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La mouvance médiatique : les faux Mémoires authentiques du chevalier d’Artagnan par Gatien Courtilz de SandrasRavenelle, Julien 05 1900 (has links)
No description available.
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Uma edição de Enganos do bosque, desenganos do Rio, de Sóror Maria do CéuCowly, Cristina Adriano 06 June 2014 (has links) (PDF)
Este trabalho tem como objetivos facilitar a leitura da obra de Sóror Maria do Céu e contribuir para a divulgação desta escritora barroca, que possui uma vasta produção literária no século XVIII mas que permance grandemente desconhecida nos círculos literários e académicos do presente século. A introdução explora o aspecto da viagem alegórica da alma, representada por personagens de uma narrativa e tendo como protagonista uma personagem feminina -- a Peregrina. Esta embarca numa viagem à procura de uma vida eterna feliz e recompensadora, No entanto durante a sua viagem, depara-se com um conjunto de desafios que precisa ultrapassar para atingir a vida eterna. Apresentamos alguns dados históricos e socioculturais de Portugal no século XVII e XVIII e oferecemos uma pequena biografia da autora, Maria do Céu. Também está incluída uma explicação sucinta sobre o estilo artístico de escolha, ou seja, os elementos literários que constituem esta novela alegórica, assim como um resumo dos catorze capítulos de Enganos do bosque, desenganos do Rio. Durante a análise da obra de Maria do Céu, revelamos as caraterísticas principais dos personagens e consideramos Enganos do bosque, desenganos do Rio juntamente com outras duas obras: Pilgrim's Progress, do escritor inglês John Bunyan e História do Predestinado Peregrino e seu irmão Precito, do escritor português Alexandre de Gusmão. Deste modo expomos as semelhanças e diferenças entre as viagens peregrinas dos protagonistas destas obras e realçamos os objetivos originais da escritora feminina e que são distintos dos autores masculinos: através da personagem Peregrina, Maria do Céu narra o aperfeiçoamento da alma até ao ponto de união mística com o pastor do bosque, ou seja, união da alma com o seu criador, Jesus Cristo. Por fim, antes da edição da novela alegórica de Maria do Céu, oferecemos uma lista de alterações gramaticais efetuadas nesta edição, e que têm como objetivo ajudar o leitor moderno na compreensão desta obra.
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"I Won't Let Anyone Come Between Us" Representations of Mental Illness, Queer Identity, and Abjection in High TensionWise, Krista Michelle 10 April 2014 (has links)
No description available.
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L’image de la nature chez Gabrielle Roy, inductrice d'une volonté de saisir le mondeGauthier, Claudia 30 August 2022 (has links)
Ce mémoire porte sur l’image de la nature chez Gabrielle Roy, plus spécifiquement dans ses œuvres Alexandre Chenevert [1954], La Montagne secrète [1961] et Le Temps qui m’a manqué [1997]. Il cherche notamment à comprendre le rapport que les personnages entretiennent avec la nature – et son paysage –, cette dernière se présentant parfois comme une entité révélatrice. Cette étude vise donc à saisir dans quelles circonstances elle parvient à révéler le connu et l’inconnu de la vie aux protagonistes et à dégager les répercussions de ce nouveau savoir sur eux. C’est en s’appuyant notamment sur une approche phénoménologique du paysage (Michel Collot et Maurice Merleau-Ponty) et sur les récents travaux de chercheurs dans la sphère de l’écopoétique (Sara Buekens, Pierre Schoentjes et Julien Desrochers) que ce mémoire tentera de trouver une réponse à cette question. Le présent travail de recherche procède à l’analyse concomitante de trois personnages dans trois œuvres de Gabrielle Roy, souhaitant ainsi mettre en relief un même processus transfigurateur mis en branle par une herméneutique du paysage. / This master’s thesis examines the image of nature in Gabrielle Roy’s work, specifically in Alexandre Chenevert [1954], La Montagne secrète [1961] and Le Temps qui m’a manqué [1997]. More precisely, it seeks to understand the relationship that the characters have with nature – and its landscape –, the latter sometimes presenting itself as a revealing entity. This study therefore aims to grasp the circumstances in which it succeeds in revealing the knownand the unknown of life to the protagonists and to identify the repercussions of this newknowledge on them. This master’s thesis will attempt to answer this question by drawing ona phenomenological approach to landscape (Michel Collot and Maurice Merleau-Ponty) and on the recent work of researchers in the field of ecopoetics (Sara Buekens, Pierre Schoentjesand Julien Desrochers). The present research work proceeds to the concomitant analysis of three characters in three works of Gabrielle Roy, thus wishing to highlight the same transfiguring process set in motion by a landscape hermeneutic.
