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Patriarchy, feminism and Mary Daly : a systematic-theological enquiry into Daly's engagement with gender issues in Christian theologyWood, Johanna Martina 26 March 2013 (has links)
The exposition of patriarchy and feminism in this thesis points toward the difficulty
women experienced in the past, and in many cases still do, in their pursuit for equality
in a male dominated society. Without feminists’ consciousness raising concerning
women’s oppression, women might still be under patriarchal domination, oppression,
and marginalisation; in fact, many still are. As a result, many women today can reject
the views that men are superior, stronger, and more rational than they are, and that
God created men to dominate on male-female relations.
In their struggle against patriarchy, some feminists however, began to transform
Biblical images and language for God, with the result that masculine images of God
were simply replaced with feminine images, presenting God as androgynous and not
as a Deity who transcends sexuality. God’s identity thus, in my opinion, became
obscured. In this thesis I argue that both patriarchy and feminism have contributed to
our experiencing difficulties when we try to identity with a loving and caring God as
portrayed in Scripture.
Daly’s outrage and anger against men and the Christian faith, as well as her decision
to turn away from Christianity on the basis of its patriarchy, I judge to be, for various
reasons given in this thesis, a negative influence in this debate. She is undoubtedly one of the most radical feminists of the past decades and her slogan “since God is
male, the male is God” implies that in order for women to become liberated they
require the emasculation of God. Daly’s line of reasoning is that Christianity is a male
structure with a Scripture that is irredeemably patriarchal. Her belief that Christians
are fixated upon the person of Jesus, a male, and that, therefore, women have to
overcome this idolatry needs serious questioning. Her radical views have created
disunity and separatism between women who are striving to answer life-changing
questions / Philosophy and Systematic Theology / D. Th. (Systematic Theology)
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Understanding the Biophilia Hypothesis through a Comparative Analysis of Residential Typologies in Phoenix, São Paulo, and TokyoJanuary 2017 (has links)
abstract: ABSTRACT
Recent studies indicate that there is a positive influence of nature and nature integrated built environments on human health and wellness in various physical, physiological and social domains. This thesis critically reviews formally and contextually three distinct residential typologies designed by renowned architects Frank Lloyd Wright (1867-1959), Lina Bo Bardi (1914-1992), and Ryue Nishizawa (1966-), in different periods and countries; the United States of America (USA), Brazil and Japan. Yet, the buildings analyzed in the research are relatively connected by means of nature and the natural elements in their constructed essence. This research focuses on the features of the buildings that characterize the Biophilic Design, along with theoretical and practical ideas of the architects behind each building in their own process of formation.
The Biophilic Design Framework has been developed out of the Biophilia Hypothesis (Fromm, 1973; Wilson, 1984) which puts forward an explanatory suggestion that human affinity and affiliation with nature are based on genetic and environmental adaptation processes. This research is designed to display how specific natural phenomena apply to the built environment within the Framework of Biophilic Design (Kellert, & Calabrese, 2015) and how the Biophilia Hypothesis translates into the built environment. To accomplish this, two primary and three secondary research questions were developed for the study. The research will provide an understanding of the Biophilia Hypothesis and its impact on the built environment through the evaluation of research variables on the case studies using the ‘twenty-four attributes’ indicated in the ‘three experiences’ of Biophilic Design.
These architects’ approaches and the methods applied theoretically and practically to these research sites were unveiled and analyzed through three case studies. A positive correlation regarding the success of the case studies and their Biophilic characteristics is found by analyzing the research sites and critiques from the authorities in written literature. The applicability of the ‘Biophilic Design Framework’ was found and evidenced by the findings from these case studies designed by master architects and located in different climates, regions and contexts. / Dissertation/Thesis / Masters Thesis Architecture 2017
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Biophilic Architecture, Connectedness to Nature, and the Importance of Environmental IssuesKahl, Sarah Michelle January 2016 (has links)
No description available.
