The purpose of this study is to explain the development of the first higher technical education in Trollhättan, with the added perspective of Trollhättans strong industrial profile as a city. The interesting thing being that the city did not try to first and foremost get a regular higher education, but a technical higher education instead. The study describes the political twists and turns the question took from its most early stage in the year 1940 and how the city's industrial profile did indeed have an impact on the development of the first higher technical education. Especially because there was a need for educated engineers in the city, as well as the country of Sweden in large during this time. The study also tries to explain the problems related to such a development, primarily by describing the lack of sufficient housing for schools during the 1950's, this meant that the higher regular school and the higher technical school had to cooperate in finding said housing. To put the study in context a brief summary of the educational system in large, Trollhättan as an industrial city during the 1940's and 1950's as well as Trollhättans educational system besides higher education, is also included. The resulting study has mostly been achieved by studying relevant sources in Trollhättans city-archives as well as the local paper ”Trollhättans tidning” during the relevant years 1956, 1958 and 1959.

No description available.

O estudo concebe as imagens como privilegiados canais de fluxo das memórias, elas mesmas tomadas como narrativas de memórias. Examina as complexas relações entre memória e imagem. Detém-se na análise dessas relações a partir das obras de pintura do artista gaúcho Flávio Scholles, que desde 1976 desenvolve um trabalho artístico de cunho biográfico, podendo ser considerado um guardião de memórias. Discute o significado de suas imagens como disparadoras do exercício de rememorar e a dimensão educativa das mesmas, problematiza em que medida essas pinturas possuem um potencial evocador de memórias individuais e coletivas de sujeitos da região do Vale dos Sinos, RS. Resulta do contato de algumas pessoas com um corpus restrito de imagens produzidas pelo artista, algumas conhecedoras de suas obras, outras tendo o primeiro contato com as mesmas por ocasião da investigação. A pesquisa realizou seis entrevistas e um grupo de conversação envolvendo ao todo 17 sujeitos residentes em vários municípios da Região. As narrativas orais de memórias foram transformadas em documentos e integram o corpus empírico da pesquisa, cujo estudo apóia-se nos referenciais que tematizam os conceitos de imagem e memória. Analisa de que forma os sujeitos se reconheceram nas imagens do artista com as quais se depararam e que conteúdos foram manifestos em suas narrativas a partir desse contato. Para a análise, faz-se acompanhar das reflexões propostas por vários autores, dentre eles Ecléa Bosi, Antoinette Errante, Alberto Manguel, Sandra Jatahy Pesavento, Maria Stephanou e Maria Helena Bastos, entre outros. A estratégia metodológica contempla, além das entrevistas e grupo, a localização e pesquisa junto a documentos escritos, além de conversas com o autor-pintor. A investigação empreendida junto aos sujeitos, que deram voz e vez às suas reminiscências, resultou na organização e análise dos conteúdos produzidos no exercício de rememorar, sendo distribuídos em cinco temas: Trabalho, Família, Educação, Atividades Sociais, Lugares. A compreensão da dimensão educativa das imagens para evocação de memórias individuais e coletivas assenta-se no fato de que as imagens não possuem sentido em si mesmas, mas necessitam de um interlocutor que as decifre, e a partir disso re-signifique a sua própria história de vida. As obras selecionadas no estudo expressam vivências do artista, mas também apresentam conquistas e dilemas do seu grupo de pertencimento, marcados pela defesa da cultura teuto-brasileira na Região do Vale dos Sinos. As obras são plenas de narrativas de infância e juventude, assentadas num contexto histórico, geográfico, social e cultural, ao qual pertencem também os sujeitos narradores, e que por esta proximidade suscitaram muitas identificações, conduzindo-os a refletirem sobre suas próprias vidas, o tempo vivido e o presente que se constrói a partir de tempos idos. Os narradores sensibilizaram-se com cenas, figuras, objetos, e temáticas apresentadas nas pinturas, muitas das quais semelhantes ao universo de coisas e experiências que os cercaram desde a mais tenra idade, que não eram muitas, todavia especiais. / On the present study images are conceived as relevant memory flowing channels and seen as memory narratives. It examines the complex relation between the memory and the image. Their analyses is made on the work of the gaucho artist Flávio Scholles, who since 1976 develops an artistic and biographic work, and who deserves to be called a memories guardian. This study questions the meaning of his images as triggers of the remembering exercise, and the educational relation of them. It points out in what measure these pictures have an evocative memorial potential by individuals and collectives on Vale dos Sinos, RS. It shows the contact of a group of people with a restricted corpus of images produced by the artist, some of them knew his art well but others were having the first contact with it. Six interviews and a conversation group with 17 people living in several cities from this region took place during the survey. The oral narratives of their memories became documents and are now part of the empirical corpus of the survey. Its study finds support on the references from the concepts of image and memory. It analyses in which way the subjects recognize themselves on the artist’s images that they had seen and which contend was manifested in their narratives due to this contact. For the analyses were taken in account the ideas proposed by several authors like Ecléa Bosi, Antoinette Errante, Alberto Manguel, Sandra Jatahy Pesavento, Maria Stephanou and Maria Helena Bastos, among others. The methodological strategy used, besides the interviews and group meetings, was the research of written documents, as well as talks with the author-painter. The investigative work with the subjects, resulted on the organization and analyses of the contents produced on the remembering exercise. Those were classified in 5 themes: work, family, education, social activities and places. The comprehension of the educative dimension of the images, evoking the individual and collective memories, lays on the fact that they don’t have a sense by themselves but they need an interlocutor to decode them , and this way finding a new meaning for his/her life story. The masterpieces selected on this study express the artists’ experiences, but also show achievements and dilemmas from his belonging group, known for fighting for the german/brazilian culture on the Vale dos Sinos region. The works are full of childhood and youth narratives placed on an historic, geographic, social and cultural context where the narrator subjects belong to. That’s why many of them identified themselves and had reflections about their own lives, the time lived and the present being built over the past. The narrators felt moved by scenes, figures, objects and themes presented on pictures, many of them similar to the universe they were surrounded by on their early age.

