Global ETD Search

381	The long line of the Middle English alliterative revival : rhythmically coherent, metrically strict, phonologically English Psonak, Kevin Damien 10 July 2012 (has links) This study contributes to the search for metrical order in the 90,000 extant long lines of the late fourteenth-century Middle English Alliterative Revival. Using the 'Gawain'-poet's 'Patience' and 'Cleanness', it refutes nineteenth- and twentieth-century scholars who mistook rhythmic liveliness for metrical disorganization and additionally corrects troubling missteps that scholars have taken over the last five years. 'Chapter One: Tame the "Gabble of Weaker Syllables"' rehearses the traditional, but mistaken view that long lines are barely patterned at all. It explains the widely-accepted methods for determining which syllables are metrically stressed and which are not: Give metrical stress to the syllables that in everyday Middle English were probably accented. 'Chapter Two: An Environment for Demotion in the B-Verse' introduces the relatively stringent metrical template of the b-verse as a foil for the different kind of meter at work in the a-verse. 'Chapter Three: Rhythmic Consistency in the Middle English Alliterative Long Line' examines the structure of the a-verse and considers the viability of verses with more than the normal two beats. An empirical investigation considers whether rhythmic consistency in the long line depends on three-beat a-verses. 'Chapter Four: Dynamic "Unmetre" and the Proscription against Three Sequential Iambs' posits an explanation for the unusual distributions of metrically unstressed syllables in the long line and finds that the 'Gawain'-poet's rhythms avoid the even alternation of beats and offbeats with uncanny precision. 'Chapter Five: Metrical Promotion, Linguistic Promotion, and False Extra-Long Dips' takes the rest of the dissertation as a foundation for explaining rhythmically puzzling a-verses. A-verses that seem to have excessively long sequences of offbeats and other a-verses that infringe on b-verse meter prove amenable to adjustment through metrical promotion. 'Conclusion: Metrical Regions in the Long Line' synthesizes the findings of the previous chapters in a survey of metrical tension in the long line. It additionally articulates the key theme of the dissertation: Contrary to traditional assumptions, Middle English alliterative long lines have variable, instead of consistent, numbers of beats and highly regulated, instead of liberally variable, arrangements of metrically unstressed syllables. / text Linguistics Language Phonology Phonological English Accent Rhythm Medieval Middle English Alliteration Poetry Philology Metrical Poetics Prosody Metrical stress Beat Gawain Chaucer Verse Promotion Demotion Tension Pause Iambic pentameter Patience Cleanness Yakovlev Cable Chomsky Minkova Brogan Saintsbury Wimsatt Beardsley Pearl Duggan Shakespeare Beowulf
382	Interprétation, phrasé et rhétorique vocale dans la chanson française depuis 1950 : expliciter l’indicible de la voix / The performance, the phrasing and the vocal rhetoric of the French song since 1950 : clarifying the inexpressible of the voice Chabot-Canet, Céline 27 June 2013 (has links) L’enjeu de cette thèse est d’étudier la chanson non dans sa dialectique parole/musique, mais par la saisie d’une troisième entité : l’interprétation vocale. Il s’agit à la fois d’en faire émerger l’importance fondamentale et la richesse et de lui conférer sa légitimité d’objet d’étude par la mise en place d’un protocole méthodologique et lexical spécifique qui en autorise l’analyse – au même titre que la composition – malgré son caractère mouvant et réputé réfractaire à la théorisation. Abordée comme objet complexe (selon la terminologie d’Edgar Morin), elle est soumise au feu croisé des disciplines (musicologie, linguistique, rhétorique, acoustique) pour pousser autant qu’il est possible son objectivation. Sous l’égide de la musicologie, l’utilisation d’outils informatiques permet d’établir une complémentarité entre les perspectives des sciences humaines et des sciences exactes, de capter et d’analyser les spécificités interprétatives, aussi bien dans leurs caractères dominants qu’agogiques, leurs rapports à la partition, leur complexité combinatoire au sein des méta-paramètres (timbre, rythme, phrasé) et les tensions dialogiques qui les parcourent (variation/répétition, mélodicité/insertion du