As crises não epilépticas psicogênicas (CNEP) podem ser definidas como episódios de alteração de movimentos, sensações ou experiência similar à epilepsia causada por processo psicológico e sem associação com descarga elétrica cerebral anormal. Estima-se que o número de casos de pacientes com CNEP seja de 2 a 33 por 100.000 habitantes. O índice de CNEP corresponde ainda a aproximadamente 5% dos pacientes tratados como epilépticos. Os pacientes com CNEP são tratados como possuindo epilepsia refratária, chegando ao limite máximo do tratamento medicamentoso e sem a obtenção de resultados satisfatórios. Objetivos: relatar os efeitos do tratamento psicanalítico individual em pacientes com CNEP. Método: A casuística foi composta por 37 pacientes com diagnóstico prévio de CNEP realizado por meio da monitorização por vídeo-EEG. Foram realizadas sessões individuais de tratamento psicanalítico, com frequência semanal, com duração aproximada de 50 minutos e duração total de 48 sessões em 12 meses. Resultados: Este estudo constatou elevado índice de sucesso no tratamento dos pacientes com CNEP: 29,7% (n=11) de cessação/cura dos sintomas e 51,4% (n=19) redução das crises convulsivas. Foi constatada associação entre cessar ou reduzir as crises e sexo (p < 0,01), religião (p < 0,01) e término do tratamento (p < 0,01). Conclusão: Este estudo apontou a eficácia do tratamento psicanalítico individual realizado com pacientes com CNEP, podendo ser considerada uma forma de assistência essencial para que haja decréscimo ou cessação das crises. / Psychogenic non-epileptic seizures (PNES) can be defined as episodes of alteration of movement, feeling or a similar experience to epilepsy caused by a psychological process and with no association with abnormal electrical discharges in the brain. It is estimated that the number of cases of patients with CNEP is from 2 to 33 in 100.000 inhabitants. The number of patients with PNES reaches 5% of those treated as epileptics. Patients with PNES are treated as if they had intractable epilepsy, with unsatisfactory results even after medication treatment is used to its maximum limits. Objectives: to present the effects of individual psychoanalytical treatment in patients with PNES. Methods: The case base was composed of 37 patients with PNES. The diagnosis was reached with video-EEG monitoring. . Psychoanalytical treatment was carried out through 12 months of weekly sessions of around 50-minutes each, in a total of 48 individual sessions. Results: This study found a high success rate in the treatment of PNES patients. 29,7% (n=11) of patients saw cessation or cure of symptoms and 51,4% (n=19) saw a decrease in the number of episodes. There is an association between cessation or decrease in the number of episodes and sex (p < 0,01), religion (p < 0,01) and concluding treatment (p < 0,01). Conclusions: Individual psychoanalytical treatment applied to patients with PNES is considered effective and can be considered as an essential form of assistance for the reduction of cessation of episodes. Psychogenic non-epileptic seizures, Conversion disorder, Psychoanalysis, Treatment

Submitted by Fernanda Ciolfi (fernanda.ciolfi@puc-campinas.edu.br) on 2016-04-06T18:09:00Z No. of bitstreams: 1 Leticia Molina Rodrigues.pdf: 1305615 bytes, checksum: bff0d6e367f09baa558bc3fae7ed1a20 (MD5) / Made available in DSpace on 2016-04-06T18:09:00Z (GMT). No. of bitstreams: 1 Leticia Molina Rodrigues.pdf: 1305615 bytes, checksum: bff0d6e367f09baa558bc3fae7ed1a20 (MD5) Previous issue date: 2016-02-23 / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / This research aims at investigating the collective imaginary of teenagers on sport. It is justified as part of a larger project, which aims at proposing a differentiated setting to be used in institutional contexts and which has sport as playful mediation. It is methodologically organized around the use of the Themed Drawing-Stories Procedure in a collective psychological interview with nineteen teenagers who attend a NGO dedicated to professionalizing teenagers from lowincome families. This interview was