This study examines the centralization and territorialization of state power in early China by analyzing the long-term developments in the sociopolitical structures, spatial organization, and political economy of the Qi 齊 state in present-day Shandong Province. It argues that the rise of the centralized and autocratic territorial states of Warring States China (453–221 BCE) was underpinned by the emergence of a particular matrix of sociopolitical and economic institutions that were, in a departure from the lineage- and kin-based power structures prevalent in the early first millennium BCE, predicated on certain principles of territoriality including direct infrastructural and administrative control over lands, populations, and resources. To demonstrate this shift, this study synthesizes a wide range of paleographic, archaeological, received textual, and numismatic evidence to offer a fundamental reassessment of the spatial and institutional dynamics of state power in Qi over the course of the first millennium BCE. Chapter 1 broadly examines the longue durée changes in the organization of the power structures and state institutions most prevalent across the Zhou world. It focuses especially on two main institutions: (1) the Zhou lineage system upon which the sociopolitical order of the Zhou ecumene was based until it lapsed into obsolescence toward the final few centuries of the Zhou period, and (2) the land tenure systems based upon the Zhou lineage order that correspondingly transitioned from one in which state lands were partitioned on the basis of aristocratic lineage settlements to one in which they were centrally reorganized into standardized and multi-tiered territorial-administrative units. Chapter 2 interrogates bronze inscriptions, archaeological data, and received texts to establish the geographic parameters of Qi territorial expansion from the initial Qi core region in present-day Zibo first across northern Shandong and then eventually into adjacent regions in eastern and southern Shandong. It identifies a notable shift in the strategies employed to incorporate Qi’s newly conquered territories around the sixth century BCE whereby instead of appropriating existing local kin-based power networks, Qi rulers began to implement more centralized and direct administrative control. Moreover, this chapter charts the long-term political, administrative, and spatial construction of Qi’s southern frontier in the late Spring and Autumn and early Warring States periods, the figurative and literal capstone of which was the construction of the Long Wall of Qi in the late fifth century BCE. Chapters 3 and 4 further scrutinize the territorial and administrative centralization of Qi by analyzing the internal institutional developments that occurred in Qi in parallel to its external wars of conquest. Chapter 3 investigates how the destructive internecine conflicts between Qi’s elite lineages fundamentally reshaped traditional lineage-based power networks in the state and enabled the consolidation of autocratic rulership, which the Chen lineage ultimately usurped from the old ruling house of Qi in the Warring States period. Chapter 4 examines concomitant developments in the structure of Qi officialdom, military organization, and territorial administration especially of the metropolitan region centered on the Qi capital city of Linzi by analyzing bronze and pottery inscriptions and the archaeological evidence for Linzi. Finally, chapter 5 investigates the relationship between the economic integration of northern Shandong and the centralization of state power in Qi by analyzing the evidence for salt production on the Laizhou Bay coast and the circulation of Qi knife coins to reconstruct the political economic networks of the region. This analysis suggests that state-led production and distribution of key economic resources facilitated the territorial and administrative integration of the Qi state in the Warring States period, thereby shaping Qi into a cohesive political space.

１９４９年 L'evin-Strauss據 １９２４ Shirokogoroff資料，判斷滿洲婚姻體系為 generalized exchange與restricted exchange 之混合，此說殊為可疑。本文即期觀 察完整之時間深度，上溯推擬之proto type，以求允分表現滿洲社會基本組織法則之 變遷史實。 採用資料於稱謂部分，除各時間滿語文獻外，並參對以朝鮮、蒙古記錄。婚姻資料則 廣求諸正史官書與譜牒，以求分布周延，見一社會體系之完貌。研究途徑則期以歷史 語言學與歷史學方法收集並說明資料，而以親屬理論分析所見並回饋理論。 本論文計分五章十節。緒論研究動機與範圍，並敘研究方法及說明資料背景。本論三 章則分別以清文鑑以前、增訂清文鑑以後及本世紀三個語言年代之稱謂資料分析各期 之親屬特性，且推擬並驗證所行之婚姻制度。結論則期以前述所見置諸政治、經濟大 結構內操作，試求滿洲社會史之骨架。 所得結果為﹕滿洲始終為complex system之親屬體系，雖幾度趨近elementary system ，但皆未達結構變遷地步，加以觀察深度不足，遂為前人所誤認，本文盼望能釐清若 干。

本文是探討周恩來對文藝何主張？他的文藝主張與毛澤東、劉少奇之間是否有些不同 ，乃至因不同而相爭，周恩來又採取什麼樣的態度？ 第一章說明周恩來與文獻的關係，證明周恩來酷愛文藝，與他日後的文藝主張有密切 的關係。 第二章說明毛澤東、劉少奇、周恩來的文藝主張，比較他們的不同點，從而突出了周 恩來有自己的文藝理想。 第三章從周恩來的文藝講話，說明五十年代，中共領導人對文藝的看法，由合而分。 第四章具體證明周恩來提出自己的文藝主張。 第五章文化大革命之前，毛澤東、劉少奇兩派發生文藝論戰，周採取何種態度？他的 文藝生活有沒受到影響等等。 結論周恩來的文藝精神－藝術民主 論文共乙冊，全文約五萬字。

