This bachelor’s thesis deals with how the spatiality of libraries can correlate with instances of disorderly user behaviors. The fact that public libraries are among the types that are most prone to disorder, while Kriminalvården’s (the Swedish correctional service’s) librarians rarely experience similar problematic behaviors, could be said to illustrate a balancing act between anarchy and a manic need for control; where the most ideal compromise is, is based both upon personal values and the situation at hand.   To compare different reasonings about the room and the users, public librarians’ perspectives on factors of architecture and design have been contrasted with how librarians within Kriminalvården view the matter. The study has mainly been carried out using qualitative semi-structured interviews as well as a supplementary questionnaire. Operationalized factors of spatial influence in the form of categorized opposites (accessible/inaccessible, comfortable/repellent, visible/obscured, enabling/forbidding), which were identified early on and have guided the investigation, are used both implicitly in the interview guides and the questionnaire as well as explicitly in reading for the thematic analysis.   The terms “ideal type”, “heterotopia”, and “panopticon/panopticism” are used theoretically to deepen the understanding of the essay’s collected data: their suitability emerges in the nuances of what libraries can/should be; what happens when you bring together multiple functions in one space; as well as how control through surveillance can be understood and applied in library spaces.   The results show several differences at the operational level, but also similarities in terms of the librarian’s approach and view on problematic factors. Public libraries often have many functions (that do not always interact harmoniously) and offer more freedom, which risks their orderliness, while Kriminalvårdens library operations (which consists almost exclusively of literature distribution) have more order – but at the expense of user´s freedom.    The study’s outcome can be used as a basis of knowledge for practical planning of library design, but also as a springboard for further research. The effect of spatiality on users can prove important for the orderliness, atmosphere, and security of a library: cultivating an awareness regarding these possibilities of influence can thus be considered of great interest. / Denna kandidatuppsats hanterar hur biblioteks spatiala utformning kan korrelera med förekomster av ”biblioteksstök”. Att folkbibliotek är bland de mest stök-utsatta typerna, medan Kriminalvårdens bibliotekarier sällan upplever liknande problembeteenden, skulle kunna sägas illustrera en balansakt mellan anarki och kontrollmani; var den mest idealiska kompromissen ligger bygger på personliga värderingar och vad situationen kräver.    För att jämföra olika resonemang kring rummet och användarna har folkbibliotekariers perspektiv på arkitektoniska och designmässiga faktorer satts i kontrast mot hur bibliotekarier inom Kriminalvården ser på saken. Studien har genomförts främst med hjälp av kvalitativa semistrukturerade intervjuer samt en kompletterande enkät. Operationaliseringar av spatiala påverkansfaktorer i form av kategoriserade motpoler (tillgängligt/svårtillgängligt, komfortabelt/avvisande, överblickbart/skymt, tillåtande/hindrande), som i förtid identifierats och styrt undersökningen, har använts både implicit i intervjuguiderna samt enkäten och explicit i utläsningen för den tematiska analysen.  Begreppen ”idealtyp”, ”heterotopi”, och ”panoptikon/panopticism” används teoretiskt för att fördjupa förståelsen av uppsatsens empiri: deras lämplighet framkommer i nyanserandet av vad bibliotek kan/bör vara; effekten av att sammanföra flera användningsområden i samma utrymme; samt hur kontroll genom övervakning kan förstås och appliceras i biblioteksutrymmen.    Resultatet visar på flera skillnader på verksamhetsnivå men även likheter i fråga om bibliotekariernas förhållningssätt och syn på problematiska faktorer. Folkbibliotek har ofta många funktioner (som inte alltid samspelar harmoniskt) och erbjuder mer frihet vilket riskerar kosta ordning, medan Kriminalvårdens biblioteksverksamhet (som utgörs närmast uteslutande av litteraturförmedling) har mer ordning – men på bekostnad av användarnas frihet.   Studiens utfall kan användas som kunskapsgrund för praktisk planering av biblioteksutformning, men även som en språngbräda för vidare forskning. Det spatialas influens över användare kan ha betydelse för biblioteks ordning, atmosfär, och trygghet: att kultivera en medvetenhet kring dessa påverkansmöjligheter kan därmed anses vara av stort intresse.

