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11	O Estado constitucional da era Vargas: uma abordagem à luz do pensamento social brasileiro dos anos 30. Silva, Fernanda Xavier da 29 March 2006 (has links) Made available in DSpace on 2016-06-02T19:25:19Z (GMT). No. of bitstreams: 1 DissFXS.pdf: 1730186 bytes, checksum: 286f5a1014d285a9ad916376e3995d0a (MD5) Previous issue date: 2006-03-29 / Financiadora de Estudos e Projetos / Starting from the historical context of thirties years occasion of breakdown of the international liberalism and the Brazilian political system we analyzed the constitutions of 1934 and 1937, seeking for an answer to the following question: how two so different states systems could subsist under the same historical context? We tried to understand in which dimension these constitutionals texts were under the influences of the political-andcultural ambient, and also in which degree they was taken by then the ideologies under discussions. It is important to keep in mind that both Constitutions shared similar rudiments and none of them fit under the usual theoretical label. As an effort to provide this answer, we studied the Brazilian social thought during the thirties years, and face it with the main ideas that figure in these constitutionals letters. As a result, we tried to take out the essentials aspects of these letters, taking them not as just simples juridical texts, but as legislations produced under the influences of a specific political-and-cultural ambient. / Partindo do contexto histórico dos anos 30 período de falência mundial do liberalismo e de ruptura da política liberal-oligárquica brasileira, - analisamos as Constituições de 1934 e 1937, procurando elucidar a questão de como em um mesmo contexto histórico subsistiram dois modelos de Estado tão divergentes. Com base na averiguação da existência de princípios similares nestas duas Cartas, somada a sua não correspondência totalmente ao rótulo lhes conferido, buscamos observar em que medida esses textos constitucionais derivavam ou não de uma ativa influência do ambiente político-cultural vigente, logo, de sua incorporação, em maior ou menor grau, das ideologias em debate. Para tal, estudamos as correntes do pensamento social brasileiro em voga nos anos 30, confrontando suas idéias com os princípios constitucionais seguidos por cada uma delas. Procurou-se, aí, desvendar a essência destas Constituições, entendendo-as não como meros textos jurídicos, mas como legislações inseridas em um ambiente políticocultural específico. Brasil - política e governo Brasil - constituição Anos 30 Era Vargas Pensamento social brasileiro Thirties years Vargas government Brazilian social thought Constitution State CIENCIAS SOCIAIS APLICADAS
12	Scienza e ideologia "A la Lumière du Marxisme" : il contributo del Cercle de la Russie Neuve nel processo di elaborazione e attivazione nel materialismo dialettico in Francia / Science and Ideology “in the light of Marxism” : the contribution of the Cercle de la Russie neuve in the process of elaboration and activation of dialectical materialism in France / Science et idéologie « à la lumière du marxisme » : la contribution du Cercle de la Russie neuve dans le procès d’élaboration et d’activation du matérialisme dialectique en France Carlino, Fabrizio 30 January 2014 (has links) Le Cercle de la Russie neuve est couramment présenté comme le lieu d’origine du « marxisme à la française » ; à savoir, d’une pensée marxiste reconduite au matérialisme des Lumières, définie en 1939 comme « rationalisme moderne » et qui sera, à partir de l’après-guerre, l’une des références idéologiques majeures du PCF. Et pourtant, les premiers travaux de ce groupe –dont le rôle joué dans l’introduction du matérialisme dialectique dans le débat philosophique en France est méconnu – sont consacrés à la démonstration de l’hétérogénéité du marxisme à la tradition rationaliste et matérialiste française, en proposant en revanche une lecture hégélianisante de la philosophie de Marx. Pour décrire le procès qui a conduit à ce véritable renversement de sens, et identifier les