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L'image de la nature chez Gabrielle Roy, inductrice d'une volonté de saisir le mondeGauthier, Claudia 13 December 2023 (has links)
Ce mémoire porte sur l'image de la nature chez Gabrielle Roy, plus spécifiquement dans ses œuvres Alexandre Chenevert [1954], La Montagne secrète [1961] et Le Temps qui m'a manqué [1997]. Il cherche notamment à comprendre le rapport que les personnages entretiennent avec la nature - et son paysage -, cette dernière se présentant parfois comme une entité révélatrice. Cette étude vise donc à saisir dans quelles circonstances elle parvient à révéler le connu et l'inconnu de la vie aux protagonistes et à dégager les répercussions de ce nouveau savoir sur eux. C'est en s'appuyant notamment sur une approche phénoménologique du paysage (Michel Collot et Maurice Merleau-Ponty) et sur les récents travaux de chercheurs dans la sphère de l'écopoétique (Sara Buekens, Pierre Schoentjes et Julien Desrochers) que ce mémoire tentera de trouver une réponse à cette question. Le présent travail de recherche procède à l'analyse concomitante de trois personnages dans trois œuvres de Gabrielle Roy, souhaitant ainsi mettre en relief un même processus transfigurateur mis en branle par une herméneutique du paysage. / This master's thesis examines the image of nature in Gabrielle Roy's work, specifically in Alexandre Chenevert [1954], La Montagne secrète [1961] and Le Temps qui m'a manqué [1997]. More precisely, it seeks to understand the relationship that the characters have with nature - and its landscape -, the latter sometimes presenting itself as a revealing entity. This study therefore aims to grasp the circumstances in which it succeeds in revealing the known and the unknown of life to the protagonists and to identify the repercussions of this new knowledge on them. This master's thesis will attempt to answer this question by drawing on a phenomenological approach to landscape (Michel Collot and Maurice Merleau-Ponty) and on the recent work of researchers in the field of ecopoetics (Sara Buekens, Pierre Schoentjes and Julien Desrochers). The present research work proceeds to the concomitant analysis of three characters in three works of Gabrielle Roy, thus wishing to highlight the same transfiguring process set in motion by a landscape hermeneutic.
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Le "pour de vrai" et le "vrai" en art performance : fiction vs trace / The "Like true" and the"True" in performance art : Fiction Vs TraceLagouarde, Clément 04 July 2018 (has links)
L’art performance est un art contemporain difficile à définir. Néanmoins il peut se décrire par l’action d’un artiste de performance qui, à la différence du théâtre traditionnel, se présente lui-même devant un public, s’infligeant parfois de véritable blessure. Cet art questionne le « pour de vrai » et le « vrai ». En le comparant au théâtre il semble moins fictif car les blessures est le sang sont « vrais », et sa trace (captations vidéos, captations sonores, photographies, objets, croquis, écrits, etc.) le prouve. La fiction et la trace paraissent opposées, là où la première est une invention (le « pour de vrai ») l’autre est un élément pérenne d’une action vécue (le « vrai »), l’art performance permettrait alors de penser ces deux notions non plus comme opposés mais comme corrélatives. L’art performance présente sa trace comme un élément pérenne d’une action plus ou moins inventée : le « vrai » dont la frontière avec le « pour de vrai » peut être questionné. Cette thèse argumente ces hypothèses à travers une première partie comparative entre l’art performance et l’art théâtral, avec comme problématique la fiction qui semble opposée au « vrai ». Et une seconde partie corrélative sur le possible « pour de vrai » de la trace, qui permet l’étude de trois traces épistémologiques : la mémoire, l’écriture et l’indice à travers des exemples respectifs d’artistes de performance. / Performance art is a contemporary art is hard to define but which can be described as an action made an audience by a performance artist who, in contrast to the traditional theater, is the artist himself is inflicting sometimes real physical injuries. This art questions the 'like true' and the 'true' and seems less fictitious than traditional theater because blood’s physical injuries is 'true' and that he uses his trace as evidence (video recordings, sound recordings, photographs, objects, sketches, written, etc.). If the fiction and the trace seem opposed, because the first is an invention (the "like true") the other is a sustainable living action (the ' true') element, performance art then would think these two concepts not as opposites but as Horn related. As performance art, object of study here, presents his trail as a perennial element of a more or less invented action: as the 'true' including the border with the "like true" can be questioned. This thesis argues its assumptions through a comparative part between performance art and theatrical art, with as problematic fiction that seems opposite to 'true'. And a second consequential part on the possible "like true" of the trace, which allows the study of three epistemological traces : memory, writing, and trifle through respective examples of performance artists.