Die vorliegende Dissertation stellt eine Interpretation von Thomas Paines THE AGE OF REASON (1794) und Ralph Waldo Emersons NATURE (1836) als politiktheoretische Traktate vor, die normative Demokratiekonstrukte entwickeln. Diese Demokratiekonstrukte werden anhand ihrer Parameter vergleichend und historisierend gelesen. Die Annahme ist hierbei, dass sich die normativen Demokratieentwürfe beider Autoren mithilfe der Denkfigur des rhizomatischen Panoptizismus explizieren lassen. Die Dissertation leitet diese Denkfigur anhand von Texten des französischen Poststrukturalismus und auf Grundlage des soziologischen Ansatzes der Surveillance Studies her und erläutert seine Relevanz für das Verständnis und die Verhandlung von Demokratie in den Epochen der frühen Republik und des Antebellum in den USA. Ebenso findet eine Analyse der diskursiven Vermittlung dieser Denkfigur durch das religiöse Vokabular von Deismus, Unitarismus und Transzendentalismus in beiden Traktaten statt. Ein ausführliches close reading legt schließlich dar, wie einzelne Parameter eines rhizomatischen Panoptizismus in den Texten entwickelt, repräsentiert und diskutiert werden. / The present dissertation introduces an interpretation of Thomas Paine’s THE AGE OF REASON (1794) and Ralph Waldo Emerson’s NATURE (1836) as politico-theoretical tracts that develop normative constructions of democracy. At the core of the analysis lies a comparative and historicist reading of the parameters of these constructions. The thesis informing the analysis posits that both normative constructions of democracy can be made explicit with the aid of the concept of a rhizomatic panopticism. The dissertation develops this concept on the basis of French poststructuralist texts and with theoretical approaches from the sociological field of Surveillance Studies in mind, explaining its relevance for the understanding of democracy during the Early-Republic and Antebellum periods in the USA. Furthermore, the discursive mediation of the introduced concept through the religious vocabularies of Deism, Unitarianism, and Transcendentalism in both tracts receives attention. Finally, a close reading elucidates how the distinct parameters of a rhizomatic panopticism are developed, represented, and discussed in both texts.

L’évolution des notions juridiques de vie privée et de données personnelles. A l’inverse de la littérature foisonnante sur le thème de la surveillance, il ne s’agit pas ici de mettre en avant la nécessité de trouver un équilibre entre la surveillance entendue dans sa dimension sécuritaire et la protection de la vie privée et des données personnelles, en ce qu’elle constitue une liberté fondamentale reconnue par les institutions françaises et européennes. Cette recherche d’une balance équilibrée entre sécurité et liberté doit nécessairement être dépassée pour comprendre le phénomène de surveillance diffuse. La surveillance n’est plus la simple activité de recherche de renseignements concernant un individu potentiellement dangereux. Elle s’inscrit plutôt dans la poursuite de ceque Hannah Arendt qualifie de « crise de la culture ». La surveillance diffuse est même l’une des caractéristiques de la culture contemporaine dominée par la peur, la consommation et l’aliénation par les technologies. Devenue la nouvelle norme sociale admise, la surveillance diffuse désinstitue le droit des données personnelles et la protection de la vie privée. Progressivement, elle désinstitue également le Droit au profit du libéralisme économique qu’elle porte en son sein. / The purpose of this research is to understand how diffuse surveillance fits into the evolution of legal concepts of privacy and personal data. Contrary to the abundant literature on the subject of surveillance, it is not a questionhere of highlighting the need to find a balance between surveillance in its security dimension and the protection of privacy and data, as a fundamental freedom recognized by French and European institutions. This search for a balance between security and freedom must necessarily be overcome to understand the phenomenon of diffuse surveillance. Surveillance is no longer just a search for information about a potentially dangerous individual. Rather, it is a continuation of what Hannah Arendt calls the « crisis of culture ». Diffuse surveillance is even oneof the features of contemporary culture dominated by fear, consumption and alienation by technology. Having become the new accepted social norm, the diffuse surveillance deinstitutes the right of the personal data and the protection of the private life. Gradually, it also deinstitutes the Law to profit from the economic liberalism that it carries within it.

Doctoral dissertation: Panoptical tropes and negotiations between art and politics in Charles Johnson's short fiction Abstract The dissertation traces the uneasy marriage between ideology and aesthetics in African American literature, and its reflections in Charles Johnson's short fiction. The historical introduction is an attempt to reevaluate the tradition of ideological self-policing in African American literature. Its central thesis resides in the claim that African American literature and its critical reception has still retained some of this ideological template, in a manner and degree that throws it out of sync with the mainstream trajectory of American literature. This lingering anachronism cannot be legitimately attributed to a single causative circumstance, yet one of the more obvious explanations for this residual trend is the living memory of overt discriminatory practices in many parts of the United States, which is why the centrifugal literary discourses of assimilationism and protest fiction are still very vibrant. This simple argument alone provides a sufficient basis for contextualizing and understanding the thesis that ideological writing still inadvertently manages to find its way into African American fictional pursuits. This is also underscored by the observable fact that even the...