bruit, chanté/parlé). Le large corpus de chanteurs d’expression française (du style Rive gauche à la Nouvelle chanson française) permet d’appréhender, au travers d’analyses d’enregistrements en studio ou en concert, la spécificité irréductible de chacun, émanation d’un corps unique, mais aussi de grands réseaux tendanciels de parentés stylistiques. Mise en avant par la perspective sémiologique, autour des notions de stratégie et de visées interprétatives, de rhétorique vocale, de suscitation du pathos et d’expression de l’ethos, se fait jour une typologie des styles interprétatifs, ouverte sur la prise en compte de l’originalité intrinsèque de chaque interprète et sur l’intégration des évolutions génériques ultérieures. / The present thesis focuses on the study of the song not in its word and music dialectic but through the acquisition of a third entity : the vocal rendition. The point is to reveal its critical importance and richness and make it legitimate as a subject of study as the result of the implementation of a specific methodological and lexical protocol that allows the analysis – as with the composition – although its changeable nature is not conducive to theorizing. Considered as a complex object (according to Edgar Morin’s terminology), vocal rendition is submitted to the crossfire of various disciplines (musicology, linguistics, rhetoric, acoustics) in order to favour as far as it is possible its objectivization. Within the framework of musicology, the use of computer tools makes it possible to establish a complementarity between the perspectives of social sciences and exact sciences, to catch and analyse the peculiarities of the performances both in their dominant or agogic characters, their connexions to the score, their combinatorial complexity within the meta-parameters (timbre, rhythm, phrasing), as well as the dialogical tensions which run through them (variation and repetition, melodicity and noise integration, singing and speaking parts). Thanks to the existence of a large body of French-speaking singers (from Rive Gauche style to Nouvelle chanson française) it is possible by studying studio and concert recordings to grasp the irreducible specificity of everyone (what is issued from a unique body) as well as the great underlying networks of stylistic relationships. Disclosed by the semeiological perspective, around the notions of strategy and performance designs, vocal rhetoric, the way to induce pathos and to express ethos, there emerges a typology of performing styles that is open to considering the intrinsic originality of each performer and integrating further generic developments. Analyse spectrale Chanson française Chanson francophone Chant Expressivité Interprétation vocale Musiques populaires Performance vocale Voix Phrasé Prosodie Rhétorique vocale Timbre Spectrum analysis French song French-speaking song Singing Expressiveness Vocal rendition Popular musics Vocal performance Voice Phrasing Prosody Vocal rhetoric Timbre
383	The Realisation of Prominence in Three Varieties of Standard Spoken Finnish Ylitalo, R. (Riikka) 26 May 2009 (has links) Abstract The central goal of this study was to study how contrastive accent is realised phonetically in three regional varieties of Standard Spoken Finnish. Speakers from the Oulu, Turku and Tampere regions produced unaccented and contrastively accented versions of the target words. Fundamental frequencies and segment durations were measured in all the target words, and in the contrastively accented versions also the temporal distance of the F0 peak from word onset. In the unaccented words, F0 fluctuations were very small, indicating once more that in Finnish, too, mere word stress is not realised tonally. In the words with CV.CV(X) structure, the lengthening of segment durations due to stress was restricted to the initial syllable in Tampere, whereas in Oulu and Turku the lengthening extended to the second syllable. The width of the fall-rise F0 pattern realising contrastive accent was in all word structures widest in the Oulu variety, and the narrowest in the Tampere variety. In the Turku variety CV.CV(X) words, the F0 peak occurred further away from word onset than in any other words investigated. The differences in segment durations among the varieties were similar in the unaccented words and in the contrastively accented ones, with one exception: the duration of V1 in the unaccented CV.CV(X) words was the same across