Made available in DSpace on 2016-06-02T19:51:49Z (GMT). No. of bitstreams: 1 3543.pdf: 3489397 bytes, checksum: 18a72d31d3761d5e83741fabc432a26d (MD5) Previous issue date: 2011-02-18 / Financiadora de Estudos e Projetos / The necessity for making production processes more efficient and effective is the desire of any organization. For this to become reality and does not generate high investment is necessary to use techniques that assist in improvement of the production process along with a appropriate schedule of productive resources. Among these techniques, the Simulation assists effectively those improvements, because it seeks to import the reality for a controlled environment, under several conditions, without physical risks and/or high costs involved. This technique becomes even more useful in growing markets, such as the tilapiculture. With the emergence of new fish processing facility, it is necessary a better organization in order to produce more adequately, serving its clients satisfactorily and expanding its business. Thus, the main purpose of this study was to develop a simulation model to assist the decision making about the production scheduling of a fish processing facility, located in the Sao Paulo state. To this end, it used as computational tool the software Arena, by Rockwell Software, and as research method the modeling and simulation, including in this the methodology SimuCAD and the development phases of a simulation model discussed by Banks (1998) and Law and Kelton (2000). With the construction of the model was able to work several alternative scenarios, testing different working hours, types of flows and production capacity, besides variations of the ending inventory in relation to sales. As result, it obtained a useful and differentiated model simulation to assist the decision making about production scheduling of fish processing facility studied, besides reducing the lead-time process and attending all the specific objectives established. At the end of this study, proposals for future research were suggested. / A necessidade de tornar os processos produtivos mais eficientes e eficazes é o desejo de qualquer organização. Para que isso se torne realidade e não gere altos investimentos faz-se necessário lançar mão de técnicas que auxiliem na melhoria do processo de produção juntamente com uma programação mais adequada dos recursos produtivos. Dentre tantas, a Simulação orienta de forma eficaz no cumprimento de tais melhorias, pois busca importar a realidade para um ambiente controlado, onde se pode estudar o seu comportamento, sob diversas condições, sem riscos físicos e/ou grandes custos envolvidos. Essa técnica se torna ainda mais útil em mercados crescentes, como é o caso da tilapicultura. Com o surgimento de novos frigoríficos de peixe, faz-se necessário uma melhor organização para que estes possam produzir de maneira adequada, atendendo seus clientes satisfatoriamente e expandindo seus negócios. Nesse sentido, o objetivo central deste trabalho foi desenvolver um modelo de simulação para auxiliar a tomada de decisões sobre a programação da produção de um frigorífico de peixe, localizado no interior do estado de São Paulo. Para tanto, utilizou-se como ferramenta computacional o software Arena, da Rockwell Softwares, e como método de pesquisa a modelagem e simulação, incluindo neste a metodologia SimuCAD e as etapas de desenvolvimento de um modelo de simulação discutidas por Banks (1998) e Law e Kelton (2000). Com a construção do modelo foi possível trabalhar diversas alternativas de cenários, testando diferentes jornadas de trabalho, tipos de fluxos e de capacidade produtiva, além de variações do estoque final com relação às vendas. Como resultado, obteve-se um modelo de simulação útil e diferenciado para auxiliar a tomada de decisão sobre a programação da produção do frigorífico de peixe estudado, além de reduzir o lead-time do processo e atender a todos os objetivos específicos estabelecidos. Ao término deste, propostas de pesquisas futuras foram sugeridas.

Walled Sites in the North Coast: Preliminary Notes about Cerro Arena, Pampa de Chaparrí, LambayequeThe Proyecto Ynalche focuses on the Chaparri pampa, located in the Leche Valley, North Coast of Peru. The pampa has an extensive irrigation system from prehispanic times. Cerro Arena, a monumental site located within the pampa, is described here. Some preliminary interpretations of the site and its relation to the irrigation system are also introduced. / El Proyecto Ynalche investiga la pampa de Chaparrí, en el valle del río La Leche, el que alberga un vasto sistema de irrigación prehispánico. Se presenta una descripción de Cerro Arena, sitio monumental al interior de la pampa. A modo de comentarios finales, se plantean interpretaciones preliminares sobre este sitio en relación al sistema de irrigación que lo rodea.