registered through a transferential narrative encompassing interactions, happenings, and the researcher?s subjective impressions. Considering the production under the psychoanalytical method allows for the creation of four affective-emotional meaning fields: ?Sport is success?, ?Sport is courage?, ?Sport is healthy? and ?Sport is dangerous?. The overall picture indicates the predominance of a favorable, though utilitarian, view on sport, which does not disfavor its use in psychological clinic. / A presente pesquisa tem como objetivo investigar o imagin?rio coletivo de adolescentes sobre o esporte. Justifica-se como etapa de um projeto maior de proposi??o de enquadre diferenciado, a ser utilizado em contextos institucionais, que toma o esporte como media??o brincante. Organiza-se metodologicamente ao redor do uso do Procedimento de Desenhos-Est?rias com Tema em entrevista psicol?gica coletiva de que participaram dezenove adolescentes, que frequentam uma ONG dedicada ? profissionaliza??o de adolescentes pertencentes a fam?lias de baixa renda. Esta entrevista registrou-se por meio de narrativa transferencial, que abrange intera??es, ocorr?ncias e impress?es subjetivas da pesquisadora. A considera??o do conjunto do material ? luz do m?todo psicanal?tico permite a produ??o interpretativa de quatro campos de sentido afetivo-emocional: ?Esporte ? sucesso?, ?Esporte ? coragem?, ?Esporte ? sa?de? e ?Esporte ? perigo?. O quadro geral indica que predomina uma vis?o favor?vel, ainda que utilit?ria, sobre a atividade esportiva, o que n?o desaconselha a proposi??o de seu uso na cl?nica psicol?gica.

Ce travail de recherche questionne la pratique enseignante, l’identité et la construction du rapport au savoir du professeur d’espagnol travaillant dans un lycée en France à l’aide de supports variés. Les documents qui attirent toute notre attention, sont ceux qui traitent des différentes révolutions et dictatures survenues en Amérique Latine ou de la Guerre Civile et du Franquisme en Espagne. Ces sujets font partie intégrante des contenus culturels mis en place par le curriculum institutionnalisé en classe de Seconde, Première et Terminale. L’objet de cette recherche vise la compréhension de ce qui est ambigu, imperceptible ou inconnu de la pratique lors de la médiation des contenus culturels ici évoqués. Il s’agit de nous aventurer et d’explorer les représentations employées par l’enseignant dans sa pratique professionnelle et dans son rapport au savoir sur ces contenus culturels, en tant qu’objet de désir et de souffrance. Cette caractéristique permet d’entrevoir les mécanismes de la construction de savoir et de sa médiation influencés par des facteurs conscients et inconscients relatifs à la personnalité et à l’histoire du sujet tels que ses fantasmes, les mécanismes de défense, les attentes, sa conception de la vie, ses rapports aux autres, l’image qu’il a de lui-même et celle qu’il veut donner aux autres. / This research projet questions the teaching practice, the identity, and the construction and relationship to knowledge of Spanish high teachers, using various media. The documents that hold our attention here ar those that deal with the different revolutions and dictatorships that merged in Laton America or tje Spanish Civil war and the Francoist regime that followed it. These subjets an integral part of the culturel content that was put in place for the secondary school curriculum, up to and including sixth form level. The object of this research aims to illuminate what is ambiguous, imperceptible or unknown in the diffusion of the culturel content that was mentioned earlier. The aim is to try and explore the outward display used by teachers in their professional practice, as it relates to their culturel background, their knowledge acquisition and their wants and pain. Their personal histories enable un to uncover how their knowledge building mechanisms are influenced, consciously and unconsciensly, by such issues as their fantasies, defense mechanisms, expectations, life perspective, relationships, their own self image and that they want to project.