LIRA FILHO, Orlando de Souza. A aplicação da Ratio Studiorum (1599) nos colégios Antônio Vieira em Salvador/BA e Santo Inácio de Fortaleza/CE: uma pedagogia atual e de longa duração. 2017. 122f. – Dissertação (mestrado) – Universidade Federal do Ceará, Faculdade de Educação, Programa de Pós- Graduação em Educação, Fortaleza (CE), 2017. / Submitted by Maria Josineide Góis (josineide@ufc.br) on 2017-11-22T14:44:20Z No. of bitstreams: 1 2017_dis_oslirafilho.pdf: 5639775 bytes, checksum: 3b7d86c6b988d430e82a0c8404b5a224 (MD5) / Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2017-11-22T18:39:43Z (GMT) No. of bitstreams: 1 2017_dis_oslirafilho.pdf: 5639775 bytes, checksum: 3b7d86c6b988d430e82a0c8404b5a224 (MD5) / Made available in DSpace on 2017-11-22T18:39:43Z (GMT). No. of bitstreams: 1 2017_dis_oslirafilho.pdf: 5639775 bytes, checksum: 3b7d86c6b988d430e82a0c8404b5a224 (MD5) Previous issue date: 2017 / It is an investigation in the context of educational history. It aims to understand the pedagogical action of the Jesuits in Brazil, focusing on the systematics of Ignatian root pedagogy, named Ratio Studiorum, an instrument that serves as a guide to teachers of Jesuit colleges, regulating from the way of organizing lessons, to the regime disciplinary and didactic of the classes. It adopts the comparative perspective, since this theme operates with simultaneous events that, even taking place in distinct spaces, are the result of an action of an international missionary nature, which extends in time for centuries. It addresses a secular pedagogy, with a humanist and modern basis, the research sought to understand: 1) the theological and philosophical foundations of Ratio Studiorum; 2) the contribution he gave to Brazilian education through his historiography; 3) their presence in the current teaching model and, in particular, their effective performance in the Santo Inácio Colleges in Fortaleza and Antônio Vieira in Salvador. The research was based mainly on a bibliographic source that affects this theme, based on, for example, authors such as: Azevedo (1958), Cavalcante (2008), Franca (1952) and Schmitz (1994); also uses visits to the Jesuit colleges indicated for on-site observation, analyzes documents that guide this pedagogy and uses interviews with teachers and managers of such colleges on their practice. It achieved satisfactory results, especially when we note that the pillars of the Ratio Studiorum of 1599 remain alive, in this way they clarify the reason for the permanence of Jesuit pedagogy in time and its relevance, based on the capacity to adapt to the new, without neglecting its roots as an institution of Christian education. / Trata de uma investigação no âmbito da história educacional. Tem por objetivo entender a ação pedagógica dos Jesuítas no Brasil, com foco na sistemática da pedagogia de raiz inaciana, nomeada Ratio Studiorum, instrumento este que serve de guia aos professores dos colégios jesuítas, normatizando desde o modo de organizar as lições, até ao regime disciplinar e didático das aulas. Adota a perspectiva comparada, visto que esta temática opera com acontecimentos simultâneos que, mesmo ocorrendo em espaços distintos, são desdobramentos de uma ação de cunho missionário internacional, que se estende no tempo por séculos. Aborda uma pedagogia secular, de base humanista e moderna, a investigação buscou entender: 1) os fundamentos teológicos e filosóficos da Ratio Studiorum; 2) a contribuição que deu à educação brasileira, através da sua historiografia; 3) a sua presença no atual modelo de ensino e, em particular, a sua atuação efetiva nos Colégios Santo Inácio em Fortaleza e Antônio Vieira em Salvador. A pesquisa apoiou-se, principalmente, em fonte bibliográfica afeta a esta temática, com base, por exemplo, em autores, como: Azevedo (1958), Cavalcante (2008), Franca (1952) e Schmitz (1994) e outros; utiliza ainda visitas aos colégios jesuítas indicados para observação in loco, analisa documentos que orientam essa pedagogia e recorre a entrevistas com professores e gestores de tais colégios sobre a sua prática. Alcançou resultados satisfatórios, principalmente quando notamos que os pilares da Ratio Studiorum de 1599 permanecem vivos, desta forma esclarecem a razão da permanência da pedagogia jesuítica no tempo e sua de atualidade, pautada na capacidade de adaptação ao novo, sem descuidar de suas raízes como instituição de educação cristã.

