圖形化模型編輯器是模型編輯器開發長久以來一直努力的方向。Eclipse.org 已提供兩個功能強大的圖形化編輯器設計框架：GEF 圖形化編輯器設計框架，和將 EMF 與 GEF 結合並簡化其設計流程的 GMF 圖形化模型編輯器設計框架，來協助開發者發展圖形化模型編輯器。 / 使用設計框架時所面臨的高學習門檻是開發者選用設計框架上的一大障礙。為降低開發者在 GMF 使用上的學習門檻，我們希望能提供一個以模型開發為導向的圖形編輯器設計專屬模型語言，讓程式設計師能夠以其慣用的程式設計角度來描述其圖形化模型編輯器的組成架構。 / 本篇研究主要是在探討 GMF 圖形化模型編輯器開發流程的簡化。在研究中希望藉由提供 GMF 圖形化模型編輯器設計框架的 GM3 專屬模型語言，讓開發者能夠透過 MDA 的角度來開發圖形化模型編輯器的架構，藉以縮短 GMF 的開發流程。實驗中使用 JavaCC 文法剖析器產生工具來開發 GM3專屬模型語言與 GMF 各項模型定義間的模型轉換。 / The availability of a visual graphical editor for a target domain is the prerequisite of visual graphical modeling, which has been adopted by classical software development for decades and is especially emphasized in today's model-driven engineering. However, compared with traditional textual editors, developing a visual graphical editor from scratch is not an easy work. As a result, there were frameworks developed such as GEF and GMF aimed to simplify the construction of graphical editors. Even so, however, it is still though hard for an average programmer to construct a visual graphical editor by using these frameworks without a long time of learning. / Our result is a modeling langauge of graphcial editors called GM3, serving as a bridge betwen developers of graphical editors and the GMF framework. With GM3, the developer can specify the model of his editing domain, how each model element should be presented by which kind of graphical elements in the editor, and how the tool pallete should be filled with various kind of creation and manipulation tools for model elements. After the GM3 specification of an editor is produced, the GM3 transformation engine developed by us using the JavaCC parser generator can be used to generate all files required of the GMF framework and, finally, a subsequent application of the standard GMF code generation procedure can produce a complete graphical editor on Eclipse platform.

The central theme of the thesis is an in-depth translation criticism of the Austrian novel Die Liebhaberinnen by Elfriede Jelinek in the translation of Jitka Jílková. The criticism is based on the theoretical model of Katharina Reiss which is explored in her work Möglichkeiten und Grenzen der Übersetzungskritik. This model is expanded by the role of the editor and translationese style. At the end of the thesis Jitka Jílková is briefly presented, the translation analysis is summarised and evaluated with regard to an interview with the translator about her work.

Il y a plusieurs années, le département SATIS de l'Université d'Aix-Marseille ainsi que le laboratoire ASTRAM ont entamé le développement d’une sonothèque en ligne intitulée « Sons du Sud ». Cette base de données sonores est destinée aux professionnels du son dans les secteurs du cinéma et de l'audiovisuel et, plus particulièrement encore, aux monteurs son. L’objectif à présent est de développer pour Sons du Sud une nouvelle méthode d’indexation en rupture avec les logiques d’indexation causales les plus largement répandues. En effet, dans la perspective d’une exploitation filmique, il apparaît qu’un son n’est que rarement choisi sur la base de critères exclusivement en lien avec son origine ou ses propriétés acoustiques, mais aussi en vertu des significations potentielles que celui-ci est à même de revêtir au contact des autres matières de l’expression filmique, des fonctions qu’il est susceptible de remplir, des liens qu’il entretient avec ce que le film exprime, etc. On peut alors se demander si ce n’est pas plutôt ce « potentiel d’informations » que les descripteurs sémantiques utilisés par les sonothèques actuelles devraient essayer d’expliciter. C’est pourquoi la présente thèse se positionne comme une étape de travail préliminaire à l’élaboration d’une nouvelle méthode d’indexation : afin de répondre aux exigences de la sonothèque Sons du Sud, il semble indispensable d’entièrement nous consacrer à une meilleure appréhension des facteurs contribuant à modifier le « système de pertinences » de son principal usager, en examinant plus avant ce qui guide sa démarche, polarise son écoute et influence ses actions au cours de la recherche et de la sélection des sons. / Several years ago, the SATIS department of the University of Aix-Marseille and the ASTRAM laboratory initiated the development of an online sound library entitled "Sons du Sud". This sound database is intended for sound professionals and more specifically, sound editors, in the film and audiovisual sectors. The current objective is to develop a new indexing method of sound for Sons du Sud breaking with the logic of causal indexation most widely used. Indeed, it appears that, from the perspective of a filmic exploitation, a sound is rarely selected based on criteria exclusively related to its acoustic origin but also related to the potential meanings it is able to take on with the other materials of filmic expression, the functions it is likely to fulfill, the links it maintains with what the film expresses, and so on. We can then ask ourselves if it is not rather this "information potential" which the semantic descriptors used by the current sound libraries should try to make explicit. Therefore, this thesis is a preliminary step in the development of a new indexing method: in order to meet the requirements of Sons du Sud sound library, it seems essential to devote ourselves entirely to a better understanding of the contributing factors that change the "system of relevance" of its main users, to examine further what guides their approach, polarizes their listening and influences their searches and selections.