Cette recherche doctorale s’inscrit dans le cadre d’une démarche clinique d’orientation psychanalytique en sciences de l’éducation. Elle porte sur l’enseignement de la philosophie en France, tel qu’il est actuellement dispensé dans les classes terminales des séries générales et technologiques des lycées. Elle est consacrée, plus particulièrement, à la manière dont des professeurs de philosophie vivent l’acte d’enseigner leur discipline. Le matériel empirique est constitué d’entretiens cliniques non-directifs qui ont été réalisés auprès de six professeurs de philosophie de l’enseignement secondaire interviewés à partir de la consigne suivante : « J’aimerais que vous me disiez, comme ça vous vient, comment vous vivez le fait d’enseigner la philosophie ». La thèse comporte trois parties : certaines questions relatives à la construction de l’objet de recherche et à l’analyse de l’implication et du contre-transfert du chercheur constituent la première partie de ce travail. La deuxième partie comporte des éléments d’analyses pédagogiques, historiographiques et cliniques de l’enseignement de la philosophie au lycée. La troisième partie est consacrée à l’analyse des entretiens cliniques. Elle comporte des éléments de réflexion d’ordre épistémologique et méthodologique et propose une mise en perspective des entretiens et de certaines de leurs thématiques transversales. / This doctoral research is part of a clinical approach of psychoanalytical orientation in the sciences of education. It deals with the teaching of philosophy in France, as it is currently taught in the final year of high school in the academic and technological classes. It is devoted, more particularly, to the way in which teachers experience the teaching of their subject. The empirical material consists of non-directive clinical interviews that were conducted with six secondary education philosophy teachers interviewed from the following instruction : « I would like you to tell me, as it comes to you, what you feel when you teach philosophy ». The thesis is divided into three parts : some questions relating to the construction of the research subject and to the analysis of the implication and the countertransference of the researcher constitute the first part of this work. The second part includes elements of pedagogical, historiographical and clinical analysis of the teaching of philosophy in high school. The third part is devoted to the analysis of clinical interviews. It includes elements of epistemological and methodological reflection putting into perspective the interviews and some of their interdisciplinary themes.

Prenant le parti de la valeur mutative du psychodrame psychanalytique, cette recherche vise une description métapsychologique de ce qui en fonde l'efficacité, comme de ses spécificités dans la mise en oeuvre des desseins psychothérapiques de la psychanalyse. L'exemple du renforcement pulsionnel propre à l'adolescence questionne les capacités de symbolisation et de montage pulsionnel permis tant par l'appareil psychique que par les dispositifs (de prothèse ou de détour) que sont les dispositifs psychothérapiques. Trois études longitudinales constituées par des récits de cures psychodramatiques d'adolescents donnent un appui à la construction d'une « figurabilité» spécifiquement psychodramatique grâce à trois opérateurs, nommés le « narratif », le « scénique » et le « dramatique ». Le but de cette recherche est la fabrique métapsychologique de ces opérateurs à l'intersection de la pratique en séance et de la littérature psychanalytique. La notion freudienne de « figurabilité » sert de cadre à la construction de ces opérateurs et à ce qu'ils articulent des capacités de symbolisation du psychisme et de celles d'un dispositif de psychothérapie. La continuité d'un éprouvé de subjectivation permis par l'opérateur du « narratif » se complète des spécificités fictionnelles de la narrativité psychodramatique. De salutaires contournements des mécanismes de censure et une plus ample fréquentation de la réalité psychique soutiennent ainsi la mise en forme des quantités pulsionnelles. La circulation de la notion de « scène » dans la métapsychologie décrit la dimension processuelle que soutient l'opérateur du « scénique ». Si la mise en scène est au service du saisissement conscient, elle opère aussi par le recours à l'hallucinatoire. Ce que la scène du psychodrame permet d'une distinction des objets et contraint d'un commerce avec eux est un facteur subjectivant d'« objectalisation » qui fait contrepoids au repli narcissique. L'objet fabriqué par le psychodrame naît des capacités d'accordage de la scène psychodramatique, celles-ci étant décrites à