Global ETD Search

101	Libertés, Droit, Désordres : les violences émeutières dans l'espace urbain, dynamique des phénomènes et organisation de la réponse sociale / Liberties – Law – Disorders : rioting acts of violence in Urban Areas, Dynamics of the Phenomena and organisation of the social response Joubert, Didier 03 July 2017 (has links) L’objet de la recherche consiste à mettre en évidence que la prise en compte des violences émeutières requiert une évolution de l’environnement juridique et des méthodes de maintien de la paix publique hérités de notre histoire. Notre dispositif de gestion de l’ordre public est particulièrement adapté au modèle français de manifestation. C’est considérable et exemplaire à beaucoup d’égards mais cela ne peut clore le débat sur les formes de la réaction sociale nécessaires pour répondre aux différentes formes du répertoire de la protestation en particulier à la dynamique complexe des désordres émeutiers.Alors que la manifestation, son encadrement par les forces de sécurité intérieure et son environnement juridique ressortissent à la culture de l’organisation et de l’ordre, les violences émeutières relèvent, quant à elles, de comportements colériques naturels. Elles constituent un objet et un enjeu différents que traduisent notamment la récurrence des crises en milieu urbain et la difficulté d’y faire face de façon satisfaisante.Sur le plan opérationnel comme sur le plan juridique, l’éventail de la réponse aux désordres est particulièrement large, mais il traduit également un double embarras :• Les violences émeutières sont le plus souvent des violences d’expression. Qu’ils en soient conscients ou non, face à ces comportements, le juge et le politique se sont montrés fréquemment indulgents dans un contexte juridique où la liberté d’expression est un droit fondamental et la manifestation une conquête sans équivalent dans notre pays. Les réponses sociale et judiciaire se caractérisent donc par une mansuétude parfois légitime, parfois inadaptée mais souvent mal comprise.• Les modes d’action policiers et les outils du Droit façonnés par l’environnement juridique et la culture de la manifestation, peuvent se révéler inadaptés pour répondre aux émeutes urbaines et conduire à des évolutions aussi variées qu’inappropriées comme la banalisation du recours à des régimes juridiques d’exception et la sédimentation d’une culture d’affrontement entre police et population.Le concept retentissement / identification et l’analyse des colères rebelles et insoumises ouvrent la voie à une adaptation du droit et de la réponse sociale conciliant le respect des droits fondamentaux et le maintien de la paix publique dans l’espace urbain. Tel est l’enjeu de la dialectique « Libertés - Droit - désordres ». / The object of the research is to highlight that rioting violence cannot be dealt with without an evolution of the legal framework and public-order policing inherited from our History. Our way to manage public-order policing is particularly suitable to our French traditional demonstration pattern. It is significant and exemplary in many respects but that alone cannot close the debate about the forms of social reaction that would be necessary to answer the various forms of the repertoire of protest especially the complex dynamics of rioting disorders.Even though the demonstration, its framing by the police and its legal framework are both an order issue and a cultural issue, rioting acts of violence are a natural irascible behaviour of the human nature. Riots are an object and an issue which translate into in recurring urban crises and the difficulty to satisfactorily deal with them.From an operational point of view and from a judicial one, there is a wide range of answers to the disorders but this results in a double embarrassment:• Riots are very often a means of expression. Consciously or not, the judge and the policy-maker have frequently been indulgent with these behaviours in a legal context in which freedom of expression is a fundamental human right and demonstrating a conquest without equivalent in our country. Social and judicial answers are characterized by indulgence, sometimes legitimate, sometimes inadequate and often ill-understood.• Policing and the tools of the law that were shaped by the legal framework and the culture of demonstration can prove to be inadequate to cope with urban riots and they can result in various as well as inappropriate answers like the trivialization of emergency legal schemes and the sedimentation of a culture of clash between people and the police.The repercussion and identification concept and the analysis of the rebel and unsubdued bouts of anger pave the way to an adaptation of the law and the social response aiming at balancing both the expression of the basic rights and the preservation of public peace in urban areas. This is what is at stake with the dialectics « Liberties – Law – Disorder ». Désordre Ordre public Attroupement Emeure urbaine Violences collectives Violences urbaines Responsabilité collective Complicité Co-Action Etat d'urgence Libertés publiques Liberté d'expression Manifestation Rassemblement Rébellion Insurrection Hooliganisme Conflits sociaux Ethique policière Police Colonisation Insécurité Retentissement Ressentiment Disorder Public Order Unlawfull Assembly Urban Riot Collective Acts of Violence Urban Acts of Violence Collective Responsability Complicity Co-Action State of Emergency Public Freedoms Freedom of Expression Demonstration Assembly Rebellion Uprising Hooliganism Social Conflicts Police Ethics Police Colonisation Insecurity Repercussion Resentment 340