the varieties, but in the contrastively accented CV.CV(X) words the duration of V1 was shorter in the Turku variety than in the other varieties. The durational ratio of V1 and V2 in the Turku variety – as in the Oulu variety – was different from the durational ratio in the Tampere variety: in Turku and Oulu V2 had a longer duration than V1, whereas in Tampere V1 had a longer duration than V2. This confirms earlier observations that Turku and Oulu belong to regions in which the V2 of CV.CV(X) words is half-long (longer than V1), but Tampere does not. However, the present study shows that the relative half-long duration of the V2 of CV.CV(X) words is achieved differently in Turku and Oulu: in Turku through the short duration of V1, but in Oulu through the long duration of V2. / Tiivistelmä Tämän tutkimuksen keskeisin tavoite oli selvittää, miten kontrastiivinen aksentti toteutuu foneettisesti kolmelta eri suomen murrealueelta kotoisin olevien yleiskielisessä puheessa. Oulun, Turun ja Tampereen seuduilta kotoisin olevat koehenkilöt tuottivat tutkimuksen jokaisesta kohdesanasta sekä aksentoimattoman että kontrastiivisesti aksentoidun esiintymän. Tuotetuista kohdesanoista mitattiin perustaajuuksia, äännesegmenttien kestot sekä kontrastiivisesti aksentoituiduista sanoista F0:n huipun etäisyys sanan alusta. Aksentoimattomissa sanoissa F0:n muutokset olivat kaikissa tutkituissa suomen varieteeteissa erittäin vähäisiä, mikä taas kerran todisti, ettei suomessakaan pelkkä sanapaino toteudu tonaalisesti. Sanapainon toteutumisessa kestojen avulla oli varieteettien välisiä eroja CV.CV(X)-rakenteisissa sanoissa: Tampereen varieteetissa sanapainon toteutumisala rajoittui ensimmäiseen tavuun, mutta Turun ja Oulun varieteeteissa se ulottui myös toiseen tavuun. Kontrastiivista aksenttia toteuttavan F0:n nousu–lasku-kuvion laajuus oli kaiken rakenteisissa kohdesanoissa suurin Oulun varieteetissa, pienempi Turun varieteetissa ja kaikkein pienin Tampereen varieteetissa. Muutoin kontrastiivisen aksentin toteutumisessa F0:n avulla oli huomattavia varieteettien välisiä eroja vain CV.CV(X)-rakenteisissa sanoissa: Turun varieteetin CV.CV(X)-sanoissa F0:n huippukohta sijaitsi kauempana sanan alusta kuin kaikissa muissa tutkituissa sanoissa, eli kauempana kuin muun rakenteisissa Turun varieteetin sanoissa ja kaiken rakenteisissa Oulun ja Tampereen varieteettien sanoissa. Varieteettien väliset segmenttien kestoerot olivat samat aksentoimattomissa ja kontrastiivisesti aksentoiduissa sanoissa, lukuun ottamatta sitä, että CV.CV(X)-rakenteisten sanojen V1:n kestossa ei aksentoimattomissa sanoissa ollut varieteettien välisiä eroja, mutta kontrastiivisesti aksentoiduissa sanoissa kyseisen segmentin kesto oli lyhempi Turun varieteetissa kuin muissa varieteeteissa. Tällä tavoin Turun varieteetin kontrastiivisesti aksentoiduissa CV.CV(X)-sanoissa toteutui V1:n ja V2:n kestosuhde, joka – samoin kuin Oulun varieteetin vastaava kestosuhde – poikkeaa Tampereen varieteetin vastaavasta kestosuhteesta: Turussa ja Oulussa V2 on V1:tä pitempikestoinen, Tampereella päinvastoin V1:n kesto on V2:n kestoa suurempi. Tämä vahvistaa ne aiempien tutkimusten tulokset, että Turku ja Oulu ovat ns. puolipidennysmurteiden aluetta, mutta Tampere ei. Kuitenkin tämä tutkimus osoitti, että kontrastiivisesti aksentoitujen sanojen puolipidennys saadaan Turun varieteetissa aikaan pikemminkin lyhytkestoisen V1:n kuin pitkäkestoisen V2:n avulla, kun taas Oulun varieteetissa puolipidennys syntyy nimenomaan pitkäkestoisen V2:n avulla. Kaiken kaikkiaan suurin osa tutkimuksessa todetuista varieteettien välisistä selvistä perustaajuus- ja kestoeroista koski CV.CV(X)-rakenteisia sanoja, jotka ovatkin erikoinen suomen sanatyyppi yksimoraisen ensi tavunsa vuoksi. Finnish language Häme dialects Oulu dialect South-Western dialects accent areal linguistics fundamental frequency half-lengthening phonetics prominence prosody segment duration sentence stress word stress Oulun seudun murre aksentti areaalilingvistiikka fonetiikka hämäläismurteet lausepaino lounaismurteet perustaajuus prominenssi prosodiikka puolipidennys sanapaino segmenttikesto suomen kieli
