Inaug.-Diss.--Freiburg i Br. / Lebenslauf. "Literatur": p. 103-104.

The aim of this thesis is to study the multidimensional relation between the spatial and the social by focusing on Van as a place. In order to understand social processes, it is important to view the complex relation between the spatial and the social. Taking the space-place relation into consideration, this work approaches to the processes of construction and representation of identity of place in the framework of the interrelation between place, culture and identity. Different groups in society are in a constant contestation over the construction of the meaning and the identity of place. This work, studies how place is constituted both materially and imaginarily within this contestation process. Senses of place and the meanings given to places are formed by social, cultural, economical and political situations of the people. Consequently this thesis, discusses the contestation over the representation and the use of place in the context of social, cultural, economical, political processes and power relations. It considers the dynamics which are effective on the constitution of image of Van. It studies the influences of these dynamics on the construction, the use, the transformation and the reproduction of place through the cultural practices of different groups in the city. This thesis, researches the relation between place and culture, the everyday life practices of different groups and the process of production of meaning through these practices.

La ville s’est toujours imposée comme un sujet central de la littérature, et en particulier de l’écriture romanesque. La seconde moitié du XXe siècle coïncide avec l’avènement d’un tournant – baptisé Spatial Turn par la critique postmoderne – qui a fait de l’espace, particulièrement de l’espace urbain, un objet analytique de prédilection pour les penseurs et les théoriciens, y compris littéraires. Jean Echenoz, Orhan Pamuk et Paul Auster sont contemporains de cette époque au cours de laquelle le roman de la ville a connu un nouvel épanouissement. Ces trois auteurs, ont placé respectivement Paris, Istanbul et New York au coeur de leur écriture, marquée par une vision postmoderne qui interroge l’existant. Notre recherche correspond à l’étude de la représentation romanesque de ces métropoles dans l’oeuvre de ces trois auteurs. À l’aune des approches théoriques contemporaines de l’espace, notamment la géocritique, nous abordons la manière dont l’écriture romanesque de ces trois romanciers prend en charge l’image de la ville. En questionnant particulièrement le rapport individu-ville, notre travail cherche à définir comment la représentation romanesque de la ville est affectée par la perception d’un observateur. Aussi, nous nous demandons comment ce dernier, issu d’une époque où l’incertitude ontologique est la seule certitude, projette sa crise identitaire sur le paysage urbain que dessine le roman. La remise en question de l’utopie de la ville moderne mondialisée, constitue un axe autour duquel nous proposons d’étudier les tableaux faits de Paris, d’Istanbul et de New York dans les fictions postmodernes : Au Piano d’Echenoz, Le Livre noir de Pamuk et Cité de verre d’Auster. / Towns and cities have always taken a central role in literature, and particularly in fiction (novels). The latter half of the 20th century was a turning point, named the Spatial Turn by postmodern critics, whereby space, and particularly urban space, became a favourite object of analysis for thinkers and theorists, including the literary. Jean Echenoz, Orhan Pamuk and Paul Auster are contemporaries of this period, during which the urban novel flourished. These three authors respectively placed Paris, Istanbul and New York at the heart of their writing which was coloured by a postmodern outlook and a questioning of the present. Our study is that of the fictional representation of these metropolises in the works of these three authors. In the light of the contemporary theoretical perspectives of space, and particularly geocriticism, we will study the way in which the writing of these authors takes on board the urban image. By surveying the person-city relationship in particular, our work will strive to define how the fictional representation of a city is affected by the perception of an observer. We will also ask ourselves how this observer, product of an era when ontological uncertainty was the only certainty, projects his identity crisis onto the urban scene drawn by the novel. The reassessment of the global city utopia constitutes an axis around which we propose to study the picture drawn of Paris, Istanbul and New York in the postmodern fictions : Piano by Echenoz, The Black Book by Pamuk and City of Glass by Auster.