instances qui en étaient à l’origine, il ne suffit pas de remonter aux écrits des auteurs se réclamant du marxisme, pour les rendre à nouveau lisibles : il s’agit plutôt d’en suivre les thèses au-delà de leur formulation, dans leurs effets ainsi que dans leur interaction avec le champ idéologique dans lequel elles interviennent et qui à son tour les surdétermine. A la lumière de cette double forme d’existence de la philosophie marxiste – en tant que théorie, dans son élaboration, et en tant qu’idéologie, dans son activation – il est possible de réinscrire l’histoire de son introduction en France dans sa problématique originaire, et par là de l’interroger au-delà de la marque du stalinisme qui lui a été imprimée et qui en recouvre comme une pierre tombale sa propre spécificité. / The Cercle de la Russie neuve is commonly described as the place of origin of the “marxisme à la français”, namely, a Marxist thought reduced to Enlightenment materialism, and defined in 1939 as “modern rationalism”. And yet, at first the work of this group was aimed to demonstrate the heterogeneity of Marxism to the French rationalist and materialist tradition, proposing instead a Hegelian reading of Marx's philosophy. Cercle de la Russie neuve Histoire du marxisme Matérialisme dialectique Philosophie marxiste Réception de Hegel en France René Maublanc Années 1930 Philosophie française Circle of the New Russia Marxism History Dialectical materialism Marxist philosophy Reception of Hegel in France René Maublanc The thirties French Philosophy
13	Heinrich Mann et l’exil en France. 1933 – 1940 / Heinrich Mann and the exile in France. 1933 – 1940 Lagleize, Maxime 13 February 2010 (has links) Chassé par l'arrivée au pouvoir des nazis en Allemagne, Heinrich Mann a presque soixante-deux ans lorsqu'il émigre en France, le 21 février 1933. Comment Heinrich Mann a-t-il pu concilier la continuité de son engagement intellectuel avec la situation même de l'exil et dans quelle mesure son engagement fut-il redéfini par cette situation? Heinrich Mann a compris très vite qu'il lui fallait réadapter les objectifs de son engagement pour pouvoir le poursuivre en terre étrangère ; c'est ce qu'il fit dès les premiers mois passés en France, par les essais qu'il publia. La ville de Nice, où il s'établit, est le lieu de l'écrivain, Paris reste le lieu de l'engagement intellectuel. L'historiographie sur cette époque n'a souvent retenu du personnage qu'une certaine naïveté, et son instrumentalisation par le parti communiste, point qui mérite d'être relativisé. Le roman d'Henri IV, écrit pendant l’émigration, reste l'un des plus grands textes produits par la communauté allemande en exil. / After the Nazis had come to power in Germany, Heinrich Mann at the age of almost sixty-two years old had to go into exile to France on February 21th, 1933. How could he adapt his intellectual commitment to the new status of exile and to what extend was his commitment in France redetermined by the life in exile? Heinrich Mann understood quickly that he had to readjust the objectives of his commitment in order to continue in exile. He implemented it already in the first months he spent in France in the essays and texts he published. The city of Nice was the place where he lived and wrote, Paris remained the place for the intellectual commitment. The historiography of this period has often imputed to him a kind of naivety of character and the exploitation by the German communist party, but this point has to be relativised. Young Henry of Navarre, written during his stay in France is one of the most beautiful texts produced by the German community in exile. Histoire contemporaine Années 30 Troisième Reich Résistance allemande au nazisme Exil Émigration allemande et engagement Volksfront Heinrich Mann Thomas Mann Contemporary history Interwar period The thirties French Third Republic Third Reich German resistance against Nazism