This thesis deals with analysis of development of Chinese views on the origins of Chinese culture and statehood in view of archaeological research between the years 1940 and 1980. The analysis is based on information provided by popularizing media, specifically Chinese newspapers and high school textbooks, which are paired with archaeological overview from specialized publications written in English, Czech and Chinese language. Thesis consists of three parts. Firstly, it outlines development in archeology during four decades and the impact of nonacademic influence on scientific work. It serves as theoretical reference frame for the following analysis of Chinese sources. The second chapter deals with reflection of archaeological research in articles of the People's Daily newspapers. How are the archaeological findings valued by society, how does state ideology impacts on their research and it is related to that what are the geographical tendencies. Terminology and biased manner of expression in articles are also included to analysis. The third chapter consists of the study of views on the history of Chinese antiquity in textbooks. In which ways were textological historiography and outcome of archaeological research combined, including factual chronology of historical events and geographical location...

黃秀顏. / 论文(哲学博士)--香港中文大学, 2002. / 参考文献 (p. 241-258). / 中英文摘要. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Huang Xiuyan. / Zhong Ying wen zhai yao. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2002. / Can kao wen xian (p. 241-258).

本論文主要在探討商周二代之宗廟祭禮。祭禮在五禮中屬吉禮，又分內祭、外祭兩種 ，外祭祀天地日月星辰與四望山川；內祭即宗廟祀祖之祭，是教親敬養之延長。歷年 來禮家討論宗廟祭禮，每自三代言之，殷周之制尤為紛淆錯雜，常將後儒思想包含於 其中，不盡合於真實，因此於甲骨文、金文為題，以殷商可信之史料為主，參諸經籍 ，討論殷周宗廟祭禮。全文約八萬字，分五章，章名如左： 第一章緒論，第二章用甲骨文中之宗廟祭禮，第三章金文中之宗廟祭禮，第四章宗廟 祭禮之意義，第五章結論。

第一章： 理學之先驅：第一節 韓愈與佛學：一、韓愈與理學，二、韓愈與佛；第二 節 李翱與佛學；第三節 柳宗元與佛學。 第二章 朱子理學之淵源：第一節：周敦頤與佛學（西元１０１７∼１０７３）：一、太極圖 二、通書；第二節 張載與佛學（西元１０２１∼１０７８）：一、西銘，二、正蒙 ； 第三節 程顥與佛學（西元１０２３∼１０８５）：一、識仁篇，二、定性書，三性一元論； 第四節 程頤與佛學（西元１０３３∼１１０７）：一、理氣說，三、主敬、窮理說，四、主 敬、理氣說與佛學；第五節 楊時與佛學（西元１０５３∼１１３５）；第六節 羅 從彥豫章、李侗（延平）與佛學：一、羅從彥西元１０７２∼１１３５），二、李侗 （西元１０９３∼１１６３），三、劉勉之（白水）、胡憲（藉溪）、劉子 （屏山 ）。第三章 朱子理學與佛學之關係：一、朱子西元１１３０∼１２００）生平與學術，二、朱子 理學與佛學之淵源。壹、論心性理氣部份：第一節 太極說與佛學；第二節 理氣說與佛學；第三節 氣質說與佛學；第四節 心理、性 理說與佛學；第五節 性情說與佛學；二、論修養部份；第一節 涵養、省察說佛學 第二節 主靜、主敬說與佛學；第三節 天理、人欲說與佛學；第四節 知、行說與 佛學。 第四章 朱子闢佛之研討：壹、學理部份；第一節 從宇宙觀探討朱子之闢佛：一 、朱子之宇宙觀，二、從朱子之宇宙觀論其闢佛，三、佛氏之宇宙觀；第二節 從本 體論探討朱子之闢佛：一、朱子之本體論 ，二從朱子之本體論論其闢佛 ，三、佛氏 之本體論；第三節從教育學探討朱子之闢佛：一、從心性論看，二從教育之宗旨與階 次看，從教育之目的與步驟看，四、從教育之內容看，五、從修養論看，六從施教之 深淺次第看；第四節 從倫理學探討朱子之闢佛：一、佛氏有關孝道之倫理，二、佛 氏有關君臣之倫理，三、佛氏有關夫婦之倫理，四佛氏有關兄弟、朋友之倫理，五、 佛氏有關師弟之倫理。 貳、存養部份：第一節 辨釋氏以知覺運動言性之非，第二節 辨釋氏以心求心之非 ，第三節 辨釋氏有上達無下學之非，第四節 辨釋氏有敬以直內無義以方外之非， 第五節 辨釋氏有克己工夫而無復禮之非，第六節辨釋氏頓悟求速之非，第七節 辨 釋氏一覺之外不復事事非非，第八節 辨釋氏參話頭終日味無義語之非。 結論。