102	President of Crimea. Constitution : Author(s) Autonomous Republic of Xena-Maria Kulykivska, Mariia January 2020 (has links) In this essay, two voices are heared, from two women: a certain artist Xena, who talks about her life and its dramas, interwoven with her own experiences from her diaries; and the voice of Maria, who analyzes Xena's life story and her art, diffracted through the prim of the history of 21stC art. Art the outset, "President of Crimea. Constitution", announces its author as Xena-Maria; but it is not yet clear whether the author is one person or two, nor who they are. Is it Maria who writes here, or Xena, or both? Or are they one and the same person? But at the end of the story, which is told rather in a form of certain legends and fairy tales, Maria and Xena turn into one whole, and meaningfully put an ellipsis after the words "to be continued". This reception was specially intended by the artist Maria Kulikovska, author of this essay, in order to protect both herself and the reader from possible persecutions by migration services and goverment officials of various countries, especially Russia. Also, for her it is an opportunity to step aside and analyze her own life and art form a third person, about which, perhaps, a fictional character from her childhood talks - a sensible step for Maria Kulikovska. The step that her creative language conceptually continues is to replicate casts of her own body and establish them in different spaces and contexts. So she fairly confuses the viewer as to where is the truth, and where is fiction; where is herself, and where is her clone - only now, here, she has applied the same trick in her text. This essay tells a very personal story of the life of a human body, a migrant woman in forced relocation, displacements, alienation and persecutions for her views on life and the conduct of society, and for her moral values expressed throught architecture, sculpture, drawings, performances, actions and public statements. Through the prism of geopolitical upheavals, it tells the artist's own story: How her analysis of own body position and boundaries helped her overcome stigma regarding the body of a woman from Eastern Europe, and how art can save and redeem in an unending inner drama. Maria Kulikovska art in exile exile displacement body borders art and borders migration sculpture performative sculpture performance action live performance objects art of Eastern Europe architecture feminism crimean artist ukrainian artist swedish immigrant artist political art installation manifestation Louise Bourgeois Joseph Beuys degenerative artists forbidden artists female artist Mariia Kulikovskaya queer art alien art productive alienation Masha Kulikovska Masha Kulikovskaya Мария Куликовская Маша Куликовская Марія Куликівська Марія Куліковська художник в изгнании искусство в изгнании крымская художница украинская художница тело границы феминизм в искусстве квир художник Visual Arts Bildkonst
103	Plotting Horror Heuer, Thomas 06 May 2019 (has links) Die Entwicklungsschübe der modernen Medien im 20. Jahrhundert haben die Wechselbeziehungen zwischen den Künsten, den Medien, den Sinnesmodalitäten, den verbalen und nonverbalen Ausdrucks- und Zeichenprozessen verstärkt und erweitert. Im Zuge dieser Entwicklungen sind Genre- und Formatfragen über das disziplinäre Interesse einzelner Kunst- und Medienwissenschaften hinaus ins Aufmerksamkeitsfeld einer vergleichenden Medienästhetik und -dramaturgie ge-rückt. Aufbauend auf den Erkenntnissen von Kalisch 2014, 2016 und den Überlegungen Gaudreaults 2009 zu einer Unterscheidung zwischen Narration und Monstration, ist es gelungen ein Modell zur Analyse von Werken unter dem Ausgangspunkt von Dramaturgie und Präsentationsstruktur herauszubilden, das für jedwedes dramaturgisch motiviertes und fiktionales Werk verwendet werden kann, unab-hängig vom Medium. Als Mittel zur Verdeutlichung der Thesen wird Horror als ästhetische Kategorie definiert, die einen direkten Einfluss auf die narrativen Strukturen eines Werkes besitzt, was den narrativ-monstrativen Doppelcharakter von Werken belegt und ferner verdeutlicht, dass Erzählung und Formung eines Werkes untrennbar verbunden sind. Die