nature protection and reflection of the current problems in this field, including the reflection of their own attitude (concept of responsibility, risk, etc.). I interpret the observed data on the basis of selected theoretical concepts, especially using Jan Krajhanzl's eco-psychological model of relationship to nature and its components, with emphasis on environmental awareness as one of its parts. Furthermore, I confront the results of my research with selected concepts related to the topic of an environmentally frugal life (voluntary and intentional modesty, ecological luxury etc.). Key words: Tramping, (alternative) lifestyle, leisure, everyday life, subcultural...
34	Shame, Modesty, Identity: Lived Religion In Athletic Spaces Pringnitz, Keelin 04 April 2023 (has links) This doctoral dissertation examines the intersection of lived religion with sport and fitness, and in particular how fitness facility users navigate modesty values, shame, and identity. How individuals experience fitness spaces and engage in fitness in keeping with their religious practices and beliefs is often unexplored in scholarship about religiosity in sport. This research examines the experiences of individuals who hold intersecting religious and sport identities and whose full inclusion in sport may be affected by their religious beliefs and preferences, such as for single-gender fitness spaces. Using qualitative sociological methods, this study addresses the following questions: How do individuals navigate their religious identities in athletic spaces, and what limitations to full accessibility do they experience? How do fitness space users interpret and live their religious commitments? This thesis argues that athletic space limitations include physical and mental barriers. These barriers are not solely tied to the physical construction of the space itself, nor do they centre solely on religious identity. Facilities can improve accessibility by addressing both kinds of barriers through recommendations derived from this research. Lived religion Athletic spaces Fitness Spatial analysis Deep equality Intersectionality Islam Judaism Religious nones Christianity Canada University fitness Gym Exercise Religion Muscular Christianity Muscular Judaism Muscular Islam Modesty Shame Hockey Transgender Inclusivity Diversity Sport Recreation
35	MORAVSKÉ VINAŘSKÉ CENTRUM BRNO / Moravian wine centre Brno Vojtěšek, Jiří January 2016 (has links) The city of Brno has always been a center of Moravian wine. The new draft of wine center responds to this reality and represents the grandeur of wineries in its full glory. Respect for nature, love for traditions and love for order/system are the main aspects of the design. The proposal is essentially open to the public, however, the necessary modesty is preserved. Conversely taciturnity of production part of buliding holds the secrets of the deep traditions of Viticulture and Enology. Designed buildings are used for production, wine storage, administration associated with the production, tasting and selling wine, conferences, accommodation and, finally, wellness and other activities. The size of the building is the result of an optimal design that does not interfere with nearby historical buildings. The emphasis is on minimizing costs both during construction and during operation. Flor plan shape resembling the letter L is oriented towards the west courtyard. This raises a unique viticultural area court with a wide staircase. The amphitheater can be used for seasonal exhibitions, pilgrimages or feast of local entertainment. The yard is connected with the street Hlinky, which paraphrases the historic entrance portals into winecellars. The northern part of the building bites into the ground and connects the original winecellars with new facilities. Small narrow windows reflects the desired taciturnity, just as it was with winecellars in South Moravia for centuries.
36	Le discours des vices et des vertus aux époques carolingiennes et ottonienne. De l'écrit à l'image (IXe - XIe siècle) / The discourse of vices and virtues in the Carolingian and Ottonian periods. From writing to image (9th-11th century) Rodrigues, Perrine 17 October 2018 (has links) Le discours des vices et des vertus est une étude qui porte sur la définition des notions de bien et de mal, de droit et d’interdit dans le cadre de la renouatio carolingienne, débutée sous le règne de Charlemagne et poursuivit sous ses successeurs, puis redynamisée sous le règne des Ottoniens. Les genres littéraires et artistiques où apparaissent les allégories des vices et des vertus constituent un corpus très varié de sources (judiciaire, morale, iconographique…). La diversité des sources permet de faire émerger la définition d’un idéal permettant de conduire l’homme à son salut, tout en mettant en place des codes moraux et une norme qui permettent d’encadrer la société dans tous les domaines. / The discourse of vices and virtues is a study which deals with the definition of the notions of good and evil, law and prohibition in the context of Carolingian renouatio, begun under the reign of Charlemagne and continued under his successors, then revitalized under the reign of Ottonians. The literary and artistic genres in which allegories of vices and virtues appear, constitute a very varied corpus of sources (judicial, moral, iconographic, etc.). The diversity of sources makes it possible to emerge the definition of an ideal allowing to lead the man to his salvation, while setting up moral codes and a norm which make it possible to regulate the society in all areas. Vices Vertus Psychomachie Sainteté Allégorie Miroirs des princes Miroirs des laïcs Traité des vices et des vertus Pénitentiels Conciles Foi Espérance Charité Prudence Tempérance Justice Force Sagesse Pudeur Patience Miséricorde Orgueil Avarice Acédie Colère Luxure Libido Gourmandise Vaine-Gloire Envie Paresse Tristesse Intempérance Carolingien Ottonien Vices Virtues Psychomachy Holiness Allegory Mirrors of Princes Mirrors of the Laity Treatises of Vices and Virtues Penitential Councils Faith Hope Charity Prudence Temperance Justice Strength Wisdom Modesty Patience Mercy Pride Avarice Acedia Anger Lust Libido Gluttony Vain glory Envy Laziness Sadness Intemperance Carolingian Ottonian 900

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