本文將討論重心從傳統認知的楚文化圈，轉化為楚系文化圈，以「楚系」文化作為理解江漢流域東周文化的關鍵，而非討論楚人所進行的單面向征服。希望能透過此一研究角度的轉換，關照地域文化內部的多元族群，得以分梳政治權力與文化勢力的影響。 　　楚國郢都為楚系文化長期發展的重心，而郢都核心區的範圍，大體可對應為楚國的「王畿」，是以楚王居所與中央官署為中心所形成的區塊。楚國郢都行政體系已有一定規模，然而由地方勢力與封君控制的封邑，以及州的存在，阻礙中央對地方資源的徵調，致使楚王的支配權無法貫徹。 　　除了界定楚系文化核心的空間，本文也循楚人追溯先世之記憶，以楚人早期發展的沮漳之地，探索郢都文化的成形。沮漳河沿岸所見的大型城邑與春秋楚貴族墓群，呈現楚文化早期嘗試創新，卻受限於既有禮制之過程。戰國時期，郢都成為楚系文化繼起之重心，本文整合郢都核心區的貴族（士以上）墓葬資料，並參考楚地所出可資對照的實物，探討高等級墓葬所共享的文化特質。 　　本文前半部份的討論主軸在於楚國政體規畫，釐清楚國權力核心的範圍。然而，楚系文化圈之成立，政治勢力的拓展雖為其主要環節，最終仍著眼於文化圈內的住民能擁有同時性（simultaneity）的文化認知。先秦時期的政治控制與文化接受的關係複雜，兩者發展的進程是否同軌，仍需進一步考察。本文著眼於考古成果，分別探討楚人與楚系文化自郢都循長江的東、西向發展。對於西境的探討，首先整合渝東地區的出土資料，探討巴、楚文化彼此之間的採借與融合形式，以及整體峽區的物質流通。其後，再將討論焦點放於湘西與西陵峽地區，觀察楚人經營「西境」的模式。至於楚人的東向擴張，則有一段從漢東到東國的歷程，本部分討論著重探討江淮地帶的「吳頭楚尾」之地，將從楚人最初的東拓目標──漢水以東地區進行討論，再順長江而下，繼續討論楚國勢力東進至江淮間的過程，以及楚系文化於東國結構之下的發展。 　　戰國末期，楚作為政治實體已趨消亡，但是楚系文化圈生機未斷。楚人「東國」及其延伸的「南楚」領域，仍展現了一定的文化創制動力。此一由湘江、資水流域，經過江漢交會處的武漢，再到長江下游，循長江走向的區塊，在楚國政權亡覆前，憑藉楚系文化而有所整合。直至西漢初年，地方社群的文化表現猶能見其痕跡。當楚系文化不再依憑政治擴張的推動力量，其文化風格之延續，可作為解析早期中國地域文化發展的進一步課題。

Indiana University-Purdue University Indianapolis (IUPUI) / We study the one-parameter family of determinants $det(I-\gamma K_{PII}),\gamma\in\mathbb{R}$ of an integrable Fredholm operator $K_{PII}$ acting on the interval $(-s,s)$ whose kernel is constructed out of the $\Psi$-function associated with the Hastings-McLeod solution of the second Painlev\'e equation. In case $\gamma=1$, this Fredholm determinant describes the critical behavior of the eigenvalue gap probabilities of a random Hermitian matrix chosen from the Unitary Ensemble in the bulk double scaling limit near a quadratic zero of the limiting mean eigenvalue density. Using the Riemann-Hilbert method, we evaluate the large $s$-asymptotics of $\det(I-\gamma K_)$ for all values of the real parameter $\gamma$.

Gu Taiqing (1799-1876) also known as Gu Chun was poetess of Manchu origin, author of shi poems, ci lyrics and the first Chinese novel written by woman. Research of the diploma thesis is based on ci lyrics collection Fisherman`s songs from Eastern Sea and partly on shi poems Collection from the Tower of Celestial Wandering. Gu Taiqing`s poetry, of which some translations are included, is strongly autobiographical and it almost represents chronicle of her life. Poems give opportunity to explore her curriculum vitae, lyrics on the other hand create space for Gu Taiqing`s unique poetry language. Gu Taiqing expresses herself in many ways - as devoted wife, loving mother, faithful friend, art enthusiast, traveller and flower fancier. The main directions of her poetry was poetic interview or exchange with her husband Yihui and poems addressed to her friends - poetesses, members of The Autumn Red poetess circle. Gu Taiqing was inspired by each of the following Song poets: Zhou Bangyan, Jiang Baishi, Li Qingzhao, and their specific influence on Gu Taiqing`s poetry will be shown with examples in the diploma thesis. Gu Taiqing's poetry connects traditional literature with the first diffident exploration of the new territory. Gu Taiqing`s unique poetic expression completes woman chambers poetry and shows the...