14	Jogo de espelhos = a ilustração e a prosa de ficção de Graciliano Ramos, Jorge Amado e José Lins do Rego / Mirror set : the illustration and fiction prose of Graciliano Ramos, Jorge Amado e José Lins do Rego Ferraro-Nita, Mara Rosângela, 1973- 16 August 2018 (has links) Orientador: Paulo Mugayar Kuhl / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-16T18:08:46Z (GMT). No. of bitstreams: 1 Ferraro-Nita_MaraRosangela_D.pdf: 26606817 bytes, checksum: 149415fdabef1f4f56dda00e0ae45ab2 (MD5) Previous issue date: 2010 / Resumo: Esta tese tem por objetivo maior realizar um estudo sobre as obras ilustradas de Graciliano Ramos, Jorge Amado e José Lins do Rego publicadas prioritariamente pelas editoras José Olympio (Rio de Janeiro) e Martins (São Paulo). Analisa ainda o perfil artístico de três ilustradores: Santa Rosa, Luís Jardim e Aldemir Martins e seus respectivos projetos ilustrativos para Cacau, de Jorge Amado (1933); Menino de engenho, de José Lins do Rego (1932); e Vidas secas, de Graciliano Ramos (1938). Reflexões estas que ajudam no levantamento de possíveis confluências do pensamento artístico e literário do modernismo brasileiro pós-1930 / Abstract: The main purpose of this thesis is to carry out a study about the illustrated literary works of Graciliano Ramos, Jorge Amado and José Lins do Rego, published mainly by José Olympio (Rio de Janeiro) and Martins (São Paulo) publishers. It also analyzes the artistic features of three illustrators: Santa Rosa, Luís Jardim and Aldemir Martins and their respective illustration projects for Cacau, by Jorge Amado (1933); Menino do engenho, by José Lins do Rego (1932) and Vidas secas, by Graciliano Ramos, (1938). These reflections help us to find out possible confluences of artistic and literary thought of post 1930'Brazilian Modernism / Doutorado / Doutor em Artes Jardim, Luis, 1901-1987 Rosa, Santa Martins, Aldemir, 1922-2006 Ilustração de livros Ficção brasileira - Séc. XX Anos 1930 Jardim, Luis Rosa, Santa Martins, Aldemir Illustration of books Brazilian fiction - 20th century Nineteen thirties
15	Les stars et la cinéphilie dans la culture cinématographique espagnole du début du XXe siècle : le cas Greta Garbo / Stars and cinephilia in the early XXth century Spanish cinematographic culture : the example of Greta Garbo Coutel, Évelyne 11 April 2014 (has links) L’objectif de cette thèse doctorale intitulée « Les stars et la cinéphilie dans la culture cinématographique espagnole du début du XXe siècle : le cas Greta Garbo » est d’analyser l’impact que cette star a pu produire dans la société espagnole de l’époque, en tenant compte du fait que cette société était traversée par des débats ayant trait à la renégociation des rapports entre les sexes et à des questions de différenciation sexuelle. Les principales sources utilisées à cet effet sont les revues de cinématographie publiées en Espagne à la fin des années 20 et la première moitié des années 30. Ce travail étudie d’abord la réception des premiers films muets de Garbo qui impliquent l’apparition d’une image féminine inédite. Cela permet de montrer que la culture cinématographique de la fin des années 20 présente Garbo comme une véritable artiste investie d’un grand pouvoir créateur. Ensuite, au cours des années 30, la presse cinématographique révèle un changement d’orientation, ce qui est en partie lié à l’évolution du discours cinéphilique, un discours « genré » qui se construit au détriment des femmes et des stars. Dès lors, l’image de Garbo est remise en cause par une légion de journalistes qui entendent servir le prestige d’un auteur : le réalisateur du film. Ce revirement est ici interprété à la lumière des tensions que Garbo provoquait parce qu’elle incarnait un modèle féminin transgressif. La fin de ce travail montre également que l’image de Garbo était encore bien présente dans les premières années du franquisme, la culture cinématographique de cette période comprenant des similitudes et des continuités avec celles des années 20 et 30. / The purpose of this doctoral thesis entitled « Stars and cinephilia in the early XXth century Spanish cinematographic culture: the example of Greta Garbo » is to analyse the influence that this star may have produced in the Spanish society at that time, taking into account that this society was going