Dualität von Dramaturgie und Präsenta-tionsstruktur wird in der Formung eines Werkes offenbar. Um dies zu verdeutli-chen, werden im Verlauf der Arbeit kursorisch Beispiele von Werken mit Schre-ckensinhalten diskutiert und analysiert. Basierend auf diesem Modell wird eine Diskussion des Themenkomplexes von Intermedialität und Transmedialität im Spannungsverhältnis zur Komparistik der Künste durchgeführt. In der Folge wird eine Ästhetik des Schreckens diskutiert und anhand von ästhetischen Wertungskategorien aufgezeigt. Abschließend werden drei narrativ-motivierte Konzeptionen für dramaturgisch angetriebene Schre-ckensinszenierungen aufgeführt, die zur Kategorisierung von Werken angewendet werden können: düstere Präfiguration, düstere Konfiguration und düstere Manifestation. / The development in modern media during the 20th century (from movies over television to the hybrid forms of audiovisual and textual media in the internet) reveals interdependencies between art, media, the modalities of senses, the verbal and nonverbal dictions and semiotic processes that have evolved and expanded themselfes. According to this progress the interest in art and media studies should achive a collective interest in the changes of genre and formats, instead of a sepa-rated observation of only single disciplines. Following the Prolegomena on a comperative drama of media by Eleonore Ka-lisch (Kalisch 2014) and the thougts of André Gaudreault on Narration and Mon-stration (Gaudreault 2009) this thesis bulids a system to analyse works of fiction (e. g. movies, pictures, literature, video games). This system allows to analyse and compare works of fiction based on drama and presentation structure. The horror genre is used to show the mechanics of this system. Horror has a direct influence on the narrative structure of a work and manifests a duality of narration and mon-stration (Kalisch 2016), that binds drama and presentation to each other and shows the necessity of a separated consideration on both aspects. The duality of drama and presentation reveals itself during the modeling of a work of fiction. Build on the system the discourse is open to discuss intermetiality and transmedi-ality and their influence on the field of interest. Furthermore, an aesthetic of hor-ror is defined by evaluation categories of aesthetic indicators. In the end three types of narrativ driven concepts of horror are revealed and discussed: gloomy pre-figuaration, gloomy configuration and gloomy manifestation. Horror Alien Dramaturgie düstere Konfiguration düstere Manifestation düstere Präfiguration Erzählwelt Filmwissenschaft Game Studies Games intermedial Intermedialität Jurassic Park Medienspezifik Medienwissenschaft Monstration Motiv Narration narrativ-monstrativer Doppelcharakter Original und Remake Project Zero Präsentationsstruktur Resident Evil Silent Hill Struktur Sujet Transmedia transmedial transmediale Erzählwelt transmediales Gesamtwerk transmediales Teilwerk Transmedialität Vergleichende Mediendramaturgie Ästhetik Ästhetik des Schreckens aesthetics aesthetics of horror Alien comperative drama dramatrurgy duality of drama and presentation Fatal Frame film studies game studies Games gloomy configuration gloomy manifestation gloomy prefiguaration horror Jurassic Park media sciences media studies monstration narration narrative original and remake Resident Evil Silent Hill specific media storyworld structure transmedia transmedia storyworlds tropes 117 Struktur 306 Kultur und Institutionen 758 Andere Motive 776 Computerkunst (Digitale Kunst) 812 Amerikanische Dramen 822 Englische Dramen 832 Deutsche Dramen AP 37440 ddc:117 ddc:306 ddc:700 ddc:753 ddc:758 ddc:776 ddc:791 ddc:793 ddc:809 ddc:812 ddc:822 ddc:832 ddc:883 ddc:882
104	'n Perspektief op die beroepsbevrediging van grondvlak maatskaplike werkers Hendriks, Elma 06 1900 (has links) Text in Afrikaans / Hierdie studie is onderneem om te bepaal watter determinante 'n rol speel in die beroepsbevrediging van grondvlak maatskaplike werkers en watter gehalte van die werksleweprogramme benut kan word om dit aan te spreek. Tydens die empiriese fase van die studie is 'n vraelys aan die maatskaplike werkers van die Vereniging vir Liggaamlike Gestremdes (streek Wes-Kaap) gesirkuleer waarin aannames oor beroepsbevrediging en gehalte van die werkslewe getoets is. Die response bevestig 'n hoer arbeidsomset as die gemiddelde, 'n behoefte aan billike en regverdige vergoedingspakkette, bevorderingsgeleenthede, 'n werksomgewing wat werksekuriteit bied en 'n gebrek aan inspraak in die leierskap en bestuurstyl van welsynsorganisasies. Die rol wat die supervisor kan speel figureer sterk sowel as die behoefte aan gehalte van die werksleweprogramme soos, deelnemende bestuur, sensitiwiteitsopleiding, doelwitbestuur en spanwerk. Enkele aanbevelings vvord aan administrateurs en supervisors gemaak oor die uitbou van maatskaplike werkers se