384	Prosodie akcentů ve fonologii masoretské hebrejštiny / Phonology of Masoretic Hebrew II: Accents As Prosody Hedánek, Jiří January 2017 (has links) A Dissertation Abstract to Phonology of Masoretic Hebrew II Accents As Prosody Jiří Hedánek řjh (2017) PMH II - Abstract Charles University, Faculty of Arts, Prague 1 Abstract The dissertation Phonology of Masoretic Hebrew: Accents as Prosody (2017) interprets Tiberian 'accents' as speech prosody marking. Traditionally, they are explained as signs for accenting, singing or syntax. But only some were placed on accents. They do not map well to music which has been shaped by local traditions more than the mark-up. Syntactic interpretation is based on dividing marks but many diverse marks link, no links lead outside of verses, some words have two different marks and simple verses often miss stronger dividers. Interpreting them as prosody explains why they gravitated to accent positions; why different musical renditions developed; why they often agree with syntax and sometimes they do not. First a general concept of prosody units is put forward. This is applied to Masoretic Hebrew and the focus turns to intonation. The previous dissertation Phonology of Masoretic Hebrew (2011) analyzed siluq, atnach, segolta, zaqeph, revia (also mugrash, and establishing garsha as a unit), geresh, gershayim, tevir, mercha (also kphula), tiphcha, tarcha and dechi. The 2017 dissertation analyzed (from printed editions, manuscripts...
385	Parole et Chant. Histoire des théories du son du français à l’âge classique (XVIIe – XVIIIe siècles) / Speech and Song. A History of the Theories of French Phonetics in the Classical Age (17th and 18th Centuries) / Sprache und Gesang. Ideengeschichte der französischen Sprachlaute im klasischen Zeitalter (17. und 18. Jahrhundert) Schweitzer, Claudia 22 November 2018 (has links) Avec évidence, les sons émis par la voix parlée ou par la voix chantée montrent de nombreuses parentés, toutefois, leurs descriptions et leur analyse ne se présentent pas forcément sous la même lumière dans les textes grammaticaux et musicaux, dont la visée peut être (pour chaque type) plus ou moins théorique ou pratique.Nous avons choisi pour notre étude sur les sons en parole et en chant français, les XVIIe et XVIIIe siècles : une époque où musique et langue présentent des liens structuraux fondamentaux. Cette caractéristique permet de confronter logiquement les deux disciplines et de relier deux traditions dont le lien théorique étroit s'est largement affaibli au cours de l'histoire.Le cadre de l'histoire connectée permet ainsi sous trois approches différentes (l'acoustique, l'articulation et la prosodie) d'analyser et d'ancrer les théories du son élaborées par les grammairiens, dans le cadre culturel et épistémologique de leur époque. De plus, il rend possible des questionnements sur un facteur que les grammairiens n'abordent qu'avec difficulté (et plutôt entre les lignes) : la variabilité de la parole en raison de l'émotivité du locuteur. L'étude confirme ainsi l'efficacité des méthodes de l'histoire connectée pour un corpus interdisciplinaire incluant des questions linguistiques et, plus précisément, phonétiques. / All evidence shows that the sounds produced by the human voice, either spoken or sung, exhibit numerous relationships; nevertheless, their descriptions and analyses are not necessarily presented in the same light in texts dealing with grammar on the one hand, or music on the other, of which the scope (for both categories) can be either more or less theoretical or practical.For our study of the phonetics of French in word and song, we have chosen the 17th and 18th centuries, an era when music and language by definition present fundamental structural connections. This characteristic allows us to confront the two disciplines with each other in a logical way, and to re-connect two traditions, the close theoretical ties between which have weakened in the course of history.This system of connected histories also allows us to analyze the theories of sound as expounded by the grammarians, and then to anchor them in the cultural and epistemological framework of their epoch via three different approaches: acoustics, articulation and prosody. In addition, it allows the investigation of a factor which the authorities only touch upon with difficulty (and preferably between the lines), that of the variability of speech according to the speaker’s emotional state. The study thus confirms the efficacy of methods of connected history, through an interdisciplinary corpus which embraces questions of linguistics and, more precisely, phonetics. / Es ist offensichtlich, dass die von der gesprochenen und der gesungenen Stimme produzierten Klänge zahlreiche