travers leur usage singulier de la transitionnalité. Enfin, l'opérateur du « dramatique » déploie la fécondité des modes de présence de l'acte dans la représentation psychodramatique. L'excitation véhiculée par le jeu en groupe appelle un travail constant de mise en forme qui utilise divers médiums expressifs. L'objet est à la fois celui qui provoque les quantités d'excitation et celui qui en soutiendra la liaison. L'activité figurative s'articule à une activité pare-excitante qui peut relancer l'activité régulatrice du refoulement. Entre impression et expression, l'activité esthétique du jeu de l'acteur consiste en la modulation des valeurs attribuées aux représentations. Le « dramatique » peut alors se définir comme un art des variations en quête de sens. Les objets de sens issus de ces variations d'affectation sont ensuite détaillés comme visée topographique et subjectivante des entrelacs entre réalité matérielle et réalité psychique. Par sa mise en jeu et en scène, une place de représentation est plus aisément donnée ou re-donnée au transfert afin d'en défaire la potentialité agissante. Pour finir, le dernier récit clinique permet de montrer l'utilité et le caractère structurant de ces opérateurs dans la mise en scène adolescente du second acte de la dramaturgie oedipienne. / Granting that psychoanalytic psychodrama can effect change, this project seeks to produce both a metapsychological description of the basis for its effectiveness and an account of the specific ways in which it pursues the therapeutic aims of psychoanalysis. The example of adolescent drive reinforcement raises questions about the capacities for symbolization and for the organization of drives that are made possible as often by the psychic apparatus as by the mechanisms (whether of prostheses or of detours) of psychotherapy. Three longitudinal studies, narratives of psychodramatic treatments of adolescents, anchor the construction of a specifically psychodramatic "figurability" with three modalities, the "narrative", the "scenic", and the "dramatic". This research project aims to produce a metapsychological account of these modalities at the intersection between clinical practice and the psychoanalytic literature. The Freudian notion of "figurability" serves as the framework for constructing these modalities and for representing their capacity to symbolize the psyche and to articulate a psychotherapeutic instrument. The continuity of an experience of subjectivization permitted by the "narrative" modality is completed by the fictional specificities of psychodramatic narrativity. Salutary evasions of the mechanisms of censorship and increased commerce with psychic reality thus support the shaping of drive quantities. The circulation of the notion of "scene" in metapsychology describes the dimension of process that is supported by the "scenic" modality. If the staging is at the service of a conscious awareness, it also operates through recourse to the hallucinatory. What the scene of psychodrama permits regarding a distinction of objects and constraints regarding interactions with them, is a subjectivizing factor of "objectalization" that provides a counterweight to narcissistic retreat. The object created by the psychodrama grows out of the capacities for harmonization of the psychodramatic scene, the capacities being described through their singular use of transitionality. Finally, the "dramatic" modality unfolds the fecundity of the modes of presence of the act in psychodramatic representation. The excitement conveyed by group play-acting calls for a constant work of shaping which uses various expressive media. The object is at once the one that provokes quantities of excitement and the one that will support their linking. The figurative activity is articulated with a protective shield that can relaunch the regulating activity of repression. Between impression and expression, the aesthetic activity of the actors performance consists in the modulation of the values attributed to the representations. The "dramatic" can then be defined as an art of variations in search of meaning. The meaningful objects that emerge from these variations of affectation are then scrutinized as the topographic and subjectivizing aim of the interlacings between material reality and psychic reality. By being set into play and put on stage, a place of representation is more easily given or restored to the transference so as to undo its "agieren" effective potentiality. In conclusion, the last clinical narrative makes it possible to show the utility and the structuring character of these modalities in the adolescent staging of the second act of the Oedipal drama.