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Traduções/adaptações dos romances-folhetins de Alexandre Dumas no Brasil: estudos de edição e cultura / Translations/adaptations of Alexandre Dumas serial novels in Brazil: studies on edition and cultureGuimarães, Rosângela Maria Oliveira 31 March 2008 (has links)
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Previous issue date: 2008-03-31 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / Firstly, I situate the environment and describe the activities of two public libraries
located at Vale do Paraíba, state of São Paulo, in the cities of Jacareí and São José dos
Campos. Their collections include, among many cultural series, Alexandre Dumas serial
novels.
Next, the author s works are mapped, based on the above-mentioned collections.
These works were translated and published in popular editions in Brazil, after the respective
narratives had circulated in several Brazilian newspapers. This stage is related to the
investigation of the constitutive and media processes of his works in the country. In this stage,
the following works are used: texts by Jean-Ives Mollier and Jacques Migozzi, among others,
which are included in the collection De l écrit à l écran (From writing to the screen); Roger
Chartier s works about books, reading and edition (Leitura e Leitores na França do Antigo
Regime / Reading and Readers in France at the time of the Ancien Régime, A Ordem do Livro
/ The Order of the Book, A Aventura do Livro / The Book Adventure); Jerusa Pires Ferreira s
works on publishers and popular editions ( La Maison João do Rio ); and Brazilian authors
who deal with the theme of reading and reception, like Márcia Abreu, Nelson Schapochnik,
Marisa Lajolo, among others (the collections Leitura, História e História da Leitura no
Brasil/Reading, History and the History of Reading in Brazil and Cultura Letrada no Brasil/
Literate Culture in Brazil). From the point of view of the history of the serial novel, the works
Folhetim (Serial Novel), Caminhos do Imaginário (Mental Imagery Paths) and other texts by
Marlyse Meyer offer important conceptual questions referring to the subject.
To analyze the set of covers designed by Nico Rosso to Dumas novels of Coleção
Saraiva (Saraiva Collection), a production in tune with the context of an emerging mass
culture and with the popular book industry in Brazil, in this period, I used Charles Grivel s
text Le passage à l écran (The passage to the screen) about hybrid literatures, and his work
De la couverture illustré du roman populaire , among others.
The aims of this research study are: to investigate the insertion and effects of the
European literature of wide circulation in Brazil, through the inventory of Alexandre Dumas
popular books; to build a panorama of the phenomenon of this adaptation universe and its
implications; to observe editing processes and materials regarding this genre in Brazil, based
on the collections of the public libraries of Vale do Paraíba, in São Paulo.
The dissertation compares the recurrence of certain stereotyped themes that are
recreated in the popular mental imagery and social inter-classes. Thus, it investigates narrative
and fictional materials that came from Europe and were projected through the 19th, 20th and
even the 21st centuries, in successive adaptations that maintain an inter-semiotic discourse in
interaction.
This study confirms that Dumas romances remained being read in the form of books
in Brazil during the entire 20th century, after many of them left the foot of newspapers pages.
The work was being intensely published during the period of the launch and dissemination of
television among us (in the 1950s). It co-existed with the development of the cinema here and
continues to be read in Internet times / Primeiro, situo o ambiente, bem como descrevo as atividades de duas bibliotecas
públicas do Vale do Paraíba/SP, localizadas nas cidades de Jacareí e São José dos Campos,
por se tratarem de acervos que abrigam, dentre as várias séries culturais, os romancesfolhetins
de Alexandre Dumas.