Gemeinsamkeiten aufweisen. Die Beschreibung dieser Laute und ihre Analyse präsentieren sich jedoch in den grammatikalischen und musikalischen Texten, deren Ausrichtung zudem jeweils eher theoretisch oder eher praktisch sein kann, oft auf sehr unterschiedliche Art.Für unsere Studie über die französischen gesprochenen und gesungenen Sprachlaute haben wir als Zeitraum das 17. und 18. Jahrhundert ausgewählt, eine Zeit, in der Musik und Sprache per Definition grundlegende strukturelle Verbindungen aufweisen. Diese Charakteristik ermöglicht es uns, die beiden Disziplinen zu konfrontieren und zwei Traditionen, deren enge theoretische Verbindung sich im Laufe der Geschichte stark abgeschwächt hat, erneut zu verbinden.Der theoretische Rahmen der „connected history“ ermöglicht es uns, die von den Grammatikern ausgearbeiteten Ideen und Theorien zu den Sprachlauten unter drei verschiedenen Ansätzen (Akustik, Artikulation und Prosodie) zu analysieren und sie im kulturellen und epistemologischen Kontext ihrer Zeit zu verankern. Er erlaubt darüber hinaus Fragestellungen nachzugehen, die von den Grammatikern nur mit Schwierigkeiten (und oft zwischen den Zeilen) angesprochen werden können: die Veränderlichkeit der Sprache und ihrer Laute aufgrund der Emotivität des Sprechers. Die Studie bestätigt damit die Effizienz der Methoden der „connected history“ für einen interdisziplinären Korpus zu linguistischen (und, genauer gesagt, phonetischen) Problemen. Parole Chant Voix France XVIIe et XVIIIe siècles Acoustique Prosodie Théories du son Grammaire Musique Déclamation Emotion Perception Speech Song Voice France 17th and 18th centuries Acoustics Prosody Theories of sound Grammar Music Declamation Emotion Perception Sprache Gesang Stimme 17. und 18. Jahrhundert Akustik Prosodie Ideengeschichte de Klänge Grammatik Musik Deklamation Emotion Wahrnehmung
386	Suprasegmentální úroveň jazyka a nonverbální aspekty v současném českém vyučování francouzštiny jako cizího jazyka na českých školách / Suprasegmental level of language and non-verbal aspects of the contemporary teaching French as a foreign language at the czech schools Kasálková, Markéta January 2014 (has links) Title: Suprasegmental level of language and non-verbal aspects of the contemporary teaching French as a foreign language at the czech schools Keywords: French as a foreign language (FLE), teacher-student interaction, the role of teachers, nonverbal communication, gestures, facial expressions, emotions, the European Framework of Reference for Languages, didactics of foreign languages, language level A1 Abstract: The thesis addresses the absence of suprasegmental level of language and non- verbal aspects of the contemporary teaching of French as a foreign language in the textbooks and at the Czech schools and also examines their importance. Moreover, it aims to analyze the above mentioned phenomena in the French textbook with approval clause textbooks: Amis et compagnie 1, Vite ! 1 and Le français entre nous 1 and draw attention to an insufficient integration of these occurrences in the contemporary teaching of the French language, as well as in the Common European Framework of Reference for Languages. Furthermore, this thesis describe the actual situation and indicate the importance to systematically incorporate stated methods into French lessons, and also to indicate that incorporating suprasegmental and non-verbal methods is realistic, practical and even entertaining, as the comprehensible verbal...
387	Moderní řečové příznaky používané při diagnóze chorob / State of the art speech features used during the Parkinson disease diagnosis Bílý, Ondřej January 2011 (has links) This work deals with the diagnosis of Parkinson's disease by analyzing the speech signal. At the beginning of this work there is described speech signal production. The following is a description of the speech signal analysis, its preparation and subsequent feature extraction. Next there is described Parkinson's disease and change of the speech signal by this disability. The following describes the symptoms, which are used for the diagnosis of Parkinson's disease (FCR, VSA, VOT, etc.). Another part of the work deals with the selection and reduction symptoms using the learning algorithms (SVM, ANN, k-NN) and their subsequent evaluation. In the last part of the thesis is described a program to count symptoms. Further is described selection and the end evaluated all the result.