Made available in DSpace on 2014-12-17T15:37:17Z (GMT). No. of bitstreams: 1 AlenuskaNRQS_DISSERT.pdf: 781275 bytes, checksum: d75de5ab7f88cdf7e4e64acfc12884c5 (MD5) Previous issue date: 2012-12-14 / This paper is a case study that aims to discuss the effects of drug abuse by a person with psychotic structure from a psychoanalytical perspective. The interest in this subject was born from an internship experience in the Mental Health area in which a psychotic patient had a drug abuse problem and the service treating him had difficulties dealing with this. In order to accomplish the objective of this work four theoretical chapters were written and the case is discussed throughout them articulating the theoretical issues with clinical practice. A literature review revealed that Freud and Lacan did not dedicate themselves to the study of the effect of drug use by psychotic patients but they made important contributions unfolding the theoretical and clinical psychoanalytical practice. Contemporary psychoanalytic authors suggest that the drug use made by psychotics differs from the use by neurotics, because of the particularity of the psychotic structure. It was found that drug use in psychosis can operate in three different ways: the first refers to drug use as substitute of a missing signifier helping the psychotic patient building a social bond. The second function is to intensify psychotic phenomena and the third function is to operate as an attempt to diminish those same phenomena. We conclude that, while the use of drugs in neurosis provides an individualist way of satisfaction, that excludes social aspects. For psychosis such use may operate differently and may play a role in social integration, among others effects. Such discussion can help move forward the direction of treatment of psychosis when the case involves drug use / O presente trabalho tem o objetivo de discutir, a partir de um caso cl?nico e ? luz da psican?lise, quais os diferentes modos de opera??o do uso de drogas sobre a estrutura psic?tica e quais seriam os efeitos e as particularidades dessa articula??o. O interesse pelo tema nasceu a partir de uma experi?ncia de est?gio na ?rea de Sa?de Mental, na qual havia um paciente psic?tico que fazia uso de drogas, assim como existia uma dificuldade do servi?o em como e onde tratar esse usu?rio. Para atingirmos nosso objetivo, constru?mos quatro cap?tulos te?ricos nos quais o caso cl?nico ? retomado algumas vezes em articula??o com as discuss?es levantadas, a fim de aproximarmos a pesquisa te?rica com a pr?tica cl?nica, o que caracteriza o m?todo deste trabalho como te?rico-cl?nico. A revis?o de literatura revelou que Freud e Lacan n?o se dedicaram ao estudo dessa tem?tica, mas deram contribui??es importantes que se desdobram atualmente no campo te?rico e na pr?tica cl?nica. Autores psicanal?ticos contempor?neos apontam que o uso feito por psic?ticos ? diferente do uso feito por neur?ticos, pois o psic?tico possui particularidades que s?o de estrutura. Constatou-se que o uso de drogas na psicose pode operar de tr?s modos distintos: o primeiro refere-se ao uso de droga enquanto supl?ncia ? aus?ncia do significante que insere o psic?tico no la?o social; O segundo tem a fun??o de intensifica??o dos fen?menos psic?ticos e o terceiro opera como tentativa de apaziguamento desses mesmos fen?menos. Conclui-se que, enquanto o uso de drogas na neurose pode oferecer um modo de satisfa??o individualista que prescinde do social, na psicose esse uso pode operar de maneira diversa, podendo ter uma fun??o de desencadeamento, de estabiliza??o, de inser??o social, dentre outras. Tal discuss?o permite avan?armos na dire??o do tratamento da psicose, quando o caso inclui o uso de drogas, bem como na dire??o do tratamento das toxicomanias

O presente estudo visa investigar a supervisão psicanalítica da ludoterapia de crianças que sofreram trauma e abandono, a partir da contribuição dos processos de transferência e contratransferência. Faz um estudo das relações transferenciais e contratransferenciais percebidas de forma mais destacada nas supervisões, utilizando como principal embasamento teórico, a literatura baseada na psicanálise inglesa, principalmente as concepções Kleinianas e pós-Kleinianas, partindo do pensamento de Freud, cujas formulações originaram e serviram de ponto de partida para os desenvolvimentos da teoria e da técnica psicanalítica. Ao discutir o trauma, o abandono, a ludoterapia e a supervisão psicanalítica, nesses contextos, utiliza-se, também, de elaborações teóricas de autores, como Anne Alvarez e contemporâneos, os quais tiveram grande interlocução com as teorias de Melanie Klein, e também conhecimentos provenientes de estudos e pesquisas de outras áreas que são compatíveis com esta orientação. Como material clínico, faz uso de transcrições de sessões de supervisão