through some debates related to the renegociation of the relations between sexes and to sexual differentiation issues. The main sources used in this respect consist of the journals published in Spainthroughout the late twenties and the first half of the thirties. First of all, this research focuses on the reception of the first silent Garbo movies that implies the appearance of a new female image. By doing so, one can see that the cinematographic culture of the late twenties introduces Garbo as a real artist with a great creative power. Then, in the thirties, the Spanish film journals reveals a change ofdirection which is in part due to the evolution of cinephilic discourse, a gendered discourse which develops at the expense of women and stars. From then on, the Garbo image is questioned by a legion of journalists pretending to defend the prestige of an “auteur”: the film director. In this study, this reversal is interpreted in the light of the tensions that Garbo provoked as she embodied a transgressive female image. The end of this research also shows that the Garbo image was still alive through the first years of Francoism, the cinematographic culture of this period including similarities and continuities with the twenties and thirties’ one. Espagne Années 20 et 30 Stars Études de genre Images de femme Culture cinématographique Revues de cinéma Cinéphilie Culture d’élite/culture de masse Spain Twenties and thirties Stars studies Gender studies Female images Cinematographic culture Film journals Cinephilia Elite culture/mass culture
16	Faulkner na França : uma análise dos prefácios escritos às traduções dos livros de William Faulkner publicadas na França nos anos 30 / Faulkner in France : an analysis of the prefaces to William Faulkner's translated books published in France during the 1930's Mariano, Fábio Roberto, 1989- 27 August 2018 (has links) Orientador: Eric Mitchell Sabinson / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-27T20:21:09Z (GMT). No. of bitstreams: 1 Mariano_FabioRoberto_M.pdf: 721675 bytes, checksum: 0863ae488f30abc0a8c4cbb050955f56 (MD5) Previous issue date: 2015 / Resumo: O objetivo deste trabalho é compreender a recepção de Faulkner na França a partir de uma contextualização da literatura francesa nos anos 1930 e da leitura detalhada dos referidos prefácios. O que está em primeiro plano não é uma leitura crítica do autor, e sim uma organização de leituras críticas anteriores. Ao fim do texto, é esboçada uma proposição acerca do apelo específico que Faulkner teve na França. Dos seis livros de Faulkner publicados durante os anos 30, cinco trazem prefácios. Esses textos são de autoria de figuras de grande influência no ambiente literário francês: os tradutores Maurice-Edgar Coindreau e René-Noël Raimbault, o crítico e escritor Valery Larbaud e o escritor, político e jornalista André Malraux. A partir das leituras propostas nesses prefácios, é possível tentar estabelecer uma relação entre o ambiente cultural da França e a obra de William Faulkner. Para estabelecer tal relação, este trabalho se divide em três partes, cada qual correspondendo a um de seus capítulos. Em primeiro lugar, faz-se uma análise do ambiente histórico e literário da França. Em segundo, uma leitura atenta dos prefácios é feita, levando-se em consideração também quem são seus autores. Por fim, o terceiro capítulo é um movimento de interpretação dos prefácios à luz da análise feita no primeiro capítulo / Abstract: The present dissertation aims at an understanding of the reader response to Faulkner in France. It is based both on a study of the mentioned prefaces and on an attempt to describe the literary and critical standards of the time. The main point here is not exactly a critical reading of the author's work in itself, but an effort of organizing earlier readings. This study is closed by a hypothesis about Faulkner's specific appeal to French readers. Five out of the six of Faulkner's books published during that time are prefaced, all of them by Frenchmen: translators Maurice-Edgar Coindreau and René-Noël Raimbault, literary critic and writer Valery