Made available in DSpace on 2014-10-09T12:31:57Z (GMT). No. of bitstreams: 0 / Made available in DSpace on 2014-10-09T13:56:04Z (GMT). No. of bitstreams: 1 02287.pdf: 2592085 bytes, checksum: 1712376c6e8a16915521685ee399a1c5 (MD5) / Dissertacao (Mestrado) / IPEN/D / Instituto de Pesquisas Energeticas e Nucleares - IPEN/CNEN-SP

Made available in DSpace on 2014-10-09T12:51:59Z (GMT). No. of bitstreams: 0 / Made available in DSpace on 2014-10-09T13:56:58Z (GMT). No. of bitstreams: 0 / Dissertação (Mestrado) / IPEN/D / Instituto de Pesquisas Energeticas e Nucleares - IPEN-CNEN/SP

La fiction, bien plutôt que de relever d'une illusion, stérile et dangereuse, engendrée par une imagination trop souvent réduite à n'être que la « folle du logis» par la tradition rationaliste de la philosophie, ne montre-t-elle pas toute sa pertinence et sa fécondité dans le double domaine de l'esthétique et de l'épistémologie, que ce soit, par exemple, dans le jeu paradoxal du comédien ou dans la métaphorisation du réel par le chercheur scientifique, qui s'alimentent, tous deux, à la source d'une mimésis où s'originent toute connaissance comme toute action humaines ? Mais la fiction ne trouve et ne prouve toute son ampleur théorique et pratique que d'être inscrite dans une « philosophie du comme si », dont la véritable filiation est à rechercher dans un kantisme élargi plutôt que dans l'orthodoxie pragmatiste. Ce fictionalisme, qui permet à l'esprit humain de se déprendre de ses habitudes conceptuelles en faisant primer l'intuition poïétique sur l'intelligence technique, ne peut lui-même faire son œuvre que d'être ancré en une philosophie de l'absurde qui, bien loin de réduire « l'homme absurde» au désespoir, en appelle à une décision existentielle de (c l'âme active» qui ré-éveille le génie qui sommeille en chaque homme à l'exigence d'une existence soucieuse de lucidité et de responsabilité, pour soi-même et les autres comme pour le monde. / Does not fiction, rather than arising from a sterile and dangerous illusion, engendered by a creative faculty that is too often reduced by the rationalist tradition in philosophy to nothing more than "an overactive imagination", reveal ail of its relevance and fecundity in the dual domain of esthetics and epistemology - for example in the paradoxical performance of an actor or the metaphorisation of the real by a scientific researcher, both of which draw from the source of a mimesis in which ail knowledge and ail human actions originate ? But the full theoretical and practical scope of fiction can only be found and proven when it is situated within a "philosophy of the as if, whose true filiation is to be found in a broadened Kantianism rather than in the pragmatist orthodoxy. Such a fictionalism, which allows the human mind to free itself from its conceptual habits by stressing intuition over technical intelligence, can itself do its work only by being rooted in a philosophy of the absurd which, far from reducing "the absurd man" to despair, calls for an existential decision of the "active soul" which re-awakens the spirit that lies dormant in each human individual to the demands of an existence mindful of lucidity an responsibility, for oneself and for others as for the world.