<p>Dagens elektroniska patientjournalsystem har begränsade möjligheter att på likartat sätt strukturera och lagra patientinformation. Det är en anledning till att det är problem med att utbyta patientjournaldata mellan olika system. Detta försvårar bland annat forskning och tillgänglighet till patientinformation. Brist på tillgänglighet minskar i sin tur möjligheten att ge en god vård oberoende av var patienten befinner sig.</p><p>Inom projektet openEHR har en idé med så kallade arketyper tagits fram som ett enhetligt sätt att strukturera utbytbar patientjournaldata för att möta framtida krav på patientjournaler och patientjournalsystem. Arketyper är formella modeller av kliniska informationsentiteter, exempelvis blodtryck. De byggs upp av restriktioner, struktur och termer med eventuella bindningar till medicinska terminologisystem. Dessutom kopplas medicinsk kunskap i arketyperna fri från journalsystemen.</p><p>Syftet med examensarbetet har varit att utveckla ett verktyg, en så kallad arketypeditor, som kan användas för att skapa och redigera arketyper. Utöver detta skulle möjligheterna undersökas att i verktyget implementera en koppling till medicinska terminologisystem. Utvecklingen har skett i en iterativ process med fokus på användbarhet och stabilitet. Det har även ingått att ta reda på syftet med en arketypeditor.</p><p>Resultatet är ett plattformsoberoende och stabilt verktyg som är utvecklat enligt användbarhetsprinciper med koppling till terminologisystemet Unified Medical Language System (UMLS). En arketypeditors syfte i ett bredare perspektiv är att lösa brister i dagens medicinska informationssystem som tas upp i denna rapport. Trots att openEHR-projektet är nytt finns det många tekniskt gångbara idéer, men det finns även problem som beror på för lite praktisk testning och tillämpning.</p> / <p>Present-day electronic health record systems have limited possibilities to structure and store patient information in a similarly manner. This causes problems with exchanging patient record data between different systems and it gives rise to problems with, among other things, research and patient information availability. Lack of availability will in turn decrease the possibility of giving good care irrespective of where the patient is located.</p><p>Within the openEHR project an idea with so called archetypes has been introduced as a uniform way to structure exchangeable patient record data in order to meet future requirements on electronic health records and systems. Archetypes are formal models of clinical information entities, for example blood pressure. They are constructed from constraints, structure and terms which may have bindings to medical terminology systems. Furthermore, medical knowledge in the archetypes is separated from the patient record systems.</p><p>The purpose of the thesis has been to develop a tool, a so called archetype editor, that can be used to create and edit archetypes. In addition, the possibilities of implementing a connection to medical terminology systems should be explored. The development has followed an iterative process with focus on stability and usability. Another task has also been to find out the purpose with an archetype editor.</p><p>The result is a platform-independent and stable tool, developed according to usability principles with a connection to the terminology system Unified Medical Language System (UMLS). An archetype editor’s purpose in a wider perspective is to solve shortcomings in medical information systems of today, which are brought up in this thesis. Although the openEHR project is new, there are many technically applicable ideas but also problems because of insufficient practical testing and application.</p>