Augusto Boal teve um importante papel como professor de dramaturgia, nas décadas de 50 e 60 tanto no Teatro de Arena, no qual fundou o Seminário de Dramaturgia e o Laboratório de Atuação, como na Escola de Arte Dramática (EAD). Ele integra o quadro de professores da escola a partir de 1960, ano em que Alfredo Mesquita, fundador e diretor da escola, abre o curso de Dramaturgia e Crítica, até a incorporação da escola pela USP, em 1968. Na EAD, Boal estabelece uma didática inovadora - como já havia ocorrido no Arena, com o ineditismo da pesquisa laboratorial que instituiu por lá após retornar dos Estados Unidos, onde estudou em Columbia - que consistia em ministrar aulas práticas e teóricas e incluir a vida cultural da cidade na sala de aula. O presente trabalho se baseia em anotações das aulas de Boal, material inédito que nos foi cedido pelo dramaturgo Lauro César Muniz. Analisa e reflete sua prática didática em contraste com demais escritos de Boal, principalmente o livro Teatro do Oprimido, no qual ele faz uma espécie de síntese das aulas ministradas na EAD. Utilizamos também, aulas da década de 60, contidas no Arquivo Augusto Boal. Do entrecruzamento e análise desse material surge o retrato de um artista ligado a seu tempo, trabalhando no trânsito entre prática política, didática e artística, tendo sempre a dramaturgia como mediadora. / Augusto Boal played an importante role as a drama teacher in the Fifties and Sixties decades in Arena Theather in which he founded the Dramaturgy Seminary and the Acting Laboratory as in the School of Dramatic Art. He integrated the School Teacher\'s board from 1960 the year in which Alfredo Mesquita, founder and director of the school, opened the course of Dramaturgy and Critique, until the incorporation of the school by University of São Paulo in 1968. In EAD, Boal established an innovative didactic - as had already occured in the Arena with the inedition of the laboratory research that he had instituted there after returning from the US where he attended Columbia University. The didactic consisted in teaching practical and theorical lessons and including the cultural life of the city in the classroom. The present paper is based on Boal\'s classes notes, which are an unprecedented material that was given us by playwriter Lauro Cesar Muniz. These notes analysed and reflected Boal\'s didactic practice in contrast with other Boal\'s writings, mainly the book Theater of the Oppressed, in which he did a sort of synthesis of the classes he taught at EAD. We also used classes for the Sixties decade from Augusto Boal\'s archives. From the intercrossing and analyses of this material arose the portrait of an artist connected to his time, a transient between political, didactic and artistic practices always having the playwrite as a mediator.

Este estudo compara a mímese poética do mundo árabe-islâmico, especialmente no livro de contos As mil e uma noites, com a mímese poética do mundo hispano-americano na obra literária de Jorge Luis Borges. A obra anônima das Noites tornou-se a principal referência para especular tanto as formas e as estratégias de construção narrativa quanto os conteúdos temáticos na criação poética do escritor argentino. Devido à magnitude da produção literária borgeana, este estudo considerou o livro El Aleph (1946) e três contos de El libro de arena (1975)- El espejo y la máscara, Undr e El disco. O trabalho se propõe afirmar que a poética árabe-islâmica, enquanto acervo da cultura universal constituiu-se num dos elementos vitais para a construção da poética narrativa de Jorge Luis Borges / This study compares the poetic mimesis of the Arabic-Islamic world, specially the book of tales The Arabian Nights, with the poetic mimesis of the American- Hispanic world in Jorge Luis Borges literary production. The anonymous literary composition The Arabian Nights became the main reference to speculate both the form and the narrative construction strategies as well as the thematic contents as a poetic creation of the Argentinian author. Due to the magnitude of the borgesian literary production, this study has only considered the book El Aleph (1946) and three narratives of El libro de arena (1975) El espejo y la máscara, Undr and El disco. As a result, the study proposes to state that the Arabic- Islamic Poetics, albeit a universal cultural patrimony, constituted itself in one of the vital elements to the construction of Jorge Luis Borges Narrative Poetics