För näringsidkare i dagens samhälle är äganderättsskyddet av stor betydelse, synnerligen näregendom ägs med samäganderätt. När en gäldenär inte förmår att uppfylla sinabetalningsförpliktelser kan det leda till att gäldenären får en exekutionstitel mot sig. För attinte inskränka annans äganderätt måste det säkerställas att egendom som kan komma attutmätas ägs av gäldenären. För näringsidkare eller fysiska personer som har ingått ettsamäganderättsavtal innehållande ett försäljningsförbud, som innebär att en av andelsägarnainte får begära att samägd egendom ska bjudas ut till offentlig försäljning, är det viktigt förparterna att veta i vilka situationer deras avtal inte är gällande. Även för sökande borgenär ärvetskap om vilken egendom som är utmätningsbar och som inte kan hämmas av ettsamäganderättsavtal av betydelse. Sålunda finns det ett behov av att klargöra för vilkasituationer ett samäganderättsavtal som innehåller ett försäljningsförbud inte är gällande, föratt samägande tredje man möjligen ska kunna undvika att drabbas av en annan samägaresbetalningsförsummelser. I praxis har det fastslagits att det är betingelsen av ett förvärv somavgör när ett samäganderättsavtal står fast och när det inte gör det. Därmed torde samägandetredje man inte kunna nyttja ett samäganderättsavtal som ett hinder från att samägd egendomutmäts. För att ett samäganderättsavtal, som innehåller ett försäljningsförbud, ska kunnanyttjas som ett utmätningshinder krävs det att samägd egendom har förvärvats benefikt.I och med att HD nyligen har meddelat dom i mål Ö 2347/17 har det klargjorts vems intresse,samägande tredje mans äganderätt eller borgenärs fordringsrätt, i ett utmätningsförfarandesom ska tillmätas störst betydelse och skyddas. Betydelsen av vems intresse som väger tyngstär särskild viktig när Kronofogdemyndigheten ska avgöra om utmätning av gäldenärs lön ellerbostadsfastighet ska ske, eftersom borgenärens rätt till betalning konkurrerar med samägandetredje mans äganderätt. HD:s avgörande har tydliggjort att de omständigheter som ska beaktasoch som är av avgörande betydelse är löneutmätningens väntade tidsspann ochfastighetsutmätningens beräknade överskott. Uppsatsens slutsats följer av att det, vid ettbeaktande av de bestämmelser som gäller för samäganderätt och för utmätning samt etthänsynstagande till relevant praxis, inte tycks vara någon skillnad om samägande tredje manär en juridisk eller en fysisk person, samma regler gäller för dem båda. Det är de förhållanden,beträffande hur lång tid en löneutmätning kan väntas ta och hur stort överskott enfastighetsutmätning kan väntas ge, som råder i det enskilda fallet som avgör vems intressesom får en övervägande betydelse.

Denna studie undersöker hur människors relaterar till naturen efter en genomförd utomhusutbildning vid namn Hållbar natur. Utbildningen består av 11 olika stopp/platser där olika miljöfrågor kring hållbar utveckling exemplifieras. Metoden för studien är fokusgrupper och de empiriska materialen består av tre fokusgrupper med sammanlagt 14 deltagare. Fokusgruppernas deltagare fick tillsammans gå en tre timmar lång utomhusutbildning där Rockströms planetära gränser låg i fokus. Analysen av materialet visar på att deltagarna har fått en ökad medvetenhet kring samband och samspel som finns mellan människan och naturen, men de verkar sakna en djupare förståelse. Analysen visar också på hur stor roll platser har som referenspunkt i diskussioner om miljöfrågor, dock inte de platser som besöktes under utbildningen. Det är troligt att den stora aktiviteten som uppkom i samband med gruppdiskussionerna kan kopplas till den konkreta upplevelsen som deltagarna precis hade fått. Det framkom i analysen att deltagarna gärna ville prata om ämnen som de kan referera till med egna erfarenheter. Analysen visar därmed att det är viktigt att använda sig av exempel som är lätta att förknippa med sitt eget liv vid utformandet av en miljöutbildning med utomhuspedagogik. Deltagarnas förhållningsätt till naturen, det vill säga ett antropocentriskt eller ekocentriskt förhållningssätt spelade roll för hur de tog till sig utbildningen vilket gör att det är av betydelse för utformandet av en miljöutbildning med utomhuspedagogik att ta hänsyn till människans natursyn. Ingen av deltagarna hade ett biocentriskt synsätt. Gemensamt för alla fokusgrupperna / This study investigates how people relate to nature after an accomplished outdoor education called Sustainable Nature. The education consists of 11 different stops / places where different environmental issues regarding sustainable development are exemplified. The method of the study is focus groups and there were three groups, together 14 participants. The focus groups members participated in a three-hour loong outdoor education, focusing on the nine planetary boundaries as theorized by Rockstöm. The analysis of the material shows that the participants have gained increased awareness of the relationship and interaction between man and nature, but they seem to lack a deeper understanding. The analysis also shows the importance of geographical points in discussions of environmental issues, but not the places visited during the education. It is likely that the big activity that arose in connection with the group discussions can be linked to the actual experience that the participants had just received. It was found in the analysis that participants would like to talk about topics that they can refer to with their own experiences. The analysis thus shows that it is important to use examples that are easy to associate with their own lives in the design of an environmental education. Participants' approach to nature, that is, an anthropocentric or ecocentric approach, played a part in the way they took the education, Hence, participants´ view of nature are key aspects to take into account in the design of informal environmental outdoor education. None of the participants had a biocentric approach. Common to all the focus groups was that after education a clear commitment was made to educate more, it’s a clear expression of a new interest.