nas quais estão incluídas as transcrições de sessões feitas pelos psicoterapeutas para a supervisão. Para a análise do material, adota a postura investigativa própria da situação de supervisão psicanalítica sobre o que acontece nas relações paciente/supervisionando e supervisionando/supervisor. Conclui que o trauma e o abandono provocam perturbações e desorganizações psíquicas nas crianças que os sofrem, que são percebidas e vivenciadas de forma específica na sua relação com seu psicoterapeuta e na situação de supervisão. As dificuldades apresentadas na ludoterapia de crianças traumatizadas e abandonadas na instituição - as angústias mobilizadas pela realidade física e emocional delas, a transmissão dos sentimentos negativos do trauma e do abandono e convites à atuação e ao abandono do lugar de psicólogo e supervisor fazem parte da avalanche de sentimentos perturbadores, transferenciais e contratransferenciais, que envolvem psicólogos e supervisores no trabalho clínico com as crianças traumatizadas. / This study investigates the psychoanalytical supervision of the play therapy with children of have suffered trauma and abandonment, taking into account the transference and the countertransference processes in the supervision of these psychotherapeutic processes, in the view of the English psychoanalysis, in special of Melanie Klein and her followers. The discussion of the concepts of trauma and abandonment, and of the psychoanalytical supervision of play therapy in these contexts, considered also several authors who have great affinity with Kleins ideas, such as Anne Alvarez, as well as researches in other fields that were compatible with the same theoretical approach. The clinical material analysed was based in the transcriptions of the play therapy sessions with the children, brought by their psychotherapists to supervision. For this analysis it was adopted an investigative approach compatible with the psychoanalytical supervision, focussing in the relationship patient/psychotherapist, and in the relationship psychotherapist/supervisor. The investigation concluded that trauma and abandonment can cause psychological disorders in the children that were exposed to them, and these experiences have also specific influences in the child/psychotherapist relationship as well as in the psychotherapists supervision. The difficulties presented in the play therapy of traumatized and abandoned children living in a public institution, as well as the anguishes that their physical and emotional reality mobilized in their environment and in the psychotherapist, the transmission of the negative feelings related to their traumatic experiences and, the constant challenges to have acting-outs and to leave the role of psychotherapist and of supervisor, are all important elements in the transference and countertransference of the emotional disorder, that psychotherapist and supervisor have to face in their clinical work.

As crises não epilépticas psicogênicas (CNEP) podem ser definidas como episódios de alteração de movimentos, sensações ou experiência similar à epilepsia causada por processo psicológico e sem associação com descarga elétrica cerebral anormal. Estima-se que o número de casos de pacientes com CNEP seja de 2 a 33 por 100.000 habitantes. O índice de CNEP corresponde ainda a aproximadamente 5% dos pacientes tratados como epilépticos. Os pacientes com CNEP são tratados como possuindo epilepsia refratária, chegando ao limite máximo do tratamento medicamentoso e sem a obtenção de resultados satisfatórios. Objetivos: relatar os efeitos do tratamento psicanalítico individual em pacientes com CNEP. Método: A casuística foi composta por 37 pacientes com diagnóstico prévio de CNEP realizado por meio da monitorização por vídeo-EEG. Foram realizadas sessões individuais de tratamento psicanalítico, com frequência semanal, com duração aproximada de 50 minutos e duração total de 48 sessões em 12 meses. Resultados: Este estudo constatou elevado índice de sucesso no tratamento dos pacientes com CNEP: 29,7% (n=11) de cessação/cura dos sintomas e 51,4% (n=19) redução das crises convulsivas. Foi constatada associação entre cessar ou reduzir as crises e sexo (p < 0,01), religião (p < 0,01) e término do tratamento (p < 0,01). Conclusão: Este estudo apontou a eficácia do tratamento psicanalítico individual realizado com pacientes com CNEP, podendo ser considerada uma forma de assistência essencial para que haja decréscimo ou cessação das crises. / Psychogenic non-epileptic seizures (PNES) can be defined as episodes of alteration of movement, feeling or a similar experience to epilepsy caused by a psychological process and with no association with abnormal electrical discharges in the brain. It is estimated that the number of cases of patients with CNEP is from 2 to 33 in 100.000 inhabitants. The number of patients with PNES reaches 5% of those treated as epileptics. Patients with PNES are treated as if they had intractable epilepsy, with unsatisfactory results even after medication treatment is used to its maximum limits. Objectives: to present the effects of individual psychoanalytical treatment in patients with PNES. Methods: The case base was composed of 37 patients with PNES. The diagnosis was reached with video-EEG monitoring. . Psychoanalytical treatment was carried out through 12 months of weekly sessions of around 50-minutes each, in a total of 48 individual sessions. Results: This study found a high success rate in the treatment of PNES patients. 