O estudo concebe as imagens como privilegiados canais de fluxo das memórias, elas mesmas tomadas como narrativas de memórias. Examina as complexas relações entre memória e imagem. Detém-se na análise dessas relações a partir das obras de pintura do artista gaúcho Flávio Scholles, que desde 1976 desenvolve um trabalho artístico de cunho biográfico, podendo ser considerado um guardião de memórias. Discute o significado de suas imagens como disparadoras do exercício de rememorar e a dimensão educativa das mesmas, problematiza em que medida essas pinturas possuem um potencial evocador de memórias individuais e coletivas de sujeitos da região do Vale dos Sinos, RS. Resulta do contato de algumas pessoas com um corpus restrito de imagens produzidas pelo artista, algumas conhecedoras de suas obras, outras tendo o primeiro contato com as mesmas por ocasião da investigação. A pesquisa realizou seis entrevistas e um grupo de conversação envolvendo ao todo 17 sujeitos residentes em vários municípios da Região. As narrativas orais de memórias foram transformadas em documentos e integram o corpus empírico da pesquisa, cujo estudo apóia-se nos referenciais que tematizam os conceitos de imagem e memória. Analisa de que forma os sujeitos se reconheceram nas imagens do artista com as quais se depararam e que conteúdos foram manifestos em suas narrativas a partir desse contato. Para a análise, faz-se acompanhar das reflexões propostas por vários autores, dentre eles Ecléa Bosi, Antoinette Errante, Alberto Manguel, Sandra Jatahy Pesavento, Maria Stephanou e Maria Helena Bastos, entre outros. A estratégia metodológica contempla, além das entrevistas e grupo, a localização e pesquisa junto a documentos escritos, além de conversas com o autor-pintor. A investigação empreendida junto aos sujeitos, que deram voz e vez às suas reminiscências, resultou na organização e análise dos conteúdos produzidos no exercício de rememorar, sendo distribuídos em cinco temas: Trabalho, Família, Educação, Atividades Sociais, Lugares. A compreensão da dimensão educativa das imagens para evocação de memórias individuais e coletivas assenta-se no fato de que as imagens não possuem sentido em si mesmas, mas necessitam de um interlocutor que as decifre, e a partir disso re-signifique a sua própria história de vida. As obras selecionadas no estudo expressam vivências do artista, mas também apresentam conquistas e dilemas do seu grupo de pertencimento, marcados pela defesa da cultura teuto-brasileira na Região do Vale dos Sinos. As obras são plenas de narrativas de infância e juventude, assentadas num contexto histórico, geográfico, social e cultural, ao qual pertencem também os sujeitos narradores, e que por esta proximidade suscitaram muitas identificações, conduzindo-os a refletirem sobre suas próprias vidas, o tempo vivido e o presente que se constrói a partir de tempos idos. Os narradores sensibilizaram-se com cenas, figuras, objetos, e temáticas apresentadas nas pinturas, muitas das quais semelhantes ao universo de coisas e experiências que os cercaram desde a mais tenra idade, que não eram muitas, todavia especiais. / On the present study images are conceived as relevant memory flowing channels and seen as memory narratives. It examines the complex relation between the memory and the image. Their analyses is made on the work of the gaucho artist Flávio Scholles, who since 1976 develops an artistic and biographic work, and who deserves to be called a memories guardian. This study questions the meaning of his images as triggers of the remembering exercise, and the educational relation of them. It points out in what measure these pictures have an evocative memorial potential by individuals and collectives on Vale dos Sinos, RS. It shows the contact of a group of people with a restricted corpus of images produced by the artist, some of them knew his art well but others were having the first contact with it. Six interviews and a conversation group with 17 people living in several cities from this region took place during the survey. The oral narratives of their memories became documents and are now part of the empirical corpus of the survey. Its study finds support on the references from the concepts of image and memory. It analyses in which way the subjects recognize themselves on the artist’s images that they had seen and which contend was manifested in their narratives due to this contact. For the analyses were taken in account the ideas proposed by several authors like Ecléa Bosi, Antoinette Errante, Alberto Manguel, Sandra Jatahy Pesavento, Maria Stephanou and Maria Helena Bastos, among others. The methodological strategy used, besides the interviews and group meetings, was the research of written documents, as well as talks with the author-painter. The investigative work with the subjects, resulted on the organization and analyses of the contents produced on the remembering exercise. Those were classified in 5 themes: work, family, education, social activities and places. The comprehension of the educative dimension of the images, evoking the individual and collective memories, lays on the fact that they don’t have a sense by themselves but they need an interlocutor to decode them , and this way finding a new meaning for his/her life story. The masterpieces selected on this study express the artists’ experiences, but also show achievements and dilemmas from his belonging group, known for fighting for the german/brazilian culture on the Vale dos Sinos region. The works are full of childhood and youth narratives placed on an historic, geographic, social and cultural context where the narrator subjects belong to. That’s why many of them identified themselves and had reflections about their own lives, the time lived and the present being built over the past. The narrators felt moved by scenes, figures, objects and themes presented on pictures, many of them similar to the universe they were surrounded by on their early age.