Submitted by Oliveira Santos Dilzaná (dilznana@yahoo.com.br) on 2016-07-11T13:56:06Z No. of bitstreams: 1 Dissertação de Alaíze dos Santos Conceição.pdf: 820391 bytes, checksum: f516a9e9e2edd5174a4d92de9af1b5f1 (MD5) / Approved for entry into archive by Oliveira Santos Dilzaná (dilznana@yahoo.com.br) on 2016-07-25T15:25:09Z (GMT) No. of bitstreams: 1 Dissertação de Alaíze dos Santos Conceição.pdf: 820391 bytes, checksum: f516a9e9e2edd5174a4d92de9af1b5f1 (MD5) / Made available in DSpace on 2016-07-25T15:25:09Z (GMT). No. of bitstreams: 1 Dissertação de Alaíze dos Santos Conceição.pdf: 820391 bytes, checksum: f516a9e9e2edd5174a4d92de9af1b5f1 (MD5) / FAPESB / A pesquisa visa refletir acerca do universo cultural e religioso de Rezadeiras e Rezadores do município de Governador Mangabeira, Recôncavo sul da Bahia, nas décadas de 1950 a 1970, ressaltando as suas atuações nas comunidades que residem. Esses sujeitos históricos são integrantes das classes trabalhadoras e negras, os quais, motivados por questões econômicas, foram introduzidos no mundo do trabalho ainda na infância. Por fatores raciais, esses indivíduos, em sua maioria, alocados na segunda geração do pós-abolição, perambularam pela região em busca de melhores condições de vida, uma vez que as migrações pelas cidades do Recôncavo foram intensas até as décadas de 1950. Nesse sentido, buscou-se na elucidação de experiências cotidianas, sobretudo no universo do trabalho e nos aspectos religiosos da benzeção refletir acerca das identidades individuais e coletivas construídas no processo. A permanência dos elementos culturais presentes no âmbito das benzeções revela particularidades de uma população no que tange à relação que estabelecem com o sobrenatural, as doenças e a cura, suas expectativas, sentimentos e as possibilidades de transcendência da dura realidade. Sendo assim, as fontes utilizadas foram os periódicos Folha do Norte e o Jornal A tarde, assim como os depoimentos orais dos sujeitos históricos envolvidos no contexto histórico em análise. This research aims to reflect on the cultural and religious universe of women healer and man healer from the town Governador Mangabeira, Recôncavo Southern Bahia, from 1950 to 1970 decades, emphasizing their role in the communities where they live. These historical subjects make part of working and black classes, who, forced by economic necessities, were inserted into the working world yet in the childhood. Due to racial factors, most of them were allocated in the post- abolition second generation, which made them perambulate through the region in search of a better life, because migrations through Recôncavo Southern Bahia were very intense until 1950. Thus, by elucidating everyday experiences, especially in terms of working and religious blessing practice aspects, this work aimed to reflect on individual and collective identities built in the process. The permanency of cultural elements presented in the blessing practice extent reveals particularities of people regarding relations they firm to the supernatural, the sicknesses and cures, their expectations, feelings and the possibility to transcend from the tough reality. The following sources were used in this study: periodicals Folha do Norte and Jornal A tarde and oral testimonials of the historical subjects involved in the historical context under discussion.

abstract: This paper is the writing component of a project the author under took to create an entertaining program for a chamber ensemble. It discusses ways for chamber ensembles to create entertaining concert programs for today's audiences. Information was gathered by analyzing four interesting and successful groups--The Canadian Brass, Mnozil Brass, Les Trompettes de Lyon, and The Blue Man Group--and identifying common traits. These traits help facilitate the ultimate goal of making connections with audiences and include originality, comedy, choreography, memorization, continuous presentation, musical appeal, high quality presentations, and the proper personnel. These attributes were then implemented into the author's experimental group, the Omni Brass Ensemble, for testing with live audiences. Materials were used from published interviews, articles, newspapers, ensemble websites, and recordings of their performances. From the author's performances with the Omni Brass Ensemble, indications are that these findings work with live audiences. / Dissertation/Thesis / D.M.A. Music 2012