29,7% (n=11) of patients saw cessation or cure of symptoms and 51,4% (n=19) saw a decrease in the number of episodes. There is an association between cessation or decrease in the number of episodes and sex (p < 0,01), religion (p < 0,01) and concluding treatment (p < 0,01). Conclusions: Individual psychoanalytical treatment applied to patients with PNES is considered effective and can be considered as an essential form of assistance for the reduction of cessation of episodes. Psychogenic non-epileptic seizures, Conversion disorder, Psychoanalysis, Treatment

Prenant le parti de la valeur mutative du psychodrame psychanalytique, cette recherche vise une description métapsychologique de ce qui en fonde l'efficacité, comme de ses spécificités dans la mise en oeuvre des desseins psychothérapiques de la psychanalyse. L'exemple du renforcement pulsionnel propre à l'adolescence questionne les capacités de symbolisation et de montage pulsionnel permis tant par l'appareil psychique que par les dispositifs (de prothèse ou de détour) que sont les dispositifs psychothérapiques. Trois études longitudinales constituées par des récits de cures psychodramatiques d'adolescents donnent un appui à la construction d'une « figurabilité» spécifiquement psychodramatique grâce à trois opérateurs, nommés le « narratif », le « scénique » et le « dramatique ». Le but de cette recherche est la fabrique métapsychologique de ces opérateurs à l'intersection de la pratique en séance et de la littérature psychanalytique. La notion freudienne de « figurabilité » sert de cadre à la construction de ces opérateurs et à ce qu'ils articulent des capacités de symbolisation du psychisme et de celles d'un dispositif de psychothérapie. La continuité d'un éprouvé de subjectivation permis par l'opérateur du « narratif » se complète des spécificités fictionnelles de la narrativité psychodramatique. De salutaires contournements des mécanismes de censure et une plus ample fréquentation de la réalité psychique soutiennent ainsi la mise en forme des quantités pulsionnelles. La circulation de la notion de « scène » dans la métapsychologie décrit la dimension processuelle que soutient l'opérateur du « scénique ». Si la mise en scène est au service du saisissement conscient, elle opère aussi par le recours à l'hallucinatoire. Ce que la scène du psychodrame permet d'une distinction des objets et contraint d'un commerce avec eux est un facteur subjectivant d'« objectalisation » qui fait contrepoids au repli narcissique. L'objet fabriqué par le psychodrame naît des capacités d'accordage de la scène psychodramatique, celles-ci étant décrites à travers leur usage singulier de la transitionnalité. Enfin, l'opérateur du « dramatique » déploie la fécondité des modes de présence de l'acte dans la représentation psychodramatique. L'excitation véhiculée par le jeu en groupe appelle un travail constant de mise en forme qui utilise divers médiums expressifs. L'objet est à la fois celui qui provoque les quantités d'excitation et celui qui en soutiendra la liaison. L'activité figurative s'articule à une activité pare-excitante qui peut relancer l'activité régulatrice du refoulement. Entre impression et expression, l'activité esthétique du jeu de l'acteur consiste en la modulation des valeurs attribuées aux représentations. Le « dramatique » peut alors se définir comme un art des variations en quête de sens. Les objets de sens issus de ces variations d'affectation sont ensuite détaillés comme visée topographique et subjectivante des entrelacs entre réalité matérielle et réalité psychique. Par sa mise en jeu et en scène, une place de représentation est plus aisément donnée ou re-donnée au transfert afin d'en défaire la potentialité agissante. Pour finir, le dernier récit clinique permet de montrer l'utilité et le caractère structurant de ces opérateurs dans la mise en scène adolescente du second acte de la dramaturgie oedipienne. / Granting that psychoanalytic psychodrama can effect change, this project seeks to produce both a metapsychological description of the basis for its effectiveness and an account of the specific ways in which it pursues the therapeutic aims of psychoanalysis. The