A narrativa sociológica que tentei construir sobre a Termomecanica (TM) partiu de uma retomada dos vários tons que compuseram a experiência de classe dos peões do ABC e a identidade operária combativa que daí resultou. Em seguida, me enveredei na desmontagem da teia simbólica do discurso paternalista que o patrão (Salvador Arena) articulou com vistas a bloquear o desenvolvimento de uma consciência de classe rebelde nos operários de sua fábrica, formatando-lhes, ao contrário, uma identidade resignada, leal ao patrão e à empresa. Após, procurei destacar como, apesar das estratégias de esterilização sindical empreendidas por Salvador Arena, o conflito fabril sempre foi latente. Neste ponto, a ideia foi dar voz àqueles que são cotidianamente obrigados a se calar, conferindo destaque à operários desconhecidos cujas vidas foram indelevelmente marcadas pela TM e por Salvador Arena. Por fim, tentei recuperar as tradições sociais que, num quadro socioeconômico e histórico específico, desembocaram no processo produtivo da Termomecanica e engendraram por meio da referida dominação simbólica paternalista o notável envolvimento do grupo operário, isto é, criaram o fator decisivo que permitiu à TM se colocar de forma singular diante dos concorrentes, dos demais empresários industriais e do Estado. / The sociological narrative about the Termomecanica factory (TM) that I tried to build were started with a reflection about the various aspects of the working class experience in the ABC and about the combative identity that was resulted of this experience. Afterwards, I aimed dismantling the web of symbolic ties which constitutes the patronizing speech of its founder (Salvador Arena), developed in order to hinder the establishment of a rebellious working class consciousness among his factorys workers, being able to create a subdued workers identity, loyal to their boss and company. Later, I tried to highlight the fact that the labor conflict has always been latent, in spite of Salvador Arenas strategies to make the trade unions impotent. At that point, my intention was to acknowledge the ones forcefully silenced, especially the anonymous workers who had TM and Salvador Arena printed in their lives. Finally, I tried to recover the social traditions that in a specific historical and socio-economic panorama culminate in Termomecanicas production process and engender through the patronizing symbolic domination mentioned above the remarkable workers\' engagement, creating a decisive factor to make the Salvador Arena\'s factory a case unique faced with the competitors, the others enterprises and the State.