<p>ABSTRACT</p><p>Can Danish experience explain why Sverigedemokraterna had a higher support among voters in Skåne, than among other Swedish voters?</p><p>Essay in Political Science, C-level</p><p>Author: Jenny Wood</p><p>Tutor: Gregg Bucken-Knapp</p><p>Autumn 2006/ Spring 2007</p><p>The key question of this essay concerns the outcome of Sweden’s latest election. When all the votes where counted, the county of Skåne showed an exceptionally high support for the right wing nationalist party Sverigedemokraterna. Why then, did Sverigedemokraterna have a higher support among voters in Skåne (as part of the larger and transnational Öresund region), than among other Swedish voters? My hypothesis is the following: the regional interaction within Öresund has not only had positive effects concerning the values that the people of Skåne hold. In other words, Danish experience has changed the way in which the people of Skåne view immigrants and radical right wing parties.</p><p>Before I go on any further I will explain what is meant by the Öresund region. This region encompasses both parts of Sweden and Denmark (most notably Skåne and Själland), and the interaction between the two countries have increased considerably since a physical bridge between the two border regions was opened in July 2000.</p><p>Now, let us go on to the purpose of this essay, which is to answer the key question, and also to determine if the regional cooperation in the Öresund region has led to changes in the way the people of Skåne view right wing nationalist parties. Therefore, I explored the effects of the interaction between the Swedish region Skåne and the Danish region Själland, in order to discern if the Danes negative views towards immigrants and their strong feelings of nationalism, have effected Swedes and their values. In other words, was it possible that the Danish hostility towards immigrants and their unproblematic view of right wing nationalist parties, had been transmitted to the people of Skåne? Last but not least, it has also been the purpose of this essay to prove that traditional variables, concerning the question of why people vote for right wing nationalist parties, do no longer explain this phenomenon. By traditional variables I mean unemployment and a high density of immigrants of the population in a specific area.</p><p>In order to research the above mentioned issues, I have gone through letters to the editor, sent to the newspaper Sydsvenskan, and analysed the material using qualitative text analysis. I have also studied literature within the field of cross-border studies.</p><p>After ten weeks of research, I came to the conclusion that the traditional variables do not explain why Sverigedemokraterna received such a high proportion of the votes in Skåne. However, this essay also sheds light on the possibility of Danish experience as a plausible variable when it comes to explaining the outcome of the last election, but based on my limited study I can neither confirm nor dismiss the hypothesis. However, my study does provide some evidence that supports the hypothesis. In order to draw any conclusions however, it would have to be broadened in itself and replicated in other sections of Sweden or nationally.</p><p>The results of my study might leave the key question unanswered, but in itself can be viewed as an important step towards obtaining a clearer overview of what has driven the increased vote share for Sverigedemokraterna.</p>

Dagens elektroniska patientjournalsystem har begränsade möjligheter att på likartat sätt strukturera och lagra patientinformation. Det är en anledning till att det är problem med att utbyta patientjournaldata mellan olika system. Detta försvårar bland annat forskning och tillgänglighet till patientinformation. Brist på tillgänglighet minskar i sin tur möjligheten att ge en god vård oberoende av var patienten befinner sig. Inom projektet openEHR har en idé med så kallade arketyper tagits fram som ett enhetligt sätt att strukturera utbytbar patientjournaldata för att möta framtida krav på patientjournaler och patientjournalsystem. Arketyper är formella modeller av kliniska informationsentiteter, exempelvis blodtryck. De byggs upp av restriktioner, struktur och termer med eventuella bindningar till medicinska terminologisystem. Dessutom kopplas medicinsk kunskap i arketyperna fri från journalsystemen. Syftet med examensarbetet har varit att utveckla ett verktyg, en så kallad arketypeditor, som kan användas för att skapa och redigera arketyper. Utöver detta skulle möjligheterna undersökas att i verktyget implementera en koppling till medicinska terminologisystem. Utvecklingen har skett i en iterativ process med fokus på användbarhet och stabilitet. Det har även ingått att ta reda på syftet med en arketypeditor. Resultatet är ett plattformsoberoende och stabilt verktyg som är utvecklat enligt användbarhetsprinciper med koppling till terminologisystemet Unified Medical Language System (UMLS). En arketypeditors syfte i ett bredare perspektiv är att lösa brister i dagens medicinska informationssystem som tas upp i denna rapport. Trots att openEHR-projektet är nytt finns det många tekniskt gångbara idéer, men det finns även problem som beror på för lite praktisk testning och tillämpning. / Present-day electronic health record systems have limited possibilities to structure and store patient information in a similarly manner. This causes problems with exchanging patient record data between different systems and it gives rise to problems with, among other things, research and patient information availability. Lack of availability will in turn decrease the possibility of giving good care irrespective of where the patient is located. Within the openEHR project an idea with so called archetypes has been introduced as a uniform way to structure exchangeable patient record data in order to meet future requirements on electronic health records and systems. Archetypes are formal models of clinical information entities, for example blood pressure. They are constructed from constraints, structure and terms which may have bindings to medical terminology systems. Furthermore, medical knowledge in the archetypes is separated from the patient record systems. The purpose of the thesis has been to develop a tool, a so called archetype editor, that can be used to create and edit archetypes. In addition, the possibilities of implementing a connection to medical terminology systems should be explored. The development has followed an iterative process with focus on stability and usability. Another task has also been to find out the purpose with an archetype editor. The result is a platform-independent and stable tool, developed according to usability principles with a connection to the terminology system Unified Medical Language System (UMLS). An archetype editor’s purpose in a wider perspective is to solve shortcomings in medical information systems of today, which are brought up in this thesis. Although the openEHR project is new, there are many technically applicable ideas but also problems because of insufficient practical testing and application.