CoordenaÃÃo de AperfeÃoamento de Pessoal de NÃvel Superior / Trata de uma investigaÃÃo no Ãmbito da histÃria educacional. Tem por objetivo entender a aÃÃo pedagÃgica dos JesuÃtas no Brasil, com foco na sistemÃtica da pedagogia de raiz inaciana, nomeada Ratio Studiorum, instrumento este que serve de guia aos professores dos colÃgios jesuÃtas, normatizando desde o modo de organizar as liÃÃes, atà ao regime disciplinar e didÃtico das aulas. Adota a perspectiva comparada, visto que esta temÃtica opera com acontecimentos simultÃneos que, mesmo ocorrendo em espaÃos distintos, sÃo desdobramentos de uma aÃÃo de cunho missionÃrio internacional, que se estende no tempo por sÃculos. Aborda uma pedagogia secular, de base humanista e moderna, a investigaÃÃo buscou entender: 1) os fundamentos teolÃgicos e filosÃficos da Ratio Studiorum; 2) a contribuiÃÃo que deu à educaÃÃo brasileira, atravÃs da sua historiografia; 3) a sua presenÃa no atual modelo de ensino e, em particular, a sua atuaÃÃo efetiva nos ColÃgios Santo InÃcio em Fortaleza e AntÃnio Vieira em Salvador. A pesquisa apoiou-se, principalmente, em fonte bibliogrÃfica afeta a esta temÃtica, com base, por exemplo, em autores, como: Azevedo (1958), Cavalcante (2008), Franca (1952) e Schmitz (1994) e outros; utiliza ainda visitas aos colÃgios jesuÃtas indicados para observaÃÃo in loco, analisa documentos que orientam essa pedagogia e recorre a entrevistas com professores e gestores de tais colÃgios sobre a sua prÃtica. AlcanÃou resultados satisfatÃrios, principalmente quando notamos que os pilares da Ratio Studiorum de 1599 permanecem vivos, desta forma esclarecem a razÃo da permanÃncia da pedagogia jesuÃtica no tempo e sua de atualidade, pautada na capacidade de adaptaÃÃo ao novo, sem descuidar de suas raÃzes como instituiÃÃo de educaÃÃo cristÃ. / It is an investigation in the context of educational history. It aims to understand the pedagogical action of the Jesuits in Brazil, focusing on the systematics of Ignatian root pedagogy, named Ratio Studiorum, an instrument that serves as a guide to teachers of Jesuit colleges, regulating from the way of organizing lessons, to the regime disciplinary and didactic of the classes. It adopts the comparative perspective, since this theme operates with simultaneous events that, even taking place in distinct spaces, are the result of an action of an international missionary nature, which extends in time for centuries. It addresses a secular pedagogy, with a humanist and modern basis, the research sought to understand: 1) the theological and philosophical foundations of Ratio Studiorum; 2) the contribution he gave to Brazilian education through his historiography; 3) their presence in the current teaching model and, in particular, their effective performance in the Santo InÃcio Colleges in Fortaleza and AntÃnio Vieira in Salvador. The research was based mainly on a bibliographic source that affects this theme, based on, for example, authors such as: Azevedo (1958), Cavalcante (2008), Franca (1952) and Schmitz (1994); also uses visits to the Jesuit colleges indicated for on-site observation, analyzes documents that guide this pedagogy and uses interviews with teachers and managers of such colleges on their practice. It achieved satisfactory results, especially when we note that the pillars of the Ratio Studiorum of 1599 remain alive, in this way they clarify the reason for the permanence of Jesuit pedagogy in time and its relevance, based on the capacity to adapt to the new, without neglecting its roots as an institution of Christian education.