Esta pesquisa aborda a influência de métodos e técnicas da interpretação do ator no contexto do cinema brasileiro moderno, quando o trabalho, o estilo e os métodos de interpretação do Teatro de Arena encontraram seu desdobramento no estilo de interpretação de atores, em filmes precursores e clássicos do Cinema Novo. Para isso vamos identificar quais as influências técnicas desta interpretação, como o sistema de Stanislavski, o método do Actors Studio, o efeito de distanciamento de Bertold Brecht. Na análise de cenas e sequências de filmes focalizo no trabalho dos atores a interação com a estética, a câmera e a montagem, para a compreensão destas influências. Assim analiso o desempenho de Gianfrancesco Guarnieri no filme O Grande Momento de Roberto Santos, 1958; Nélson Xavier no filme Os Fuzis de Ruy Guerra, 1963; Paulo José em O Padre e a Moça de Joaquim Pedro de Andrade, 1965; Othon Bastos no filme Deus e o Diabo na Terra do Sol de Glauber Rocha, 1963, único não-representante do Teatro de Arena, mas que consolidou sua carreira de teatro na Bahia e mais tarde no Grupo de Teatro Oficina em São Paulo. Estes atores fazem parte do florescimento de uma nova abordagem de interpretação teatral, influenciados pelo estudo das técnicas e na ênfase em retratar o homem brasileiro deste momento sociopolítico e cultural. Os cineastas do Cinema Novo, que buscavam estéticas alternativas e novas formas de diálogo com a realidade brasileira, vão encontrar nestes intérpretes as parcerias para a realização de seus filmes. Sendo assim, esta pesquisa busca um aporte original à questão, e parte da experiência do teatro para fazer a análise do trabalho do ator brasileiro no cinema, levando em conta as diferenças de técnica e de condições do trabalho, mas pensando tais diferenças como o lugar de um mútuo aprendizado que evidencia muito bem tudo o quanto há de comum entre o teatro e o cinema. / This study addresses the influence of acting methods and interpretation techniques in the context of modern Brazilian cinema, when the work, style and interpretation methods of the Teatro de Arena were prominent in the styles of actors\' interpretations in the classic Cinema Novo films and their precursors. The technical influences of interpretation will be identified, such as Stanislavksi\'s system, the Actors Studio method, and Bertold Brecht\'s estrangement effect. In the analysis of film scenes and sequences, I focus on the actors and their interaction with the esthetics, the camera, and the set, to better understand these influences. Thus, I analyze the performance of Gianfrancesco Guarnieri in Roberto Santos\' 1958 film The Grand Moment; Nélson Xavier in Ruy Guerra\'s 1963 film The Guns; Paulo José in Joaquim Pedro de Andrade\'s 1965 film The Priest and the Girl; and Othon Bastos in Glauber Rocha\'s 1963 film Black God, White Devil. Othon Bastos, the only actor not representative of the Teatro de Arena, spent his formative theatrical years in the state of Bahia and later in the Grupo de Teatro Oficina in the city of São Paulo. These actors represent the flourishing of a new approach to theatrical interpretation, influenced by the study of techniques and by the emphasis on portraying Brazilians in their social, political and cultural context. The Cinema Novo filmmakers, seeking alternative esthetics and new ways to engage the Brazilian reality, find in these actors the partners they need to make their works. Thus, this study seeks to make an original contribution to the question, analyzing the work of Brazilian actors in cinema based on experience in the theater, taking into account the differences in technique and working conditions, but thinking of these differences as providing space for mutual learning, clearly demonstrating the extent of commonalities between theatre and cinema.

This paper addresses the question formulation “Is it possible to implement automated testing in an existing client-server game in order to pinpoint faults and achieve credibility to tests?” The gaming industry’s goal, in most cases, is to release games that appeal to both their financial goals and the enjoyment factor of the players. In order to fulfill these goals, the game will need to function properly and the process to assure this is testing the game to find possible faults. This process is time and cost consuming in an exponential rate in accordance to game extensiveness, which makes this problem a very important decision in the process of development. The problem is most commonly tackled by using massive manual testing session, called alpha or beta sessions. In these session the game is at an early stage of development and gets released to a set player base to test and report issues encountered. We believe that the process of testing games could be more effective by utilizing automated testing. This thesis will investigate the possibilities to our claim. The result is a visual representation of the tests we managed to apply, while focusing on the client-server connectivity of Quake 3 and a graph of measurements for our improvised fault localization. This paper describes a solution in form of automated tests within a existing client-server game and a start to what could be early stages of a pattern obtained throughout this project.