Em seguida, há o mapeamento das obras do autor, a partir dos acervos mencionados,
traduzidas e publicadas em edições populares aqui, logo após as respectivas narrativas
circularem em vários jornais brasileiros. Trata-se do acompanhamento dos processos
constitutivos e midiáticos de suas obras no país. Nesta etapa, são utilizados os textos de Jean-
Ives Mollier, Jacques Migozzi, entre outros, constantes na coletânea De l écrit à l écran (Do
escrito à tela); obras de Roger Chartier sobre livro, leitura e edição (Leitura e Leitores na
França do Antigo Regime, A Ordem do Livro, A Aventura do Livro), como também os
trabalhos de Jerusa Pires Ferreira sobre editoras e edições populares ( La Maison João do
Rio ), além de autores brasileiros que tratam do tema da leitura e recepção, como Márcia
Abreu, Nelson Schapochnik, Marisa Lajolo, entre outros (coletâneas Leitura, História e
História da Leitura no Brasil/ Cultura Letrada no Brasil). Do ponto de vista da história do
romance-folhetim, as obras Folhetim, Caminhos do Imaginário e outros textos de Marlyse
Meyer nos oferecem importantes questões conceituais referentes ao assunto.
Para análise do conjunto de capas desenhadas por Nico Rosso para os romances de
Dumas da coleção saraiva , produção sintonizada com o contexto de uma cultura de massa
em ascensão e com a indústria do livro popular no país, neste período, são utilizados textos de
Charles Grivel Le passage à l écran (A passagem à tela) sobre literaturas híbridas, De la
couverture illustré du roman populaire , entre outros.
Os objetivos desta pesquisa são: acompanhar a inserção e os efeitos da literatura européia de
ampla circulação, no Brasil, através do inventário dos livros populares de Alexandre Dumas;
construção de uma espécie de panorama do fenômeno deste universo adaptativo e suas
implicações; com isso serão observados processos e materiais de edição desse gênero no país,
a partir dos acervos mencionados das bibliotecas públicas do Vale do Paraíba/SP.
A tese compara a recorrência de certos temas estereotipados e recriados no imaginário
popular e interclasses sociais. Com isso, se apóia no acompanhamento de materiais narrativos
e ficcionais provenientes da Europa e projetados através dos séculos XIX, XX e até o XXI,
em sucessivas adaptações que mantêm em interação um discurso intersemiótico.
Este trabalho confirma que os romances de Dumas permaneceram sendo lidos em
brochuras no Brasil durante todo século XX, após muitos deixarem os rodapés de jornais. A
obra estava sendo publicada com força no período de lançamento e disseminação da televisão
entre nós (nos anos 50). Ela conviveu com o desenvolvimento do cinema aqui e se mantém
lida em tempos de Internet
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Trends in radical propaganda on the eve of the French Revolution (1782-1788)Darnton, Robert Choate January 1964 (has links)
The pamphleteers popularized the mythology of despotism by denouncing lettres de cachet and other supposed abuses of power that had little effect on most people. Historians like Funck-Brentano may be correct in arguing that the government was really moderate at this time, but it is important to show that radical propagandists were quite successful in convincing Frenchmen that thousands of innocent victims huddled miserably in <em >cachots for having inflamed the despotic passions of a minister. Moreover the prisons that were mythological for most Frenchmen had been terribly real for Brissot, Carra, Gorsas and many other writers, and this consideration also suggests the importance of the biographical approach. The Bastille may have been nearly empty, but it was a powerful symbol, effectively exploited by pamphleteers who dealt in symbols, declamation and distortions of political realities. They were highly successful in dominating public opinion, which exerted an influence on events that has been unappreciated in relation to the weak, irresolute rule of Louis XVI. The thesis attempts to develop this interprettion of the political importance of radical propaganda with reference to the scientific, financial and literary history of the period. It may seem weak on some ponts of these specialized fields, but it is hoped that it assimilates them successfully in its main attempt to contribute to an understanding of the last years of the Ancien Regime: its analysis of the character of radical propaganda in relation to the men who created it.