The present study analyzes attitudes made manifest when media technology is used in teaching at Swedish upper secondary schools. It examines discourses related to the subject of history by comparing contemporary circumstances with those of the mid-1980s, making research in both educational history and history education indispensible to its execution. The study considers the impact of technology on human interaction as an essentially social construction. Furthermore, it addresses questions about the role media technology plays in current discourses, about the actors that are manifested in these discourses and about their didactic implications. Since the investigation focuses on discourse, it is an interpretive work. Analytical tools have been borrowed from the field of discourse theory to facilitate a broad understanding of discourse and communication. The analysis is conducted in order to reconstruct chains of analogy and nodal points of communication in media technology and teaching, with specific attention paid to matters related to the subject of history. Secondary school policy documents, curricula relevant to each period, teacher´s periodicals and interviews with history teachers are combined to reconstruct discourses on technology in education. Interviews were conducted with six history teachers, three of whom taught in the 1980s, while the remainder began teaching in the past fifteen years. The periodicals studied are Lärarnas tiding and Skolvärlden, including every issue published in the years 1983, 1985, 1987, 2008, 2010 and 2012. Four discourses on media technology in education have been reconstructed from this material. Two of the discourses are relevant to the mid-eighties, and have been called the discourse on the school of the future and the discourse on film, junk culture and education, respectively. The discourses reconstructed from the years around 2010 are named the discourse on the contemporary school and the discourse on good teaching. These discourses generally nurture an optimistic belief in what media technology can mean to school and teaching. The reasons for using technology in the classroom are based on notions of what is required from society or what is relevant to the students. The roles of media technology in education are affected by several groups of actors, including government officials, marketers, school leadership and teachers. The process was however never significantly affected by formal policy. One aspect central to a positive view of media technology in education was that it would improve the quality of teaching, especially in the case of history, characterized by storytelling and lecturing. Certain didactic considerations became visible in the study of these discourses, which risked being shallow and trend sensitive, insofar as it might be difficult for teachers to find suitable forums for peer-to-peer subject specific reflections on media technology.

Denna studie behandlar elever och lärares upplevelser av elevinflytande i svenskundervisningen. I bakgrunden ges en teoretisk förankring med John Dewey som huvudperson, hans tankar om elevinflytande och demokrati betraktas som centrala för studien. Vidare ges en historisk överblick av elevinflytande och en inblick i hur styrdokumenten ställer sig till elevernas rätt till elevinflytande. Syftet med studien är att bidra med kunskap om hur elever och lärare upplever elevinflytande och demokratiska värderingar i svenskundervisningen. Studien belyser upplevda fördelar och nackdelar med elevinflytande samt förbättringsområden i arbetet. Studien jämför även likheter och skillnader i synen på elevinflytande i de båda respondentgrupperna. Metoden för undersökningen är en kvalitativ enkätundersökning med kvantitativa inslag. Enkäten besvarades av tre klasser i årskurs sex samt fyra svensklärare. Undersökningen har en fenomenografisk ansats som syftar till att undersöka respondenternas upplevelse av fenomenet. Resultatet är uppdelat i fyra kategorier som har till syfte att presentera de mest centrala delarna i undersökningen. Studiens resultat visar att elever och lärare vill arbeta mer med elevinflytande i svenskundervisningen och att de är relativt eniga i sina svar vad gäller uppfattningen om vad elever främst ges inflytande över. Eleverna framhåller å sin sida att de delar de ges mest inflytande över korrelerar med vad de vill ha inflytande över. Elevinflytande har sina fördelar och nackdelar vilket elever och lärare upplever olika.

No description available.

No description available.