In the United States, the community food movement has been put forward as a potential solution for a global food system that fails to provide just and equitable access to nutritious food. This claim has been subject to the criticism of a variety of scholars and activists, some of whom contend that the alternative food movement is complicit in the re-production of neoliberalism and is therefore implicated in the making of the unjust system. In this dissertation I use theories of Deleuze (and Guatarri) and science and technology scholars to enter the middle of this dichotomy. I argue that both readings of community food work, as just and unjust, rely on realist epistemologies that posit knowledge as representative of an existing reality. I alternatively view knowledge as much more contingent and plural, resulting in a multiplicity of realities that are much less fixed. The idea that reality is a product of knowledge, rather than the inverse, raises the question of how reality might be made differently, or of ontological politics. This is the question I set out to interrogate: how might the realities of community food work be read and made differently, and how this reading might open new possibilities for transformation? To explore this question, I conducted interviews with 18 individuals working for three different non-profit community food organizations in central Appalachia. I used and appreciative inquiry approach to capture stories that affected these individuals' stories about their work captured their visions and hope for food system change. I then used a (non)method, rhizoanalysis, to code the data affectively, reading for the interesting, curious, and remarkable, rather than attempting to trace a strong theory like neoliberalism onto the data. Drawing on Delueze and Guattari, I mapped excerpts from the data into four large narrative cartographies. In each cartography, the narrative excerpts are positioned to vibrate against one another; my hope is that these resonances might open lines of flight within the reader and space for new ontological possibilities. For adult and community educators, I posit this rhizoanalysis as a poststructuralist contribution to Freire's concept of the generative theme and of use to broader project of agonistic pluralism. / Ph. D.

In this thesis an attempt will be made to trace briefly the development of the domestic tragedy of blood on the English stage to the end of the first decade of the seventeenth century.

This thesis is an in-depth study of Shona fiction about the liberation war in Zimbabwe. It looks at the way Zimbabwe’s liberation war is portrayed in Shona fiction and focuses on the factors that shaped writers’ perspectives on that war. It is argued that Shona war fiction writers romanticised the war and in the process simplified and distorted history. The researcher postulates that writers’ perspectives on this liberation war were shaped by factors that include the mood of celebration and euphoria, the dominant ideology of the time, the situations of independence and freedom, and literary competitions. The thesis further raises and illustrates the point that writers produced romances of adventure because they were writing on the theme of war, and if one writes on the theme of war one ends up writing an adventure story. However, it is also acknowledged that because authors were writing on a historical event they could not ignore history completely. Some aspects of history are incorporated into the fiction, thereby retaining a semblance of historical realism. The post-independence period is also seen as a time of cultural revival and this is considered as the reason behind the authors’ tendency to celebrate Shona traditional institutions and culture. The celebration of Shona traditional religion and culture introduced into the fiction the element of the supernatural that strengthened the romance aspect of the novels. Shona war fiction writers also perpetuate female stereotyping. Female characters are depicted as everything except guerrilla fighters. It is argued that there are no female characters that play roles of guerrilla fighters because during the actual war women were not visible at the war front, fighting. The thesis argues that men, who were pioneers of the guerrilla war and writers of the war stories, excluded women from liberation war discourse and ultimately from literary discourse as well. A few writers who comment on the quality of Zimbabwe’s independence and freedom show the disillusionment and despair of the peasants and ex-combatants as they struggled to settle down and recover from the war. / African Languages / D.Litt. et Phil.

SUmmaries in Afrikaans and English / Text in Afrikaans / Die oogmerk van hierdie verhandeling is om te wys op die tekstuele en visuele kontraste in Georgi con 11.1 - 108. Ten aanvang word 'n bree vergelyking getreftussen Georgicon I en II om sodoende die funksie asook die effek van Boek 2 in die viertal gedigte te bepaal. Vir 'n meer indringende ontleding word Boek 2, asook die relevante verse, skematies verdeel en alhoewel die panoramiese effek versteur word, kan die problematiek van hierdie gedig alleenlik s0 noukeuriger opgelos word. Daar word getoon dat Boek 2 in drie afdelings verdeel is met 'n laus-tema wat telkens as hoogtepunt dien vir elk van die dele. Ook die oorkoepelende tema van variatio-labor en die wisselwerking daarvan kan duideliker waargeneem word. Verse I - I 08 is didakties van aard en eenvoudige patrone word saamgestel uit alledaagse objekte en idees. Vergilius slaag daarin om vergelykings af te dwing en om kontras te bewerkstellig deur die skep van imagines. Hierdie beelde kom duideliker na vore deur 'n baie noukeurige analise van die teks en s6 word vorm, lyn, kleur en tekstuur beklemtoon en gekontrasteer. W anneer die fokus verskuif vanaf die natuur na die mens, word daar gewys op die kontras in verse 3 5 - 46 tussen die landbouers en die politieke magsfiguur van Maecenas. Die onderliggende felix I fortuna/us tema word s6 beklemtoon. Die problematiek van didaktisisme word aangespreek deur die effek van die kontrastering van parallelle passasies aan te toon. As Leitmotiv word telkens gewys op die tekstuele en visuele kontraste in die digter se keuse en rangskikking van 'n ryke verskeidenheid van borne - met spesifieke verwysing na hulle aard, voorkoms, herkoms en funksie. / The aim of this dissertation is to indicate the textual and visual contrasts in Georgi con TI.l - 108. In a broad comparison between Georgica I and II the function and the effect ofBook 2 within the framework of the four poems is determined. With a view to a more penetrating analysis, Book 2 as a whole and specifically lines 1 - 108 will be dealt with schematically. Although this puts the panoramic effect at risk, it is the only way in which the complexities of this poem can be successfully resolved. Book 2 is shown to have a tripartite structure, with a taustheme as the climax of each of the three divisions. The over-arching theme of reciprocating variatio- labor also comes to light more clearly. Lines I - I 08 are of a didactic nature, and simple patterns are shaped out of everyday objects and ideas. By creating imagines Vergil manages to enforce comparisons and to bring about contrasts. A meticulous analysis of the text highlights these images more clearly and in this manner the poet accentuates colour, form, line and texture. When the focus shifts from nature to man, the contrast between the farmers and the politically powerful Maecenas in lines 3 5 - 46 is brought to the fore to emphasize the underlying theme of felix I fortunatus. The problem of didacticism is addressed by focusing on the effect of the contrasts between parallel passages. The textual and visual contrasts in the poet's choice and marshalling of a rich variety of trees, with a particular reference to their nature, occurrence, provenance and function, serve as Leitmotif for the dissertation as a whole. / Classics and Modern European Languages / M.A. (Latyn)