This study uses the Tibetan mandala, a Buddhist meditation aid and sacred artform, as a secular critical model by which to analyse the complete fictions of author David Mitchell. Discussing his novels, short stories and libretti, this study maps the author's fictions as an interconnected world-system whose re-evaluation of secular belief in galvanising compassionate ethical action is revealed by a critical comparison with the mandala's methods of world-building. Using the mandala as an interpretive tool to critique the author's Buddhist influences, this thesis reads the mandala as a metaphysical map, a fitting medium for mapping the author's ethical worldview. The introduction evaluates critical structures already suggested to describe the author's worlds, and introduces the mandala as an alternative which more fully addresses Mitchell's fictional terrain. Chapter I investigates the mandala's cartographic properties, mapping Mitchell's short stories as integral islandic narratives within his fictional world which, combined, re-evaluate the role of secular belief in galvanising positive ethical action. Chapter II discusses the Tibetan sand mandala in diaspora as a form of performance when created for unfamiliar audiences, reading its cross-cultural deployment in parallel with the regenerative approaches to tragedy in the author's libretti Wake and Sunken Garden. Chapter III identifies Mitchell's use of reincarnation as a form of non-linear temporality that advocates future-facing ethical action in the face of humanitarian crises, reading the reincarnated Marinus as a form of secular bodhisattva. Chapter IV deconstructs the mandala to address its theoretical limitations, identifying the panopticon as its sinister counterpart, and analysing its effects in number9dream. Chapter V shifts this study's use of the mandala from interpretive tool to emerging category, identifying the transferrable traits that form the emerging category of mandalic literature within other post-secular contemporary fictions, discussing works by Michael Ondaatje, Ali Smith, Yann Martel, Will Self, and Margaret Atwood.

本篇論文企圖探討史蒂芬‧佛瑞爾斯 ( Stephen Frears ) 的電影《美麗壞東西》( Dirty Pretty Things ) 中的公民權與人權之議題。片中描述從奈及利亞非法入境的奧奎 (Okwe) 與來自土耳其申請政治庇護的桑娜 (Senay) 因其游移的身分，遭逢英國政府監控與資本主義社會剝削，並揭露倫敦城市中非法難民販賣器官以求生存的黑暗面。本篇論文著重分析政治庇護者的矛盾身分如何擾亂民族國家的監視、暴露僅以公民權利保障境內人民的缺失，並主張唯有透過跨種族、階級，與性別的聯合 ( solidarity ) 才能對抗國家機制裡的矛盾與全球資本主義的剝削。論文第二章以德希達 ( Jacques Derrida ) 的制約款待 ( conditional hospitality )，與傅柯 ( Michel Foucault ) 的監視 ( Panopticon ) 概念，探討片中監控 ( surveillance ) 機制的形成。第三章引進布斯克與夏弗 (Alison Brysk and Gershon Shafir ) 提出公民權 (citizenship) 與人權 ( human rights ) 的差距，來揭發片中政治庇護者與外籍勞工在地主國 ( host countries ) 因為缺乏公民權而導致人權被忽視的困境。第四章從傅柯 ( Michel Foucault ) 的反抗 ( resistance ) 與拉克勞 ( Ernesto Laclau ) 與穆芙 ( Chantal Mouffe ) 的激進多元民主 ( radical plural democracy ) 的概念，探討以跨種族、階級，與性別的聯合 ( solidarity ) 來對抗國家制度本身的裂縫與經濟全球化的無情剝削。最後總結在全球化時代，唯有檢視國家制度的缺失，並揚棄封閉排他的意識形態，才能體現種族與文化的差異與多元性，並促進跨界聯合之實現。 / This thesis aims to explore the issue of citizenship and human rights in Stephen Frears’s Dirty Pretty Things. Dirty Pretty Things describes the British government’s surveillance on asylum seekers, such as Okwe, an illegal refugee from Nigeria, and Senay, the Turkish asylum applicant, and unveils illegal refugees’ organ trade in exchange for passports in London. The thesis attempts to decipher how the ambivalent status of asylum seekers disturbs the surveillance of nation-states, exposes the defect of the citizenship gap and argues only through solidarity among different ethnicity, class and gender, could the subordinated fight against deficiencies in the mechanism of nation-states and exploitation of global capitalism. Through the perspectives of Derrida’s conditional hospitality and Foucault’s Panopticon, Chapter Two examines the surveillance of nation-states on asylum seekers in Dirty Pretty Things. In Chapter Three, I adopt Brysk and Shafir’s analysis to explore the citizenship gap between citizenship and human rights in the film, which reflects the difficulty in handling the cases of legal and illegal asylum seekers in nation-states on the basis of citizenship in the era of globalization. In Chapter Four, I will utilize the perceptive of Foucault’s resistance and Laclau and Mouffe’s radical plural democracy to suggest how counter strategies and solidarity could rebel against fissures in nation-states’ apparatuses and reveal a new possibility of alliance beyond borders in the era of globalization. The last chapter concludes by summing up the gaps in the system of nation-states and rejecting any enclosed ideology so as to articulate multiplicities and differences beyond limitations of ethnicity, class and gender across borders in the era of globalization.