example of adolescent drive reinforcement raises questions about the capacities for symbolization and for the organization of drives that are made possible as often by the psychic apparatus as by the mechanisms (whether of prostheses or of detours) of psychotherapy. Three longitudinal studies, narratives of psychodramatic treatments of adolescents, anchor the construction of a specifically psychodramatic "figurability" with three modalities, the "narrative", the "scenic", and the "dramatic". This research project aims to produce a metapsychological account of these modalities at the intersection between clinical practice and the psychoanalytic literature. The Freudian notion of "figurability" serves as the framework for constructing these modalities and for representing their capacity to symbolize the psyche and to articulate a psychotherapeutic instrument. The continuity of an experience of subjectivization permitted by the "narrative" modality is completed by the fictional specificities of psychodramatic narrativity. Salutary evasions of the mechanisms of censorship and increased commerce with psychic reality thus support the shaping of drive quantities. The circulation of the notion of "scene" in metapsychology describes the dimension of process that is supported by the "scenic" modality. If the staging is at the service of a conscious awareness, it also operates through recourse to the hallucinatory. What the scene of psychodrama permits regarding a distinction of objects and constraints regarding interactions with them, is a subjectivizing factor of "objectalization" that provides a counterweight to narcissistic retreat. The object created by the psychodrama grows out of the capacities for harmonization of the psychodramatic scene, the capacities being described through their singular use of transitionality. Finally, the "dramatic" modality unfolds the fecundity of the modes of presence of the act in psychodramatic representation. The excitement conveyed by group play-acting calls for a constant work of shaping which uses various expressive media. The object is at once the one that provokes quantities of excitement and the one that will support their linking. The figurative activity is articulated with a protective shield that can relaunch the regulating activity of repression. Between impression and expression, the aesthetic activity of the actors performance consists in the modulation of the values attributed to the representations. The "dramatic" can then be defined as an art of variations in search of meaning. The meaningful objects that emerge from these variations of affectation are then scrutinized as the topographic and subjectivizing aim of the interlacings between material reality and psychic reality. By being set into play and put on stage, a place of representation is more easily given or restored to the transference so as to undo its "agieren" effective potentiality. In conclusion, the last clinical narrative makes it possible to show the utility and the structuring character of these modalities in the adolescent staging of the second act of the Oedipal drama.

This study employs psychoanalytical theories to explore how the conscious, unconscious, and subconscious workings of the mind, combined with a search for identity, are presented and dealt with in Toni Morrison’s novel Beloved (1987). It is done through a close reading and in-depth textual analysis of thematic concerns raised in the work. Previous research has primarily relied on some specific aspects of psychoanalytic theory and applied it to Beloved. The theoretical framework provides a rationale for this paper to research two events in particular that highlight the mother-daughter relationships between Sethe and her Ma’am and between Sethe and her daughter Beloved. These relationships are consequently analyzed by employing psychoanalytical concepts offered by Freud, Lacan and Kristeva. By utilizing psychoanalytical criticism, the characters’ conscious and unconscious motives and feelings are revealed and explained, as well as the meanings and the undercurrents that lie underneath the text’s consciousness. The results suggest that Sethe murdered her daughter Beloved to keep her from becoming a slave and enduring the dreadful and traumatic consequences of slavery, which was similar to what Sethe went through when she was abandoned by her Ma'am. Sethe’s childhood psychological principles and trauma shaped her identity as a mother as she witnessed her mother abandoning her at a young age by being tortured and killed. The events around Sethe’s mother’s death and the fact that Sethe never identifies her mother’s dead body, scar Sethe for life and instill in Sethe a sense of “lack” and an abnormal feeling of maternal love where she is ready to kill her children to save them from the horror of slavery.