The purpose of this study is to compare the contents, editorials and front covers of Sweden’s oldest girl’s magazine Veckorevyn during two different years, in which the magazine had two very different chief editors. In the year 2000, Emma Hamberg got the job as editor-in-chief for Veckorevyn, with a vision of changing the way the magazine represented young females. She wanted to add a more feminist viewpoint to the magazine, since she felt that Veckorevyn didn’t live up to its claim of being “a girl’s best friend”. Six years later, the famous Swedish fashion editor Ebba von Sydow became editor-in-chief for Veckorevyn, with the intention of making the magazine better, smarter and more fun for young girls. Her ambition was also to add more features about career and affordable fashion, since she felt that those topics were important for young women of today. Since these two editor-in-chiefs wanted to do so different things with Veckorevyn, we found it interesting to try to pinpoint what their differences and similarities as editors-in-chief were and how this was reflected in the magazines. The methods used were quantitative content analysis and qualitative text analysis, together with a comparative analysis between the two annual volumes. We also did interviews with the two former editors-in-chiefs, Emma Hamberg and Ebba von Sydow to get a clearer image of what they wanted to do with the magazine and how well they thought that they reached their goals. As guidelines for the study, we used theories about the survival techniques used by female journalists, feminism, personification, the male gaze and the female gaze. We found that the two versions of Veckorevyn were similar in which subjects they chose to write about. Both versions had a content based mostly on fashion, beauty, and celebrities. However, we found a noticeable difference in how they wrote about these subjects. Other differences were found in how the editorials were written, and in the choice of what kind of people got to appear on the front covers.