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La formation intellectuelle de l'élite à Rome et en Occident (Ier-IIIe siècles apr. J.-C.) : représentations et réalités / The Elite's Intellectual Training in Rome and in the Western World in the Early Empire : representation and realityDallies, Marie 05 December 2013 (has links)
Les bouleversements politiques et intellectuels provoqués par l’avènement du principat augustéen entraînent sous le Haut Empire une redéfinition des buts et des fonctions assignés à la formation intellectuelle de l’élite romaine et occidentale. Le développement de l’éloquence judiciaire et épidictique au détriment de l’éloquence politique modifie l’enseignement traditionnel de la rhétorique, tandis que la pratique philosophique prend de plus en plus de place au sein de la société et favorise le développement de son enseignement. Ces changements suscitent chez plusieurs auteurs des Ier et IIe siècles apr. J. C. des réflexions sur la manière d’améliorer l’enseignement rhétorique et philosophique alors que diverses initiatives sont prises pour organiser à l’échelle de l’Empire la diffusion de ces savoirs. Notre travail se propose d’examiner, en se concentrant sur les acteurs du système éducatif – professeurs et étudiants –, la façon dont cette formation intellectuelle se développe sous le Haut Empire dans les régions latinophones et de dresser une cartographie de l’enseignement de la rhétorique et de la philosophie en acquérant une connaissance concrète de ces personnages, par l’examen de leurs origines géographique et sociale et de leurs mobilités. Cette dimension réaliste se double d’une étude de la représentation de ces deux groupes dans la littérature impériale. Une attention particulière est portée à la question de la formation des futurs empereurs, dont la vie est richement documentée, afin de déterminer si la description de leur éducation est altérée par le souvenir qu’ils ont laissé de leur règne. / The political and intellectual upheavals caused by the advent of Augustus’ Principate result, in the Early Empire, in a new definition of the aims and functions assigned to the intellectual training of the Roman and Western elite. The development of judiciary and epidictic eloquence at the expense of political eloquence modifies traditional rhetorical teaching whereas philosophical learning is gaining importance within society thus favouring the teaching itself of philosophy. These changes bring several 100 and 200 A.D. authors to reflect upon the way of improving rhetorical and philosophical teaching. Meanwhile various initiatives are taken to spread these forms of knowledge throughout the Empire. By focusing on those who are in charge of the educational system – teachers and students – our research offers to examine how intellectual training develops in the Latin speaking regions in the Early Empire and to draw a map of rhetorical and philosophical teaching while getting to know these characters concretely through the study of their geographical and social backgrounds together with their mobility. Such realistic aspect goes with a survey of the representations of the two groups in imperial literature. Emphasis is laid in particular on the question of the education of the future emperors the documentation of whose lives is rich in order to examine whether the description of their education is altered by the memory that remains of their reign.
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Unsichtbare Feinde – Als die Pest im Jahr 1349 auch in Radeberg Einzug hielt…: Vergangenheit und Gegenwart – Pandemien verändern die WeltSchönfuß-Krause, Renate 26 July 2022 (has links)
Ausgehend von dem geschichtlichen Pestausbruch des 14. Jahrhunderts in Europa werden 350 Jahre Geschichte der Pest als Pandemie, Epidemie, Endemie und Pest der Kinder in Deutschland, dem Kurfürstentum Sachsen und der Residenzstadt Dresden mit dem Amt Radeberg untersucht und dargestellt. Wichtig war dabei die Herausstellung, dass Pandemien durchaus die Welt verändern und der „Krieg der Mikroben, als sogenannte „Unsichtbare Feinde”, Zivilisationen immer wieder mit ihren eingefahrenen Strukturen zum Wanken bringen können. Dokumentiert wird die Sterbensgefahr durch die Pestausbrüche und deren Überlieferung in Dresdner Akten und dem Amt Radeberg, welches auch zum Fluchtort der Kurfürsten bei Pestgefahr wurde. Herausgearbeitet wurde ebenfalls die stetige Pestgefahr, die als Bedrohung durch das nahe Grenzgebiet von Böhmen ausging, durch Glaubensflüchtlinge beziehungsweise mit dem Handel auf dem Wasser- oder Landwege nach Sachsen gebracht oder durch die Heerscharen des Dreißigjährigen Krieges verbreitet wurde. Nachdem die Pest 1682 offiziell als „überwunden“ erklärt wurde, traten bis in die Jetztzeit immer wieder epidemische oder endemische Pestausbrüche auf, die zeigen - die Pest lebt weiter…
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