beroepsbevrediging en die benutting van gehalte van die werksleweprogramme sodat arbeidsomset bekamp en koste-effektiwitet verhoog kan word. / This study was undertaken to establish which determinants play a role in the job satisfaction of direct service social workers and what quality of worklife programmes can be utilised to address the problem. During the empirical phase of the study, a questionnaire was circulated to social workers of the Association for the Physically Disabled, Western Cape, in which suppositions regarding job satisfaction and quality of worklife was tested. Responses confirmed the need for fair remuneration packages, promotion opportunities, job security, a high labor turnover and a lack of participation in the management of welfare organisations. The role of the supervisor figures strongly. Quality of worklife programmes such as participatory management, sensitivity training, management by objectives and teamwork are needed. Suggestions are made to administrators and supervisors concerning the development of job satisfaction and the utilisation of quality of worklife programmes to control labour turnover and improve cost effectiveness. / Social Work / M. Diac. (Maatskaplike Werkrigting) Beroepsbevrediging Manifestasie van beroepsbevrediging Supervisie en beroepsbevrediging Beroepsbevrediging en arbeidsomset Gehalte van die werkslewe Komponente van gehalte van die werkslewe Gehalte van die werkslewe programme Job satisfaction Manifestation of job satisfaction Supervision and job satisfaction Job satisfaction and labour turnover Measurement of job satisfaction Quality of worklife Quality of worklife components Quality of worklife programmes 361.3207206873 Organizational effectiveness
105	'n Perspektief op die beroepsbevrediging van grondvlak maatskaplike werkers Hendriks, Elma 06 1900 (has links) Text in Afrikaans / Hierdie studie is onderneem om te bepaal watter determinante 'n rol speel in die beroepsbevrediging van grondvlak maatskaplike werkers en watter gehalte van die werksleweprogramme benut kan word om dit aan te spreek. Tydens die empiriese fase van die studie is 'n vraelys aan die maatskaplike werkers van die Vereniging vir Liggaamlike Gestremdes (streek Wes-Kaap) gesirkuleer waarin aannames oor beroepsbevrediging en gehalte van die werkslewe getoets is. Die response bevestig 'n hoer arbeidsomset as die gemiddelde, 'n behoefte aan billike en regverdige vergoedingspakkette, bevorderingsgeleenthede, 'n werksomgewing wat werksekuriteit bied en 'n gebrek aan inspraak in die leierskap en bestuurstyl van welsynsorganisasies. Die rol wat die supervisor kan speel figureer sterk sowel as die behoefte aan gehalte van die werksleweprogramme soos, deelnemende bestuur, sensitiwiteitsopleiding, doelwitbestuur en spanwerk. Enkele aanbevelings vvord aan administrateurs en supervisors gemaak oor die uitbou van maatskaplike werkers se beroepsbevrediging en die benutting van gehalte van die werksleweprogramme sodat arbeidsomset bekamp en koste-effektiwitet verhoog kan word. / This study was undertaken to establish which determinants play a role in the job satisfaction of direct service social workers and what quality of worklife programmes can be utilised to address the problem. During the empirical phase of the study, a questionnaire was circulated to social workers of the Association for the Physically Disabled, Western Cape, in which suppositions regarding job satisfaction and quality of worklife was tested. Responses confirmed the need for fair remuneration packages, promotion opportunities, job security, a high labor turnover and a lack of participation in the management of welfare organisations. The role of the supervisor figures strongly. Quality of worklife programmes such as participatory management, sensitivity training, management by objectives and teamwork are needed. Suggestions are made to administrators and supervisors concerning the development of job satisfaction and the utilisation of quality of worklife programmes to control labour turnover and improve cost effectiveness. / Social Work / M. Diac. (Maatskaplike Werkrigting) Beroepsbevrediging Manifestasie van beroepsbevrediging Supervisie en beroepsbevrediging Beroepsbevrediging en arbeidsomset Gehalte van die werkslewe Komponente van gehalte van die werkslewe Gehalte van die werkslewe programme Job satisfaction Manifestation of job satisfaction Supervision and job satisfaction Job satisfaction and labour turnover Measurement of job satisfaction Quality of worklife Quality of worklife components Quality of worklife programmes 361.3207206873 Organizational effectiveness
106	Slovinské národní divadlo v Lublani / Slovene National Theatre in Ljubljana Hýl, Petr January 2009 (has links) SLOVENE NATIONAL THEATRE IN LJUBLJANA Author Report Of The Diploma Work Author: Bc. Petr Hýl Supervisor: doc. ing. arch. Zdeněk Makovský

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