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STÖTTA : möbeldesign för social interaktion och biofilisk effekt / STÖTTA (Support) : Furniture Design for Social Interaction and Biophilic Effect.Brant-Lundin Westergren, Sara January 2024 (has links)
Av jord är vi komna, av jord ska vi åter bli. Mellan dessa båda stadier av vår existens strävar jag efter att skapa design som går bortom normer för formgivning av rum och interiör. I mitt examensarbete i kandidatprogrammet Inred- ningsarkitektur och möbeldesign Konstfack 2024 gestaltar och föreslår jag en bänk, som placerats i en av basarlängorna vid arkitekten Gunnar Asplunds stads- bibliotek vid Observatorielunden. Social hållbarhet, biofiliska och neurovetenskapiska perspektiv, mellan- mänskliga möten och att utforska gränser mellan inne/ ute är centralt i projektet. Vi har vårt ursprung i naturen och lever i symbios med den men våra moderna livsstilar har i mångt och mycket kopplat bort oss från naturen, i synnerhet i tätbebyggda områden. Det är därför mitt projekt utgår ifrån begreppet biofili; insikten om att vi mår bäst när vi känner oss sammanlänkade med naturen. Då en central del av projektet har varit att undersöka gränsen mellan inne/ute så har konceptet jordning varit en utgångspunkt i just formsökandet för att undersöka gränsen mellan inne/ute. Jordning innebär att direkt- kontakt med jordens elektronfält har en vetenskapligt bevisad antioxidantisk och antiinflammatorisk effekt på kroppen. Jag har studerat specifika exempel och referenser från arkitekt Gunnar Asplunds arbete som även om det inte var uttalat harmoniserade med principer inom neu- rodesign och biofilisk design. Platsen jag placerar mitt förslag på är en del av hans ritningar för lokaler och parkmiljöer runt Stockholmstadsbibliotek på Sveavägen byggt 1928. I designförslaget ”Stötta” har jag materialiserat mina idéer och studier i en bänk som genom sin form, funk- tion och placering kan öppna upp samtal om stödjande design och bidra till att skapa förutsättningar för en hållbar framtid i våra inomhusmiljöer. Genom att in- tegrera mina idéer och studier till bänkens utformning strävar jag efter att vara en del i att ge besökarna på platsen nödvändiga förutsättningar för välbefinnande. Mitt förslag inkluderar att lokalen övergår från att vara en snabbmatsrestaurang till att bli en integrerad del av bibliotekets faciliteter och därmed bli ett offentligt rum tillgängligt för allmänheten. / Ashes to ashes and dust to dust. Between these two stages of our existence, I strive to create designs that go beyond the norms of spatial and interior design. In my thesis for the Bachelor's program in Interior Architecture and Furniture Design at Konstfack 2024, I conceptualize and propose a bench, placed in one of the arcades at architect Gunnar Asplund's city library at Observatorielunden. Social sustainability, biophilic and neuroscientific perspectives, interpersonal interactions, and exploring the boundaries between indoors and outdoors are central to the project. We originate from nature and live in symbiosis with it, but our modern lifestyles have largely disconnected us from nature, especially in densely built areas. Therefore, my project is based on the concept of biophilia; the realization that we feel best when we feel connected to nature. Since a central part of the project has been to explore the boundary between indoors and outdoors, the concept of grounding has been a starting point in the design process to explore this boundary. Grounding means that direct contact with the Earth's electric field has a scientifically proven antioxidant and anti-inflammatory effect on the body. I have studied specific examples and references from architect Gunnar Asplund's work which, although not explicitly stated, harmonized with principles within neurodesign and biophilic design. The place I situate my proposal is part of his drawings for the premises and park environments around the Stockholm City Library on Sveavägen, built in 1928. In the design proposal "Stötta" (Support), I have materialized my ideas and studies in a bench that, through its form, function, and placement, can open up conversations about supportive design and contribute to creating conditions for a sustainable future in our indoor environments. By integrating my ideas and studies into the bench's design, I strive to be part of providing visitors at the location with the necessary conditions for well-being. My proposal includes transforming the premises from a fast-food restaurant into an integrated part of the library's facilities, thereby becoming a public space accessible to everyone.
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The Delivery Home : Giving Birth with Spatial Support / Förlossningshemmet : Föda med rumsligt stödHovrell, Yonna January 2023 (has links)
Most labour rooms in Sweden pretty much all look the same. They have a white plastic floor and a light colored wall. The room has one bed, and next to the bed you find machines that will help you if anything goes wrong. These rooms are made to give birth in - but somehow they’re not made for that at all. This project is based on research showing that home births can lower the risk of several medical interventions, infections and helps to get a better birthing experience overall (in low risk pregnancies). In Sweden only about 0,1% give birth at home, which is something that might change with time - but not everyone has the possibility, or feel safe enough, to give birth in their own home - or even want to. In Swedish history there was a transition from giving birth at home to giving birth at the hospital - and during this transition there also existed delivery homes. These were places that gave the opportunity to give birth in a home like setting - but with a more evolved medical security than in the home. These homes were later found not as cheap to run as the cost effective hospitals - and were all eventually shut down. Until now. The project uses biophilic design and rounded shapes to connect to the shapes of nature, while at the same time combining it with the rural Swedish home. The project becomes a space to give birth in - but also share experiences, meeting family on your terms, celebrate the life created and mourn when life gets taken away too soon. The birth of a child is one of the biggest things that can happen in a persons life. And we should give birth, not only with medical support - but with spatial support as well.
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