Larbaud and politician, journalist and novelist André Malraux. A detailed analysis of these prefaces may be an effective strategy to establish a connection between Faulkner's work and the French cultural environment in which he is read. In order to effectively make such a connection, this dissertation has been divided in three parts, each of which corresponds to one of its chapters. In the first one, the literary and historical context of France is analyzed. In the second, a close reading of each of the prefaces is made, taking into account not only their words and references, but also their authors. In the third and last chapter, the prefaces are interpreted according to what had been exposed in the first chapter / Mestrado / Historia e Historiografia Literaria / Mestre em Teoria e História Literária Ficção americana - Séc. XX Anos 1930 Prefacios - História e crítica Modernismo (Literatura) França - Séc. XX American fiction - 20th century Nineteen thirties Prefaces - History and criticism Modernism (Literature) France - 20th century
17	'n Bestekopname van die Afrikaanse roman 1934-1939 in terugblik vanuit die negentigerjare. / A survey of the Afrikaans novel from the period 1934-1939 from a nineties perspective Howard, Elsabé Loïs 11 1900 (has links) Text in Afrikaans / Hierdie studie is 'n herskepping van die wereld van die Afrikaanse roman van 1934-1939. Al die romans is bekom en gelees. Die beskikbaarheid van hierdie romans word aangedui. 'n Sketsmatige beeld van elke roman word gegee, waarin die aard daarvan aangetoon word ten opsigte van die volgende aspekte: milieu, tema en konflik (moreel, religieus, maatskaplik, polities). Die lotgevalle van hierdie romans is nagegaan aan die hand van tydgenootlike resepsiegeskiedenis, sowel as die van die literatuurgeskiedskrywing tot op hede. Hieruit het dit geblyk dat sekere romans aanvanklik hoog aangeslaan is, maar nie in die kanon opgeneem is nie. Moontlike redes hiervoor word ondersoek. Na my oordeel verdien Die loutering van Petrus deur Ella Fischer en Die jare daarna deur Aletta Steyn 'n herbesoek. Albei romans is boeiend en interessant, die karakters "lewe" en dit wat hul beleef en ervaar, spreek steeds tot die leser van die negentigerjare / This study is a recreation of the world of the Afrikaans novel of 1934-1939. All the novels were obtained and read. The availability of these novels is indicated. A schematic account of each novel is given, in which the nature of each is explicated in respect of the following aspects: milieu, theme and conflict (moral, religious, social and political). The fate of these novels was researched in the context of their contemporary reception history and that of literary historiography to date. From the study it appears that certain novels were initially highly acclaimed, but were not included in the canon. Possible reasons for this are investigated. It is my opinion that Die loutering van Petrus by Ella Fischer and Die }are daarna by Aletta Steyn need to be re-evaluated. Both novels are absorbing and interesting, the characters are lifelike and their life experiences are still relevant to the reader of the nineties / Afrikaans & Theory of Literature / M.A. (Afrikaans) Novels of the thirties Reception Reception history Novel criticism Literary history Standard literary history Literary historiography Canon Recanonisation Re-evaluation 839.36509 Steyn, Aletta. Jare daarna
18	"CARI AMICI E AMICHE ALL'ASCOLTO": GIANNA MANZINI ALLA RADIOE ALLA TELEVISIONE SIVIERI, SARAH 13 March 2014 (has links) Il presente lavoro costituisce la prima ricostruzione del lavoro di Gianna Manzini alla radio e alla televisione, che comincia nel 1947 e si conclude nel 1968. Gli interventi radiofonici sono divisi in trasmissioni di moda e costume e di critica letteraria (capitolo 1) e racconti scritti per la radio (capitolo 3); le trasmissioni televisive sono ripartite in sceneggiature realizzate e non realizzate (capitolo 3). I testi dei programmi sono stati identificati nei fondi archivistici della Fondazione Arnoldo e Alberto Mondadori di Milano, dell’Archivio del Novecento dell’Università La