This report on the subject of Systems Science for Defence and Security, aims to study the possibility for electronic warfare (EW) against the radar in active protection system (APS) on ground combat vehicles. The goal of the EW is to ensure effect of current anti-tank systems against an enemy equipped with APS. Given that the radar is susceptible to jamming, (1) Which opportunities would an EW-system used in conjunction with an anti-tank system, bestow on a successful engagement? (2) Which effect could jamming of an APS result in, and what type of jamming would yield this desired effect?  The result concludes that an APS would increase the statistical number of needed anti-tank projectiles in a given engagement with a combat vehicle by 700 %, from a stated number of five to six to 35–43. This increase shows how the efficiency of an APS is linked to needed anti-tank systems for the same effect, but also the potential gain from employing an EW-system. Studying the use of stand-off jamming, where the jamming is produced in a separate system, there’s no need for new development of weapons systems or munitions. The jamming should employ a technique of combined range and velocity deception (CRV) or noise to successfully lower the efficiency of the APS. Angle deception have arisen as a desirable technique, with promise of an increase of survivability of EW- and anti-tank units, and further studies are therefore interest. / Detta självständiga arbete på grundnivå inom ämnet försvarssystem behandlar möjligheter till aktiv radarstörning av varnar- och motverkanssystem (VMS), i syfte att erhålla verkan med befintliga burna pansarvärnssystem mot stridsfordon. Givet att aktiv radarstörning kan användas mot ett varnar- och motverkanssystem med förstörande motmedel; (1)Vilka möjligheter till verkan ger ett telekrigsystem med aktiv radarstörning i kombination med ett pansarvärnssystem?(2)Vilken typ av aktiv radarstörning är lämplig och vilken effekt på det störda systemet kan förväntas?  Arbetet visar på effekten VMS statistiskt har på duellen mellan stridsfordon och pansarvärnssystem. Beräkningarna utgår ifrån påståendet att det krävs fem till sex pansarvärnprojektiler för nedkämpning av ett stridsfordon, vilket ökar till 35-43st då fordonet utrustas med VMS. Ökningen på cirka 700% visar dels på hur effektiviteten hos VMS höjer antalet erfordrade pansarvärnsvapen för att nå samma effekt, men även den potentiella vinningen att sänka effektiviteten genom telekrig. Arbetet studerade nyttjandet av bakgrundsstörning, då genereringen av störsignalen sker i ett separat telekrigsystem, vilket inte kräver utveckling av nya vapensystem eller ammunition. För utformning av störningen faller en kombinerad hastighet och avstånds vilseledning (CRV) eller brus lämplig och anses sänka effektiviteten hos VMS. Vinkelavhakning har i arbetet visat sig medföra stora förtjänster för ökad överlevnad hos telekrig/pansarvärnsenheter och vidare forskning är därför intressant.

Den snabbt växande teknologiska utvecklingen har gjort att många företag anpassat sina varor,tjänster och företagsstruktur efter det alltmer moderna plattformsmodellen. Denna modell harvisat goda förutsättningar för företag att växa och att skapa ett större interaktionsnätverk mellanandra aktörer och agerar som en bra konkurrenskraft gentemot företag som förhåller sig till entraditionell analog företagsmodell. Denna fallstudie undersöker hur Jägersro Hästcenter kangynnas av en sådan modell och har undersökt vilka olika förslag som hade ökat antalet besökaretill anläggningen. Det har gjorts sju intervjuer samt samlats in 89 svar från en enkätundersökningsom visade hur intresset var starkt bland respondenterna att testa på nya innovativa teknologier. Undersökningen ger även goda stöd för vidare forskning kring hur dessa förslag bästimplementeras för att leda till bäst resultat. / The rapidly growing technological advancements have led many companies to adapt theirproducts, services and corporate structure to the increasingly modern platform model. This modelhas shown great potential for companies to grow and create a larger network of interactions withother stakeholders, serving as a strong competitive advantage compared to companies followinga traditional analog business model. This case study examines how Jägersro hästcenter can benefitfrom such a model and explores various suggestions to increase the number of visitors to thefacility. Seven interviews were conducted, and 89 responses were collected from a survey,revealing strong interest among the respondents in exploring new innovative technologies. Thestudy provides valuable support for further research on how these suggestions can best beimplemented to achieve optimal results.

Multipurpose hall Brno- Arena is situated in Brno- Bosonohy with capacity 12.000 visitors and 20.000m2. retail. Composition of all area is contained the Mulltipurpose hall, the Training hall, one floor garage and parking. Walkable roof of garage and the Training hall serve as a dispersion area as well as a relaxation zone.