本研究係發想自政治大學「未來馬戲團」的展演活動表演方式，嘗試改進表演方式中的程式技術，以程式化方式整合展演藝術中實體與虛擬的互動平台，我們希望提供導演撰寫較為口語或展演描述方式的腳本敘述如『when ... other-wise ...』，如此一來就可以任意組合實體演員的肢體動作與指示虛擬環境的特效，因此我們採用了一套介接實體與虛擬環境應用程式的領域專屬語言- Digital In-teractive Performance Sketch (DIPS)，用以開發客製化的展演程式庫，並佈署於本團隊自行開發的執行引擎 Wearable Item Service runtimE (WISE)，提供導演在這個引擎上透過這個DIPS編寫前述口語的程式腳本，讓程式自行互動，達成展演效果的自動變化。 我們的系統會接收來自展演人員穿配的連網感應器上的訊號，並且根據導演寫好的腳本規則，自動根據接收到的裝置訊號判斷出該指示虛擬環境做出什麼樣的效果，以達到展演效果自動變化，完成虛擬與實體展互動的程式支援。 為了減少腳本程式撰寫前須具備的程式邏輯訓練，本研究開發一款所見即所得(WYSIWYG)的視覺化腳本編輯器 DIPS Creator，提供腳本編寫者可以直覺的方式組合編輯器中的展演詞彙方塊，完成腳本設計。 本研究展示了如何以較為口語或展演語意的方式敘述展演規則，以實現虛實互動的程式化，並且提供了具有彈性的客製化展演函式庫及圖形化展演規則編輯器的製作方式，未來可增加多演員層次的抽象支援以展現本研究系統的更多程式化能力，並加入表演階段設計、雙向溝通與規則互斥等能力，擴充系統功能。 / This research was inspired by “The Future Circus”, a cyber-physical interactive performance art developed in National Chengchi University. In this thesis, we pro-pose some mechanisms to support such performance art programmatically in a more effective manner. Specially, we provide a high-level scripting tool for directors to de-scribe the performance rules abstractly in the form of “when ... otherwise ...”, so that directors can compose arbitrary actions and effects easily. Underlying such abstract rules are a domain specific language – Digital Interactive Performance Sketch (DIPS), and a middleware. Wearable Item Service runtime (WISE), developed by our research team. Given a script with those abstract rules, our system will receive signals sent from a sensor on wearable devices of actors, and then it will command cyber environment perform effects, the performance effects or actions according to rules written by the director. Through our integration efforts, the performance effects in the cyber environment will change automatically in a programmatic way. Besides, for users without prior scripting experience, we developed a WYSIWYG GUI editor, DIPS Creator, that allows users to write a script intuitively by dragging and dropping pre-built rule blocks. We conduct a few experiments with real sensor device to demonstrate the programming support of our tool. The preliminary results are satisfactory in terms of prototype support. To further extend our tool for practical performance, we describe in detail a few directions such as support for multiple actor performance stage model-ing, and integrity check of related rules that will make our system more powerful.

Anlässlich des 200. Geburtstages Robert Schumanns wird über seine Aktivitäten im sächsischen Verlags- und Bibliothekswesen berichtet. Im Jahre 1834 veröffentlichte Schumann seine eigene Zeitschrift, mit dem Titel „Neue Zeitschrift für Musik“, die damals zweimal wöchentlich erschien und einen Umfang von gerade mal vier Seiten hatte. Bis zum Jahr 1846 leitet Schumann die Redaktion mehr oder weniger im Ein-Mann-Betrieb. In der Bibliotheca Albertina gab es im Rahmen einer kleinen Ausstellung bedeutende Dokumente die das Leben und Wirken des Komponisten veranschaulichen.

Douglas Henry Pike was born in China in 1908, the second of five children, whose Australian parents were missionaries with a Protestant interdenominational faith mission, the China Inland Mission. Following graduation from an English style mission boarding school at Chefoo in northern China, Pike came to Melbourne in 1924; and from 1926 spent twelve years jackerooing on various New South Wales country properties. He returned to Melbourne in 1938, trained for the ministry in a Churches of Christ College, graduated in November 1941, married Olive Hagger and was sent to Adelaide. During pastorates at Colonel Light Gardens and Glenelg he studied at the University of Adelaide for his BA. He achieved History Honours, resigned from the ministry, taught briefly in Adelaide and at the University of Western Australia then returned to Adelaide as Reader from 1950 to 1960. Pike obtained his MA, then the D. Litt. for Paradise of Dissent, a history of South Australia. During the 1950s he wrote a series of newspaper articles, ‘Early Adelaide with the lid off’. Douglas Pike (1908-1974) South Australian and Australian Historian. In 1960 he was appointed to the Chair of History at the University of Tasmania and published his second book, Australia: The Quiet Continent. In 1964 he moved to the Australian National University and commenced his pioneering task as founding editor of the Australian Dictionary of Biography. Therefore the most significant period of his working life in history and historiography covers the years from 1948 until his sudden illness in November 1973, and death in May 1974. The Second World War at first slowed but then stimulated the teaching and writing of history in Australia. Pike commenced his university studies during the war; his research and writing followed in the post-war period. His years in academia witnessed the establishment between 1946 and 1958 of four more universities in Australia, including the ANU, where he spent the last ten years of his life. However, apart from book reviews, obituaries in newspapers and journals, biographical paragraphs and the ADB, Pike’s contribution and significance to Australian historiography has been largely neglected. My thesis is based on personal interviews and correspondence with people who knew Douglas Pike, including family members, together with archival material from the Australian National Library and the universities where Pike worked. Printed sources include newspapers, journals, and Pike’s own published writings. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1347424 / Thesis (M.A.) - University of Adelaide, School of History and Politics, 2008