Sapienza di Roma e della Biblioteca Nazionale Centrale di Roma. Il lavoro si basa dunque sulla descrizione e l’analisi di materiale inedito, come L’Almanacco dei sogni e Il paesaggio come fatto personale, e le sceneggiature Il grande indiscreto, Il nome di battesimo e Alfredino. La ricognizione ha dimostrato come Gianna Manzini possedesse una consapevolezza mediatica tale da essere in grado di adattare il proprio stile alle specifiche esigenze del mezzo di comunicazione. Tuttavia, l’attività radio-televisiva non può essere considerata del tutto autonoma e disgiunta dalla carriera letteraria, con la quale intrattiene un rapporto strettissimo e osmotico. / This research aims at providing a first and thorough description of Gianna Manzini’s work for the Italian Broadcasting (RAI), a collaboration which started in 1947 and ended in 1968. Her works for the radio are divided into fashion and literary criticism broadcasting (chapter 1) and original radio screenplays (chapter 2); her works for the television are divided into broadcasted and non broadcasted scripts (chapter 3). The texts of these programmes have been found in the following archives: Fondazione Arnoldo e Alberto Mondadori (Milan), Archivio del Novecento, Università La Sapienza (Rome) and Biblioteca Nazionale Centrale (Rome). The thesis both describes and analyzes original and unpublished works and screenplays, such as L’Almanacco dei sogni, Il paesaggio come fatto personale, Il grande indiscreto, Il nome di battesimo and Alfredino. In the end, the research showed evidence that Gianna Manzini was well aware that different media require different writing characteristics and was able to act accordingly. Nonetheless, her literary and broadcasting activity cannot be considered as two separate carriers, being actually strictly bound to each other. L-FIL-LET/10: LETTERATURA ITALIANA
19	'n Bestekopname van die Afrikaanse roman 1934-1939 in terugblik vanuit die negentigerjare. / A survey of the Afrikaans novel from the period 1934-1939 from a nineties perspective Howard, Elsabé Loïs 11 1900 (has links) Text in Afrikaans / Hierdie studie is 'n herskepping van die wereld van die Afrikaanse roman van 1934-1939. Al die romans is bekom en gelees. Die beskikbaarheid van hierdie romans word aangedui. 'n Sketsmatige beeld van elke roman word gegee, waarin die aard daarvan aangetoon word ten opsigte van die volgende aspekte: milieu, tema en konflik (moreel, religieus, maatskaplik, polities). Die lotgevalle van hierdie romans is nagegaan aan die hand van tydgenootlike resepsiegeskiedenis, sowel as die van die literatuurgeskiedskrywing tot op hede. Hieruit het dit geblyk dat sekere romans aanvanklik hoog aangeslaan is, maar nie in die kanon opgeneem is nie. Moontlike redes hiervoor word ondersoek. Na my oordeel verdien Die loutering van Petrus deur Ella Fischer en Die jare daarna deur Aletta Steyn 'n herbesoek. Albei romans is boeiend en interessant, die karakters "lewe" en dit wat hul beleef en ervaar, spreek steeds tot die leser van die negentigerjare / This study is a recreation of the world of the Afrikaans novel of 1934-1939. All the novels were obtained and read. The availability of these novels is indicated. A schematic account of each novel is given, in which the nature of each is explicated in respect of the following aspects: milieu, theme and conflict (moral, religious, social and political). The fate of these novels was researched in the context of their contemporary reception history and that of literary historiography to date. From the study it appears that certain novels were initially highly acclaimed, but were not included in the canon. Possible reasons for this are investigated. It is my opinion that Die loutering van Petrus by Ella Fischer and Die }are daarna by Aletta Steyn need to be re-evaluated. Both novels are absorbing and interesting, the characters are lifelike and their life experiences are still relevant to the reader of the nineties / Afrikaans and Theory of Literature / M.A. (Afrikaans) Novels of the thirties Reception Reception history Novel criticism Literary history Standard literary history Literary historiography Canon Recanonisation Re-evaluation 839.36509 Steyn, Aletta. Jare daarna