Text in Afrikaans / Art History, Visual Arts & Musicology / D.Mus. (Musiekwetenskap)

A school of fiction known as local color emerged following the Civil War. It reached its peak of productivity during the 1880's, and faded at the turn of the century. The purpose of this study is to illuminate the Southern authors of this school, giving major emphasis to their genre in relation to their significance for Southern history. The main sources for this study come from the novels and short stories of the authors themselves. Also found valuable to this study were the numerous books, articles and criticisms of the authors by their contemporary critics. The Southern local color school, although it did not produce any major literary figures, contained many bright minor writers. As a group they reflected and shaped much of the thinking of their age. They also provide a connecting link between pre-war romanticism and the realism of the twentieth century.

Does God exist? Can we know for sure? What might it mean to know this? Furthermore what might it look like to make works of art while also seeking to find answers to these questions? This thesis details my personal experiences growing up in a world steeped in postmodernism and my move to answer such questions while looking to develop a meaningful, clear worldview and body of work. I have turned my focus on specific episodes in my life, which significantly illuminate a progression of thinking and experience. Together these thoughts and experiences have become the impetus for both questions and propositions embedded within the long haul of my work culminating in my thesis exhibition.

TITLE: About definition of the folk fairy-tale genre and about elaboration of the Snow-white theme in collections of chosen german authors (J. K. A. Musäus, A. L. Grimm and J. and W. Grimm) SUMMARY: This diploma thesis is concerned with the fairy-tale genre, which is defined as the folk fairy-tale, Snow-white theme and elaborations of this theme in collections of J. K. A. Musäus, A. L. Grimm and the Brothers Grimm. In context of the historico-literary period and in connection with the folk fairy-tale genre all processing are analysed and compared with each other. Märchen (1971) of Max Lüthi and Deutsche Märchen vor Grimm (1942) of Albert Wesselski are the fundamental publikations for this thesis. The main result is that the caption »Sneewittchen« of the Brothers Grimm correspondes closest to the folk fairy-tale genre, while »Richilde« of J. K. A. Musäus and »Schneewittchen« of A. L. Grimm as author's fairy-tale should be called. KEYWORDS: Fairy-tale genre, folk fairy-tale, collections of german authors, Snow-white theme, Johann Karl August Musäus, Albert Ludwig Grimm, Brothers Grimm

This diploma thesis deals with the possible applications of the dramatic method called Forum theatre in the work with children and teenagers. The theoretical part is divided in to three chapters and where the first chapter introduces Forum theatre. The second chapter describes the formation of the Theatre of the Oppressed concept, whose main technique is the examined method. The third part provides a detailed description of the method including the aims, rules a principles for the role of a Joker. The second part of the thesis examines the relationship of the method towards the educational system of the Czech Republic. Concretely it deals with the key competences, personal and social education a dramatic education. The aim of this thesis is to map the current state of the usage of the method, to determine who, whit what goals and with what susses uses the method. Than the original concept, developed by Augusto Boal for work with adults is confronted with the currently used variations of this method. Based on this analysis some principles, which might be used in the future practice are set. Key words: Forum Theatre, relationships in class, developmental psychology, theme, Joker, personal and social education, primary prevention,drama education, key competencies,

Taboo and noa in communication. Realization of linguistic taboos in the print media. This thesis deals with issues of the taboo and noa in language and communication. The core of this thesis is to identify the essential tabooed themes in contemporary society and ways of their linguistic realization in the print media. In the theoretical part of this thesis is the first explained substance of the terms such as taboo, noa, communication and linguistic taboos with regard to the interrelations between these terms. In the empirical part are then defined tabooed themes occurring in the concrete texts of the diary Mladá fronta DNES and Blesk and of the periodical Rytmus života and ways of their linguistic grasping. The thesis focuses above all on the manifestations of speech restrictions in the lexical plan of the language.