388	Bare nouns in Persian Modarresi, Fereshteh 01 October 2015 (has links) Diese Dissertation untersucht das variable Verhalten von sogenannten „bare nouns“ (Nominale ohne Artikel) im Persischen. Dieses Verhalten kann jedoch nicht verstanden werden ohne eine Reihe von entscheidenden Eigenschaften der persischen Satzstruktur zu betrachten. Dazu gehören Informationsstruktur, Prosodie und Wortstellung, sowie die semantischen und syntaktischen Funktionen verschiedener morphologischer Markierungen im Persischen. Die vorliegende Dissertation kann daher zum besseren Verständnis von satzinterner Syntax, Semantik und Prosodie des Persischen beitragen. Ich beginne meine Untersuchung mit dem Vergleich der BNs in verschiedenen Positionen mit Nominalen, die mit verschiedenen Morphemen gekennzeichnet sind. Die quasi-inkorporierten Nominale im Persischen scheinen zur Klasse der diskursintransparenten inkorporierenden Sprachen zu gehören. Doch dies scheint nicht immer zu stimmen, unter bestimmten Umständen zeigen persische BNs Diskurstransparenz. In Kapitel 3 untersuche ich daher, unter welchen Umständen BNs Diskurstransparenz zeigen und warum. In Kapitel 3 präsentiere ich einen Alternativvorschlag zu Farkas & de Swart, in dem ich darlege, dass ein BN tatsächlich einen neuen Diskursreferenten einführt. Aber der Numerus von BNs ist neutral (numerusneutralen Diskursreferenten).In der zweiten Hälfte der Dissertation wird die Interpretation von BNs in verschiedenen Positionen und mit unterschiedlichen grammatischen Funktionen diskutiert. Kapitel 4 konzentriert sich auf BNs in Objektposition. Wir stellen einen direkten Vergleich an zwischen BNs als tatsächliche BNs, d.h. Nominale, die nicht mit einem Morphem markiert sind, und Kontexten, in denen sie mit dem Morphem -ra auftreten. Ich werde argumentieren, dass -ra lediglich markiert, dass ein BN oder auch ein anderes Nominal nicht in seiner VP-internen Position interpretiert, sondern in eine VP-externe Domäne bewegt wird. Das bedeutet, das Morphem -ra ist ein syntaktisches Morphem auf Phrasenebene. / This thesis explores the variable behavior of bare nouns in Persian. Bare singular nouns realize different grammatical functions, including subject, object and indirect object. They receive different interpretations, including generic, definite and existential readings. However, the task of understanding the reasons for, and limits on, this variation cannot be achieved without understanding a number of pivotal features of Persian sentential architecture, including Information Structure, prosody, word order, and the functions of various morphological markers in Persian. With respect to the discourse transparency of Incorporated Nominals, under certain circumstances, Persian bare nouns show discourse transparency. These circumstances are examined in chapter 3, and it is proposed that bare nouns do introduce a number neutral discourse referent. This proposal is phrased within Discourse Representation Theory. In the second half of the dissertation, the interpretation of bare nouns in different positions and with different grammatical functions are discussed. Under the independently supported hypothesis of position>interpretation mapping developed by Diesing (1992), we will see the role of the suffix -ra in indicating that an object has been moved out of VP. For subjects, there is no morphological marking corresponding to –ra on objects, and we have to rely on prosody and word order to determine how a VP is interpreted using theories of the interaction of accent and syntactic structure. It is proposed that both subject and object originate within the VP, and can move out to the VP-external domain. The motivation for these movements are informational-structural in nature, relating in particular to the distinctions between given and new information, and default and non-default information structure. Spezifität Semantik Prosodie Syntax Nominale ohne Artikel Persisch Informationsstruktur Wortstellung morphologischer Markierungen Bloße Nomina (BNs) existentielle Lesart Definitheit Indefiniteheit Indefinite Nominalinkorporation (NI) E-type anaphora Pseudo-Inkorporation VP-extern Diskurstransparenz Diskursreferenten diskursintransparent diskurstransluzent anaphorischen Referenz numerusneutralen Diskursrepräsentationstheorie (DRT) gescramblete Objekte Differenzielle Objektmarkierung Mapping Hypothesis Skopus Akzentzuweisung weitem Fokus Focus TopiK Nicht-Standard-Informationsstruktur VP-intern numerus-neutral Topiksituation. specificity Bare nouns Noun Incorporation Quasi-Incorporation Existential Closure Prosody Information Structure Syntax Semantics discourse transparency anaphoric reference Discourse Representation Theory discourse translucency number neutrality number neutral discourse referents discourse reference VP-internal objects V-internal Subjects VP-external objects VP-external subjects Given Information New information Default Information structure Mapping Hypothesis indefinites definiteness e-type pronouns genercitiy topicality focus topic. 430 Deutsch EV 2340 ddc:430