20	Die Lukasevangelien auf Caló. Die Ursachen ihrer Sprachinterferenz und der Anteil des Spanischen Dietze, Markus 08 October 2014 (has links) (PDF) Die Arbeit behandelt die beiden Übersetzungsversionen des Lukasevangeliums ins Caló, die George Borrow 1837 und 1872 anfertigte. Sie hat mehrere Zielstellungen. Der erste Teil geht der Frage nach: Wie kam es zu den beiden Schriften? Er legt dar, welche Einflussfaktoren das authentische Caló im Spanien der 1830er Jahre herausgeprägt haben konnten und welche Einflüsse durch den Übersetzer George Borrow auf die Übersetzungen wirkten. Als extralinguistische Faktoren wird dafür die (Kultur-)Geschichte der Gitanos herangezogen, werden Borrows Biographie sowie seine Sprachkenntnisse untersucht und werden die Aufsätze namhafter Autoren über die Entstehung des Calós diskutiert und gegeneinander abgewogen. So entsteht zum ersten Mal eine komplexe Zusammenfassung der Vorgeschichte des Calós der Evangelien. Der zweite Teil der Arbeit ist einerseits eine Anleitung, die das Caló anhand von Textbeispielen für Hispanisten lesbar macht, und prüft andererseits, ob und wie die Aussage zutrifft, dass Borrows Purifizierungsbestrebungen in der zweiten Übersetzungsversion ein Caló schufen, das einen wesentlich geringeren Anteil an spanischer Sprache hat als in der ersten Version. Die Frage nach der Purifizierung erscheint vor dem Hintergrund der damaligen verklärenden Zigeunermode, der Afición, in Spanien sowie angesichts des Polyglotten Borrow bedeutsam. Um ihr nachzugehen, werden die ersten siebeneinhalb Kapitel beider Übersetzungen mit Hilfe von Textanalyseprogrammen wortartenspezifisch untersucht. Das Ergebnis bestätigt die Annahme bei zehn von sechzehn Wortarten und zeigt auf, dass besonders bei den Autosemantika Purifizierungsversuche unternommen wurden. Wahrscheinlich war aber schon die erste Übersetzungsversion purifiziert. Die Arbeit liefert einen ersten detaillierten linguistischen Vergleich eines Teiles der beiden Versionen und stellt das Caló der Evangelien in einem sehr umfassenden Kontext vor, wodurch sich eine Vernetzung linguistischer, kulturwissenschaftlicher und literaturwissenschaftlich interessanter Aspekte ergibt. 1830er Jahre 19. Jahrhundert Aficion Borromani British Bible Society Calo Code-Switching Code-Mixing Costumbrismo Criscote e Majaro Lucas Embeo e Majaro Lucas Entstehung des Calo Felipe Scio de San Miguel Felix Manzano Flamenco Flamenco-Kult Flamenquismo Francisco de Sales Mayo Geheimsprache George Borrow Germania Geschichte der Gitanos Gitano Hispano-Romani Jargon Jerga Karlistenkrieg Kostumbrismus Kreol Kreolisierung Kreolsprachen Language Intertwining Luis Usoz y Rio Lukasevangelium Majismo Majismus Pabano Mischsprache Para-Romani Pidgin Pidginisierung Pogadisierung Pseudo-Calo Quindale Regrammatikalisierung Relexifizierung Roma Romani Romani-Dialekt Romani-Misch-Dialekte Romantik Sondersprache Spanien Sprachinterferenz sprachliche Interferenz Sprachmischung Sprachwandel Stutzertum Super-Calo The Bible in Spain The Zincali aficion borromani British Bible Society calo carlist war code-mixing code-switching costumbrism costumbrismo creole creole-languages creolization Criscote e Majaro Lucas dandyism Embeo e Majaro Lucas Felipe Scio de San Miguel Felix Pabano flamenco flamenco cult flamenquismo Francisco de Sales Mayo genesis of calo George Borrow germania gitano gospel of st luke hispano-romani language history of the gitanos jerga language change language mixing language transfer language intertwining linguistic interference Luis Usoz y Rio majism majismo mixed language nineteenth century Pabano para-romani pidgin pidginization pogadization pseudo-calo Quindale regrammaticalization relexification roma people romani dialect romani language romani mixed dialect romanticism secret languages slang Spain sublanguage super-calo The Bible in Spain the eighteen-thirties The Zincali ddc:460 ddc:220 rvk:IM 9200 rvk:EU 428 rvk:HL 1955 rvk:BC 2219

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