389	Evaluating Improvisation As A Technique For Training Pre-service Teachers For Inclusive Classrooms Becker, Theresa 01 January 2012 (has links) Improvisation is a construct that uses a set of minimal heuristic guidelines to create a highly flexible scaffold that fosters extemporaneous communication. Scholars from diverse domains: such as psychology, business, negotiation, and education have suggested its use as a method for preparing professionals to manage complexity and think on their feet. A review of the literature revealed that while there is substantial theoretical scholarship on using improvisation in diverse domains, little research has verified these assertions. This dissertation evaluated whether improvisation, a specific type of dramatic technique, was effective for training pre-service teachers in specific characteristics of teacher-child classroom interaction, communication and affective skills development. It measured the strength and direction of any potential changes such training might effect on pre-service teacher’s self-efficacy for teaching and for implementing the communication skills common to improvisation and teaching while interacting with student in an inclusive classroom setting. A review of the literature on teacher self-efficacy and improvisation clarified and defined key terms, and illustrated relevant studies. This study utilized a mixed-method research design based on instructional design and development research. Matched pairs ttests were used to analyze the self-efficacy and training skills survey data and pre-service teacher reflections and interview transcripts were used to triangulate the qualitative data. Results of the t-tests showed a significant difference in participants’ self-efficacy for teaching measured before and after the improvisation training. A significant difference in means was also measured in participants’ aptitude for improvisation strategies and for self-efficacy for their implementation pre-/post- training. Qualitative results from pre-service teacher class iv artifacts and interviews showed participants reported beneficial personal outcomes as well as confirmed using skills from the training while interacting with students. Many of the qualitative themes parallel individual question items on the teacher self-efficacy TSES scale as well as the improvisation self-efficacy scale CSAI. The self-reported changes in affective behavior such as increased self-confidence and ability to foster positive interaction with students are illustrative of changes in teacher agency. Self-reports of being able to better understand student perspectives demonstrate a change in participant ability to empathize with students. Participants who worked with both typically developing students as well as with students with disabilities reported utilizing improvisation strategies such as Yes, and…, mirroring emotions and body language, vocal prosody and establishing a narrative relationship to put the students at ease, establish a positive learning environment, encourage student contributions and foster teachable moments. The improvisation strategies showed specific benefit for participants working with nonverbal students or who had commutation difficulties, by providing the pre-service teachers with strategies for using body language, emotional mirroring, vocal prosody and acceptance to foster interaction and communication with the student. Results from this investigation appear to substantiate the benefit of using improvisation training as part of a pre-service teacher methods course for preparing teachers for inclusive elementary classrooms. Replication of the study is encouraged with teachers of differing populations to confirm and extend results. Pre service teacher novice teacher expert teacher improvisation improv improvisational performance inclusive classrooms children with disabilities exceptional student education (ese) exceptional education nonverbal children empathy affective instructional strategy interpersonal skills teacher communication teacher child interaction teacher child relationships teacher self efficacy addie improvisation training in flight decision making novice expert arts based research simulated mastery playback theater interactive theater affective instruction extemporaneous communication affective communication disciplined improvisation drama based instruction teacher training mixed methods research qualitative research teacher sense of efficacy scale (tses) yes and... vocal prosody nonverbal communication teacher immediacy emotional mirroring teacher attrition embodied cognition constructivism interactive instructional strategy classroom management co teaching spontaneity teacher agency positive classroom climate interaction rapport frustration in learning english language learners (ell) social intelligence emotional intelligence Education

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